Starlite Campbell Band Technical Specification - DRIVING
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Band SuppliedBackline / Equipment to be providedQntyRequested Microphones / DI’sNotes
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SUZY STARLITE: Bass and Vocals
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Vocal microphone1Shure SM58 / Shure Beta58
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HiWatt DR201 (200W tube bass head)
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Bergantino 610 (6x10) speaker cabinet1Sennheiser MD421 / Beyer M88Suzy's 'sound' comes from the amp and therefore we only use microphones and hence no DI
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SIMON CAMPBELL: Guitars and Vocals
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Vocal microphone1Shure Beta58 Shure SM58
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Gartone Bandmaster 3x101Sennheiser E906 / Shure SM57
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Germino Classic 45 with 4x121Sennheiser E906 / Shure SM58
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ULTRACASE guitar rack (4 way)1
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JONNY HENDERSON: Keyboards
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Hammond B3
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Drum throne
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Leslie 122 (horn L)1Shure SM57 / Sennheiser MD 421
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Leslie 122 (horn R)1Shure SM57 / Sennheiser MD 421
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Leslie 122 (bass)1EV RE20 / Sennheiser MD 423
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Wurlitzer EP200A1BSS AR133
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Fender Deluxe Reverb1Shure SM57 / Sennheiser MD 421
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STEVE GIBSON: Drums
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Full Crash #1 18” Paiste Signature2AKG 414 Left / Right O/H
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Full Crash #2 16” Paiste Signature
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Full Crash #3 22” Paiste Signature
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Custom Ride: 20” Paiste Signature
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Hi-Hat: 14” Paiste Signature1Shure SM81
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DW Kick Drum Pedal1
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SAKAE Drum Throne1
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#1 Kick: SAKAE Trilogy 22x141Shure Beta 91A
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1AKG D112
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#2 Snare: SAKAE Trilogy 14x6.5 with stand1Shure SM57
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#3 Rack: SAKAE Trilogy 12x81Sennheiser E904
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#4 Floor: SAKAE Trilogy 14x141Sennheiser E904
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#5 Floor: SAKAE Trilogy 16x161Sennheiser E904
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Non slip mat / carpet for the riser1
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NOTES
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See drawing starlite-campbell-band.pdf for monitor details and positioning: https://drive.google.com/file/d/0Bz9rWhBoU5EZVHlHV1EzZjZGaGc/view
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Drum riser required to accomodate all the kit, monitors and Steve's small monitor mixing console
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PA & MONITORS
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Steve Gibson has his own in ear monitoring system and needs a stereo feed from the monitor console
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PA and Monitor systems should be of premium quality (d&b audiotechnik, EM Acoustics, Meyer Sound, L Acoustics, Martin Audio et al) with even coverage across the venue / festival field
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Consoles should be high end digital Midas / Soundcraft / Digidesign / Allen & Heath / Yamaha
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A monitor engineer and console is required
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We prefer to provide our own FOH engineer but if not a highly experienced person is required. A resume would be good to check in advance
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The band prefer a touch of reverb to the vocals and other than that a dry sound as you would expect in the mid/late 60's
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The band require clean 240/220V power which is properly grounded / earthed with ELCB
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SOUNDCHECK & PERFORMANCE
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Monitor/FOH settings should be saved digitally following the sound check
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We will need to equalise the temperature / humidity of instruments one hour prior to the performance in a secure location adjacent to the stage
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Recording of the performance is strictly prohibited unless agreed in advance with the band
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The band will require a soundcheck for monitors and line check for FOH of 30/45 minutes
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Stage should be level, stable and if metal, properly earthed / grounded
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