Starlite Campbell Band Technical Specification - DRIVING
 Share
The version of the browser you are using is no longer supported. Please upgrade to a supported browser.Dismiss

 
View only
 
 
Still loading...
ABCDEFGHIJKLMNOPQRSTUVWXYZ
1
Band SuppliedBackline RequiredQntyRequested Microphones / DI’sNotes
2
JONNY HENDERSON: Keyboards
3
Hammond B3
4
Drum throne
5
Leslie 122 (horn L)1Shure SM57 / Sennheiser MD 421
6
Leslie 122 (horn R)Shure SM57 / Sennheiser MD 421
7
Leslie 122 (bass)EV RE20 / Sennheiser MD 423
8
Wurlitzer EP200A1BSS AR133
9
Fender Deluxe Reverb1Shure SM57 / Sennheiser MD 421
10
STEVE GIBSON: Drums
11
Crash #1 18” K Zildjian with boom stand1AKG 414 Left O/H
12
Crash #2 14” K Zildjian with boom stand1AKG 414 Right O/H
13
Ride: 20” K Zildjian with boom stand1
14
Hi-Hat: 14” Paiste 2002 with boom stand1Shure SM81
15
DW Kick Drum Pedal1
16
SAKAE Drum Throne1
17
#1 Kick: SAKAE Trilogy 22x141Shure Beta 91A
18
1AKG D112
19
#2 Snare: SAKAE Trilogy 14x6.5 with stand1Shure SM57
20
#3 Rack: SAKAE Trilogy 12x81Sennheiser MD421
21
#4 Floor: SAKAE Trilogy 14x141Sennheiser MD421
22
#5 Floor: SAKAE Trilogy 16x161Sennheiser MD421
23
Non slip mat / carpet for the riser1
24
SIMON CAMPBELL: Guitars and Vocals
25
Vocal microphone1Shure SM58 / Shure Beta58
26
Gartone Bandmaster 3x1o1Shure SM57 or Royer R-122/121
27
Germino Classic 45 with 4x121Shure SM57 or Royer R-122/122
28
ULTRACASE guitar rack (4 way) or equivalent1
29
SUZY STARLITE: Bass and Vocals
30
Vocal microphone1Shure SM87C / Neumann KMS 104
31
HiWatt DR201 (200W tube bass head) 2
32
Bergantino 610 (6x10) speaker cabinet2Sennheiser MD421
33
Orchid muting DIBand Supplied DIEarth lifted, balanced XLR output - Phantom required
34
35
NOTES
36
37
1
See drawing starlite-campbell-band.pdf for monitor details and positioning
38
2
Drum riser required to accomodate all the kit, monitors and Steve's small monitir mixing console
39
40
PA & MONITORS
41
42
1
Steve Gibson has his own in ear monitoring system and needs a stereo feed from the monitor console
43
2
PA and Monitor systems should be of premium quality (d&b audiotechnik, EM Acoustics, Meyer Sound) with even coverage across the venue / festival field
44
3
Consoles should be high end digital Midas / Soundcraft / Digidesign / Allen & Heath
45
4
A monitor engineer and console is required
46
5
We prefer to provide our own FOH engineer but if not a highly experienced person is required. A resume would be good to check in advance
47
6
The band prefer a touch of reverb to the vocals and other than that a dry sound as you would expect in the mid/late 60's
48
7
The band require clean 240/220V power which is properly grounded / earthed with ELCB
49
50
SOUNDCHECK & PERFORMANCE
51
52
1
Monitor/FOH settings should be saved digitally following the sound check
53
2
We will need to equalise the temperature / humidity of instruments one hour prior to the performance in a secure location adjacent to the stage
54
3
Recording of the performance is strictly prohibited unless agreed in advance with the band
55
4
The band will require a soundcheck for monitors and line check for FOH of 30/45 minutes
56
5
Stage shoulkd be level, stable and if metal, properly earthed / grounded
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
Loading...
 
 
 
Requirements