| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
1 | KINTSUGI: FUMI MATSUEDA | |||||||
2 | ROUGH SHOOTING SCHEDULE | Director: Ryan Handt | DP: Stephen Marino | 5 Shoot Days | |||||||
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4 | DAY 1 | NYC — INT/EXT | Astoria, Queens | Fumi's Apartment + Garage | Call: 7:00 AM | |||||||
5 | Scene | Description | Location Detail | Setup/Approach | Lens Est. | Pages | Est. Time | Notes |
6 | 1 | ECU — Fumi concentrating, wincing; toe wiggle reveal | Living Room INT | Tight lens, practical light | 85/100mm | 1/8 | 45 min | Opening hook — nail eyeline + foot ECU in one setup |
7 | 3 | Son playing with toy motorcycles — LOW ANGLE | Living Room INT | Ground plate, natural window light | 35mm | 1/8 | 30 min | Child actor — have alt takes covered |
8 | 5 | Wide: Son plays, Fumi watches from kitchen, rinses cup | Living Room INT | Rack focus Son → Fumi | 35/50mm | 1/4 | 45 min | Key domestic warmth shot |
9 | 7 | Fumi ruffles son's hair, walks to door | Living Room INT | Low shot, locked off | 35mm | 1/8 | 30 min | Dialogue: 'See you tonight, champ' |
10 | 8 | Fumi exits — front door wide | Living Room / Door | Wide, locked off | 35mm | 1/8 | 20 min | Match to EXT if needed |
11 | 9–10 | Garage wide + Fumi on bike, customer scene | Fumi's Garage INT | Practical + 1 LED fill — suit on wall must be visible | 50/85mm | 1 | 90 min | Key dialogue scene — racing suit hero prop |
12 | 12 | Couch recovery montage — time blur | Living Room INT | Lock off | 24/35mm | 1/2 | 60 min | Plan speed ramp in post — shoot wide coverage |
13 | 13 | ECU Fumi watching toes — sees kids playing | Living Room INT | Match Sc.1 setup — lighting warmer | 85/100mm | 1/8 | 30 min | Emotional pivot |
14 | 14–16 | Rehab montage — garage + living room with kids | Garage + Living Room | Quick cuts — 4–5 setups | Various | 1/4 | 45 min | Kids + crutches props needed |
15 | DAY 1 EST. WRAP: 7:00 PM | ~13 setups | Approx. 8 shoot hours + 1hr lunch | |||||||
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17 | DAY 2 | NYC — EXT | Astoria Streets | Fumi's Garage Exterior | Call: 7:30 AM | |||||||
18 | Scene | Description | Location Detail | Setup/Approach | Lens Est. | Pages | Est. Time | Notes |
19 | 17 | Fumi riding through city — errands, friends | Astoria Streets EXT | Follow car or handheld moto — golden hour preferred | 35/24mm | 1/2 | 120 min | NYC film permit required — or guerrilla on quiet streets |
20 | 25 | Fumi closes garage, rides off into evening | Fumi's Garage EXT | Magic hour — lock up + mount bike | 35mm | 1/8 | 30 min | Shoot end of day for light |
21 | B-roll | Astoria street texture — neighborhood, signage, atmosphere | Various EXT | Director + DP grab shots | Various | — | 60 min | Lean crew or just Ryan + Stephen |
22 | DAY 2 EST. WRAP: 5:00 PM | Lighter day — riding + exteriors | Approx. 6 shoot hours | |||||||
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24 | DAY 3-4 | RACETRACK — DAY/NIGHT | Square Deal Riders — 163 Allen Rd, Port Crane, NY 13833 | ~3hr from NYC | Call: 11:30 AM DEPART (2 Days) | |||||||
25 | Scene | Description | Location Detail | Setup/Approach | Lens Est. | Pages | Est. Time | Notes |
26 | 4,6 | Racetrack dust/motorcycle inserts — intercut w/ living room | Track EXT | Dust, wheels, close-passing bikes — run & gun | 200/300mm | 1/4 | 60 min | Best during actual race or practice — coordinate w/ SDR |
27 | 11 | Flattrack racing montage — fast cuts, fans, chaos | Track EXT | Multiple angles — high, low, trackside | 24/85/200mm | 1/2 | 120 min | Spectacle sequence — plan 6–8 setups minimum |
28 | 18 | Pits — Fumi + Paul arrive, unload, prep bikes | Pits EXT | Documentary feel, handheld | 35mm | 1/2 | 60 min | Dialogue: 'How you feeling, Fumi?' |
29 | 19 | Fumi suits up, rides out for warm-up laps | Pits → Track EXT | Follow on foot or moto | 35/50mm | 1/4 | 45 min | |
30 | 20–21 | Fumi POV on track — accident flashback intercut | Track EXT | POV + tight on helmet/face | GoPro + 85mm | 1/4 | 45 min | Flashback cuts in post — plan clean mount |
31 | 22 | Fumi pits — crouches by van, phone call with Asami | Pits EXT | Intimate, close — quiet against loud BG | 50/85mm | 1/2 | 45 min | Dialogue scene — contrast of stillness vs. track energy |
32 | 23 | Night — stands filling, electric energy, announcer VO | Track EXT | Wide establishing + crowd inserts | 24/35mm | 1/4 | 30 min | Shoot as sun drops — commit to night for final hour |
33 | 24 | Starting line — countdown, bikes launch, Fumi still | Track EXT — NIGHT | KEY SCENE: locked wide + ECU Fumi face | 35mm + 85mm | 1/2 | 60 min | Film's emotional climax — build buffer time here |
34 | 27 | Fumi alone on track at night — final image | Track EXT — NIGHT | Single rider, track lights on, atmospheric | 35/50mm | 1/8 | 30 min | Last shot of the film — plan for blue hour |
35 | DAY 3-4 EST. WRAP: D1 - 10:30 PM - D2 8am-10pm | Depart NYC 11:30am · ~3hr drive · Overnight in Binghamton area | |||||||
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37 | DAY 5 | NYC — PICKUPS | Fumi's Apartment + Garage | INT | Call: 10:00 AM | |||||||
38 | Scene | Description | Location Detail | Setup/Approach | Lens Est. | Pages | Est. Time | Notes |
39 | 26 | Fumi home — sits on floor with kids, plays with toy motorcycle | Living Room INT | Warm, low — match opening tone | 50/85mm | 1/4 | 60 min | Bookend to Sc.3 — must feel earned |
40 | 27 | Son's motor sounds blend w/ track audio — hand + toy bike dissolve | Living Room INT | ECU hand + toy bike on carpet | 100mm macro | 1/8 | 30 min | Clean audio for sound design — no BG noise |
41 | Pickups | Missed INT coverage, inserts, reaction shots | Various INT | Director's discretion | TBD | — | 120 min | Buffer for anything dropped Day 1 |
42 | DAY 4 EST. WRAP: 5:00 PM | Half-day pace | Approx. 5 shoot hours — edit buffer built in | |||||||
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44 | SCHEDULE SUMMARY | |||||||
45 | Day | Type | Location | Est. Hours | Focus | |||
46 | Day 1 | NYC Interior | Fumi's Apartment + Garage, Astoria | ~8 hrs | Core drama, domestic scenes, garage dialogue | |||
47 | Day 2 | NYC Exterior | Astoria Streets + Garage Ext. | ~6 hrs | Riding, street texture, closing exterior | |||
48 | Day 3 | Racetrack | Square Deal Riders — 163 Allen Rd, Port Crane NY | ~6 hrs | Empty track - final image | |||
49 | Day 4 | Racetrack | Square Deal Riders — 163 Allen Rd, Port Crane NY | ~12 hrs | Racing action, pits, night race, final image | |||
50 | Day 5 | NYC Pickups | Fumi's Apartment + Garage | ~5 hrs | Final coverage, inserts, buffer day | |||
51 | TOTAL: 5 SHOOT DAYS | ~37 PRODUCTION HOURS | NYC (Astoria) + Square Deal Riders Raceway, Port Crane NY | squaredealriders.com | |||||||
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