A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | PURPOSE: Tests provide an introduction to the discipline of Western Dressage; the horse performs only at the walk and jog. The rider should demonstrate correct basic position, use of basic aids, and understanding of the figures. The horse should show relaxation; harmony between horse and rider is important. The horse accepts the aids and influence of the rider. The jog should be a natural gait within the horse's scope and should demonstrate a swinging back. | JUDGE | Janice Mumford | |||||||||||||||||||||||
2 | RIDER # | 10547-3 | Link: | https://youtu.be/6FF8cMaMFsk?si=ZJH4qqq2MgXkIZtA | ||||||||||||||||||||||
3 | NAME: | Sarah Bitzer | Notes: | requires extra | ||||||||||||||||||||||
4 | Max Pts: | 220 | ||||||||||||||||||||||||
5 | Final Score: | 65.682% | ||||||||||||||||||||||||
6 | ||||||||||||||||||||||||||
7 | ||||||||||||||||||||||||||
8 | 2022 WDAA INTRO LEVEL TEST 1 | |||||||||||||||||||||||||
9 | ||||||||||||||||||||||||||
10 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
11 | 1 | A C | Enter working jog, proceed down center line without halting Track left, working jog | Straightness; regularity and quality of the jog; balance and bend in the turn. | 6.5 | 6.5 | shoulders wobble on CL | |||||||||||||||||||
12 | 2 | E - B B | Half circle left 20m, working jog Proceed straight ahead, working jog | Balance and inside bend on the half circle; straightness; regularity and quality of the jog. | 7 | 7 | fairly steady tempo | |||||||||||||||||||
13 | 3 | Between M & C | Develop working walk | Willing, smooth transition; balance and bend in the corners; regularity and quality of the walk. | 7 | 7 | balanced trans, careful not to retract reins but to follow | |||||||||||||||||||
14 | 4 | H - B B | Change rein, free walk Working walk | Horse willing to freely stretch the neck forward and down; relaxation; swing through the back; ground cover; willing, smooth transition; regularity and quality of the walks. | 6.5 | 2 | 13 | right drift in stretch | ||||||||||||||||||
15 | 5 | F | Halt 4 seconds. Proceed working walk | Balance in transition to square, straight halt; immobility; willing, smooth transition; regularity and quality of the walk; balance and bend in the corner. | 6 | 2 | 12 | unbalanced in halt | ||||||||||||||||||
16 | 6 | Between A & K | Develop working jog | Willing, smooth transition; straightness; regularity and quality of the jog | 5.5 | 5.5 | needs better preparation in trans, fussy in contact after | |||||||||||||||||||
17 | 7 | E - B B | Half circle right 20m, working jog Proceed straight ahead, working jog | Balance and inside bend on the half circle; straightness; regularity and quality of the jog. | 5 | 5 | falls thru outside shoulder first half | |||||||||||||||||||
18 | 8 | Between F & A | Develop working walk | Willing, smooth transition; balance and bend in the corner; regularity and quality of the walk. | 7 | 7 | willing trans | |||||||||||||||||||
19 | 9 | K - B B | Change rein, free walk Working walk | Horse willing to freely stretch the neck forward and down; relaxation; swing through the back; ground cover; willing, smooth transition; regularity and quality of the walks. | 7 | 2 | 14 | fairly willing to stretch | ||||||||||||||||||
20 | 10 | M | Halt 4 seconds Proceed working walk | Balance in transition to square, straight halt; immobility; willing, smooth transition; regularity and quality of the walk; balance and bend in the corner. | 8 | 2 | 16 | |||||||||||||||||||
21 | 11 | Between C - H H - X - F | Develop working jog Change rein, working jog | Willing, smooth transition; balance and bend in the corners; straightness; regularity and quality of the jog | 7 | 7 | prepare better for turn at H, fairly steady after | |||||||||||||||||||
22 | 12 | A X G | Down centerline Working walk Halt, salute | Balance and bend in the turn; straightness; regularity and quality of the jog; willing, smooth transition; regularity and quality of the walk; balance in downward transition to square, straight halt; immobility. | 6 | 6 | loss of straightness on CL | |||||||||||||||||||
23 | Leave arena in free walk. Exit at A. | |||||||||||||||||||||||||
24 | ||||||||||||||||||||||||||
25 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
26 | 1 | Gaits | Freedom and regularity | 7 | 7 | |||||||||||||||||||||
27 | 2 | Impulsion | Desire to move forward with suppleness of the back and steady tempo. | 7 | 7 | |||||||||||||||||||||
28 | 3 | Rider’s Position, Seat, and Hands | Well-balanced elastic seat demonstrating vertical, centered alignment, with light independent contact from hand(s) | 6.5 | 6.5 | hands high | ||||||||||||||||||||
29 | 4 | Rider’s Correct and Effective Use of the Aids | Evidenced by the horse's responsiveness; steady elastic connection cultivating athletic expression. Accuracy - precise placement of the figures and transitions, the effectiveness of the rider's aids determines the accurate fulfillment of the required movements of the tests | 6 | 6 | lifting inside hand on corners and 1/2 circles, more effective leg aids | ||||||||||||||||||||
30 | 5 | Harmony | The horse accepts the aids and influence of the rider with attention, relaxation and confidence; and demonstrates a willing partnership between horse and rider resulting in a free flowing performance | 6 | 2 | 12 | quieter in contact | |||||||||||||||||||
31 | Work to develop better bending aids to improve lateral supplenes and connection to bit. Much potential with improved basics. | |||||||||||||||||||||||||
32 | ||||||||||||||||||||||||||
33 | ||||||||||||||||||||||||||
34 | ||||||||||||||||||||||||||
35 | ||||||||||||||||||||||||||
36 | POINTS: | 144.5 | ||||||||||||||||||||||||
37 | ERRORS: | 0.000% | ||||||||||||||||||||||||
38 | SUBTOTAL: | 144.5 | ||||||||||||||||||||||||
39 | SCORE: | 65.682% | ||||||||||||||||||||||||
40 | ||||||||||||||||||||||||||
41 | On centerlines and diagonals keep your right leg on lightly at the girth to help keep the right shoulder from falling right. Lower your forearms so there is a more direct line from hand to bit. Keep your shoulder & head level on 1/2 circles & corners. When turning turn inside wrist outward so the thumb comes up to create bend not by lifting your hand. As you turn your wrist as turning a key also keep your legs on the horse. The 4 second halt needs to be secure before the move off. This means if he moves his feet start the count over. Prepare transitions when in the corner by first applying a light bending aid (turn the key) to maintain connection. When turning across the diagonal turn the outside shoulder at the letter to improve straightness, then keep the letter you are riding to between the horse's ears. If he starts to drift apply the leg first before. At the right 1/2 circle at E put a cone at the centerline point. About a stride before E turn your hips slightly and focus at the cone over the centerline. You wil turn your inside wrist like turning a key and keep both legs on for straightness. | |||||||||||||||||||||||||
42 | ||||||||||||||||||||||||||
43 | ||||||||||||||||||||||||||
44 | ||||||||||||||||||||||||||
45 | ||||||||||||||||||||||||||
46 | ||||||||||||||||||||||||||
47 | ||||||||||||||||||||||||||
48 | ||||||||||||||||||||||||||
49 | ||||||||||||||||||||||||||
50 | ||||||||||||||||||||||||||
51 | ||||||||||||||||||||||||||
52 | ||||||||||||||||||||||||||
53 | ||||||||||||||||||||||||||
54 | ||||||||||||||||||||||||||
55 | ||||||||||||||||||||||||||
56 | ||||||||||||||||||||||||||
57 | ||||||||||||||||||||||||||
58 | ||||||||||||||||||||||||||
59 | ||||||||||||||||||||||||||
60 | ||||||||||||||||||||||||||
61 | ||||||||||||||||||||||||||
62 | ||||||||||||||||||||||||||
63 | ||||||||||||||||||||||||||
64 | ||||||||||||||||||||||||||
65 | ||||||||||||||||||||||||||
66 | ||||||||||||||||||||||||||
67 | ||||||||||||||||||||||||||
68 | ||||||||||||||||||||||||||
69 | ||||||||||||||||||||||||||
70 | ||||||||||||||||||||||||||
71 | ||||||||||||||||||||||||||
72 | ||||||||||||||||||||||||||
73 | ||||||||||||||||||||||||||
74 | ||||||||||||||||||||||||||
75 | ||||||||||||||||||||||||||
76 | ||||||||||||||||||||||||||
77 | ||||||||||||||||||||||||||
78 | ||||||||||||||||||||||||||
79 | ||||||||||||||||||||||||||
80 | ||||||||||||||||||||||||||
81 | ||||||||||||||||||||||||||
82 | ||||||||||||||||||||||||||
83 | ||||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||
85 | ||||||||||||||||||||||||||
86 | ||||||||||||||||||||||||||
87 | ||||||||||||||||||||||||||
88 | ||||||||||||||||||||||||||
89 | ||||||||||||||||||||||||||
90 | ||||||||||||||||||||||||||
91 | ||||||||||||||||||||||||||
92 | ||||||||||||||||||||||||||
93 | ||||||||||||||||||||||||||
94 | ||||||||||||||||||||||||||
95 | ||||||||||||||||||||||||||
96 | ||||||||||||||||||||||||||
97 | ||||||||||||||||||||||||||
98 | ||||||||||||||||||||||||||
99 | ||||||||||||||||||||||||||
100 |