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1 | Old_Term | Old-Term_Features | New_Term_Features | Logic | Voice Rules | Other Data Entry Rules | August 9 201 Comments to update Definitions and Forms | |||||||||||||||||||||||
2 | MUSICAL TYPES | |||||||||||||||||||||||||||||
3 | Cantus Firmus | Voice | Voice | NEW: CF can be combined with other musical types. | Text Entry: One voice only [for future: list of numbers separated by commas] | Text on page should say "Voice" not "Voices" | ||||||||||||||||||||||||
4 | Cantus Firmus | Pitch+Rhythm (=default) | Pitch+Rhythm (=default) | Label "Which Features?", then Radio Buttons or Dropdown to offer three exclusive choices: "Both Pitches and Durations" "Pitches Only" "Durations Only" | ||||||||||||||||||||||||||
5 | Cantus Firmus | Pitch Only | Pitch Only | (See previous) | ||||||||||||||||||||||||||
6 | Cantus Firmus | Rhythm Only | Rhythm Only | (See previous) | ||||||||||||||||||||||||||
7 | Soggetto | Voice | Voice | CANNOT be combined with other musical types (other than CF) | Text Entry: One voice only [for future: list of numbers separated by commas] | Text on page should say "Voice" not "Voices" | ||||||||||||||||||||||||
8 | Soggetto | Pitch+Rhythm (=default) | Pitch+Rhythm (=default) | Use Radio Buttons or Dropdown to offer three exclusive choices: "Both Pitches and Durations" "Pitches Only" "Durations Only" | ||||||||||||||||||||||||||
9 | Soggetto | Pitch Only | Pitch Only | (See previous) | ||||||||||||||||||||||||||
10 | Soggetto | Rhythm Only | Rhythm Only | (See previous) | ||||||||||||||||||||||||||
11 | Soggetto | Ostinato | Ostinato | OK as check box. Put BELOW the radio buttons or drop down if possible | ||||||||||||||||||||||||||
12 | Soggetto | Periodic | Periodic | OK as check box. Put BELOW the radio buttons or drop down if possible | ||||||||||||||||||||||||||
13 | Counter Soggetto | Voice | Voice | CANNOT be combined with other musical types (other than CF) | Text Entry: One voice only [for future: list of numbers separated by commas] | Text on page should say "Voice" not "Voices" | ||||||||||||||||||||||||
14 | Counter Soggetto | Pitch+Rhythm (=default) | Pitch+Rhythm (=default) | Label "Which Features?", then Radio Buttons or Dropdown to offer three exclusive choices: "Both Pitches and Durations" "Pitches Only" "Durations Only" | ||||||||||||||||||||||||||
15 | Counter Soggetto | Pitch Only | Pitch Only | (See previous) | ||||||||||||||||||||||||||
16 | Counter Soggetto | Rhythm Only | Rhythm Only | (See previous) | ||||||||||||||||||||||||||
17 | Counter Soggetto | Ostinato | Ostinato | OK as check box. Put BELOW the radio buttons or drop down if possible | ||||||||||||||||||||||||||
18 | Counter Soggetto | Periodic | Periodic | OK as check box. Put BELOW the radio buttons or drop down if possible | ||||||||||||||||||||||||||
19 | ||||||||||||||||||||||||||||||
20 | Contrapuntal Duo | Voices | Voices | CANNOT be combined with other musical types (other than CF) | Text Entry: Two voices only [for future: list of numbers separated by commas] | OK | ||||||||||||||||||||||||
21 | Fuga | Voices | Voices | CANNOT be combined with other musical types (other than CF) | TEXT entry: At LEAST two voices | OK | ||||||||||||||||||||||||
22 | Fuga | Intervals | Entry Intervals | TEXT Entry. List of numbers followed by + or -, separated by commas | intervals of imitative entries (relative to previous voice, repeated as needed, without separators, for instance: "8-"). | "Entry Intervals" instead of "Intervals" | ||||||||||||||||||||||||
23 | Fuga | Time Intervals | Time Intervals | Text Entry: Letter followed by or or more numbers, each separated by "/" | time intervals of entries (relative to previous voice, counting from first onset; up to but not including onset of next voice. Enter slashes between and after each count, but not after letter designating the basic time interval. For instance: "B1/4/1" or "M6/12/6") | OK | ||||||||||||||||||||||||
24 | Fuga | Periodic | Periodic | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
25 | Fuga | Sequential | Sequential | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
26 | Fuga | Strict | Strict | Strict CANNOT be combined with Flexed or Flexed Tonal | Label or leading for "Regularlity?" Use Radio Buttons or Dropdown to offer three exclusive choices: "Strict" "Flexed" "Flexed Tonal" | |||||||||||||||||||||||||
27 | Fuga | Flexed | Flexed | Flexed and Flexed Tonal CAN be combined with each other. | (See previous) | |||||||||||||||||||||||||
28 | Fuga | Flexed Tonal | Flexed Tonal | Flexed and Flexed Tonal CAN be combined with each other. | (See previous) | |||||||||||||||||||||||||
29 | Fuga | Inverted | Inverted | Strict CAN be combined with Inverted and Retrograde (assuming that things are exactly inverted or reversed!) | OK as checkbox, BELOW the Radio buttons if possible | |||||||||||||||||||||||||
30 | Fuga | Retrograde | Retrograde | Strict CAN be combined with Inverted and Retrograde (assuming that things are exactly inverted or reversed!) | OK as checkbox, BELOW the Radio buttons if possible | |||||||||||||||||||||||||
31 | Imitative Duos | Voices | Voices | CANNOT be combined with other musical types (other than CF) | Text Entry: Any EVEN number of voices | OK | ||||||||||||||||||||||||
32 | Imitative Duos | Entry Intervals | Entry Intervals | Text Entry: List of numbers followed by + or -, separated by commas | "Entry Intervals" (as see in Fuga, etc) | |||||||||||||||||||||||||
33 | Imitative Duos | Time Intervals | Time Intervals | Text Entry: Letter followed by or or more numbers, each separated by "/" | intervals of imitative entries (relative to previous voice, repeated as needed, without separators, for instance: "8-5+8-") | OK | ||||||||||||||||||||||||
34 | Imitative Duos | Invertible Counterpoint | Invertible Counterpoint | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
35 | Imitative Duos | Strict | Strict | Strict is NOT compatible with Flexed or Flexed Tonal | Label or leading for "Regularlity?" Use Radio Buttons or Dropdown to offer three exclusive choices: "Strict" "Flexed" "Flexed Tonal" | |||||||||||||||||||||||||
36 | Imitative Duos | Flexed | Flexed | Strict is NOT compatible with Flexed or Flexed Tonal | (See previous) | |||||||||||||||||||||||||
37 | Imitative Duos | Flexed Tonal | Flexed Tonal | Strict is NOT compatible with Flexed or Flexed Tonal | (See previous) | |||||||||||||||||||||||||
38 | Periodic Entries | Voices | Voices | CANNOT be combined with other musical types (other than CF) | Text Entry: At LEAST THREE voices | OK | ||||||||||||||||||||||||
39 | Periodic Entries | Entry Intervals | Entry Intervals | Text Entry: List of numbers followed by + or -, separated by commas | OK (Fuga and Imitative Duos should use this term too) | |||||||||||||||||||||||||
40 | Periodic Entries | Time Intervals | Time Intervals | Text Entry: Letter followed by or or more numbers, each separated by "/" | OK | |||||||||||||||||||||||||
41 | Periodic Entries | Invertible Counterpoint | Invertible Counterpoint | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
42 | Periodic Entries | Strict | Strict | Strict is NOT compatible with Flexed or Flexed Tonal. Strict is compatible with Added Entries, but these are to be mentioned in comments, not the metadata or EMA selection | Label or leading for "Regularlity?" then Radio Buttons or Dropdown to offer three exclusive choices: "Strict" "Flexed" "Flexed Tonal" | |||||||||||||||||||||||||
43 | Periodic Entries | Flexed | Flexed | Strict is NOT compatible with Flexed or Flexed Tonal | (See previous) | |||||||||||||||||||||||||
44 | Periodic Entries | Flexed Tonal | Flexed Tonal | Strict is NOT compatible with Flexed or Flexed Tonal | (See previous) | |||||||||||||||||||||||||
45 | Periodic Entries | Sequential | Sequential | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
46 | Periodic Entries | Added Entries | Added Entries | Strict is compatible with Added Entries, but these are to be mentioned in comments, not the metadata or EMA selection | The added entries can be mentioned in a comment for the observation, but should not be included in the EMA selection or the metadata for the PEn itself. | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||
47 | Non-Imitative Duos | Voices | Voices | Text Entry: Any EVEN number of Voices, separated by commas | OK | |||||||||||||||||||||||||
48 | Non-Imitative Duos | Entry Intervals | Entry Intervals | Text Entry: List of numbers followed by + or -, separated by commas | intervals of imitative entries (relative to uppermost voice of previous pair, repeated as needed, without separators, for instance: "8-", or 8+) | OK | ||||||||||||||||||||||||
49 | Non-Imitative Duos | Time Intervals | Time Intervals | Text Entry: Letter followed by or or more numbers, each separated by "/" | time intervals of entries (relative to first voice of previous pair, counting from first onset; up to but not including onset of first voice of the next pair. Enter slashes between and after each count, but not after letter designating the basic time interval. For instance: "B2" or "M4/4") | OK | ||||||||||||||||||||||||
50 | Non-Imitative Duos | Invertible Counterpoint | Invertible Counterpoint | OK | ||||||||||||||||||||||||||
51 | Non-Imitative Duos | Strict | Strict | Strict is NOT compatible with Flexed or Flexed Tonal | Label or leading for "Regularlity?" Use Radio Buttons or Dropdown to offer three exclusive choices: "Strict" "Flexed" "Flexed Tonal" | |||||||||||||||||||||||||
52 | Non-Imitative Duos | Flexed | Flexed | Strict is NOT compatible with Flexed or Flexed Tonal | (See previous) | |||||||||||||||||||||||||
53 | Non-Imitative Duos | Flexed Tonal | Flexed Tonal | Strict is NOT compatible with Flexed or Flexed Tonal | (See previous) | |||||||||||||||||||||||||
54 | Non-Imitative Duos | Sequential | Sequential | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
55 | Homorhythm | Voices | Voices | Text Entry: At LEAST THREE voices | Be sure to add "Voices" text box for HR | |||||||||||||||||||||||||
56 | Homorhythm | Simple (HR=default) | Simple (HR=default) | CANNOT be combined with other musical types (other than CF).The various HR types are mutually exclusive, EXCEPT HR-D, which can be used with others. | Label for "Select HR Type", followed by Radio Buttons or Dropdown to offer three exclusive choices: "Simple" "Staggered" "Sequential" "Fauxbourdon" | |||||||||||||||||||||||||
57 | Homorhythm | Staggered or ruffled (HR-S) | Staggered or ruffled (HR-S) | The various HR types are mutually exclusive, EXCEPT HR-D, which can be used with others. | ||||||||||||||||||||||||||
58 | Homorhythm | Sequential (HR-Sq) | Sequential (HR-Sq) | The various HR types are mutually exclusive, EXCEPT HR-D, which can be used with others. | ||||||||||||||||||||||||||
59 | Homorhythm | Dialogue (HR-D) | The various HR types are mutually exclusive, EXCEPT HR-D, which can be used with others. | OK as checkbox, BELOW the Radio buttons if possible | ||||||||||||||||||||||||||
60 | Homorhythm | Fauxbourdon (HR-F) | Fauxbourdon (HR-F) | The various HR types are mutually exclusive, EXCEPT HR-D, which can be used with others. | ||||||||||||||||||||||||||
61 | Cadence | Tone | Tone | C, D, E, F, G, A B-flat, E-flat | Label for "Tone", followed by Drop down or radio buttons with the following values as options: C D E E-flat F G A B B-flat | |||||||||||||||||||||||||
62 | Cadence | Type | Type | Authentic, Phrygian, Plagal | Label for "Type", Radio Buttons or Dropdown to offer three exclusive choices: "Authentic" "Phrygian" "Plagal" | |||||||||||||||||||||||||
63 | Cadence | Voices | Voices | Text box. Validation can come later. | ||||||||||||||||||||||||||
64 | Cadence | Authentic | Authentic | CANNOT be combined with any other type except Interval Patterns. CANNOT be combined with Plagal or Phrygian cadence types | Text Entry TWO voices only | *Voice Roles are indicated with the score (first voice is the cantizans, the second is the tenorizans, e.g.: S/T, or A/B) * Final Tone Is the octave or unison reached by cantizans and tenorizans. In case of Plagal use the lowest tone of the ensemble. | Ignore! | |||||||||||||||||||||||
65 | Cadence | Plagal | Plagal | CANNOT be combined with any other type except Interval Patterns. CANNOT be combined with Plagal or Phrygian cadence types | Text Entry ONE voice only | Final tone is just the lowest tone of the ensemble in case of Plagal | Ignore! | |||||||||||||||||||||||
66 | Cadence | Phrygian | Phrygian | CANNOT be combined with any other type except Interval Patterns. CANNOT be combined with Plagal or Phrygian cadence types | Text Entry TWO voices only | *Voice Roles are indicated with the score (first voice is the cantizans, the second is the tenorizans, e.g.: S/T, or A/B) * Final Tone Is the octave or unison reached by cantizans and tenorizans. In case of Plagal use the lowest tone of the ensemble. | Ignore! | |||||||||||||||||||||||
67 | Cadence | Overlapping | Overlapping | Checkbox | ||||||||||||||||||||||||||
68 | Cadence | Dovetail Voice | Dovetail Voice | Text Entry ONE voice only (Optional!) | One voice only | Label for "Dovetail Cadence?", followed by Text box, and then radio buttons as seen below | ||||||||||||||||||||||||
69 | Cadence | Dovetail Interval | Dovetail Interval | Now deleting dovetail interval. No longer needed. | Ignore! | |||||||||||||||||||||||||
70 | Cadence | Dovetail Position | Choice of Above/Between/Below only (or none) | Position = above/between/below. These are mutually exclusive. | Radio buttons or drop down. Default is none of these, but there needs to be a way to 'cancel' a mistake, so keep Not applicable? | |||||||||||||||||||||||||
71 | Cadence | Irregular Cadence | Simple Boolean, based on | Check box ok | ||||||||||||||||||||||||||
72 | Cadence | Irregular Roles | Voice ROLE: limited choice of: Cantizans, Altizans, Tenorizons, Bassizans | Data is not real voice name, but voice ROLE: Cantizans, Altizans, Tenorizans, Bassizans (CATB?) | Label for "Irregular Cadence?", followed by check boxes for up to four entries ok | |||||||||||||||||||||||||
73 | Cadence | Inverted | Inverted | Fields no longer needed. Data migrates to Boolean TRUE for Irregular Cadence | Ignore! | |||||||||||||||||||||||||
74 | Cadence | Evaded | Evaded | Fields no longer needed. Data migrates to Boolean TRUE for Irregular Cadence | Ignore! | |||||||||||||||||||||||||
75 | Cadence | Incomplete | Incomplete | Fields no longer needed. Data migrates to Boolean TRUE for Irregular Cadence | Ignore! | |||||||||||||||||||||||||
76 | Interval Patterns | Parallel 6ths | Parallel 6ths | CAN be combined any other type | VOICES NOT NEEDED | OK | ||||||||||||||||||||||||
77 | Interval Patterns | Parallel 3rds | CAN be combined any other type | OK | ||||||||||||||||||||||||||
78 | Interval Patterns | Parallel 10ths | CAN be combined any other type | OK | ||||||||||||||||||||||||||
79 | Interval Patterns | Alternating 3/5 | CAN be combined any other type | OK | ||||||||||||||||||||||||||
80 | Interval Patterns | Alternating 8/3 | CAN be combined any other type | OK | ||||||||||||||||||||||||||
81 | Interval Patterns | Alternating 6/5 | CAN be combined any other type | OK | ||||||||||||||||||||||||||
82 | Interval Patterns | Preparation | Heading or text "Preparation?", followed by Radio Buttons or Dropdown to offer three exclusive choices: "Prepared" "Unprepared" | |||||||||||||||||||||||||||
83 | Interval Patterns | Suspension | CAN be combined any other type | RADIO BUTTON choice of Prepared OR Unprepared, plus Checkbox for Suspended (which can go with either of the first two). Some kind of way to uncheck, or default “none” for all of them. | *Three possible values: Prepared/Unprepared/Suspended. *The first TWO of these are mutually exclusive | Check box for this ok | ||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||||||
85 | RELATIONSHIPS | Omission | ||||||||||||||||||||||||||||
86 | Quotation | Exact | Exact | CANNOT be any other Relationship Type | Can involve ANY musical type | |||||||||||||||||||||||||
87 | Quotation | Monnayage | Monnayage | CANNOT be any other Relationship Type | Can involve ANY musical type | |||||||||||||||||||||||||
88 | Transformation Mechanical | Sounding In Different Voices | Sounding In Different Voices | CANNOT be any other Relationship Type | Alphabetical Order probably ok here in Mech Transformation. I don't see any way to group them | |||||||||||||||||||||||||
89 | Transformation Mechanical | Melodically Inverted | Melodically Inverted | |||||||||||||||||||||||||||
90 | Transformation Mechanical | Retrograde | Retrograde | |||||||||||||||||||||||||||
91 | Transformation Mechanical | Metrically Shifted | Metrically Shifted | |||||||||||||||||||||||||||
92 | Transformation Mechanical | Transposed | Transposed | Cannot be combined with Transposed Different Amounts | ||||||||||||||||||||||||||
93 | Transformation Mechanical | Transposed Different Amounts | Transposed Different Amounts | Cannot be combined with Transposed | ||||||||||||||||||||||||||
94 | Transformation Mechanical | Systematic Diminution | Systematic Diminution | |||||||||||||||||||||||||||
95 | Transformation Mechanical | Systematic Augmentation | Systematic Augmentation | |||||||||||||||||||||||||||
96 | Transformation Non Mechanical | Embellished | Embellished | Embellish and Reduced are mutually exclusive | Group Embellish and Reduced under a LABEL that says: "Activity" | |||||||||||||||||||||||||
97 | Transformation Non Mechanical | Reduced | Reduced | Group Embellish and Reduced under a LABEL that says: "Activity" | ||||||||||||||||||||||||||
98 | Transformation Non Mechanical | Amplified | Amplified | Amplified and Truncated are mutually exclusive | Group Ampflied and Trunctated under a LABEL that says: "Extent" | |||||||||||||||||||||||||
99 | Transformation Non Mechanical | Truncated | Truncated | Group Ampflied and Trunctated under a LABEL that says: "Extent" | ||||||||||||||||||||||||||
100 | Transformation Non Mechanical | Sounding In Different Voices | The rest in Non Mech Transformation can simply be an alphabetical list |