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1 | Timestamp | Score Title | Best Used for | Woodwinds | Brass | Percussion | Ensemble | Rate this Piece | Last Name, First Name | |||||||||||||||||
2 | 6.061538462 | |||||||||||||||||||||||||
3 | 6/20/2020 15:48:45 | Alarm | Opener, March | Clarinet trils, upper ww solis. | Fun melodic and counter melodies I hear from the trumpets | Exciting parts. | Really cool call and response between sections with a syncopated motif. Really intense piece, could be fun to play. | 8 | Currey, Elizabeth | |||||||||||||||||
4 | 6/20/2020 15:48:59 | Alarm | Opener | Range, might be an issue. | Endurance | Difficult mallet parts. | Intonation during dissonance. | 7 | Sherwin, Robert | |||||||||||||||||
5 | 6/20/2020 15:49:01 | Alarm | Closer | Articulations | Features low brass melody. | Features timpani | Tuning tritone melodies | 6 | Forman, Toby | |||||||||||||||||
6 | 6/20/2020 15:49:01 | Alarm | Opener | - Melody lines in low reeds | - Melody lines in low brass | - Starts with percussion - Exposed timpani parts | - Heavy syncopation - Good piece to work on accents | 7 | Olson, Kelsi | |||||||||||||||||
7 | 6/20/2020 15:49:02 | Alarm | Closer | high woodwinds accented 8th note passages. | A few low brass features. | Some 16th notes in the snare | Accents throughout. | 6 | Groenenboom, Michael | |||||||||||||||||
8 | 6/20/2020 15:49:02 | Alarm | Opener, Closer | There are a lot of articulated passages and runs that would prove to be challenging on the surface. | There are a lot of heavy articulations. | Many big moments for percussion. | There are a lot of unison sections. | 4 | Johnson, Johnathan | |||||||||||||||||
9 | 6/20/2020 15:49:02 | Alarm | Change of Pace, Closer, Novelty | fun woodwind blips and interjections | Crazy fun brass parts! Very prominent | lots of percussion exposed and fun parts | Such a fun piece with a ton of percussion! | 9 | Ukrisna, Heather | |||||||||||||||||
10 | 6/20/2020 15:49:05 | Alarm | Opener, Novelty | Woodwinds can get covered up easily | Trumpets are playing at the top of their range during the forte pianos | There are a lot of percussion parts which will keep the students engaged, however, they can become noisy. Mallet parts accent the syncopation throughout the piece Lots of percussion interludes. | This piece is very loud and thickly scored which can result in it being noisy | 8 | Lenhart, Stephanie | |||||||||||||||||
11 | 6/20/2020 15:49:05 | Alarm | Contest, Closer | Articulation!! | Articulation!! | Percussion dominant | Some mixed meter | 8 | Garrett, Alana | |||||||||||||||||
12 | 6/20/2020 15:49:07 | Alarm | Opener | range, rhythm and rest reading | range, dynamic contrast | Instrumentation, balance, players are busy playing several different instruments | contrasting between connected and separated articulations | 5 | Martinez, Enrique | |||||||||||||||||
13 | 6/20/2020 15:49:09 | Alarm | Opener | No obvious woodwind features | Strong brass right at the start | Strong percussion right at the start | Rhythmically challenging- everyone is playing something slightly different. Fast paced but themes are repeated | 7 | Leath, Claire | |||||||||||||||||
14 | 6/20/2020 15:49:10 | Alarm | Opener | -Woodwinds double brass, not very unique parts | -Features a melody in low brass (and low woodwinds) | -Begins with a strong battery percussion opening -Features timpani solo in the middle section | -Includes heavy syncopation and some tricky rhythms -Includes many accents | 7 | Sylvester, Greg | |||||||||||||||||
15 | 6/20/2020 15:49:11 | Alarm | March | Simple, great opportunity to work on articulation. | A lot of fun lines | A lot of great percussion, would be excellent to feature them or give them a challenge. | Great ensemble | 7 | Dix, Darren | |||||||||||||||||
16 | 6/20/2020 15:49:11 | Alarm | Contest | - | Requires articulation variances | Brake Drum | Mixed Meter | 7 | Allen, Daniel | |||||||||||||||||
17 | 6/20/2020 15:49:12 | Alarm | Novelty | Many repeated rhythms. | Many repeated rhythms | Lots of various instruments | Uses multiple types cymbals. Check instrument list to make sure you have everything. | 6 | Kieckhafer, Adam | |||||||||||||||||
18 | 6/20/2020 15:49:13 | Alarm | Opener, Novelty | Woodwinds play lots of driving/ syncopated eighth notes. | Brass range and rhythms are very comfortable. | Fun and engaging percussion. | Lots of unison rhythms, this would make a good piece for younger bands. There are a few spots with time signature changes and some dissonant harmony. | 8 | Dysart, Benjamin | |||||||||||||||||
19 | 6/20/2020 15:49:13 | Alarm | Opener | Block scoring | Block scoring range | interactive | Lots of block scoring | 5 | Kelly, Charles | |||||||||||||||||
20 | 6/20/2020 15:49:18 | Alarm | Opener | Lots of articulation demands | Lots of articulation demands | Large, demanding percussion section--lots of instruments and parts | Fun piece with lots of cool accented patterns | 8 | Priest, Kaitlyn | |||||||||||||||||
21 | 6/20/2020 15:49:18 | Alarm | Contest, Novelty | Flute divisi, | not enough time | not enough time | not enough time | 4 | Summers, Geoffrey | |||||||||||||||||
22 | 6/20/2020 15:49:19 | Alarm | Closer | . | prominent, repetitive low brass line | around 10 parts. | lots of variety of articulation, maintaining good tone in loud dynamics, | 2 | Parrilla, Samuel | |||||||||||||||||
23 | 6/20/2020 15:49:22 | Alarm | Contest | Hard to tell. | Dissonant harmonies which will take effort to keep the students playing their part. | Fully integrated into the texture so provide interest. | Accents could get too heavy. | 5 | Battersby, Thomas | |||||||||||||||||
24 | 6/20/2020 15:49:23 | Alarm | Closer | Woodwind parts seem appropriate for the level. | Nice strong brass parts! | Very active percussion parts! | Overall great piece | 7 | Canas, Eric | |||||||||||||||||
25 | 6/20/2020 15:49:28 | Alarm | Opener | - good low clarinet writing | -Low Brass has melody | -percussion very involved! - 6 percussion parts that can be covered by 7 players. | - Intense piece. -Rhythmically driven -Short for opener. | 5 | Rouse, Kevin | |||||||||||||||||
26 | 6/20/2020 15:49:30 | Alarm | Opener | 2 pt. clarinet | 2 part tpt. | 10 percussionists that include brake drum; timpani; need solid mallet players | Grade 1.5; full scoring | 8 | Theilacker, Jennifer | |||||||||||||||||
27 | 6/20/2020 15:49:30 | Alarm | Opener | Articulations in flutes at beginning | Using correct fingerings | Not overpowering the band | Lining up rhythms | 6 | Brockman, Kenneth | |||||||||||||||||
28 | 6/20/2020 15:49:30 | Alarm | Closer | Low reed melody opportunities Woodwind special effects | Challenging brass sections throughout, especially upper brass at the beginning Low brass sections have melody opportunities | Many percussion parts available to keep players involved | Full sound and instrumentation during the whole piece | 8 | Chambless, Victoria | |||||||||||||||||
29 | 6/20/2020 15:49:31 | Alarm | Contest | Articulation, | Aggressive, loud | Interesting and engaging parts, | Overall articulated piece, loud, angry sounding. | 5 | Woods, Ana | |||||||||||||||||
30 | 6/20/2020 15:49:31 | Alarm | Closer, Novelty | Low wws with the underlying pattern at 15 (w/low brass) | Stacatto 8th notes | 7+ players needed | time signature changes | 5 | Carpenter, Gary | |||||||||||||||||
31 | 6/20/2020 15:49:32 | Alarm | Novelty, Thematic | Fun sound with easy parts, middle school level | Repeating low brass line, trumpet gets the "alarm" sound with trumpets on 2nds | Mallet percussion is in octaves, percussion part easy, 6 parts, nice timpani feature | Thematic sounding | 7 | Tessling, Zachary | |||||||||||||||||
32 | 6/20/2020 15:49:36 | Alarm | Opener | good for working on articulations | lots of fun parts | need lots of percussionists | Gets a little repetitive at times, but is high energy. A good way to introduce some dissonance | 6 | Watts, Hope | |||||||||||||||||
33 | 6/20/2020 15:49:36 | Alarm | Opener, Closer | Strengths: Repetitive motives make it easier for the ww Difficulties: | Strengths: Fun to play! Difficulties: Less rests may prove taxing at the end of a concert | Strengths: Lots of variety Difficulties: Requires a lot of percussionists and a brake drum | Strengths: Bold and aggressive! Difficulties: Will be easy to overplay, may cause intonation issues | 7 | Kuipers, Peter | |||||||||||||||||
34 | 6/20/2020 15:49:36 | Alarm | Closer | Playing with a consistent staccato articulation may be challenging. | Will need a strong low brass section to carry the melodic ostinatos in the beginning. | This piece features some strong drum parts, which may challenge weaker percussionists. | Controlling intonation at the louder volumes could be difficult. | 4 | Hegwood, Jonathan | |||||||||||||||||
35 | 6/20/2020 15:49:37 | Alarm | Opener, Novelty | Repetitive, most challenging thing is articulation | Lots of dynamics. | Some faster mallet parts. | This would be a good piece for high energy but low risk. | 6 | Priest, Gregory | |||||||||||||||||
36 | 6/20/2020 15:49:37 | Alarm | Opener, Closer | quick staccato | balancing and tone in louder section | full percussion | Group articulation | 7 | Bryant, Christina | |||||||||||||||||
37 | 6/20/2020 15:49:38 | Alarm | Change of Pace | Repetitive staccato material | Powerful, driving syncopated melody Will need to work on the balance of the overlapping brass parts | Percussion heavy Lots of auxiliary percussion | Heavy Syncopation | 5 | Garza, Lisa | |||||||||||||||||
38 | 6/20/2020 15:49:40 | Alarm | Opener | The woodwinds play in open intervals and must tune well. | The brass plays mostly in forte and features many accents. | The percussion section plays in a strident manner and very accented. | This is an excellence opportunity to play in accents. | 5 | Macias, Juanpablo | |||||||||||||||||
39 | 6/20/2020 15:49:40 | Alarm | Opener | Placement of accents in repeated eighth note sections. Some dissonances between instruments. | Some dissonances between instruments. Accents and articulations. | Lots of percussion with lots of independence. | Unison FP in winds. Dissonances/tritones in melody. Dynamics and texture contrast. Accents and meter. | 7 | Paradis, Jeff | |||||||||||||||||
40 | 6/20/2020 15:49:40 | Alarm | Closer | Accidentals | Strong low brass needed | Good percussion piece | Matching articulation | 6 | Waite, Greg | |||||||||||||||||
41 | 6/20/2020 15:49:41 | Alarm | Contest | lots of unison | lots of unison | lots of percussion parts; uses brake drum; | pretty easy, sounds like a regular "band" piece; | 3 | Flaherty, Jean | |||||||||||||||||
42 | 6/20/2020 15:49:41 | Alarm | Closer | Not a lot of exposed stuff. | Heavy brass and low winds in opening, but repetitive, which is good for younger students. Mostly brass. Need a strong brass section. | Sounds like quite a bit of percussion going, so lots of opportunities to expose students to things outside of snare and bass. Exposed percussion section. | Fun piece to close with. Brass heavy. Repetitive rhythms, fun percussion part. | 5 | Webb. Amelia | |||||||||||||||||
43 | 6/20/2020 15:49:41 | Alarm | Closer | Challenging technical parts | Projection, Brass is pretty big all throughout the piece | Very active percussion | Big ensemble moments | 6 | Thurow, Kevin | |||||||||||||||||
44 | 6/20/2020 15:49:43 | Alarm | Opener | No score--hard to say, sorry. | No score--hard to say, sorry. | No score--hard to say, sorry. | No score--hard to say, sorry. | 3 | Wetherington, John | |||||||||||||||||
45 | 6/20/2020 15:49:44 | Alarm | Opener | Dissonance of seconds in flute parts | ran out of time | ran out of time | Lots of unison moments; different types of accents used; working on tonguing consecutive notes together | 5 | Brock, Caitlin | |||||||||||||||||
46 | 6/20/2020 15:49:45 | Alarm | Opener | I didn't hear too much woodwind here. Maybe a good piece if you have a woodwind heavy piece elsewhere in the concert. | Good for a brass section looking for something to sink their teeth into. | Good piece to keep percussion busy with. Lots of percussion throughout. and timpani features. | Nice and loud piece. Sounds fun | 7 | Maag, Edward | |||||||||||||||||
47 | 6/20/2020 15:49:45 | Alarm | Closer | A lot of repeating staccato 8th notes in some of the WW parts. The group must be able to play well as an ensemble. | Not enough time to answer | Great piece if you have a lot of percussionists! | Overall, sounds much harder than it actually is. | 8 | Poss, Rachel | |||||||||||||||||
48 | 6/20/2020 15:49:48 | Alarm | Contest, Closer | Nice moments to showcase syncopations. | Nice opportunities for more aggressive playing in the section. Some really interesting horn riffs against the trumpet lines are great to build independence. | Use of the brake drum and other things, | Note length would be an important concept to cover with this piece, as parts and rhythms and phrases are phrased back and forth. | 8 | Campopiano, Shawn | |||||||||||||||||
49 | 6/20/2020 15:49:56 | Alarm | Solo/Soli Feature | The woodwinds do not have too many technical challenges | The low brass is very prominent. It may be hard to play in tune while playing that quickly for more inexperienced players. Muted high brass will bring intonation issues. | The percussion ostinato is incredibly important in terms of time. If the ostinato is not in time, the winds will not be able to play in time. | A lot of tutti music which gives the ensemble lots of vertical alignment work. | 4 | Baker, Michael | |||||||||||||||||
50 | 6/20/2020 15:49:59 | Alarm | Opener | Accessible parts and ranges for young ensembles. | Accessible parts and ranges for young ensembles. | Basic rhythms and rudiments, some exposed parts. | Variety of articulations, some mixed meter (4/4 and 2/4). | 6 | Olisar, Jeremy | |||||||||||||||||
51 | 6/20/2020 15:50:10 | Alarm | Contest | Octave parts written in flute. | Nice chance for a bolstering sound. | Several percussion parts. 2 mallets, 3 percussion, timpani. | Heavily articulated. Frequent dynamic changes. Some meter changes. | 6 | Clark, McKenzie | |||||||||||||||||
52 | 6/20/2020 15:50:11 | Alarm | Opener | Intonation on the dissonant chords on chords. | Articulation needs to be a focus. Staccato vs. Accent | Lots of instruments that they might not be playing all of the time! | Great ensemble piece! | 9 | Garnreiter, Sean | |||||||||||||||||
53 | 6/20/2020 15:50:13 | Alarm | Opener | Lot of fast runs and trills throughout the entire piece. | Some higher range moments with a lot of heavy articulations. Could test endurance quite a bit. | Some expanded instrumentation throughout the piece. May require extra students. | Lot of balance things and varying articulations. | 5 | Skiba, Matthew | |||||||||||||||||
54 | 6/20/2020 15:50:16 | Alarm | Opener | Repetitive rhythms | There is some low brass melody | Very active Percussion parts | -Intonation on the notes that clash -Lots of contrasting articulation | 6 | Elvert, Molly | |||||||||||||||||
55 | 6/20/2020 15:50:26 | Alarm | Closer | + - includes a Eb Clarinet and Soprano Sax parts - smaller programs won't have those available | - Range! | + lots of ensemble parts! | + Lots of ensemble rhythm and articulations! - | 6 | Matta, Elizabeth | |||||||||||||||||
56 | 6/20/2020 15:50:33 | Alarm | Opener | The woodwinds act as color in this piece. The piece features many staccato eighth notes in the high winds. | There is a lot of brass tutti with the main melody. | There are a lot of great auxiliary percussion features in this piece! | Overall the piece is very loud, so making sure the band is playing loud with a good tone will need to be considered. | 7 | Becker, Vivian | |||||||||||||||||
57 | 6/20/2020 15:50:45 | Alarm | Closer | Short, accented notes used, need clear tonguing | Maintain good tone even in forte, accented sections | Percussion is active and needed for the high energy | Dissonance used well | 6 | Evans, James Spencer | |||||||||||||||||
58 | 6/20/2020 15:50:58 | Alarm | Opener | Split parts with some tough intervals and accidentals | Don't overpower other members of the ensemble with the harsh accents and loud dynamics. don't overplay! | Nice variety of percussion parts all with interesting things happening throughout the whole piece | Proper accent placement is really important for this piece. | 7 | Maguire, Ian | |||||||||||||||||
59 | 6/20/2020 15:51:16 | Alarm | Contest | Range of the line may have intonation issues. | Not over blowing the strong sections will need attention. | Mallet part is important. | Heavily scored balance will need to we . | 8 | Thompson, Cathy | |||||||||||||||||
60 | 6/20/2020 15:52:27 | Alarm | Closer | Appropriate ranges. | Trumpets are playing to D in the staff. | Lots of percussion. Great piece if you have lots of percussionists. | The ensemble will have a lot of fun playing an energetic piece like this. Make sure they know it has other dynamics than FF. | 10 | Paim, Marco | |||||||||||||||||
61 | 6/20/2020 15:53:25 | Alarm | Closer | -Upper woodwinds, key signature. | -Many accidentals | -Percussion is heavy, requires 7-8 . | -Steady 8th notes throughout the entire piece P | 7 | Ramirez, Eric | |||||||||||||||||
62 | 6/20/2020 15:53:33 | Alarm | Opener | Some range things, articulations are challenging. | Some challenging loud moments, dense chordal moments. (whole steps etc) | Mlt perc. 1 has many repeated 8th notes | fp crescendo, quick dynamic changes, | 4 | Mowry, Hannah | |||||||||||||||||
63 | 6/20/2020 16:07:12 | Alarm | Opener, Closer | 1) Lots of fast moving parts 2) Fingerings could be an issue | 1) Lots of accents 2) Need to work on balance of low brass parts | Very involved percussion | Articulation will need lots of attention | 5 | Justice, Alex | |||||||||||||||||
64 | 6/20/2020 16:41:18 | Alarm | Contest | Cb’s against D’s in the flute parts! | G#’s against A’s in trumpets! | 16th note rhythms in snare | dense, thick scoring, tutti eighth note rhythms. | 3 | Lapointe, Tina | |||||||||||||||||
65 | 6/20/2020 16:41:38 | Alarm | Opener | Cb against D in flute part | G# against A in trumpets | 16th notes in SD part | Tutti eighth note rhythms | 6 | lapointe, Gilbert | |||||||||||||||||
66 | 6/21/2020 4:56:45 | Alarm | Contest | Cb’s against D’s in the flute parts! | G#’s against A’s in trumpets! | 16th note rhythms in snare | dense, thick scoring, tutti eighth note rhythms. | 3 | Lapointe, Tina | |||||||||||||||||
67 | 6/21/2020 7:33:25 | Alarm | Contest | Cb’s against D’s in the flute parts! | G#’s against A’s in trumpets! | 16th note rhythms in snare | dense, thick scoring, tutti eighth note rhythms. | 3 | Lapointe, Tina | |||||||||||||||||
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