A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | AP Art Studio | |||||||||||||||||||||
2 | Quarter 1 | |||||||||||||||||||||
3 | Unit 1: Concentration Ideas | |||||||||||||||||||||
4 | Students will work on ideas for their concentration. Through sketchbook assignments that raise questions of why we create art, students will develop a central theme or ideas for their portfolio. Common Vocabulary: Portfolio, Concentration, Theme. Body of work. | DOK | Introduce (I) Developing (D) Master (M) Reinforce (R) | |||||||||||||||||||
5 | Code | Standard | ||||||||||||||||||||
6 | MA:Cr1A.III | Integrate aesthetic principles with a variety of generative methods to fluently form original ideas, solutions, and innovations in media arts creation processes | 4 | D | ||||||||||||||||||
7 | MA:Cr2A.III | Integrate a sophisticated personal aesthetic and knowledge of systems processes in forming, testing, and proposing original artistic ideas, prototypes, and production frameworks, considering complex constraints of goals, time, resources, and personal limitations. | 4 | D | ||||||||||||||||||
8 | MA:Cr3A.III | Synthesize content, processes, and components to express compelling purpose, story, emotion, or ideas in complex media arts productions, demonstrating mastery of associated principles, such as hybridization. | 4 | D | ||||||||||||||||||
9 | ||||||||||||||||||||||
10 | ||||||||||||||||||||||
11 | Unit 2: Concentration Portfolio | |||||||||||||||||||||
12 | Students will be creating a body of work consisting of 15-20 pieces with a central theme or concentration. Common Vocabulary: Portfolio, Concentration, Theme, Body of Work. | DOK | Introduce (I) Developing (D) Master (M) Reinforce (R) | |||||||||||||||||||
13 | Code | Standard | ||||||||||||||||||||
14 | MA:Cr1A.III | MA:Cr1A.III Integrate aesthetic principles with a variety of generative methods to fluently form original ideas, solutions, and innovations in media arts creation processes | 4 | D | ||||||||||||||||||
15 | MA:Cr2A.III | MA:Cr2A.III Integrate a sophisticated personal aesthetic and knowledge of systems processes in forming, testing, and proposing original artistic ideas, prototypes, and production frameworks, considering complex constraints of goals, time, resources, and personal limitations. | 4 | D | ||||||||||||||||||
16 | MA:Cr3A.III | MA:Cr3A.III . Synthesize content, processes, and components to express compelling purpose, story, emotion, or ideas in complex media arts productions, demonstrating mastery of associated principles, such as hybridization. | 4 | D | ||||||||||||||||||
17 | ||||||||||||||||||||||
18 | ||||||||||||||||||||||
19 | Unit 3:Quality Portfolio | |||||||||||||||||||||
20 | Students will be creating a body of work consisting of 15-20 pieces with a central theme or concentration. Within this portfolio students will choose 5 pieces that will be submitted under the quality section of the portfolio. These pieces should represent the best craftsmanship the student has to offer. Common Vocabulary: Portifilio, Concentration, Theme, Body of Work. | DOK | Introduce (I) Developing (D) Master (M) Reinforce (R) | |||||||||||||||||||
21 | Code | Standard | ||||||||||||||||||||
22 | MA:Cr1A.III | Integrate aesthetic principles with a variety of generative methods to fluently form original ideas, solutions, and innovations in media arts creation processes | 4 | D | ||||||||||||||||||
23 | MA:Cr2A.III | Integrate a sophisticated personal aesthetic and knowledge of systems processes in forming, testing, and proposing original artistic ideas, prototypes, and production frameworks, considering complex constraints of goals, time, resources, and personal limitations. | 4 | D | ||||||||||||||||||
24 | MA:Cr3A.III | Synthesize content, processes, and components to express compelling purpose, story, emotion, or ideas in complex media arts productions, demonstrating mastery of associated principles, such as hybridization. | 4 | D | ||||||||||||||||||
25 | ||||||||||||||||||||||
26 | ||||||||||||||||||||||
27 | Unit 4: Portfolio Submission | |||||||||||||||||||||
28 | Students will be creating a body of work consisting of 15-20 pieces with a central theme or concentration. Within this portfolio students will choose 5 pieces that will be submitted under the quality section of the portfolio. These pieces should represent the best craftsmanship the student has to offer. These pieces will be assembled into a portfolio that will be submitted both digitally and physically to the AP Board for jurying/grading. Common Vocabulary: Portfolio, Concentration, Theme, Body of Work. | DOK | Introduce (I) Developing (D) Master (M) Reinforce (R) | |||||||||||||||||||
29 | Code | Standard | ||||||||||||||||||||
30 | MA:Pr:6A.III | Independently evaluate, compare, and integrate improvements in presenting media artworks, considering personal to global impacts, such as new understandings that were gained by artist and audience | 4 | M | ||||||||||||||||||
31 | MA:Pr5A.III | Employ mastered artistic, design, technical, and soft skills in managing and producing media artwork | 4 | M | ||||||||||||||||||
32 | ||||||||||||||||||||||
33 | ||||||||||||||||||||||
34 | ||||||||||||||||||||||
35 | ||||||||||||||||||||||
36 | ||||||||||||||||||||||
37 | ||||||||||||||||||||||
38 | ||||||||||||||||||||||
39 | ||||||||||||||||||||||
40 | ||||||||||||||||||||||
41 | ||||||||||||||||||||||
42 | ||||||||||||||||||||||
43 | ||||||||||||||||||||||
44 | ||||||||||||||||||||||
45 | ||||||||||||||||||||||
46 | ||||||||||||||||||||||
47 | ||||||||||||||||||||||
48 | ||||||||||||||||||||||
49 | ||||||||||||||||||||||
50 | ||||||||||||||||||||||
51 | ||||||||||||||||||||||
52 | ||||||||||||||||||||||
53 | ||||||||||||||||||||||
54 | ||||||||||||||||||||||
55 | ||||||||||||||||||||||
56 | ||||||||||||||||||||||
57 | ||||||||||||||||||||||
58 | ||||||||||||||||||||||
59 | ||||||||||||||||||||||
60 | ||||||||||||||||||||||
61 | ||||||||||||||||||||||
62 | ||||||||||||||||||||||
63 | ||||||||||||||||||||||
64 | ||||||||||||||||||||||
65 | ||||||||||||||||||||||
66 | ||||||||||||||||||||||
67 | ||||||||||||||||||||||
68 | ||||||||||||||||||||||
69 | ||||||||||||||||||||||
70 | ||||||||||||||||||||||
71 | ||||||||||||||||||||||
72 | ||||||||||||||||||||||
73 | ||||||||||||||||||||||
74 | ||||||||||||||||||||||
75 | ||||||||||||||||||||||
76 | ||||||||||||||||||||||
77 | ||||||||||||||||||||||
78 | ||||||||||||||||||||||
79 | ||||||||||||||||||||||
80 | ||||||||||||||||||||||
81 | ||||||||||||||||||||||
82 | ||||||||||||||||||||||
83 | ||||||||||||||||||||||
84 | ||||||||||||||||||||||
85 | ||||||||||||||||||||||
86 | ||||||||||||||||||||||
87 | ||||||||||||||||||||||
88 | ||||||||||||||||||||||
89 | ||||||||||||||||||||||
90 | ||||||||||||||||||||||
91 | ||||||||||||||||||||||
92 | ||||||||||||||||||||||
93 | ||||||||||||||||||||||
94 | ||||||||||||||||||||||
95 | ||||||||||||||||||||||
96 | ||||||||||||||||||||||
97 | ||||||||||||||||||||||
98 | ||||||||||||||||||||||
99 | ||||||||||||||||||||||
100 |