| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | ||
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1 | Total Duration | 19:10:57 | ||||||||||||||||||||||||||||
2 | Title | Composer | Year | Duration | Range | Language | Author | Written for (performers) | Commissioned by (festivals, foundations, etc) | Published by | Bass Notes | Accessories? | Other Notes... | |||||||||||||||||
3 | Psalm 42 - As a deer | Acevedo, David | 2019 | 0:09:30 | Ab3 - D6 | English | psalm 42 | confluss (Amber Evans, Sam Zagnit) | self | |||||||||||||||||||||
4 | Deus ex machina | Amar, Talia | 2016 | 0:07:00 | G3 - B5 | English | Whitman, Frost, al Harizi | Departure Duo (Nina Guo, Eddie Kass) | self | iPhone, speaker | ||||||||||||||||||||
5 | En face de... | Anderson, Barry | 1976 | 0:15:00 | French (?) | tape track | ||||||||||||||||||||||||
6 | El Mosquito de la Trompetilla | Angulo, Eduardo | 2008 | 0:06:00 | Spanish | Lourdes Ambriz, Luis Antonio Rojas | many bartok pizz's | CD: Cuerpo del Verano (2008) | ||||||||||||||||||||||
7 | Spring Essence | Askim, Peter | 0:08:30 | English | Vietnamese poems, translated | Judith Kellock | self | |||||||||||||||||||||||
8 | Pale leaves on wet black bough | Asplund, Christian | 1996 | 0:03:45 | D4-G5 | English | Lara Cadland | Frog Peak Music | part of larger work (?) | |||||||||||||||||||||
9 | Tiergarten: Das Einhorn | Aylward, John | 2018 | 0:05:00 | Eflat4 - Bflat5 | German | Rainer Maria Rilke | Departure Duo (Nina Guo, Eddie Kass) | self | |||||||||||||||||||||
10 | Tiergarten: Der Panther | Aylward, John | 2018 | 0:02:30 | F#4 - B5 | German | Rainer Maria Rilke | Departure Duo (Nina Guo, Eddie Kass) | self | |||||||||||||||||||||
11 | Tiergarten: The Swan | Aylward, John | 2018 | 0:04:00 | F4 - C6 | German | Rainer Maria Rilke | Departure Duo (Nina Guo, Eddie Kass) | self | |||||||||||||||||||||
12 | Vidi l'angelo nel marmo | Balch, Katherine | 2015 | 0:07:00 | D4 - B5 | Italian | Michelangelo (attributed) | Departure Duo (Nina Guo, Eddie Kass) | self | scoradatura (D-F#-D-G) | binder clip, tin foil | |||||||||||||||||||
13 | Phrases | Balch, Katherine | 2017 | 0:08:00 | C#4 - B-flat5 | French | Rimbaud | self | jingle bell preparation | jingle bells | ||||||||||||||||||||
14 | Kabara's Lullaby | Barker, Paul Alan | 2008 | 0:07:00 | part transcription, part Kul!khasi (lost African language) | Lourdes Ambriz, Luis Antonio Rojas | self | CD: Cuerpo del Verano (2008). part of "Three Lullabies" | ||||||||||||||||||||||
15 | 12th Century Love Letter | Barkin, Elaine | English, Latin | Mimmi Fulmer, Bert Turetzky | ||||||||||||||||||||||||||
16 | AMA | Bauer, Matthias | 2017 | Anna Clementi, Matthias Bauer | self | bassist vocalises | graphic score | |||||||||||||||||||||||
17 | Three Songs of Remembered Love | Beecher, Lembit | 2009-2011 | 0:11:00 | G3 - A5 | English | excerpts from documentary oratorio "And Then I Remember" | Mary Bonhag, Evan Premo | self | Solo tuning | Recording (provided by composer?) | optional cello/piano | ||||||||||||||||||
18 | Voices | Beerman, Burton | 1998 | 0:09:30 | English (?) | John Gracen Brown | American Composers Alliance, New York | 8 short mvmts | ||||||||||||||||||||||
19 | Reise med bat uten bat | Bibalo, Antonio | 1998 | 0:11:00 | D4 - B5 | Norwegian | Cecilie Loevid | Adiswil: Pizzicato Verlag Helvetia | ||||||||||||||||||||||
20 | Hard Workin' Woman | Borzelli, Silvia | 2011 | 0:06:00 | D#4 - C#6 | English | Deborah Lacks interview fragments | Dario Calderone, Livia Rado | first performance: Festival L'Arsenale 2011 | self | spazzolato/brushing. circular bow. | |||||||||||||||||||
21 | John Condon | Bowden, Georgina | 2018 | 0:05:00 | English | Anna Rea, James Trowbridge | ||||||||||||||||||||||||
22 | Two Wilde Poems | Bozich, Joseph | 2017 | 0:20:00 | Gsharp3 - Csharp5 | English | Oscar Wilde | Departure Duo (Nina Guo, Eddie Kass) | crowdfunding | self | original version has scordattura | |||||||||||||||||||
23 | Lieder - zum 19.12 | Bredemeyer, Rainer | 1979 | German (?) | ||||||||||||||||||||||||||
24 | Four Songs for Lorca | Bryant, Joshua | 2010 | 0:08:00 | A#3 - F#4 | English | Federico Garcia Lorca (translated) | Liz Pearse | self | |||||||||||||||||||||
25 | Lauda 29 (O divine virgo, flore) | Bryars, Gavin | 2003-2008 | 0:03:00 | Italian | medieval Laude | Anna Maria Friman | Schott, London | part of "Laude Cortonese," Vol. 3 | |||||||||||||||||||||
26 | Strife | Chowenhill, Richard | 2011-2012 | 0:11:00 | C4 - B5 | English | Williams Carlos Williams, Ginsberg, Gregory Corso | self | 3 movements | |||||||||||||||||||||
27 | šìR | Ciceri, Carlo | 2016 | 0:09:00 | Hélène Fauchére, Uli Fussenegger | Milan: Suvini Zerboni | 5 string (likely) | 5 tuned glasses | ||||||||||||||||||||||
28 | Unbelonging | Clarke, Desmond | 2017 | 0:08:00 | flexible | English | Bethan Vincent | Bethan Vincent, Desmond Clarke | York: Resolution of Sound | self | laptop, 2 mics, pure data patch, PA | time flexible (7-10'); semi-improvised | ||||||||||||||||||
29 | Cantilena | Clementi, Aldo | 1989-90 | C4 - C#5 | vocalise | Joël (poss. Joëlle Léandre?) | Milan: Edizioni Suvini Zerboni | vocalise. two mvmts. low. | ||||||||||||||||||||||
30 | Stanzas | Cohen, Fred | 1995 | English | Mary Wollstonecraft Shelley | Mimmi Fulmer, Bert Turetzky | ||||||||||||||||||||||||
31 | Song for Europe | Crane, Laurence | 2019 | Susanna Wallumrød, Dan Styffe | Ultima Music Festival | |||||||||||||||||||||||||
32 | Arapka | de Kanter, Fant | 2011/2013 | 0:03:00 | Dutch | Sascha Tcherny | Christianne Stotijn | setting of prayer. movement 3 of larger work. | ||||||||||||||||||||||
33 | The Ugly Duckling | Deak, Jon | 1980 | 0:09:00 | A3 - B5 | English | Richard Hartshorne, Lucy Shelton | self | only part 1 sop/db; part 2 w/ string quartet | |||||||||||||||||||||
34 | Pied Beauty | Dembski, Stephen | 2002 | 0:03:00 | D4 - F#5 | English | Gerard Manley Hopkins | Mimmi Fulmer, Brett Turetsky | self | |||||||||||||||||||||
35 | A l'Homme | Dharmoo, Gabriel | 2001 | 0:12:00 | C4 - E6 | French | letter from Vaslav Nijinski to Sergeï Diaghilev | self | ||||||||||||||||||||||
36 | Aging Sorrow | Díaz, Nino | 2003 | 0:04:00 | English | Darlene Kist | premiered by Marta Fiol, Rafael Esteve | Barcelona: PERIFERIA Sheet Music | speaking and singing | |||||||||||||||||||||
37 | Seer/Seen | Diener-Bennett, Jesse | 2019 | 0:10:00 | Bflat3-B5 | English | composer | Departure Duo (Nina Guo, Eddie Kass) | self | |||||||||||||||||||||
38 | A Roaring Flame | Dillon, James | 1981-1982 | 0:11:00 | G3 - Bflat4 | Gaelic, Provencal | Scots Gaelic trad., Alexander Carmichael | dedication: Kevin and Sue Randall | Edition Peters | handbell, shells (?) | ||||||||||||||||||||
39 | Songs of the Transformed | Dubiel, Joseph | 1983 | 0:12:00 | G3 - A5 | English | Margaret Atwood | self | ||||||||||||||||||||||
40 | Diosa del Agua | Echeverría, Jesús | 2008 | 0:03:30 | Spanish | possibly folk song? | Lourdes Ambriz, Luis Antonio Rojas | finger cymbals or crotales? | CD: Cuerpo del Verano (2008) | |||||||||||||||||||||
41 | Gorrión | Echeverría, Jesús | 2008 | 0:03:30 | Spanish | possibly folk song? | Lourdes Ambriz, Luis Antonio Rojas | CD: Cuerpo del Verano (2008) | ||||||||||||||||||||||
42 | Der Schauende | Fabricius, Jacob | 1998 | Denmark: Edition S | ||||||||||||||||||||||||||
43 | Notti | Fénelon, Philippe | 1990 | 0:10:00 | French or Italian | composer is poet | Joëlle Léandre | |||||||||||||||||||||||
44 | To A Stranger | Finck, Ledah | 2016 | 0:08:00 | G3-D5 | English | Louna Dekker-Vargas | self | ||||||||||||||||||||||
45 | Ilerqorsutin | Frounberg, Ivar | 1978 | 0:12:00 | Bflat 3- E4 | Danish or French | traditional stories | Danish Composer's Society/KODA's Funds for Cultural and Socia Purposes | Denmark: Samfundet | 5 string NOT preferred | 6 small movements, spatial notation, bass player speaks story at the end | |||||||||||||||||||
46 | Lotófagos | Furrer, Beat | 2007 | 0:11:00 | G4 - C6 | Spanish | José Ángel Valente | Bärenreiter Verlag Basel | 5-string, gymnastics | part of larger "Lotofagos" piece | ||||||||||||||||||||
47 | A Thousand Pieces Broken (I-IV) | Gerometta, Isabella | 2019 | 0:07:00 | F3-C6 | Vocalise | confluss (Amber Evans, Sam Zagnit) | self | ||||||||||||||||||||||
48 | Family Recipe for Biscuits | Gibson, Sarah | 2015 | 0:12:00 | Dflat4 - E5 | English | Aaron Fullerton | Maggie Hasspacher | self | written originally for Maggie to play/sing at the same time | ||||||||||||||||||||
49 | Long White Moonlight | Gilbert, Anthony | 1980 | English | London: Schott Music Limited | "six songs of five seasons" | ||||||||||||||||||||||||
50 | De Mí à la Estrella | González Martínez, Arturo | 2008 | 0:04:45 | Spanish | Lourdes Ambriz, Luis Antonio Rojas | CD: Cuerpo del Verano (2008) | |||||||||||||||||||||||
51 | Canto Marino: No. 1, ¡Oh, Marinero! | Gonzalez-Medina, Eduardo | 2008 | 0:03:00 | Spanish | Rosina Conde | Lourdes Ambriz, Luis Antonio Rojas | self | CD: Cuerpo del Verano (2008), set of 3. | |||||||||||||||||||||
52 | Canto Marino: No. 2, Ven, sálvame de las profundidades | Gonzalez-Medina, Eduardo | 2008 | 0:04:00 | Spanish | Rosina Conde | Lourdes Ambriz, Luis Antonio Rojas | self | CD: Cuerpo del Verano (2008). set of 3. | |||||||||||||||||||||
53 | Canto Marino: No. 3, Si vieres al marinero | Gonzalez-Medina, Eduardo | 2008 | 0:02:30 | Spanish | Rosina Conde | Lourdes Ambriz, Luis Antonio Rojas | self | CD: Cuerpo del Verano (2008). set of 3. | |||||||||||||||||||||
54 | Three Rabbinical Sayings | Gordon, Michael Zev | 2002 | 0:08:00 | Talmud, Chassidic sources | self | ||||||||||||||||||||||||
55 | TOHUWABOHU | Grünhagen, Norbert | 1980? | German (?) | Jane Manning, Barry Guy | |||||||||||||||||||||||||
56 | CATERWAUL | Harper, Edward | 1986 | 0:09:00 | English | Roger Savage | Jane Manning, Barry Guy | Oxford: Oxford University Press | ||||||||||||||||||||||
57 | Do Not Go Gentle Into That Good Night | Hayes, Edward | 0:08:00 | English | Dylan Thomas | |||||||||||||||||||||||||
58 | Goho ol Ollog | Held, Alexander | 2018 | 0:07:00 | Bflat3 - Bflat5 | Enochian | self | scordattura | ||||||||||||||||||||||
59 | Amore | Hoffman, Allen | 1966 | |||||||||||||||||||||||||||
60 | Haunted and Homeless | Holmen, Jexper | 2005 | 0:07:00 | Denmark: Edition S | amplification, effect processor | ||||||||||||||||||||||||
61 | Three Songs | Isaacson, Katelyn | 2017 | 0:08:30 | English | Katelyn Isaacson, Ryan Baird | premiered at unSUNg, Los Angeles, 2017 | |||||||||||||||||||||||
62 | Pastor Hicks' Farewell | Jaeger, Shawn | 2006 | 0:05:00 | E-flat4 - B5 | English | source: Appalachian folk song | Mary Bonhag, Evan Premo | self | |||||||||||||||||||||
63 | In Old Virginny | Jaeger, Shawn | 2007 | 0:08:00 | D4 - B5 | English | source: Appalachian folk song | Mary Bonhag, Evan Premo | self | |||||||||||||||||||||
64 | keeper of sheep | Jang, Alex | 2016 | 0:13:00 | B3 - A-flat4 | Portuguese | Fernando Pessoa | Maria Eduardo Mendes Martins | self | toy piano | very, very quiet. atmospheric piece | |||||||||||||||||||
65 | Nightbay | Jenni, Donald Martin | 1975 | 0:10:00 | vocalise, swahili | Candance Natvig, Jon English (Muziek Nu) | American Composers Alliance | needs further research... | ||||||||||||||||||||||
66 | Evil's Peak | Johnson, Mikhail | 2019 | 0:20:00 | B3 - C6 | Jamaican Patois | composer | Departure Duo (Nina Guo, Eddie Kass) | self | Totentanz | ||||||||||||||||||||
67 | The Divine Image | Johnston, Ben | 1975 | 0:05:00 | D#4 - A5 | English | William Blake | Vermont: Smith Publications | JUST INTONATION! Single, excerptable movement from larger work with chamber ensemble (Songs of Innocence) | |||||||||||||||||||||
68 | Three Songs for Soprano and Double Bass | Julio, Jay | 2018 | 0:09:00 | C4-A5 | English | Louise Glück | confluss (Amber Evans, Sam Zagnit) | self | jingle bell preparation mvmt 3 | ||||||||||||||||||||
69 | Confronting Distance: Moment. Perception. Reaction | Kennaugh, Adam | 2019 | 0:12:00 | Bflat3-B5 | English | Adam Kennaugh | Departure Duo (Nina Guo, Eddie Kass) | self | |||||||||||||||||||||
70 | Declining | Kennedy, John | 2018 | 0:07:30 | E4 - C5 | Phonemes (pronouns) | Departure Duo (Nina Guo, Eddie Kass) | Spoleto Festival, 2018 | SFNM Editions | |||||||||||||||||||||
71 | yes I said yes I will yes | Kirsten, Amy Beth | 2012 | 0:07:00 | English | James Joyce - Ulysses | Lindsey and Robin Kesselman | Kickstarter | bad wolf publishing, ASCAP | bassist sings | ||||||||||||||||||||
72 | emojicons | Koh, Emily | 2018 | 0:11:00 | F3 - C#5 | Phonemes | Departure Duo (Nina Guo, Eddie Kass) | self | ||||||||||||||||||||||
73 | Einige Satze aus den Sudelbuchern Georg Christoph Lichtenbergs | Kurtag, Gyorgy | 1999-2001 | 0:18:00 | F3 - A5 | German | Georg Christoph Lichtenberg | Editio Musica Budapest | 5-string | |||||||||||||||||||||
74 | Salmo | Lavista, Mario | 2006-2007 | 0:11:30 | Latin | laudete | Lourdes Ambriz, Luis Antonio Rojas | self | scordatura | finger cymbals or crotales? | CD: Cuerpo del Verano (2008) | |||||||||||||||||||
75 | Fire and Ice | Lerdahl, Fred | 2015 | 0:07:00 | B4 - F6 | English | Frost | Tanglewood Music Center | New York: Schott | non-vib high stuff | high F is sustained | |||||||||||||||||||
76 | The Ornithologia (Or the Phenomenal Unfettering of One Philomela) | Levin, Aaron Israel | 2019 | 0:16:00 | G3 - B5 | English | composer and adaptations from Zhuangzi and Brothers Grimm | confluss (Amber Evans, Sam Zagnit) | self | |||||||||||||||||||||
77 | VULNERR | Lewis, Daniel | 2018 | 0:18:00 | English, French | various | Departure Duo (Nina Guo, Eddie Kass) | crowdfunding | self | masks, radio, metal can, paper, sandpaper, bass preparations, mallet, vibrating implement | improvisation | |||||||||||||||||||
78 | Plain Truths from Timothy Dexter | Liberatore, John | 2011 | 0:10:00 | B3 - C6 | English | Timothy Dexter | Amanda de Boer Bartlett | self | clamp preparation | clothespins | |||||||||||||||||||
79 | Berenice | Liberda, Bruno | 1974 | Wien: Ariadne Verlag | ||||||||||||||||||||||||||
80 | A Long and a Sad Tale | Lister, Rodney | 1981 | 0:02:00 | E-flat4 - E-flat5 | English | Lewis Carroll | self | ||||||||||||||||||||||
81 | [Songs for soprano and double bass] | Lockhart, Annetta | 197-? | Spanish/English? | William Bronk? | 5 movements | ||||||||||||||||||||||||
82 | Weather and Mouth Music | Luff, Enid | 1980 | Dsharp4 - C6 | Vocalise? | London: Primavera | very theatrical | many extended techniques for singer. open-ish timing notation. improv'd sections. Berio sequenza-esque. | ||||||||||||||||||||||
83 | Dowland Songs | Luhmann, Grant | 2019 | 0:11:00 | B3 - C6 | English | Anonymous, Anonymous, Robert Devereaux | confluss (Amber Evans, Sam Zagnit) | self | contact mic (bass), foot pedal, laptop w/ MaxMSP | amplified | |||||||||||||||||||
84 | Soft morning, City! | Machover, Todd | 1980 | 0:23:00 | D4 - C6 | English | James Joyce - Finnegan's Wake | Gulbenkian Foundation | Sté Ami. Editions Ricordi. | tape from composer | tessitura quite high (LOTS above the staff). a lot of coloratura all over the staff. | |||||||||||||||||||
85 | With thee conversing I forget all time | Marchettini, Paolo | 2018 | 0:05:30 | C4-C6 | English | John Milton | confluss (Amber Evans, Sam Zagnit) | self | |||||||||||||||||||||
86 | Mínimes | Maria Mestres-Quadreny, Josep | 2008 | Catalan | Albert Mestres | Barcelona: Tritó Edicions. Editorial: La mà de Guida. | ||||||||||||||||||||||||
87 | Like Jehu | Martin, Frédérick | 1996 | 0:08:00 | French | composer | self | |||||||||||||||||||||||
88 | Swift wind: cantata 2 for voice and double bass | McDermott, Vincent | 1974 | 0:08:00 | English | Aeschylus, Blake, Hopkins, Whitman | antique cymbals, claves or woodblocks | |||||||||||||||||||||||
89 | Moonsongs | McGuire, Edward | 1979 | 0:10:00 | Spanish/Chinese? | Hlub, Federico Garcia Lorca, Pablo Neruda, Lu Hsun | Jane Manning, Barry Guy (premiered Jan 6 1980) | Jane Manning | Scotland: Scottish Music Centre | |||||||||||||||||||||
90 | All mute things speak today | Meretzky, Lila | 2019 | 0:06:00 | B3 - E5 | Yiddish | Anna Margolin | Ligament (Anika Kildegaard, Will Yager) | self | |||||||||||||||||||||
91 | Strange Attractors | Mucci, John | 1994 | 0:14:00 | English | Shakespeare, Elizabeth Barrett Browning, Laurence Hope | self | three movements | ||||||||||||||||||||||
92 | A Queen to Fall | Murphy, Ben | 2016 | 0:02:30 | C4 - D6 | English | Euripides | self | ||||||||||||||||||||||
93 | Impromptu d'Ohio | Narboni, Francois | 1994 | 0:07:00 | English? | Samuel Beckett? | ||||||||||||||||||||||||
94 | Accept! | Neher, Patrick | 1994 | English | e.e. cummings | ISG Publications, Tucson, Arizona | ||||||||||||||||||||||||
95 | Memoir | Nguyen, Nhat | 2018 | 0:12:00 | A3-B5 | Vietnamese | Nhat Nguyen | confluss (Amber Evans, Sam Zagnit) | self | |||||||||||||||||||||
96 | Il Romanticismo de Lucrezia e Cesare | Nielson, Lewis | 2015 | 0:30:00 | Italian | self | staging, lighting, costumes, pre-recorded tracks | opera! | ||||||||||||||||||||||
97 | Ten Types of Hospital Vistor | Orr, Buxton | 1986 | 0:21:00 | English | Charles Causley | performed by tenor on "Buxton Orr: Songs" album (Naxos). | |||||||||||||||||||||||
98 | La Madeleine de la Ste. Baume | Osborne, Nigel | 1979 | French? | ||||||||||||||||||||||||||
99 | I, Medusa | Palmer, John | 2019 | 0:13:40 | C4 - Bb5 | English | composer | Viktoriia Vitrenko, Nazar Stets | funds from Stuttgart | Composers Edition | electronics (live processing & tape part), quadraphonic amplification, stage directions (incl. lighting) | |||||||||||||||||||
100 | Canzoni al Sol | Pierini, Stefano | 2016 | 0:14:30 | French | Vincent Van Gogh, Nietzsche, Artaud | Dario Calderone | self |