A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | PURPOSE: To confirm that the horse demonstrates correct basics, and having achieved the thrust required in First Level, now accepts more weight on the hindquarters (collection); moves with an uphill tendency, especially in the medium gaits; and is reliably on the bit. A greater degree of straightness, bending, suppleness, throughness, balance and self-carriage is required than at First Level. | JUDGE: | Robyn Nunnally | |||||||||||||||||||||||
2 | RIDER # | 7363 | ||||||||||||||||||||||||
3 | NAME: | Cheralynne Gibson | ||||||||||||||||||||||||
4 | Max Pts: | 380 | ||||||||||||||||||||||||
5 | Final Score: | 61.711% | ||||||||||||||||||||||||
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8 | 2019 USDF THIRD LEVEL TEST 2 | |||||||||||||||||||||||||
9 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
10 | 1 | A X | Enter collected trot Halt, salute; Proceed collected trot | Engagement, self-carriage and quality of trot; well defined transitions; straightness; attentiveness; immobility (min. 3 seconds) | 6.5 | 6.5 | stepped sideways after salute | |||||||||||||||||||
11 | 2 | C M-X-K K | Track right Change rein, medium trot Collected trot | Moderate lengthening of frame and stride with engagement, elasticity, suspension, straightness and uphill balance; consistent tempo; well defined transitions | 6 | 6 | show more length and power in steps; more supple connection | |||||||||||||||||||
12 | 3 | F-B | Shoulder-in left | Angle, bend and balance; engagement and self-carriage | 7 | 7 | steady | |||||||||||||||||||
13 | 4 | B-M | Renvers right | Angle, bend and balance; engagement and self-carriage | 7 | 2 | 14 | |||||||||||||||||||
14 | 5 | H-X-F F | Change rein, extended trot Collected trot | Utmost ground cover with lengthening of frame; elasticity, engagement, suspension; straightness and uphill balance | 6 | 2 | 12 | could be softer in jaw/poll | ||||||||||||||||||
15 | 6 | F-A-K | (Transitions H and F) Collected trot | Well defined maintaining tempo and balance | 7 | 7 | fairly clear | |||||||||||||||||||
16 | 7 | K-E | Shoulder-in right | Angle, bend and balance; engagement and self-carriage | 6 | 6 | show more bend | |||||||||||||||||||
17 | 8 | E-H | Renvers left | Angle, bend and balance; engagement and self-carriage | 7 | 2 | 14 | |||||||||||||||||||
18 | 9 | C M Between G & H | Medium walk Turn right Shorten stride, half turn on haunches right Proceed medium walk | Quality of shortened walk strides; tempo and regularity; activity of hind legs; bend and fluency in turn | 6 | 6 | difficult to evaluate all the steps but appears slightly large with some slight loss of walk rhythm | |||||||||||||||||||
19 | 10 | Between G and M H | Shorten stride, half turn on haunches left Proceed medium walk Turn left | Quality of shortened walk strides; tempo and regularity; activity of hind legs; bend and fluency in turn | 7 | 7 | again, can't see everything but better effort this time | |||||||||||||||||||
20 | 11 | (Medium walk) [CMG(H)G(M)GHS] | Regularity and quality of walk | 7 | 2 | 14 | active | |||||||||||||||||||
21 | 12 | S-P P | Change rein, extended walk Medium walk | Regularity; suppleness of back; activity; overtrack; freedom of shoulder; stretching to the bit; well-defined transitions | 5.5 | 2 | 11 | this is a free walk. Keep contact to bit and poll higher for extended walk | ||||||||||||||||||
22 | 13 | Before F F | Shorten the stride in walk Collected canter right lead | Well defined transition; regularity and self-carriage; engagement and quality of gaits | 6 | 6 | some crookedness/anticipation | |||||||||||||||||||
23 | 14 | A D-R | Down centerline Half pass right | Alignment and bend while moving fluently forward and sideways; engagement and self-carriage | 5 | 5 | this is a leg yield. must show more bend and balance for HP | |||||||||||||||||||
24 | 15 | Between R & M | Flying change of lead | Clear, balanced, fluent, straight flying change; engagement and self-carriage | 5 | 2 | 10 | tense; needs more separation of steps and clarity of change | ||||||||||||||||||
25 | 16 | H-K K | Medium canter Collected canter | Moderate lengthening of frame and stride with engagement; elasticity; suspension; straightness and uphill balance; consistent tempo; well defined transitions | 5.5 | 5.5 | shows effort but needs more uphill balance and power; more elasticity in connection | |||||||||||||||||||
26 | 17 | A D-S | Down centerline Half pass left | Alignment and bend while moving fluently forward and sideways; engagement and self-carriage | 6 | 6 | better bend this time; improve with more collection | |||||||||||||||||||
27 | 18 | Between S & H | Flying change of lead | Clear, balanced, fluent, straight flying change; engagement and self-carriage | 6 | 2 | 12 | clean but tense | ||||||||||||||||||
28 | 19 | C | Circle right 20m, showing a clear release of both reins for 4-5 strides over centerline | Clear release of reins maintaining selfcarriage; engagement and collection; shape, size, and bend of circle | 6 | 2 | 12 | losing suppleness and becoming flat | ||||||||||||||||||
29 | 20 | M-F F | Extended canter Collected canter | Utmost ground cover with lengthening of frame; elasticity; engagement; suspension; straightness and uphill balance | 5.5 | 2 | 11 | started as promising but became crooked and lost power/length before F | ||||||||||||||||||
30 | 21 | F-A | (Transitions M and F) Collected canter | Well defined maintaining tempo and balance | 6 | 6 | vague at F | |||||||||||||||||||
31 | 22 | A L I | Down centerline Collected trot Halt, salute | Bend and balance in turn; engagement, self-carriage and quality of gaits; well defined transition; straightness; attentiveness; immobility (min. 3 seconds) | 7 | 7 | fairly straight | |||||||||||||||||||
32 | Leave arena at A in free walk. | |||||||||||||||||||||||||
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35 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
36 | 1 | GAITS (Freedom and regularity) | 6.5 | 1 | 6.5 | canter could have more jump and freedom | ||||||||||||||||||||
37 | 2 | IMPULSION (Desire to move forward; elasticity of the steps; suppleness of the back; engagement of the hindquarters) | 6 | 2 | 12 | should be stronger in balance, power, and engagement for this level, esp in the canter | ||||||||||||||||||||
38 | 3 | SUBMISSION (Willing cooperation; harmony; attention and confidence; acceptance of bit and aids; straightness; lightness of forehand and ease of movements) | 6 | 2 | 12 | willing horse but struggling with bend and balance today | ||||||||||||||||||||
39 | 4 | RIDER’S POSITION AND SEAT (Alignment; posture; stability; weight placement; following mechanics of the gaits) | 7 | 1 | 7 | |||||||||||||||||||||
40 | 5 | RIDER’S CORRECT AND EFFECTIVE USE OF AIDS (Clarity; subtlety; independence; accuracy of test) | 6 | 1 | 6 | establish and maintain more supple connection; develop stronger leg aids | ||||||||||||||||||||
41 | Some nice trot moments. Work to carry this over into your canter work by being a bit more energetic in the canter. Careful to keep the suppleness of the connection; the jaw and back become tight and lose the swing. Be clearer with bend in your lateral work and be sure to understand extended walk | |||||||||||||||||||||||||
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46 | POINTS: | 234.5 | ||||||||||||||||||||||||
47 | ERRORS: | 0 | ||||||||||||||||||||||||
48 | SUBTOTAL: | 234.5 | ||||||||||||||||||||||||
49 | SCORE: | 61.711% | ||||||||||||||||||||||||
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