| A | B | C | D | E | |
|---|---|---|---|---|---|
1 | WORKING WITH MINORS CHECKLIST | ||||
2 | SECTION | CRITERIA | YES | NO | NOTES |
3 | 1. LEGAL & SUPERVISION REQUIREMENTS | Is the appropriate child performance licence secured? | |||
4 | Has a certified chaperone been assigned and briefed? | ||||
5 | Are supervision ratios appropriate for the minor’s age and activity? | ||||
6 | Has parental/guardian consent been formally obtained for all proposed scenes? | ||||
7 | Has the production received any necessary school permission or exemptions? | ||||
8 | 2. ENVIRONMENTAL SAFETY & WELLBEING | Is a designated rest area or holding space provided and safe (no hazards)? | |||
9 | Are adequate amenities available (toilets, water, shelter, changing room)? | ||||
10 | Are safety protocols in place for all equipment and set elements within reach of the minor? | ||||
11 | Has costume/makeup been checked for allergens or irritants specific to the child? | ||||
12 | Is there a mental health or pastoral contact available if needed? | ||||
13 | 3. WORKING CONDITIONS | Is the daily schedule age-appropriate and compliant with child labour laws? | |||
14 | Has travel time been reasonably considered within the legal working hours? | ||||
15 | Are structured meal and rest periods clearly included in the call sheet? | ||||
16 | Are breaks adapted based on the minor’s energy levels and needs on set? | ||||
17 | Will the child be expected to perform stunts or physically demanding scenes? | ||||
18 | (If yes, has this been cleared by a guardian and a professional?) | ||||
19 | 4. ORIENTATION & TRAINING | Has the child had a production walk-through or induction session? | |||
20 | Has the crew been made aware of safeguarding practices and respectful behaviour expectations when working with underage performers? | ||||
21 | Is there a designated safeguarding contact or welfare officer on the team? | ||||
22 | 5. COMMUNICATION & CONSENT | Has the script, schedule, and risk assessment been reviewed with the child’s guardian and chaperone? | |||
23 | Has the child been consulted in a respectful, age-appropriate manner about their scenes and tasks? | ||||
24 | Is there a clear process in place for the child to raise concerns on set? | ||||
25 | Have any personal, cultural, or psychological needs been discussed and addressed in advance? | ||||
26 | 6. POST-SHOOT CHECKS | Will a welfare debrief be conducted with the child and their chaperone at the end of each shoot day? | |||
27 | Are there procedures for reporting concerns raised during or after the shoot? | ||||
28 | Has the production planned for ongoing support if the scenes are emotionally taxing or sensitive? | ||||
29 | |||||
30 | HELPFUL TIPS | ||||
31 | Build rapport early — take time to introduce the child to key crew members in a calm, friendly way. This builds trust and reduces anxiety on set. | ||||
32 | Avoid intimidating equipment setups — try to keep heavy rigs, lighting gear, and noisy machinery away from where the child waits or performs. | ||||
33 | Use rehearsal as a warm-up — not just for blocking, but to help the child get comfortable with their lines and environment. | ||||
34 | Keep directions simple and clear — avoid abstract performance notes; use visual or emotional references they understand. | ||||
35 | Involve them in the process — kids can be curious and confident when they know what’s happening; show them the camera or playback if appropriate. | ||||
36 | Be flexible — children can get tired, overstimulated, or distracted quickly. Adjust your shot list or schedule if needed. | ||||
37 | Use visual cues instead of verbal ones — when resetting, use hand signals or visual markers to help the minor hit marks. | ||||
38 | Avoid sarcasm, swearing, or dark humor — even if it’s between adults, the child is listening and may feel uncomfortable or confused. | ||||
39 | Have quiet time options — some children may need downtime or a quiet space if overstimulated. | ||||
40 | Give positive reinforcement — a simple “great job” goes a long way in keeping morale high. | ||||
41 | Keep parents/guardians informed — even small changes to the plan should be communicated to them first. | ||||
42 | Don’t assume maturity based on looks — some teens may look older but still need gentle guidance and age-appropriate handling. | ||||
43 | Watch body language — if a child seems withdrawn, overwhelmed, or uneasy, pause and check in before continuing. | ||||
44 | Be extra discreet with sensitive scenes — if the film involves emotional material, brief all nearby crew to act with empathy and professionalism. | ||||
45 | Have entertainment options nearby — books, games, or coloring materials can help kids stay relaxed between takes. | ||||
46 | Check in after each take — not just for performance, but to see if they’re okay physically and emotionally. | ||||
47 | Prepare for exits — make wrap time feel celebratory, not abrupt. Say thank you and acknowledge their contribution personally. | ||||
48 | |||||