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1 | SCOPE | SEQUENCE ---> | SEQUENCE ---> | SEQUENCE ---> | SEQUENCE ---> | SEQUENCE ---> | ||||||
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3 | Grade of Music | I-II | II-III | II-IV | III-IV | IV-VI | ||||||
4 | Playing Year | 1-2 | 3-4 | 5 | 6-8 | 6-8 | ||||||
5 | School Grade | 5-6 | 7-8 | |||||||||
6 | Daily Expectation | • | Students should know how to reference the fingering chart in their method book. | • | Students should know the fingerings for all notes and selected alternate fingerings for intonation purposes on their instrument from memory. | • | Students should know the fingerings for all notes and selected alternate fingerings for intonation purposes on their instrument from memory. | • | Students should know the fingerings for all notes on their instrument from memory, including alternate technical fingerings for intonation purposes. | • | Students should know the fingerings for all notes on their instrument from memory, including alternate technical fingerings for intonation purposes. | |
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10 | • | Students will perform simple rhythmic and melodic examples in call-and-response styles. | ||||||||||
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12 | • | Students will use vibrato when characteristic for their instrument, alternate fingerings, trills, and grace notes when performing on wind instruments. | • | Students will use vibrato when characteristic for their instrument, alternate fingerings, trills, and grace notes when performing on wind instruments. | ||||||||
13 | • | Students should recognize and perform musical ornaments (i.e. trills, grace notes, glissando, etc.) | • | Students should recognize and interpret musical ornaments in a stylistically correct manner(i.e. trills, grace notes, glissando, etc.) | ||||||||
14 | • | Students will maintain attendance with required materials | ||||||||||
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17 | • | Students will demonstrate completion of assignments and/or practice. | ||||||||||
18 | • | Students will use vibrato when characteristic for their instrument, alternate fingerings, trills, and grace notes when performing on wind instruments. | ||||||||||
19 | • | Students will maintain attendance with required materials | • | Students will maintain attendance with required materials | • | Students will use embellishments, extreme tessitura, and a variety of timbre effects when performing on wind instruments. | ||||||
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22 | • | Students will demonstrate completion of assignments and/or practice. | • | Students will demonstrate completion of assignments and/or practice. | ||||||||
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25 | • | Students will demonstrate knowledge of alternate fingerings for intonation purposes | • | Students will maintain attendance with required materials | • | Students will maintain attendance with required materials | ||||||
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28 | • | Students will demonstrate completion of assignments | ||||||||||
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31 | Posture | • | Students will demonstrate proper posture, embouchure, hand position, and playing position. | • | Students will demonstrate proper posture, embouchure, hand position, and playing position. | • | Students will demonstrate proper posture, embouchure, hand position, and playing position. | • | Students will demonstrate proper posture, embouchure, hand position, and playing position. | • | Students will demonstrate proper posture, embouchure, hand position, and playing position. | |
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36 | Tone | • | Students will produce tones that are clear, free of tension, sustained, and unwavering in pitch. | • | Students will produce characteristic tone that is clear, free of tension, sustained, and unwavering in pitch. | • | Students will produce characteristic tone that is clear, free of tension, sustained, and unwavering in pitch. | • | Students will produce characteristic tone that is clear, free of tension, sustained, and unwavering in pitch. | • | Students will produce characteristic tone that is clear, free of tension, sustained, and unwavering in pitch. | |
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41 | Intonation | • | Students will recognize the concept of flat or sharp in regard to intonation. | • | Students will recognize the concept of flat or sharp in regard to intonation. | • | Students will recognize the concept of flat or sharp in regard to intonation. | • | Students should understand and correct intonation on their instrument without teacher prompts. | • | Students will adjust harmonic tuning is accordance with the rules of Just Tuning | |
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44 | • | Student will be able to tune tympani from a generated pitch | • | Student will be able to tune tympani from a generated pitch | ||||||||
45 | • | Student will be able to tune tympani independently | ||||||||||
46 | • | Student will be able to tune tympani from a generated pitch | ||||||||||
47 | • | Students will demonstrate knowledge of all fingerings by memory including alternate fingerings for intonation purposes | ||||||||||
48 | • | Students will demonstrate knowledge on alternate fingerings for intonation purposes | ||||||||||
49 | • | Students will demonstrate knowledge on alternate fingerings for intonation purposes | ||||||||||
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53 | Tempo | • | Students will demonstrate steady tempo while performing materials being studied. | • | Students will perform tempo changes and a variety of rhythms and meters through materials being studied. | • | Students will perform tempo changes and a variety of rhythms and meters through materials being studied. | • | Students will perform tempo changes and a variety of rhythms and meters through materials being studied. | • | Students will perform tempo changes and a variety of rhythms and meters through materials being studied. | |
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58 | Articulation | • | Students will demonstrate tonguing and slurring techniques. | • | Students will demonstrate staccato, legato tongue, accent, marcato, and tenuto on wind instruments. | • | Students will demonstrate staccato, legato tongue, accent, marcato, and tenuto on wind instruments. | • | Students will demonstrate a variety of articulations including double-tongue and breath attacks if applicable for the instrument. | • | Students will perform all articulations in materials being studied, including double-tongue, triple-tongue, and breath attacks if applicable for the instrument. | |
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63 | • | Students will select the appropriate implement with which to demonstrate these styles. | • | Students will select the appropriate implement with which to demonstrate these styles. | ||||||||
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67 | MUSICALITY: Dynamic Contrast, Phrasing, and Expression | • | Students will use dynamic contrast as a means of expression, including f, p, mp, mf, crescendo, decrescendo, and diminuendo. | • | Students will use dynamic contrast and technical skills as means of expression. | • | Students will use dynamic contrast and technical skills as means of expression. | • | Students will use dynamic contrast and technical skills as a means of expression. | • | Students will use dynamic contrast and technical skills as means of expression. | |
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71 | • | Students will perform four bar phrases in common time in one breath. | • | Students will perform four bar phrases in common time in one breath. | • | Students will use vibrato, alternate fingerings, trills, and grace notes on wind instruments. | • | Students will use embellishments, extreme tessitura, and a variety of timbre effects. | ||||
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73 | • | Students will articulate four consecutive notes in one breath. They will demonstrate phrasing through the use of melodic contour, natural accents, and proper use of breath. | ||||||||||
74 | • | Students will demonstrate phrasing through the use of dynamics, tempo, and melodic contour. | • | Students will demonstrate phrasing through the use of dynamics, tempo, and melodic contour. | ||||||||
75 | • | Students will perform eight bar phrases in common time in one breath. | • | Students will perform eight bar phrases in common time in one breath. | ||||||||
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78 | • | Students will demonstrate musical phrasing through dynamic emphasis and tempo modification. | • | Students will demonstrate musical phrasing through dynamic emphasis and tempo modification. | ||||||||
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82 | Ensemble Skills | • | Students will blend instrumental timbres, match dynamics, style, intonation, and respond to conducting gestures in 2/4 3/4 and 4/4 | • | Students will blend instrumental timbres, match dynamics, style, intonation, and respond to conducting gestures in simple and compound meter. | • | Students will blend instrumental timbres, match dynamics, style, intonation, and respond to conducting gestures in simple and compound meter. | • | Students will blend instrumental timbres, match dynamic levels, style, intonation, and respond to and use conducting gestures. | • | Students will blend instrumental timbres, match dynamic levels, style, intonation, and respond to and use conducting gestures. | |
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89 | Scales and Rudiments | • | Students will play the concert F, B-flat, E-flat, and A-flat scales, one octave. | • | Students will perform the E, A, D, G, C, F, Bb, Eb, and Ab scales (not transposed) on wind instruments, two octaves (when appropriate), in quarter-eighth-eighth rhythm at M.M. quarter note = 100. | • | Students will perform the E, A, D, G, C, F, B-flat, E-flat, and A-flat scales (not transposed) on wind instruments, two octaves (when appropriate), in quarter-eighth-eighth rhythm at M.M. quarter note = 100. | • | Students will perform all major scales in the full range of the instrument, and all one-octave harmonic minor scales, with one-octave tonic arpeggios, ascending and descending, in quarter-eighth-eighth rhythm (M.M. quarter note = 100). | • | The student will perform all major and minor scales, ascending and descending, in a variety of rhythmic patterns and articulations. | |
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93 | Students should be able to play a one-octave chromatic scale, ascending and descending. | |||||||||||
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95 | • | The student will perform a chromatic scale, ascending and descending, using the MTSBOA mid-state audition tempo and range requirements for the instrument. | ||||||||||
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98 | • | • | Students will perform the D-flat, G-flat/F-sharp, and B scales, one octave, in quarter-eighth-eighth rhythm at M.M. quarter note = 72. | • | Students will perform the D-flat, G-flat/F-sharp, and B scales, one octave, in quarter-eighth-eighth rhythm at M.M. quarter note = 72. | |||||||
99 | • | The wind/mallet student will perform a chromatic scale, ascending and descending, in sixteenth notes (M.M. quarter note = 96 or faster) throughout the practical range of the instrument. | ||||||||||
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