| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Timestamp | Score Title | Best Used for | Woodwinds | Brass | Percussion | Ensemble | Rate this Piece | Last Name, First Name | |||||||||||||||||
2 | 8.285714286 | |||||||||||||||||||||||||
3 | 6/21/2020 16:13:39 | Hypnotic Memories | Change of Pace, Contest | A lot of isolated solos (including double reeds) in the opening few measures. Double reed ostinatos open the first melody. Clarinet solo in the piece has some rather large intervals throughout. | Some moments in the piece really test the high range of the some of the brass instruments, specifically the horn. Competent horn section will definitely be necessary with the amount of isolated, fanfare-esque solo moments in their parts. | Some expanded instrumentation moments, and a lot of tempo changes where the percussion is rather present through the transition. | Great piece to introduce mixed meter to students in a repetitive style. The B section in the middle gives a great opportunity to work on a varying style. | 8 | Skiba, Matthew | |||||||||||||||||
4 | 6/21/2020 16:13:46 | Hypnotic Memories | Opener, Closer | Flute solo, oboe solo, certainly some technical bits. | Some rangey stuff around 135, but overall fairly achievable. | Some tricky mallet parts, they play the motif a lot along with the rest of the band | 7/8 meter, syncopated rhythms against long lyrical moments. Cool piece!!! | 8 | Mowry, Hannah | |||||||||||||||||
5 | 6/21/2020 16:13:57 | Hypnotic Memories | Opener, Closer | Tough meters-good learning opportunity here. Sounds Batman-esque . Need confident oboe player and confident flute player for solos. | Has great energy. Love the texture changes | Hard to hear - but sounds like having experienced mallet players will be needed for solis with upper woodwinds | This piece is really interesting. It has a lot of energy and interesting chords - plus solo opportunities. Great tune. 4+ | 10 | Currey, Elizabeth | |||||||||||||||||
6 | 6/21/2020 16:14:02 | Hypnotic Memories | Closer | Nice woodwind parts driving the band. | Very active brass parts. | Very active percussion parts. | Great for odd meters. | 9 | Canas, Eric | |||||||||||||||||
7 | 6/21/2020 16:14:04 | Hypnotic Memories | Contest | - Oboe and bassoon solos - Woodwinds have consistent 8th notes in beginning - Clarinet solo - into altissimo register - Flute solo - Technical woodwind passages | - Muted trumpet - Trumpet/horn unison melody - Epic horn lines (typical Galante) | - Marimba and shaker start rhythmic drive | - Features multi meter - 7/8, 7/4, 4/4 time - Tempo changes - mainly 7/8 in slow section - ABA form: fast-slow-fast | 7 | Olson, Kelsi | |||||||||||||||||
8 | 6/21/2020 16:14:07 | Hypnotic Memories | Closer | Nice clarinet feature in the middle. There are some high range considerations in the flutes. | Rhythmically repetitive driving parts for the brass in the beginning and end, good way to teach 7/8 and ingrain the feel. Trumpets have some nice melodies. | Tricky tambourine part, should be played on the knee or a stand. | This is a fun 7/8 piece! Would be a good teaching tool to introduce 7/8 without throwing in too many other challenges. | 9 | Dysart, Benjamin | |||||||||||||||||
9 | 6/21/2020 16:14:09 | Hypnotic Memories | Contest | Melody contains leaps which is a good change of pace. | Accents in accompaniment that can easily be over articulated | Repetitive background figures that can be hard to keep track of. | Lyrical section is embellished wonderfully with unique WW parts, that being said, this piece doesn't need the middle section and it feels not as impactful as it could have been. | 5 | Battersby, Thomas | |||||||||||||||||
10 | 6/21/2020 16:14:11 | Hypnotic Memories | Contest, Closer | Great woodwind ostinatto. Great clarinet solo in the middle. Great flute solo in the middle. Some tricky accented lines toward the end. | Muted trumpet. Low brass play the hits of the 7/8 measure. Needs strong horns for loud melody towards the end. | Mallet parts lead the groove. | Starts in 7/4. There is a lot of 7/8 - but uses a lot of ostinato patterns making more manageable. Great slow section in the middle for working on balance/blend. | 8 | Forman, Toby | |||||||||||||||||
11 | 6/21/2020 16:14:19 | Hypnotic Memories | Change of Pace, Solo/Soli Feature | Flute solo followed by oboe, then bassoon. Woodwind ostinato in 7/8 would be fun for teaching compound meter. | Brass leads the melody, lots of great voicings. Macro melodic lines, great for ensemble teaching. | If you have a kid you don't like put them on shaker. More percussion as the piece moves along. | Great piece for compound meter and highlighting an array of soloists. Overall you would need strong players in every section with how much the melody is passed around and how many solo voices there are. Reminds me of Avengers. | 9 | Dix, Darren | |||||||||||||||||
12 | 6/21/2020 16:14:19 | Hypnotic Memories | Contest | Picc, two oboe parts, two bassoon parts, three clarinet parts. Some WW parts play a lot of repeating, ostinato patterns; it could possibly get a little boring for them. Beautiful, chorale first in the WWs then passed along to the brass in the middle. | Three trumpet parts, four horn parts, three trombone parts. Some powerful, fanfare-like figures in the brass while the woodwinds play an ostinato | Basic percussion instrumentation, must have someone who can play killer 16th notes on the shaker | Starts slow and lyrical, changes to a really cool groove in 7/8. Very intriguing piece; even the slow section in the middle presents different solo opportunities and timbres. Some modulations to different keys occurs, but he doesn't change key signature. | 10 | Poss, Rachel | |||||||||||||||||
13 | 6/21/2020 16:14:21 | Hypnotic Memories | Opener, Contest | Flute and oboe solos at the beginning. Clarinets have an accented part at the beginning that would probably require some staggering. Flutes would need to know how to double tongue. | Trumpets would need mutes. Ranges look attainable. | 7 players. Snare is repetitive. | Mixed and changing meter would be an issue. The 7/4 switches the accents toward the end | 8 | Sherwin, Robert | |||||||||||||||||
14 | 6/21/2020 16:14:22 | Hypnotic Memories | Change of Pace, Closer | Oboe and clarinet have ostinato pattern that may try to slow down. Flute solo. OBOE solo. Tremolos. | Fun brass lick. Horn section has a couple of great moments that get to top of staff. | Mallet players need to be on point. Have someone on Perc. three who can keep tempo and switch the feel of meters easily. | 7/4. 7/8. 4/4. Melodically, doesn't seem to be a lot happening. Lots of repeated rhythms. | 4 | Webb, Amelia | |||||||||||||||||
15 | 6/21/2020 16:14:23 | Hypnotic Memories | Opener, Contest, Closer | Woodwinds start the piece and all parts are exposed, clarinet solo!, flute and oboe duet, oboe solo | Brass has long sustained notes while ww's have 8ths, brass part is overall easier compared to the ww part for most of the piece but becomes more challenging towards the end (jumping 8th notes), challenging horn part | You would need accomplished mallet players, all percussion parts are relatively challenging, | 7/8 time, woodwinds must be comfortable with independent movement, 8th note pulse drives through all of the fast sections | 8 | Leath, Claire | |||||||||||||||||
16 | 6/21/2020 16:14:23 | Hypnotic Memories | Contest | Flute solo Oboe solo Bassoon solo Very repetitive staccato figures - maintain the staccato style throughout Clarinet solo that goes to a Db above the staff | Trumpets will use straight mutes - sharp 4 horn parts Trumpet goes up to a G Horn part goes high into their range | 7 players or more Has some exposed moments Mallet 2 often has eighth note figures with the high woodwinds | There is 7/4 at the beginning The majority is in 7/8 Both slow and fast sections throughout | 7 | Lenhart, Stephanie | |||||||||||||||||
17 | 6/21/2020 16:14:26 | Hypnotic Memories | Novelty | Trading short solos at the beginning: flute to oboe to bassoon. Another clarinet 1 solo later. | Straight mutes for trumpets. Great horn section neeeded! | 7 players needed. | 4/4 measures mixed in throughout the 7/8. Slow section in the middle. Song requires a great command of the mixed meter pulse. | 9 | Clark, McKenzie | |||||||||||||||||
18 | 6/21/2020 16:14:27 | Hypnotic Memories | Opener, Closer | Very articulated and fast moving woodwind parts with lots of accidentals Flute Solo Oboe Solo Bassoon Solo | Trumpets need straight mutes Brass articulation sets the tone of the piece High range horn parts | Mallet Part - constant source of tempo along with the snare drum | 7/8 for majority of piece Lots of tempo changes | 9 | Garrett, Alana | |||||||||||||||||
19 | 6/21/2020 16:14:28 | Hypnotic Memories | Closer, Novelty | Solo flute, oboe, and bassoon at beginning, trading moving line between 1st and 2nd clarinet, more solos at m 93 | straight mutes for tpt 2 & 3 at m 37, tuba part splits | 7+ players, rolling a D above the staff on vibes, fun shaker part | 7/4, 7/8 time, changes between 7/8 and 4/4, rit at m 85, | 7 | Carpenter, Gary | |||||||||||||||||
20 | 6/21/2020 16:14:28 | Hypnotic Memories | Closer, Solo/Soli Feature | Lots of flute/cl/oboe solos passed around; | Tpts and Tbns use straight mute | 7 players; marimba needs soft cord mallets | Mostly stays in 7/4 but moves to 4/4 and 7/8; conflicting melodic lines; m93 quick meter changes | 9 | Brock, Caitlin | |||||||||||||||||
21 | 6/21/2020 16:14:28 | Hypnotic Memories | Closer | Prominent oboe | Heroic! Important horn parts (and high) | Intense shaker part! Very fast! | Asymmetrical meter | 7 | Allen, Daniel | |||||||||||||||||
22 | 6/21/2020 16:14:30 | Hypnotic Memories | Contest | exposed woodwinds | strait muste in t. bone, horn range | mostly in 7/8 (2+2+3) | lots of dynamic contrast in long tones, rhymic patterns under long phrases,I am the doctor | 9 | Lapointe, Gilbert | |||||||||||||||||
23 | 6/21/2020 16:14:30 | Hypnotic Memories | Contest | Flute, oboe, and bassoon solos start the piece (cued if needed) as well as m.93; primarily moving technical lines (vs. the more sustained lines in the brass); | Primarily longer sustained lines (vs. the more moving lines in the woodwinds). | Continuous shaker line (sixteenth-notes) drives the motion of the faster sections along with the marimba and xylophone. | Primarily in 7/8 (2+2+3), contrasting fast-slow-fast form. | 9 | Olisar, Jeremy | |||||||||||||||||
24 | 6/21/2020 16:14:32 | Hypnotic Memories | Contest | double tongued flute and piccolo passage before 69, oboe solo | fairly high horn soli towards end (cued in altos) | sixteenth note pattern in shaker. | 2+2+3 feel | 6 | Parrilla, Samuel | |||||||||||||||||
25 | 6/21/2020 16:14:32 | Hypnotic Memories | Contest, Closer | Clarinet solo into the upper register | Great horn part | percussion are responsible for driving the 7/8 feel | Really good for introducing mixed meter | 9 | Waite, Greg | |||||||||||||||||
26 | 6/21/2020 16:14:34 | Hypnotic Memories | Contest, Closer | High clarinet solo, into other solos. Nice flowing lines. | Nice syncopated brass lines, heroic soaring horn lines above the band. | great percussion parts when they do have parts. | Nice mixed meters, beautiful piece! I actually really love this! | 10 | Ukrisna, Heather | |||||||||||||||||
27 | 6/21/2020 16:14:34 | Hypnotic Memories | Closer | Driving rhythms | Counter melody is legato and flowing. | Mallet part covers a wide range. Tympani | Interesting time changes 7/4 4/4 7/8. | 10 | Thompson, Cathy | |||||||||||||||||
28 | 6/21/2020 16:14:34 | Hypnotic Memories | Contest | Flute range might be difficult for some. | Some variation here makes it interesting. Horn range could be a challenge. | Nothing very interesting here. Mostly shaker throughout with some timpani, some triangle and cymbals. | Some time changes to watch out for. | 8 | Esposite, Bo | |||||||||||||||||
29 | 6/21/2020 16:14:37 | Hypnotic Memories | Contest, Closer | Lots of repetition in fast 8th note lines - technique and endurance. Exposed oboe solo in andante. | Less technical parts overall than WW - easy to overblow and overbalance. Endurance could be an issue. Some serious horn parts after andante. | Minimum 6 players. Some dense/delicate parts with lots of notes, easy to be out of time or overplay. Shaker player is earning his paycheck. | 7/8 time. Rhythmic ostinati over 7/8 chorale. A lot of using simultaneous textures. Lush chorale under ostinati. Lots of variation within the 2+2+3 context. Accel near end leads into new finishing material. | 7 | Paradis, Jeff | |||||||||||||||||
30 | 6/21/2020 16:14:38 | Hypnotic Memories | Contest, Closer | flute solo Staccato 8th note repeated Clarinet solo, higher register Four and oboe call and response | Comes in with main melody over 8th note Wrong horn section needed. Had counter melody | Maracas, exposed marimba , crash cymbal | Exciting, mysterious, 7/8 time contracting sections , has several moving parts. Need strong brass | 10 | Woods, Ana | |||||||||||||||||
31 | 6/21/2020 16:14:39 | Hypnotic Memories | Closer | There are quite a lot of solos! Low long flutes will have a hard time being heard. There is double tonguing in the flutes. If this hasnt been done before, it may be confusing. Woodwinds have some challenging sequences at 127 | Mutes require intonation work. A lot of repetivie mid-upper range playing. This can be fatiguing. | Percussion is very involved in the time of the 7/8. | It is in 7/8, which comes with its own defficulties! The middle slow 7/8 section is very unique and BEAUTIFUL. | 10 | Baker, Michael | |||||||||||||||||
32 | 6/21/2020 16:14:40 | Hypnotic Memories | Closer | Oboe solo, even though it has difficult rhythmic, it is very repetitive | lots of moments in this piece where we are not on the same rhythmic playing field as woodwinds and that could be tricky | love the percussion parts! | mixed meter stuff, some ranges, and difficult lower parts | 8 | Kelly, Charles | |||||||||||||||||
33 | 6/21/2020 16:14:45 | Hypnotic Memories | Opener, Closer | The 8th note tonguing could be a stamina issue in the woodwinds. Clarinet solo at 69. Oboe solo at 117. 160 is very difficult. | Great horn part at 135. Lots of big brass parts! | A lot of percussion parts. The shaker part is VERY fast. A lot of timpani tuning. | 7/8 throughout the piece. A lot of meter changes. | 7 | Priest, Gregory | |||||||||||||||||
34 | 6/21/2020 16:14:45 | Hypnotic Memories | Change of Pace, Contest, Solo/Soli Feature | This begins with a flute, oboe, and clarinet. Clarinets and saxes set up an eighth note ostinato throughout the opening. There is a soaring clarinet solo at m. 68. The flute and bassoon trade solos at m. 93. | Trumpets will need straight mute. The brass take over a soli melody section at m. 49. | Xylophone has the driving melody at m. 127 with the high flutes and oboes. Shaker has the sixteenth note subdivisions and is the driving force behind the tempo. | The opening measures are in 7/4. The tempo changes to 7/8. At measure 91 there are shifting meters between 4/4 and 7/8. | 10 | Becker, Vivian | |||||||||||||||||
35 | 6/21/2020 16:14:46 | Hypnotic Memories | Opener, Change of Pace, Novelty | Lots of exposed features for woodwind section | High horn part | lots of fun rhythms | Mostly repetitive rhythm. Lots of drive | 8 | Maag, Edward | |||||||||||||||||
36 | 6/21/2020 16:14:47 | Hypnotic Memories | Contest | exposed ww parts, 1st & 2nd on all | st mute trb, horn range | mostly pitched percussion mallets | meter changes. 7/4 = 2+2+3 wide dynamic contrast | 9 | Lapointe, Tina | |||||||||||||||||
37 | 6/21/2020 16:14:47 | Hypnotic Memories | Change of Pace, Contest | Starts with WW solos layered on each other--returns in the middle section. Lots of accented/staccato tonguing. Clarinet solo around m. 69 Difficult upper WW part at the end. | Trumpets go up to a high A. Muted trumpet after 85. | Calls for 7 percussionists. Lots of variety in the percussion parts. Fast, extended 16th notes in the shaker. | Lots of 7/8. Great soaring themes and dramatic sound. | 8 | Priest, Kaitlyn | |||||||||||||||||
38 | 6/21/2020 16:14:49 | Hypnotic Memories | Closer | solo opportunities; legato against accented obstinate | variety of articulations; great horn opportunity | 7 players min. | originally scored for 15 players; ostinato pattern through out ; 5 1/3 mins. Gr. 4 1/2; 7/8 (2+2+3); 4/4 mixed meter | 8 | Theilacker, Jennifer | |||||||||||||||||
39 | 6/21/2020 16:14:49 | Hypnotic Memories | Closer | flute oboe bassoon opener. Clarinet over the staff. Flute doubling. Oboe really does well setting the material. sax + clarinet ostinato. | Trumpet + Horn feature, high part on the horn. Horn grade 4 at least. | Big percussion section. nothing to technically challenging. Would need consistency | 7/4, 4/4, 7/8. Groove. Even in 7/8 there's nothing too challenging in this piece except for some woodwind range. | 9 | Tessling, Zachary | |||||||||||||||||
40 | 6/21/2020 16:14:49 | Hypnotic Memories | Contest | Flute solo opportunity Bassoon solo opportunity | Use of mutes in tpt section big brass moments where ww just have the 7/8 sub division and the brass and in the foreground with wonderful melodic parts Sweet horn parts! | sounds like a variety of different aux being used to enhance big and small moments, allows to keep prec section busy. | Compound meter Wide variety and use of articulations Great melodic parts in brass with constant subdivision in WW | 9 | Thurow, Kevin | |||||||||||||||||
41 | 6/21/2020 16:14:51 | Hypnotic Memories | Closer | Flutes: check intonation on high G-flat. flutes piccolo have double tonged section (m. 65) | Horn part is in high register. | Shaker doesn't stop! needs to be smooth the whole time, and watch those accents on it. | Uncommon meter and many meter changes. Articulations! Clearly differentiate accents from staccato though. | 8 | Maguire, Ian | |||||||||||||||||
42 | 6/21/2020 16:14:52 | Hypnotic Memories | Contest, Closer | ostinato in ww involves variety of articulation clarinet, oboe solos, oboe single note articulation, another oboe solo, written trills | big horn moment with range consideration thick harmonies in brass, esp tenor brass, big blow for horns! some tehcnical passages for trombones | constant 16th note pattern in 7/8 with accents will be very challenging to line up | extensive 7/8 time, rit with still driving 16th in perc will be difficult. mixed meter 4/4 and 7/8, | 8 | Martinez, Enrique | |||||||||||||||||
43 | 6/21/2020 16:14:52 | Hypnotic Memories | Opener, Contest, Closer | 1) Very melodic flute parts to work on phrasing 2) Lots of fast jumping around, would want to check for best fingerings in the flute, clarinet part 3) Are the parts separated out or show like they are in the score, if like in the score, it will be very difficult to read | 1) Highest note in the trumpet seems to be an A 2) You need to have a strong horn section | 1) Really neat driving percussion parts that feel like the back bone of the entire piece | 1) Mixed meter will need to be checked on 2) Tempo changes are important 3) Overall need to have a very flexible band | 8 | Justice, Alex | |||||||||||||||||
44 | 6/21/2020 16:14:53 | Hypnotic Memories | Change of Pace, Solo/Soli Feature | Solos in flute, oboe and bassoon in opening. Flute solo at m. 93 and bassoon solo answer at 94. Oboe solo at m. 117. | Great melody at m. 37 in the trumpet and upper woodwinds. Trumpets need straight mutes. Great horn line at m. 144. High horn parts. | Need student who would be comfortable with a tricky shaker part. Many long mallet phrases. | 7/4 to 4/4 and the 7/8. Lots of articulation work between accents and staccato notes. Changes from 7/8 to 4/4 and back a few times through the piece. | 8 | Garnreiter, Sean | |||||||||||||||||
45 | 6/21/2020 16:14:53 | Hypnotic Memories | Opener, Contest, Closer | Very stacotto in style and will require diligent oboist. Very repetitive at the beginning for our upper woodwinds. | There are some upper range unison passages in here for our mid to low horns. | constant subdivisions and endurance is needed for at least one percussionist who will be playing 16ths until the cows come home. | This is a repetitive piece in parts but is a great piece to get students introduce to some less normal time signatures. | 10 | Johnson, Johnathan | |||||||||||||||||
46 | 6/21/2020 16:14:55 | Hypnotic Memories | Contest, Novelty | Definitely many repeated patterns to start. Lower parts have reduced parts as compared to lead players Measure 127 gets very fingery with accidentals | Trumpets need straight mutes 144 has killer horn parts that play to the top of the staff. | Needs a great shaker hand with running, fast 1/16th notes At least 6 players | Rossano Galante Grade 4.5 Starts with solos from flute, oboe, bassoon, marimba 7/4 7/8 Not a typical Galante piece that I am used to | 9 | Kieckhafer, Adam | |||||||||||||||||
47 | 6/21/2020 16:14:58 | Hypnotic Memories | Contest | Middle lyric section includes solos in flute and oboe and also an oboe/clar 2/mallet trio | Includes several short melodic moments where horn & cup take the lead. Some are doubled in saxes. Has some moments of soaring horns to end phrases. | Mallet part that doubles WW. Includes shaker part. | The first section is a 7/8 groove 2+2+3 with lyric melodies over the top. Stays in 7/8 for a slow lyric section in the middle | 6 | Wetherington, John | |||||||||||||||||
48 | 6/21/2020 16:15:00 | Hypnotic Memories | Closer | Bassoon solo (cued in Euph). Oboe featured (cued in clarinet). | Technically, not too challenging for the brass. A couple difficult parts for the horns: 120-121 with a high A, and craziness at 164-165. | Shaker constant 16ths for forever- must stay in tempo. | 7/8 time. | 8 | Groenenboom, Michael | |||||||||||||||||
49 | 6/21/2020 16:15:01 | Hypnotic Memories | Closer | woodwinds with 8th notes need to light up with mallets; clarinet solo; flutes nearing the top of their registers; equal difficultly levels across the first/second/third clarinet parts; | legato contrast with the accent woodwinds; high horn parts | driving parts with steady rhythms | fun, fast, exciting; not for the faint of heart | 9 | Bryant, Christina | |||||||||||||||||
50 | 6/21/2020 16:15:05 | Hypnotic Memories | Opener, Contest, Closer | Solo themes passed around from flute to oboe to bassoon. Lots of repeated articulated patterns may become taxing. Very exposed oboes solo in the andante section is a consideration to have when programming. | Some good moments of exposure for horns and trumpets in the first 7/8 section. Range is very high and in unison with trumpets. Not as technically demanding, but the range will push the students. | Shaker part in the beginning of the 7/8 is demanding because of its relationship to the subdivision and length of the part. Definitely will need something like egg shakers there. Plenty of accessory instruments to create color and keep multiple students engaged. | There is great energy in the first theme that develops from 7/4 to 7/8. The articulation patterns (and leaps within them) may be taxing on performers and require steady air and relaxed embouchures. When coming out of the lush andante section, the way the theme is manipulated over time to fit underneath the return to the melodic material from the beginning is creative and interesting! | 9 | Campopiano, Shawn | |||||||||||||||||
51 | 6/21/2020 16:15:07 | Hypnotic Memories | Closer | Flute , Oboe, Bassoon solos at the between Woodwinds have a great syncopated rhythm pattern that need to line up Some large leaps in the flute part that will need proper air speed/direction to pop out | Powerful horn part! - High register Trumpets will straight mutes | Xylophone follows melody throughout | Mixed meter Meter changes Tempo changes - including an accelerando at the end Great way to help students with syncopation | 9 | Garza, Lisa | |||||||||||||||||
52 | 6/21/2020 16:15:09 | Hypnotic Memories | Change of Pace | picc, 3 flutes, 2 ob, 2 bsn, 4 cl, 2 alto flute solo bassoon solo very fast runs toward the end | 3 tpt, 4 hn, 3 tbn, | Marimba written in grand staff Requires 4 mallets in vibraphone part and working motor | Grade 4.5 Primarily 7/8 (2+2+3) Active 8th note ostinati with half and dotted quarter melody | 7 | Summers, Geoffrey | |||||||||||||||||
53 | 6/21/2020 16:15:09 | Hypnotic Memories | Change of Pace, Contest, Closer | This piece features a series of solos in the woodwinds, starting with a flute solo, then moving on to feature oboe and bassoon as soloists. The repetitive ostinatos insert accents to give the woodwind accompaniment lively variety. | The brass provides mostly harmonic support throught the introduction of this piece. Brass will support with engaging forte piano crecendos. | The percussion provides background textures throughout the introduction of the piece. | This grade 4.5 overture style piece will give your advanced ensemble the opportunity to play in different styles while featuring outstanding soloists. | 10 | Macias, Juanpablo | |||||||||||||||||
54 | 6/21/2020 16:15:10 | Hypnotic Memories | Opener, Contest | - intro with a flute solo to oboe solo to bassoon. -Passing staccato 8th notes throughout woodwind section at beginning of 7/8 | Alot of sustain in the first 7/8 section -Low brass takes over 7/8 groove at measure 35 -Trumpet and horn unison measure 49 - 65 - Horns go to unison G (High) | - 6 percussion parts - shaker has a main groove part in 6/8 with steady 16th notes (Technique) | Grade 4.5 on score Rossano Galante - 7/4 solo intro 4 measures - 7/8 work -typical 7/8 meter groove four quarter notes and end with 8th note - alternating 7/8 to 4/4 ballad section | 7 | Rouse, Kevin | |||||||||||||||||
55 | 6/21/2020 16:15:11 | Hypnotic Memories | Contest, Closer | Woodwind leaps require fast fingers Flute and Oboe solos | Horns 1 and 2 parts are demanding in range | Shaker has consecutive 16th notes | Many Soloists in the beginning Piece is is 7/8 and 4/4 | 9 | Ramirez, Eric | |||||||||||||||||
56 | 6/21/2020 16:15:12 | Hypnotic Memories | Contest, Closer | -Woodwind solo passed around at the beginning -Isolated flute melody in the slow section -Bsn is doubled in t. sax | -Trumpets get up to high G -Maintaining good intonation in sustained notes in slower section -Nice horn parts, they do go high | -6 percussion parts -Repetitive mallet parts | -keeping 8th note even through 7/8 time -Accent vs. staccato in 8th notes -Lots of repetitive accidentals -4/4 to 7/8 for transitions -Tempo increases nearing the end | 8 | Elvert, Molly | |||||||||||||||||
57 | 6/21/2020 16:15:18 | Hypnotic Memories | Closer | Strengths: Well written for the instruments Difficulties: Oboe legato 16ths on an F5 as a solo alongside the flute, | Strengths: Gives horns a chance to play "blisteringly" Difficulties: Tuba part divides | Strengths: Marimba part is written in the grand staff Difficulties: The shaker player will need considerable endurance to play this and if they are off, the band will fall apart | Strengths: Good for teaching a 7/8 groove Difficulties: Articulation differences between the WW and the brass (m. 29) | 7 | Kuipers, Peter | |||||||||||||||||
58 | 6/21/2020 16:15:21 | Hypnotic Memories | Change of Pace, Closer | Nice solo lines in the woodwinds, giving opportunity for expressive playing. There are wide leaps slurred in flute. | There are lots of sustained notes in low brass towards the beginning, and should listen closely for pitch and balance. | Percussion is responsible for maintaining the steady subdivision in the fast section. | This is a great piece, with expressive playing and high energy rhythmic lines. | 8 | Evans, James Spencer | |||||||||||||||||
59 | 6/21/2020 16:15:22 | Hypnotic Memories | Contest | Exposed flute and oboe/clarinet duet will require confident soloists. While the tempo is brisk, the clarinet ostinato repeats for a long time, allowing the students to get comfortable with it quickly. | Will need strong brass players. Articulations will need to be crisp and uniform. Horn players will love the rips at the end. | Exposed mallet parts in the beginning may be challenging. Will need a shaker player with some strength to perform straight sixteenths without pause. Could prove to be challenging. | 7/8 time may be difficult if the ensemble is new to this time signature. Good piece to teach mixed meter to an ensemble. | 8 | Hegwood, Jonathan | |||||||||||||||||
60 | 6/21/2020 16:15:22 | Hypnotic Memories | Contest | + layered solos at beginning - m.65-66 all wws 8th line | - Tpt 1 legato 16ths | + super involved parts! | + all sections share in rhythmic responsibility; the piece continues to incorporate 4/4 and 7/8 even in the slower tempi! - 7/4 and 7/8 | 9 | Matta, Elizabeth | |||||||||||||||||
61 | 6/21/2020 16:15:24 | Hypnotic Memories | Closer, Novelty | Clarinet part in beginning has large interval leaps. Featured in the piece | Music is not difficult rhythmically compared to other sections. Chords. Horns parts are high. | Used to reinforce woodwinds in mallets, 16th notes passages a lot. | 7/8 time signature, super hero like | 7 | Brockman,Kenneth | |||||||||||||||||
62 | 6/21/2020 16:15:25 | Hypnotic Memories | Contest | -Starts with woodwind soloists -Woodwinds carry opening in the 7/8 section -Features an exposed high register clarinet solo -Features an exposed high register flute solo -Difficult woodwind leaping in the ending | -Muted trumpets -Trumpets and french horn share unison melody -French horn has some rockin' parts! | -Marimba and shaker provide rhythmic drive -Marimba has two-stave part | -Features multi meter, 7/8 time in the opening -Features giant ritardando in 7/8 time -Continues 7/8 through the slow B section -ABA form, A section being the 7/8 driving section | 7 | Sylvester, Greg | |||||||||||||||||
63 | 6/21/2020 16:15:38 | Hypnotic Memories | Contest | some instruments in higher registers at times; some exposed solos; | need good brass (horns) | have to be able to keep groove going | mostly in 7/8, some repetitive, some independence required; | 8 | Flaherty, Jean | |||||||||||||||||
64 | 6/21/2020 16:15:48 | Hypnotic Memories | Closer, Solo/Soli Feature | Solo sections in Flute, Oboe, Bassoon, and Clarinet at the beginning Many solos at Measure 93 Tremelos at Measures 142-143 | Trumpets need straight mutes 3 trumpet parts 4 horn parts 3 trombone parts | 6 percussion parts Sixteenth note rhythm throughout the whole 7/8 section in Perc 3 part Septuplet sixteenth and grace note rhythms at measure 160 | First few measures in 7/4 7/8 in 2+2+3 Moving 8th note line passed around while a legato melody soars The piece sounds like a superhero theme | 10 | Chambless, Victoria | |||||||||||||||||
65 | 6/21/2020 16:17:07 | Hypnotic Memories | Contest, Closer | Clarinets, altos, and oboes will need to stagger breathe for the rhythmic ostinato in the beginning. Beautiful clarinet solo at measure 69. Exposed oboe solo. Bassoon plays at G above bass clef. | Moderate range for trumpet up to F-sharp in the top line of the staff. Horns play a lot in the upper register. | Lots of technical mallet parts. | Ensemble will need to be comfortable playing in 7/8 at a fast and slow tempo. | 10 | Paim, Marco | |||||||||||||||||
66 | ||||||||||||||||||||||||||
67 | ||||||||||||||||||||||||||
68 | ||||||||||||||||||||||||||
69 | ||||||||||||||||||||||||||
70 | ||||||||||||||||||||||||||
71 | ||||||||||||||||||||||||||
72 | ||||||||||||||||||||||||||
73 | ||||||||||||||||||||||||||
74 | ||||||||||||||||||||||||||
75 | ||||||||||||||||||||||||||
76 | ||||||||||||||||||||||||||
77 | ||||||||||||||||||||||||||
78 | ||||||||||||||||||||||||||
79 | ||||||||||||||||||||||||||
80 | ||||||||||||||||||||||||||
81 | ||||||||||||||||||||||||||
82 | ||||||||||||||||||||||||||
83 | ||||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||
85 | ||||||||||||||||||||||||||
86 | ||||||||||||||||||||||||||
87 | ||||||||||||||||||||||||||
88 | ||||||||||||||||||||||||||
89 | ||||||||||||||||||||||||||
90 | ||||||||||||||||||||||||||
91 | ||||||||||||||||||||||||||
92 | ||||||||||||||||||||||||||
93 | ||||||||||||||||||||||||||
94 | ||||||||||||||||||||||||||
95 | ||||||||||||||||||||||||||
96 | ||||||||||||||||||||||||||
97 | ||||||||||||||||||||||||||
98 | ||||||||||||||||||||||||||
99 | ||||||||||||||||||||||||||
100 |