| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Check out the most updated version here: | ||||||||||||||||||||||||||
2 | https://docs.google.com/spreadsheets/d/1Vmntf-usFWoAojqQfyXC3Jj5HpmxX1gmUZVZvo4c6QE/edit?usp=sharing | ||||||||||||||||||||||||||
3 | |||||||||||||||||||||||||||
4 | Welcome to version 4.4 of the Rovak Routine!!! | ||||||||||||||||||||||||||
5 | This method of hosting freestyle prelims to get a seeded Top 16 bracket is accurate up to 60 dancers | ||||||||||||||||||||||||||
6 | Based on Massey's Method, strength of schedule and number of votes are what matter | ||||||||||||||||||||||||||
7 | Advantages: not as subjective as other prelim methods, gives newer dancers experience with battling | ||||||||||||||||||||||||||
8 | |||||||||||||||||||||||||||
9 | SUMMARY: | Videos: | Post-FD24 | Post-ANE24 | Post-FP23 | Post-FP22 | |||||||||||||||||||||
10 | Round 1 gives all dancers 2 battles, Round 1 results cut list down to the First 24 dancers | ||||||||||||||||||||||||||
11 | Round 2 is optional, but is recommended to produce accurate dancer ranking: | ||||||||||||||||||||||||||
12 | 4-Battles involves another chain of battles in a specified order | ||||||||||||||||||||||||||
13 | 3-Battles involves an extra battle that is not done as a chain of battles | ||||||||||||||||||||||||||
14 | Custom allowes for any number of custom battles to occur, can be used alongside previous options | ||||||||||||||||||||||||||
15 | Timing: Round 1 has battles that match the number of dancers, Round 2 4-Battles features 24 battles | ||||||||||||||||||||||||||
16 | Example) if 60 dancers participate, are given 35s per battle | ||||||||||||||||||||||||||
17 | Round 1 will take 75min to 80min with a 5s to 10s turnover between battles | ||||||||||||||||||||||||||
18 | R2 4-Battles will take 34min to 36min with a 15s to 20s turnover time between battles | ||||||||||||||||||||||||||
19 | Total event time will have a duration around 2 hours | ||||||||||||||||||||||||||
20 | |||||||||||||||||||||||||||
21 | JUDGING: | ||||||||||||||||||||||||||
22 | Judges will vote on each battle using a 5-point judging system (Strong Left, Left, Tie, Right, Strong Right) | ||||||||||||||||||||||||||
23 | strong votes used when a dancer dominates their battle. 3 to 5 judges must be used. | ||||||||||||||||||||||||||
24 | MAKE SURE YOUR JUDGES KNOW raising 2 arms to the left or right counts as a strong vote | ||||||||||||||||||||||||||
25 | |||||||||||||||||||||||||||
26 | CHECK-IN: | Example Order: | D# | ||||||||||||||||||||||||
27 | Dancers are assigned numbers when they check in at the event, have numbers printed in order | Anchor | D_01 | ||||||||||||||||||||||||
28 | Ask dancers to self-categorize themselves as: Seasoned, Experienced, Novice | Seasoned2 | D_02 | ||||||||||||||||||||||||
29 | Seasoned: dancers that regularly qualified in the battle events for the Big3 cons | Seasoned3 | D_10 | ||||||||||||||||||||||||
30 | Experienced: dancers that have competed in multiple tourneys outside the Big3 | Experienced1 | D_03 | ||||||||||||||||||||||||
31 | Novice: dancers new to battle events and/or haven't won an official battle before | Experienced2 | D_04 | ||||||||||||||||||||||||
32 | Categories are loose definitions, but assist in the accuracy in the routine | Novice1 | D_05 | ||||||||||||||||||||||||
33 | Step 1) ask Seasoned dancers to gather, check-in all of them | Novice2 | D_06 | ||||||||||||||||||||||||
34 | NOTE: the 1st Seasoned dancer is the Anchor for Round 1, inform the dancers | Novice3 | D_07 | ||||||||||||||||||||||||
35 | that the Anchor is the first and last battle of Round 1, and make sure you have | Experienced3 | D_08 | ||||||||||||||||||||||||
36 | a dancer that is okay with this. Their role is important | Experienced4 | D_09 | ||||||||||||||||||||||||
37 | Step 2) ask Experienced dancers to gather, check-in half of them now (the rest check-in after Novices) | ||||||||||||||||||||||||||
38 | Step 3) ask Novices to gather and check-in all of them | ||||||||||||||||||||||||||
39 | Step 4) check-in the other half of the Experienced dancers | ||||||||||||||||||||||||||
40 | This method is used to ensure dancers will get 2 opponents roughly the same skill level | ||||||||||||||||||||||||||
41 | |||||||||||||||||||||||||||
42 | |||||||||||||||||||||||||||
43 | ROUND 1: | Videos: | FD2024 | FP2023 | FP2022 | (L)eft Dancer | vs | (R)ight Dancer | |||||||||||||||||||
44 | Dancers will battle in numerical order | Seasoned2 | Anchor | ||||||||||||||||||||||||
45 | Each dancer will get 2 battles in Round 1, forming a chain of battles that starts and ends with the Anchor | Seasoned3 | Seasoned2 | ||||||||||||||||||||||||
46 | Judges will vote after each battle, votes are recorded on "Judges Votes" columns | Experienced1 | Seasoned3 | ||||||||||||||||||||||||
47 | Strong Left (SL), Left (L), Tie (x), Right (R), Strong Right (SR) | Experienced2 | Experienced1 | ||||||||||||||||||||||||
48 | Novice1 | Experienced2 | |||||||||||||||||||||||||
49 | Dancer on the left moves to the right, and a new dancer will take the left side | Novice2 | Novice1 | ||||||||||||||||||||||||
50 | The dancer that is new on the floor is always goes first in the battle | Novice3 | Novice2 | ||||||||||||||||||||||||
51 | Experienced3 | Novice3 | |||||||||||||||||||||||||
52 | Dancers that are not present for their battles are cut, no exceptions | Experienced4 | Experienced3 | ||||||||||||||||||||||||
53 | Write anything in the "Drop?" column and move onto the next dancer | Anchor | Experienced4 | ||||||||||||||||||||||||
54 | At the end of Round 1: dancers in cyan made the cut to First 24, dancers in orange are standbys | ||||||||||||||||||||||||||
55 | |||||||||||||||||||||||||||
56 | ROUND 2, 4-Battles: | Videos: | ANE2024 | (L)eft Dancer | vs | (R)ight Dancer | |||||||||||||||||||||
57 | Dancers that make the First 24 will battle in order that appears in the "R2 4-Battles" sheet | Current battle > | Dancer_B | Dancer_A | |||||||||||||||||||||||
58 | Same as Round 1, dancers each get 2 battles forming a chain of battles | On deck > | Dancer_C | Dancer_B | |||||||||||||||||||||||
59 | After every battle, call out who is currently up on the floor followed by who is on deck | ||||||||||||||||||||||||||
60 | If a dancer is not present for their battle they are cut from the First 24, no exceptions | ||||||||||||||||||||||||||
61 | Write anything in the "Drop?" column, spreadsheet automatically handles dancer order | ||||||||||||||||||||||||||
62 | |||||||||||||||||||||||||||
63 | ROUND 2, 3-Battles: | (L)eft Dancer | vs | (R)ight Dancer | |||||||||||||||||||||||
64 | Dancers that make the First 24 will battle in order that appears in the "R2 3-Battles" sheet | Current battle > | Dancer_A | Dancer_B | |||||||||||||||||||||||
65 | Dancers will get 1 more battle, with a total of 12 battles in this version of the 2nd round | On deck > | Dancer_C | Dancer_D | |||||||||||||||||||||||
66 | After every battle, call out who is currently up on the floor followed by who is on deck | ||||||||||||||||||||||||||
67 | If a dancer is not present for their battle they are cut from the First 24, no exceptions | ||||||||||||||||||||||||||
68 | Write anything in the "Drop?" column, spreadsheet automatically handles dancer order | ||||||||||||||||||||||||||
69 | |||||||||||||||||||||||||||
70 | ROUND 2, Custom Battles: | (L)eft Dancer | vs | (R)ight Dancer | |||||||||||||||||||||||
71 | Dancers that make the First 24 will battle in order that appears in the "R2 Custom" sheet | Current battle > | D_01 | D_05 | |||||||||||||||||||||||
72 | Allows event organizers to score any extra battles that happen during prelims that occur | On deck > | D_12 | D_42 | |||||||||||||||||||||||
73 | Make sure to use dancer numbers to label who is involved in each battle on the custom sheet | ||||||||||||||||||||||||||
74 | |||||||||||||||||||||||||||
75 | Results & Bracket: | Video: | Post-FD24 | ||||||||||||||||||||||||
76 | Once all prelim battles have been recorded, the "Results" sheet displays Top 16 in green plus 4 standbys in yellow in Dancer Number order. | ||||||||||||||||||||||||||
77 | The "Bracket" sheet displays the Top 16 in seeded order along with the finals bracket. | ||||||||||||||||||||||||||
78 | NOTE: avoid revealing bracket seeding to the judges until after finals to reduce confirmation bias | ||||||||||||||||||||||||||
79 | A dancer's bracket position is based on their seed and aggrigate rating of the dancers on their bracket line. | ||||||||||||||||||||||||||
80 | Example: the #1 & #16 seeds will always face each other in the 1st round, but their added | ||||||||||||||||||||||||||
81 | rating will determine if they are above or below the #8 & #9 seeds in the bracket order | ||||||||||||||||||||||||||
82 | |||||||||||||||||||||||||||
83 | |||||||||||||||||||||||||||
84 | FAQ: | ||||||||||||||||||||||||||
85 | Should I use this routine even if my event has less than 24 dancers signed up? | ||||||||||||||||||||||||||
86 | Yes! Using seeded brackets will always be better than a randomly generated one. This method is | ||||||||||||||||||||||||||
87 | very accurate at determining a dancer's relative rating when there's a lower number of dancers. | ||||||||||||||||||||||||||
88 | The system is even able to handle uneven brackets when less than 16 people sign up. | ||||||||||||||||||||||||||
89 | |||||||||||||||||||||||||||
90 | Should I use this routine if my event has more than 60 dancers signed up? | ||||||||||||||||||||||||||
91 | In theory you could use this method using 5 judges and be accurate up to 80 dancers. | ||||||||||||||||||||||||||
92 | However, you would definitely need more than 2 hours to have over 60 dancers tryout using this method. | ||||||||||||||||||||||||||
93 | (Currently working on testing if time saving strategies like parallel battles could still produce accurate results) | ||||||||||||||||||||||||||
94 | |||||||||||||||||||||||||||
95 | Why do you call it "First 24" and not "Top 24"? | ||||||||||||||||||||||||||
96 | Partly because the First 24 is still part of prelims, partly because "Top 24" isn't the most accurate term. | ||||||||||||||||||||||||||
97 | |||||||||||||||||||||||||||
98 | Wouldn't making all the expert dancers battle each other in Round 1 eliminate them? | ||||||||||||||||||||||||||
99 | Actually, the opposite happens. From a dancer's perspective, you want to go against strong opponents in prelims | ||||||||||||||||||||||||||
100 |