1 | Artist | shortSculptureTitle | Sculpture Title | Material | Location | GPS Coordinates | Lat | Lon | City | Date | Display Date | Era | Design | Bible or Rifle? | Site | State | Mormon? | Centennial? | Blurb? | Description | Longer Analysis | theme | Image 1 | Image 2 | Photo Credit | See Also | Clio | Visited? | ||
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2 | Unknown | Pioneer Monument | Pioneer Monument / Centennial Monument | granite | Diamond Park | 41.638465, -80.150038 | 41.638465 | -80.150038 | Meadville, PA | 1888 | 1888 | Early Monuments | Man | Pennsylvania | done | Man dressed in coonskin cap and buckskin represents men and women who crossed the Allegheny Mountains to settle in northwest Pennsylvania. Statue stands on a rectangular granite base with a relief of a log cabin on the front. Erected in honor of the centennial of Meadville and Crawford County. | created entry 6/21/19 | no | ||||||||||||
3 | Karl Gerhardt | Pioneer Statuary Group | Pioneer Statuary Group | bronze | Iowa Capitol grounds | 41.590865, -93.605441 | 41.590865, | -93.605441 | Des Moines, IA | 1892 | 1892 | Early Monuments | Group | Capitol | Iowa | done | Karl Gerhardt’s Pioneer Statuary Group features a white pioneer man, his adolescent son, and an Indian man gazing out over the Iowa lands the white men intend to settle. This early pioneer monument's design called for "a group consisting of father and son guided by a friendly Indian in search of a home." Although all three men wear fringed buckskin, differences in their attire, tools and positioning indicate that the indigenous man has yielded his native lands to the white settlers. The bearded pioneer father and his son wear the long European-style coats and hairstyles that Anglo-Americans associated with Western civilization, while the fringed buckskin declares their ability to conquer untamed lands. In contrast, the Indian’s bare torso, shaved face and long braids indicate his savagery. | David Culver | David Culver | |||||||||||
4 | Frank Happersberger | Lick Pioneer Monument | The Pioneer Monument / James Lick Monument | bronze and granite | San Francisco Public Library Main Library | 37.779707, -122.415938 | 37.779707 | -122.415938 | San Francisco, CA | 1894 | 1894 | Early Monuments | Other | City Hall | California | updated 3/21 | Bronze sculptural groupings and plaques surround a central pillar. Depicts a historical trajectory from early European exploration, through the Spanish missions, ranching during the Mexican era (1821-48), 1849 gold rush, and white American settlement. The 47-foot-tall, 800-ton monument survived the 1906 earthquake. Relocated 1993 to accommodate construction of a new San Francisco Main Library. Native activists challenged its portrayal of a Spanish missionary, and Mexican vaquero towering over an Indigenous man in the "Early Days" grouping at the base of the monument. In 1996 the city erected an interpretive plaque emphasizing Native American history. In September 2018 the city removed "Early Days," leaving an empty plinth behind. | https://pioneermonuments.net/highlighted-monuments/san-francisco/lick-pioneer/ | improved entry; created entry for original site 6/18; updated 4/19 | yes | ||||||||||
5 | Cyrus Edwin Dallin | Brigham Young Monument | Brigham Young Monument / Pioneer Monument | bronze | Temple Square | 40.769554, -111.891114 | 40.769554 | -111.891114 | Salt Lake City, UT | 1897 | 1897 | Early Monuments | Other | Temple Square | Utah | Mormon | done | Utah-born artist Cyrus Dallin persuaded the Brigham Young Memorial Association to broaden the scope of their proposed monument to the 1847 Mormon "First Company" of Utah settlers to honor Mormon prophet, Church president, and Utah Territory governor Brigham Young. A bronze statue of Brigham Young stands on top of a stone pillar. Seated on either side of the central pillar are two additional bronze figures: a Native American scout dressed in a loincloth and moccasins, and a grizzled white trapper wearing fringed buckskin and a coonskin hat. Applied to the central pillar is a bronze relief plaque depicting a covered wagon family. On the reverse of the pillar a bronze plaque provides an honor role of the male-dominated “PIONEERS who arrived in this valley July 24, 1847.” It lists the names of all 143 men, three women, and two children in the company; a horizontal line separated the 145 names of White Mormon settlers from three others that the plaque termed “colored servants”--a designation that would later spark protest amid the Black Power movement of the 1970s. The Brigham Young statue was displayed at the Chicago World's Fair in 1893. The still-incomplete monument was dedicated in 1897 to mark the 50th anniversary of Mormons' arrival into Utah. The finally completed monument was unveiled a second time during Pioneer Day celebrations in 1900. | Cynthia Prescott | yes | ||||||||||
6 | Allen G. Newman | Pioneer | Pioneer | zinc | near capitol | 44.938745, -123.030406 | 44.938745 | -123.030406 | Salem, OR | 1903 | 1903-1917 | Early Monuments | Man | Oregon | done | Modeled after early white settler's hat, rifle and pouch provided by his Salem descendants, who commissioned the sculpture. Statue was toppled by a windstorm in 1917 and never replaced. A 1910 casting of the statue stands in Ashland, Oregon. | created entry 6/14/19 | destroyed | ||||||||||||
7 | Hermon MacNeil | Coming of the White Man | Coming of the White Man | bronze | Washington Park | 45.522239, -122.701711 | 45.522239 | -122.701711 | Portland, OR | 1904 | 1904 | Early Monuments | Other | Fair? | Oregon | done | originally displayed as part of the Lewis and Clark Exposition, a 1905 fair marking the centennial of the Lewis and Clark expedition's journey from Missouri to the Pacific. Herman MacNeil’s statue features two native men facing eastward toward wagon trains arriving along the Oregon Trail. Like other leading artists of his generation, MacNeil thought of indigenous North Americans as noble savages. But he was one of the first American sculptors to reject depictions of Native Americans as childlike. MacNeil nonetheless viewed indigenous peoples as innocents who would necessarily yield way to white civilization. In this statue, Multnomah, chief of the local Multnomah Indian tribe, stands with his arms crossed, staring haughtily as the Lewis and Clark expedition’s canoes approach down the Columbia River. Beside him, a young Indian scout points excitedly toward those arriving from the East.After the fair, the statue was moved to Washington Park. It now stands near the Sacajawea statue (which was also displayed at the 1905 fair) and the 1908 Lewis and Clark Memorial Column. | https://pioneermonuments.net/wp-content/uploads/2017/01/Coming-of-the-White-Man-1.jpg | Cynthia Prescott | created entry 6/20/19 | yes | |||||||||
8 | Alice Cooper | Sacajawea | Sacajawea | bronze | Washington Park | 45.521255, -122.702758 | 45.521255 | -122.702758 | Portland, OR | 1905 | 1905 | Early Monuments | Woman | Fair | Oregon | done | Pacific Northwest suffragists erected this monument to the famous Native American female guide of the Lewis and Clark Expedition and to the “pioneer mothers of old Oregon.” Erecting a sculpture of an American Indian to honor "pioneer mothers" became unthinkable soon after this statue was erected. By the 1920s, monuments to pioneer mothers became much more common, and increasingly utilized common iconography celebrating so-called civilized white womanhood. | Cynthia Prescott | created entry 6/19 | yes | ||||||||||
9 | Allen G. Newman | Pioneer Mike | Pioneer Mike / Carter Memorial Fountain / Iron Mike | zinc | Ashland Plaza | 42.197230, -122.715338 | 42.19723 | -122.715338 | Ashland, OR | 1910 | 1910-2014 | Early Monuments | Man | Oregon | done | Beloved copy of Newman's 1903 Pioneer for Salem, Oregon. It was repeatedly damaged by vandals before finally being removed in 2014. It was replaced with a bronze recasting two years later. | created entry 6/14/19 | destroyed | ||||||||||||
10 | Frederick MacMonnies | Pioneer Monument | Pioneer Monument | bronze | Civic Center Park | 39.740247, -104.987686 | 39.740247 | -104.987686 | Denver, CO | 1911 | 1911 | Early Monuments | Other | Colorado | done | Denver businessmen sponsored this public fountain. MacMonnies' original design featured a Plains Indian warrior atop the central spire. It was intended to depict a progression from Indian savagery to Euro-American civilization. However, the people of Denver read the monument in the traditional manner from bottom to top. They expected the embodiment of white civilization to appear at the pinnacle, as it did in San Francisco's Lick Pioneer Monument. MacMonnies compromised by substituting white explorer and Indian fighter Kit Carson on horseback at the top. In summer 2020, in the wake of the Black Lives Matter and decolonization movements, protesters challenged monuments in the Denver Civic Center for promoting colonialism. On July 3, 2020, the city of Denver removed the Kit Carson statue from the top of the Pioneer Monument as a precaution to prevent protesters from toppling that statue or damaging the monument. | Cynthia Prescott | yes | ||||||||||||
11 | Allen G. Newman | Minuteman | Minuteman | zinc | University of Northern Colorado campus | 40.408332, -104.692795 | 40.408332 | -104.692795 | Greeley, CO | 1911 | 1911-1938 | Early Monuments | Man | Colorado | done | Copy of Newman's 1903 Pioneer for Salem, Oregon. The statue was removed and lost when an adjacent building was remodeled in 1938. | destroyed | |||||||||||||
12 | Allen G. Newman | Pioneer | Pioneer | zinc | Lake Avenue and Lakeshore Drive | 42.636630, -95.201001 | 42.63663 | -95.201001 | Storm Lake, IA | 1912 | 1912-1972 | Early Monuments | Man | Iowa | done | Copy of Newman's 1903 Pioneer for Salem, Oregon, donated by the Tuesday Club in 1912. The statue suffered repeated vandalism, and was finally removed in 1972. It was replaced in 1974 with a bronze replica, paid for by funds raised for the town's centennial. | destroyed | |||||||||||||
13 | Mahonri M. Young | Seagull Monument | Seagull Monument | bronze | Temple Square | 40.769767, -111.892822 | 40.769767 | -111.892822 | Salt Lake City, UT | 1913 | 1913 | Early Monuments | Other | Temple Square | Utah | Mormon | done | Commemorates seagulls that ate Mormon crickets destroying early Mormon settlers' crops in 1848. Although not recorded in contemporaneous writings, many Latter-day Saints later came to see this event as a miracle. The sculpture of two California gulls tops a pillar featuring pioneer scenes on its base. Sculpted by Mahonri Young, a grandson of LDS prophet Brigham Young. | https://pioneermonuments.net/wp-content/uploads/2017/01/Seagull-1.jpg | Cynthia Prescott | yes | |||||||||
14 | Charles Grafly | Pioneer Mother | Pioneer Mother | bronze | Golden Gate Park | 37.770898, -122.474299 | 37.770898 | -122.474299 | San Francisco, CA | 1915 | 1915 | Early Monuments | Woman | Fair | California | done | Competing visions of pioneer womanhood collided in the creation of this statue. The tribute to early Euro-American California settlers was created for San Francisco’s 1915 Panama-Pacific International Exposition. It was forgotten after the fair, but later restored and moved to its permanent location in Golden Gate Park in 1940. | Cynthia Prescott | created entry for statue & PPIE location 6/18 | yes | ||||||||||
15 | James Earle Fraser | End of the Trail | The End of the Trail | plaster | Panama-Pacific International Exposition | 37.803281, -122.444568 | 37.803281 | -122.444568 | San Francisco, CA | 1915 | 1915? | Early Monuments | Other | Fair | California | done | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Restored and installed at National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City, where it was dedicated in 1971. | created entry for PPIE site 6/18 | no | |||||||||||
16 | Solon Borglum | American Pioneer | The American Pioneer / Pioneer | plaster | Panama-Pacific International Exposition | 37.804052, -122.438962 | 37.804052 | -122.438962 | San Francisco, CA | 1915 | 1915 | Early Monuments | Man | Fair | California | done | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Removed and destroyed 1980s. | See historic photograph at https://nationalcowboymuseum.org/learn-discover/online-unit-studies/end-of-the-trail-introduction/. | created entry for PPIE site 6/18 | destroyed | ||||||||||
17 | Frederick Hibbard | Pioneer | Pioneer / Corn Planter | bronze | University of Kansas campus | 38.956354, -95.243095 | 38.956354 | -95.243095 | Lawrence, KS | 1904 | 1904; erected 1916 | Early Monuments | Man | Shovel | Campus | Kansas | done | Depicts a white man working with a shovel. Physician and real estate speculator Simeon Bell purchased this sculpture, originally called "The Corn Planter," at the 1904 St. Louis World's Fair. He donated it to the University of Kansas in hopes that it would help future generations understand the challenges that early Kansas settlers faced. It remained in storage until 1916, when it became the first work of statuary installed on that campus. It has been moved several times as the campus has changed. | https://pioneermonuments.net/wp-content/uploads/2019/08/Corn-Planter-2mp-e1566835016152.jpg | Cynthia Prescott | created entry 7/30/19 | yes | ||||||||
18 | Leo Lentelli | Sullivan Gates | Sullivan Gates | concrete | City Park | 39.740828, -104.957166 | 39.740828 | -104.957166 | Denver, CO | 1917 | 1917 | Early Monuments | Group | Park | Colorado | done | Sculptural groups of early Colorado settlers representing Colorado's first two industries stand atop tall Doric columns at the entrance to the Esplanade. On one side, a man and boy representing Mining stand on one tall pedestal. On the other stand a woman in a sunbonnet and a girl with a basket of grain representing Agriculture. The gateway was installed as part of the City Beautiful movement. It was designed by Robert Willison of Denver. John Clark Mitchell donated funds to erect it in memory of banker Dennis Sullivan. | included in East High School entry | yes | |||||||||||
19 | A. Phimister Proctor | The Pioneer | The Pioneer | bronze | University of Oregon campus | 44.045779, -123.075774 | 44.045779 | -123.075774 | Eugene, OR | 1918 | 1918-2020 | Early Monuments | Man | Campus | Oregon | updated June 2020 | One of the few monuments to a generic pioneer man, this statue of an Anglo-American frontiersman dressed in buckskin was erected on the University of Oregon campus. A companion pioneer woman was erected a decade later next to the women's building. The "Pioneer Father" became a well-known campus landmark, and a point of both celebration and protest. On the centennial of this statue's erection in 2019, the University of Oregon Native American Student Union called for its removal. Activists pointed to a speech delivered by the president of the Oregon Historical Society at the statue's dedication claiming that the statue "extolled the virtues of the Anglo-Saxon race" as evidence that the statue celebrated white claiming of indigenous lands. In summer 2020, protesters decried statues of leaders they deemed racist from Confederate generals to explorer Christopher Columbus. In Eugene, protesters tore down the Pioneer Father and Pioneer Mother statues, dragging the Pioneer Father to the steps of the main administration building. Both statues were placed in storage as the university considers their future. | Cynthia Prescott | A. Phimister Proctor, Pioneer Mother | created entry 6/20/19 | yes | |||||||||
20 | John MacQuarrie | Pioneer Family | Pioneer Family / Donner Monument | bronze | Donner State Park | 39.323820, -120.231057 | 39.323820 | -120.231057 | Truckee, CA | 1918 | 1918 | Early Monuments | Family | Museum | California | done | Dr. Chester Warren Chapman, a member of the Native Sons of the Golden West, asked San Francisco sculptor Douglas Tilden to design the Donner Party monument for California’s Truckee Pass. Yet the Native Sons could not accept Tilden’s conception of a “lone pioneer figure” on top of a pedestal, surrounded by “a dozen or so figures sitting, lying, creeping in different attitudes from cowering anxiety to resignation of death.” Instead, they insisted on a generic pioneer figure whose victory over adversity was never in question. The monument committee instead selected John McQuarrie’s depiction of a sturdy pioneer family. Only the 22.5-foot base (marking the depth of the snow pack during the Donner Party’s entrapment) and bronze plaques at its base commemorate the 1846 emigrants’ suffering. | https://pioneermonuments.net/wp-content/uploads/2016/12/Donner-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Donner-detail-1.jpg | Cynthia Prescott | improved entry | yes | ||||||||
21 | Paul Fjelde | Mormon Trail Memorial | Mormon Trail Memorial | bronze | Bayliss Park | 41.25975, -95.85175 | 41.25975 | -95.85175 | Council Bluffs, IA | 1918 | 1918 | Early Monuments | Family | Park | Iowa | Mormon | done | The Daughters of the American Revolution erected several bas relief plaques mounted on boulders to mark western migration routes in the early 20th century. This one marks the end of the Mormon Trail through Iowa. Paul Fjelde depicted a man and his son driving an ox team that draws a covered wagon. A pioneer woman rides in the wagon, holding an infant. This imagery was typical of DAR and other overland trail monuments in the 1910s and 1920s. The armed man on horseback echoes contemporaneous monuments to solo pioneer men conquering the wilderness, such as the 1919 Pioneer on the University of Oregon campus. The Iowa DAR also erected a bronze historical marker mounted on a boulder to mark the cite of the Handcart Brigade Camp in Coralville in 1936. | Cynthia Prescott | A. Phimister Proctor, The Pioneer | yes | |||||||||
22 | James Earle Fraser | End of the Trail | The End of the Trail | plaster replaced with bronze copy | Mooney Grove Park | 36.278608, -119.312810 | 36.278608 | -119.312810 | Visalia, CA | 1919 | 1919 | Early Monuments | Other | Park | California | done | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Restored and installed at National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City, where it was dedicated in 1971. A bronze copy now stands in Visalia, CA. | https://pioneermonuments.net/wp-content/uploads/2018/06/The_End_of_the_Trail_by_James_Earl_Fraser_-_BMA.jpg | Sean Pathasema/Birmingham Museum of Art [CC BY 3.0 (https://creativecommons.org/licenses/by/3.0) or Public domain], via Wikimedia Commons | created entry for Visalia 6/18 | no | |||||||||
23 | Solon Borglum | American Pioneer | The American Pioneer / Pioneer | plaster | Mooney Grove Park | 36.280601, -119.309367 | 36.280601 | -119.309367 | Visalia, CA | 1919 | 1919-1980 | Early Monuments | Man | Park | California | done | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Removed and destroyed 1980s. | https://pioneermonuments.net/wp-content/uploads/2018/06/Borglum-Pioneer-Am-Archives-of-Art-smaller.jpg | Solon H. Borglum and Borglum family papers, 1864-2002. Archives of American Art. Image in U.S. Public Domain. https://www.aaa.si.edu/collections/solon-h-borglum-and-borglum-family-papers-6772 | Image available. | improved entry for Visalia site 6/18 | destroyed | ||||||||
24 | Merrell Gage | Daughters of Old Westport | Daughters of Old Westport Memorial | bronze | near Pioneer Park | 39.054363, -94.591068 | 39.054363 | -94.591068 | Westport, MO | 1920 | 1920 | Early Monuments | Woman | Rifle | Missouri | done | To mark the 1912 centennial of the Santa Fe Trail, a group of Westport businessmen formed the Westport Improvement Association. The Improvement Association sought to install a monument to that trail in Westport, Missouri. The men worked with the Kansas City Historical Society, the Daughters of the American Revolution, the Daughters of the Confederacy, other genealogical organizations, and the National Old Trails Road Association to raise money for a Pioneer Monument Fund. Together these voluntary organizations hosted a Santa Fe Trail and Battle of Westport Reunion and Carnival. They envisioned a life-sized stone sculpture including five yoke of oxen and a “prairie schooner with wagon-master and bull-whackers and the faithful dog in the rear.”1 They planned to install it at the site of the City Hall of Westport, which stood on the Santa Fe Trail route. Plans for a stone sculpture depicting commercial traffic over the Santa Fe Trail soon faded. But while the other organizations involved in the centennial event soon turned toward other projects, the Daughters of Old Westport were determined to erect a pioneer monument in their community. The Daughters of Old Westport was a group of neighborhood women descended from the earliest settlers of the town. They ran a doll booth to raise money for a carnival at the Westport reunion. Their $181 in profit became the start of an eight-year fundraising campaign. Instead of a life-sized stone sculpture, the Daughters of Old Westport settled on a more modest design. It was similar to those erected by the Daughters of the American Revolution in this era. The Westport women installed two bronze bas relief plaques on a large boulder, which they placed in the heart of Westport’s historic business district. Instead of celebrating the men who hauled goods between Missouri and New Mexico, the Daughters of Old Westport commemorated the first women who settled in their town. Sculptor Merrell Gage’s central bas relief depicts a white mother with her two young children. She holds a rifle to defend her children against wild animals and the Native Americans these white settlers displaced. Text in the upper right corner dedicates it “To the Pioneer Mother.” On the back of the boulder, an accompanying dedication plaque features a male trapper and American Indian reminiscent of those that appeared in earlier pioneer monuments elsewhere in the American West. The Daughters of Old Westport Memorial was one of the first monuments to pioneer women erected in the United States. Dozens more would follow later in the 1920s. | https://pioneermonuments.net/wp-content/uploads/2017/01/Gage-Westport-PM-2.jpg | Cynthia Prescott | Avard T. Fairbanks, The Pioneer Mothers | created entry 7/23/19 | yes | ||||||||
25 | Myra Reynolds Richards | Pioneer Family | Pioneer Family | limestone | Fountain Square, Indianapolis | 39.752165, -86.139814 | 39.752165 | -86.139814 | Indianapolis, IN | 1924 | 1924 | Early Monuments | Family | Bible | Indiana | done | A pioneer mother clutching a Bible to her heart leads her family in this sculpture that topped the eponymous fountain in Indianapolis' Fountain Square. The daughter carries a distaff and flax, a reference to 19th-century mythology that inaccurately remembered frontier women as having been active in making homespun cloth. Indianapolis socialite Phoebe Hill commissioned local female artist Myra Reynolds Richards to sculpt this pioneer family to top a fountain memorial to her husband, prominent lawyer and politician Ralph Hill. In the early 20th century, wealthy donors gave elaborate public fountains with large basins for watering horses like this one to cities across the country. Such fountains could simultaneously beautify the city and improve conditions for work animals. They soon became obsolete as automobiles replaced horses in the 1920s and 1930s. | Cynthia Prescott | yes | |||||||||||
26 | A. Phimister Proctor | The Circuit Rider | The Circuit Rider | bronze | Capitol Park | 44.938226, -123.028855 | 44.938226 | -123.028855 | Salem, OR | 1924 | 1924 | Early Monuments | Man | Capitol | Oregon | done | This monument celebrates Christian ministers who served multiple congregations, traveling among them on horseback. | Cynthia Prescott | created entry 6/19/19 | yes | ||||||||||
27 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Broadway Bridge | 45.993095, -123.924249 | 45.993095 | -123.924249 | Seaside, OR | 1924 | 1924 | Early Monuments | Man and Woman | Oregon | done | Avard Tennyson Fairbanks sculpted the Old Oregon Trail medallion in 1924 while teaching art at the University of Oregon. It depicts the hardships that the artist's ancestors and nearly 500,000 others experienced while traveling westward on the overland trail by covered wagon in the mid-19th century. One 1852 migrant, Ezra Meeker, traveled back eastward along the trail in 1906 to seek the preservation of the Oregon Trail route. His efforts inspired Avard Fairbanks to sculpt this 36-inch bronze medallion. The medallion depicts a man driving the team of oxen that pull the covered wagon over rocky terrain. His wife rides inside the wagon, holding their infant child. Fairbanks' depiction of the trail experience was shaped as much by popular culture at the time of its sculpting as by historical reality. In fact, women and children typically walked along beside the wagons to spare their teams, particularly on rough terrain. Fairbanks' depiction of trail life appears to have been influenced by W.H.D. Koerner's famous 1921 illustration Madonna of the Prairie. Koerner’s illustration was used as the cover image for Emerson Hough’s popular novel The Covered Wagon. Koerner’s instantly popular illustration portrayed the beautiful young heroine seated on a wagon box with the opening of the wagon cover forming a halo around her face. Koerner’s illustrations inspired the costuming for a silent film adaptation of Hough’s novel, which became the first western “epic” film. In the year before The Covered Wagon movie was released, only fifty identifiable western films had been made; in the year following its release, 150 westerns were made – and the industry maintained that level of production until it was eclipsed by television in the 1950s. Adaptations of Koerner’s covered wagon imagery pervaded the massive advertising for the movie. This gave Madonna of the Prairie a significant role in shaping public perceptions of settler women. It also appears to have shaped Avard Fairbanks’ conception of pioneer women in this medallion and in other pioneer monuments that he sculpted over the next 50 years. Fairbanks’ Old Oregon Trail design was originally cast in bronze for Seaside and Baker City, Oregon. He reproduced the scene, renamed The Pioneer Mothers, for installation on the reverse of his 1928 Pioneer Mother statue for Vancouver, Washington. In more recent years, Old Oregon Trail has been recast for Oregon Trail jumping-off point Independence, Missouri, and two locations in Boise, Idaho. | blue | W.H.D. Koerner, Madonna of the Prairie | created entry 6/19/19 | no | ||||||||||
28 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Park next to Old Post Office | 44.774350, -117.829350 | 44.77435 | -117.82935 | Baker City, OR | 1925 | 1925 | Early Monuments | Man and Woman | Oregon | done | Avard Tennyson Fairbanks sculpted the Old Oregon Trail medallion in 1924 while teaching art at the University of Oregon. It depicts the hardships that the artist's ancestors and nearly 500,000 others experienced while traveling westward on the overland trail by covered wagon in the mid-19th century. One 1852 migrant, Ezra Meeker, traveled back eastward along the trail in 1906 to seek the preservation of the Oregon Trail route. His efforts inspired Avard Fairbanks to sculpt this 36-inch bronze medallion. The medallion depicts a man driving the team of oxen that pull the covered wagon over rocky terrain. His wife rides inside the wagon, holding their infant child. Fairbanks' depiction of the trail experience was shaped as much by popular culture at the time of its sculpting as by historical reality. In fact, women and children typically walked along beside the wagons to spare their teams, particularly on rough terrain. Fairbanks' depiction of trail life appears to have been influenced by W.H.D. Koerner's famous 1921 illustration Madonna of the Prairie. Koerner’s illustration was used as the cover image for Emerson Hough’s popular novel The Covered Wagon. Koerner’s instantly popular illustration portrayed the beautiful young heroine seated on a wagon box with the opening of the wagon cover forming a halo around her face. Koerner’s illustrations inspired the costuming for a silent film adaptation of Hough’s novel, which became the first western “epic” film. In the year before The Covered Wagon movie was released, only fifty identifiable western films had been made; in the year following its release, 150 westerns were made – and the industry maintained that level of production until it was eclipsed by television in the 1950s. Adaptations of Koerner’s covered wagon imagery pervaded the massive advertising for the movie. This gave Madonna of the Prairie a significant role in shaping public perceptions of settler women. It also appears to have shaped Avard Fairbanks’ conception of pioneer women in this medallion and in other pioneer monuments that he sculpted over the next 50 years. Fairbanks’ Old Oregon Trail design was originally cast in bronze for Seaside and Baker City, Oregon. He reproduced the scene, renamed The Pioneer Mothers, for installation on the reverse of his 1928 Pioneer Mother statue for Vancouver, Washington. In more recent years, Old Oregon Trail has been recast for Oregon Trail jumping-off point Independence, Missouri, and two locations in Boise, Idaho. | blue | W.H.D. Koerner, Madonna of the Prairie | created entry 6/19/19 | no | ||||||||||
29 | Robert Garrison | Covered Wagon Frieze | Covered Wagon Frieze | terra cotta with patina | Denver Botanic Gardens | 39.732055, -104.963418 | 39.732055 | -104.963418 | Denver, CO | 1925 | 1925 | Early Monuments | Man and Woman | Bank | Colorado | done | Originally sculpted for Midlands Savings Bank in Denver in the 1920s. Garrison’s frieze emphasizes male settlers’ work settling and civilizing the frontier. It follows a Mississippi farmer as he journeys West with his family. They survive an Indian attack on their way to the Colorado gold fields where they “establish industry and commerce.” In contrast to standard depictions of pioneer women walking westward, Garrison included a few scenes of women cooking and homemaking. More surprisingly, he depicted women shooting at marauding American Indians. | https://pioneermonuments.net/wp-content/uploads/2016/12/Garrison-frieze-2.jpg | Cynthia Prescott | yes | ||||||||||
30 | Avard T. Fairbanks | US Bank Doors | US Bank Doors | bronze | United States National Bank Building | 45.521489,-122.678454 | 45.521489 | -122.678454 | Portland, OR | 1926 | 1926 | Early Monuments | Family | Bank | Oregon | done | The United States National Bank building opened for business in 1917, and roughly doubled in size in 1925. The company eventually merged with U.S. Bancorp, but continues to operate as the bank's main Portland branch. Fairbanks' design for the bronze lobby doors was inspired by the famous Renaissance-era "Gates of Paradise" doors to the Baptistry of Florence. Doors facing Broadway emphasize 19th century transportation and technology. Scenes include the Lewis & Clark Expedition, a covered wagon on the Oregon Trail, Captain Robert Gray exploring the Columbia River in his ship "Columbia," a steam ship, drawbridge, and automobile. Native Americans appear in several of these scenes as uncivilized observers of manifest destiny. The Sixth Avenue doors emphasize progress through science and enterprise. These scenes resonate with Fairbanks' monumental Pioneer Mother sculpture for neighboring Vancouver, Washington, and other pioneer monuments erected in Salem, Oregon, and throughout the American West. | blue | Cynthia Prescott | created entry 6/13/19 | yes | |||||||||
31 | Torleif S. Knaphus | Handcart Pioneer | Handcart Pioneer Monument | bronze | LDS Temple Square | 40.769583, -111.892246 | 40.769583 | -111.892246 | Salt Lake City, UT | 1926 | 1926 | Early Monuments | Family | Temple Square | Utah | Mormon | done | Handcarts became a poignant symbol of Mormon migration during the 20th century. When the LDS Church could not afford to supply new converts with wagons and oxen to cross the Great Plains, they utilized handcarts that emigrants pushed or pulled themselves. Most companies reached Utah safely, but others struggled, and more than 200 people died. Torleif S. Knaphus' 3-foot-tall model of a handcart family was unveiled by LDS President Heber J. Grant in the 1920s. Handcart pioneers Alfred Burningham of Bountiful and Michael Jensen of Gunnison were present at its dedication, and they “declared the monument to be a most accurate portrayal of the conditions under which they and the other handcart pioneers labored across the plains." This 3-foot-tall model of a handcart family was displayed at the Temple Square Bureau of Information.The sculpture was later enlarged to heroic size for outdoor display in Temple Square. | Handcarts became a poignant symbol of Mormon migration during the 20th century. When the LDS Church could not afford to supply new converts with wagons and oxen to cross the Great Plains, they utilized handcarts that emigrants pushed or pulled themselves. Most companies reached Utah safely, but others struggled, and more than 200 people died. Torleif S. Knaphus' 3-foot-tall model of a handcart family was displayed at the Temple Square Bureau of Information. The sculpture was later enlarged to heroic size to mark the 1947 centennial of Mormon settlement in Utah. | Photo of 1947 enlargement | no | |||||||||
32 | A. Phimister Proctor | Pioneer Mother | Pioneer Mother | bronze | Penn Valley Park | 39.077155, -94.589474 | 39.077155 | -94.589474 | Kansas City, MO | 1927 | 1927 | Pioneer Mother Movement | Man and Woman | Park | Missouri | done | This massive bronze grouping depicts a tender mother on horseback accompanied by her brave husband and a grizzled mountain-man guide, a clear allusion to George Caleb Bingham’s 1852 oil painting, Daniel Boone Escorting Settlers Through the Cumberland Gap. The Bible passage from the Book of Ruth that Proctor placed on Pioneer Mother monument’s base – “Whither thou goest I will go” – further underlined the gentle mother’s heroic endurance. By the 1980s, it had been forgotten by Kansas City residents, but in recent years the KC parks and recreation department has improved the landscaping. Kansas City rebuffed two attempts by neighboring Westport, MO, to claim the monument. | https://pioneermonuments.net/wp-content/uploads/2016/12/KC-PM-2.jpg | Cynthia Prescott | Daniel Boone Escorting Settlers through Cumberland Gap | created entry 7/22/19 | yes | ||||||||
33 | A. Phimister Proctor | Pioneer Mother | Pioneer Mother | bronze | University of Oregon campus | 44.044159, -123.075784 | 44.044159 | -123.075784 | Eugene, OR | 1928 | 1928-2020 | Pioneer Mother Movement | Woman | Book | Campus | Oregon | updated June 2020 | This companion to the solo pioneer man located nearby on the University of Oregon campus was erected at the height of the Pioneer Mother Movement. Whereas most pioneer mothers sculpted in the late 1920s are depicted actively guiding their children westward, however, A. Phimister Proctor depicted an elderly woman resting from her labors, gazing contemplatively at the partially-open book in her lap. The "Pioneer Father" statue became a well-known campus landmark, but the "Pioneer Mother" remained fairly obscure throughout the 20th century. The 2019 centennial of the Pioneer Father's dedication came amid nationwide protests against statues deemed racist. Protests aimed at that well-known sculpture eventually encompassed the Pioneer Mother as well. In May 2020, protesters tore down both statues. The University of Oregon moved the statues into storage pending a decision about their future. | Cynthia Prescott | A. Phimister Proctor, The Pioneer | created entry 6/24/19 | yes | ||||||||
34 | Avard T. Fairbanks | Pioneer Mother | Pioneer Mother | bronze | Esther Short Park | 45.627077, -122.674923 | 45.627077 | -122.674923 | Vancouver, WA | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Park | Washington | done | Like many other pioneer mother monuments erected in the late 1920s, this statue features a woman surrounded by her young children and armed with a rifle. However, this pioneer mother wears a scarf rather than a sunbonnet, and stands meekly, rather than stepping boldly westward. Fairbanks adapted his earlier "Old Oregon Trail" medallion for the reverse of the monument. In the postwar period, Esther Short Park became overgrown and dominated by drug users and the homeless. In the early 21st century, it was reinvented as part of a massive urban renewal project, and this monument was moved from its original grotto-like location to overlook a busy downtown street. | blue | Cynthia Prescott | Plaque on reverse | created entry 6/20/19 | yes | |||||||
35 | Avard T. Fairbanks | Pioneer Mothers | The Pioneer Mothers | bronze | Esther Short Park | 45.627077, -122.674923 | 45.627077 | -122.674923 | Vancouver, WA | 1928 | 1928 | Pioneer Mother Movement | Man and Woman | Park | Washington | done | Fairbanks adapted his earlier "Old Oregon Trail" medallion to mount on the reverse of his "Pioneer Mother" statue for Vancouver, Washington. | Cynthia Prescott | Accompanies monument | created entry 6/20/19 | yes | |||||||||
36 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Old Post Office | 38.983932, -77.094186 | 38.983932 | -77.094186 | Bethesda, MD | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Maryland | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry | yes | |||||||||
37 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Madonna of the Trail Park | 40.060282, -80.012953 | 40.060282 | -80.012953 | Beallsville, PA | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Pennsylvania | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | David Culver | created entry 7/30/19 | David Culver | |||||||||
38 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Wheeling Park, facing National Road | 40.055737, -80.669207 | 40.055737 | -80.669207 | Wheeling, WV | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | West Virginia | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | David Culver | improved entry | David Culver | |||||||||
39 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | National Road Commons Park | 39.924771, -83.811197 | 39.924771 | -83.811197 | Springfield, OH | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Ohio | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry | yes | |||||||||
40 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Glen Miller Park | 39.830476, -84.872207 | 39.830476 | -84.872207 | Richmond, IN | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Indiana | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/30/19 | yes | |||||||||
41 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Old State House grounds | 38.960808, -89.094444 | 38.960808 | -89.094444 | Vandalia, IL | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Historic site | Illinois | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/30/19 | yes | ||||||||
42 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Downtown above Missouri River | 39.186581, -93.886154 | 39.186581 | -93.886154 | Lexington, MO | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Missouri | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/29/19 | yes | |||||||||
43 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Corner of Main St. (US 56) & N. Union St. (KS-177) | 38.662048, -96.486885 | 38.662048 | -96.486885 | Council Grove, KS | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Historic site | Kansas | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/29/19 | yes | ||||||||
44 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Colorado Welcome Center | 38.089300, -102.619100 | 38.089300 | -102.619100 | Lamar, CO | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Colorado | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. See image of the Ohio Madonna of the Trail: https://pioneermonuments.net/wp-content/uploads/2016/12/OH-Madonna-1.jpg | yellow | created entry 7/30/19 | no | ||||||||||
45 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | corner of Marble Ave. and Fourth St. | 35.092913, -106.649823 | 35.092913 | -106.649823 | Albuquerque, NM | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | New Mexico | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Anna Prescott | improved entry | Anna Prescott | |||||||||
46 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | 318 E Main St., next to McDonald's | 34.133259, -109.285118 | 34.133259 | -109.285118 | Springerville, AZ | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Arizona | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. See image of the Ohio Madonna of the Trail: https://pioneermonuments.net/wp-content/uploads/2016/12/OH-Madonna-1.jpg | yellow | created entry | no | ||||||||||
47 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Euclid Ave. at Foothill Blvd (Route 66) | 34.107224, -117.651186 | 34.107224 | -117.651186 | Upland, CA | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | California | done | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/30/19 | yes | |||||||||
48 | Nancy Coonsman Hahn | Memorial to Pioneer Women | Memorial to Pioneer Women / The Colonial Mother | bronze | Forest Park | 38.645844, -90.285693 | 38.645844 | -90.285693 | St. Louis, MO | 1929 | 1929 | Pioneer Mother Movement | Woman | infant | Museum | Missouri | done | This monument's design was selected by the Daughters of the American Colonies. The statue was removed by vandals in 1969, but was later recovered. It is now held by the Missouri History Museum. | The Missouri chapter of the Daughters of the American Colonists (DAC) commissioned a statue of a “Colonial Mother” to top a drinking fountain in 1922. The St. Louis Globe-Democrat declared that it would be “dedicated to all colonial women of Missouri prior to statehood” a century earlier, and the statue’s plaque declared that it commemorated women living in colonial Upper Louisiana under French and Spanish rule, which could be interpreted as including French, Spanish, indigenous and Métis women, and Catholic as well as Protestant women. But the Saint Louis Globe-Dispatch interpreted the DAC’s call for a “colonial mother” through the lens of the Pioneer Mother Movement, identifying the statue as depicting a pioneer mother, and the DAC and St. Louis Art Commission selected a design by local artist Nancy Coonsman Hahn known as Memorial to Pioneer Women. The completed piece included a thirty-two inch bronze Anglo-American pioneer woman and children, mounted on top of a six-foot-tall granite fountain. The completed fountain was dedicated in October 1929 in St. Louis’ vast Forest Park, and a model of Hahn’s “Colonial Woman” was selected by the National Sculptors’ Society for inclusion in a Washington exhibit celebrating the 200th anniversary of George Washington’s birth. Like other pioneer mother monuments erected in the 1920s, Hahn’s Memorial to Pioneer Women depicted a young white woman accompanied by young children. Hahn depicted the pioneer woman as a young white woman clad in a simple ankle-length dress and cape, but without the broad sunbonnet that marked so many other pioneer mothers. Hahn intended the woman to be “fearless and independent, and fully capable of enduring all hardships,” but less “Juno-like” than the better-known Daughters of the American Revolution monuments discussed below. Compared to other statues of “pioneer women” produced in the 1920s, Hahn’s rendering of the pioneer mother’s relationship with her children is more tender and intimate, and reflects a greater understanding of maternal relationships. This was in keeping with her ambition to portray “the innocence of childhood, the joy of living.” Unlike Leimbach’s Madonna of the Trail, Hahn’s son does not cling to his mother’s skirts. Her hand rests on his shoulder, and his hand reaches up toward hers. Both mother and son step forward confidently with their left feet. The child in its mother’s arms, meanwhile, appears somewhat older than the typical babe-in-arms. The mother carries the toddler on her forearm, nestled against her chest, rather than straddling her hip as in, or lying prone like a small baby. The child sits upright, and has distinct facial features suggesting a specific child, rather than a generic infant. He or she faces forward in a manner that directly engages the viewer, but does not gaze into the distance like the mother and older child. The mother’s and older child’s posture and facial expressions suggest that they are bravely moving westward. But the younger child’s head inclines slightly to nestle against its mother’s chin, and its forward arm reaches back to rest on her shoulder. Hahn’s creation is thus more gentle and intimate – both in its depiction of the relationships within the figures in the statue, and in its engagement with the viewer – than those created by men such as F. Lynn Jenkins in that period. Moreover, the young child’s posture and gaze invites the viewer to engage emotionally with the price paid by women and children in settling the frontier. No mere prop to indicate maternity as was typical of other pioneer mother monuments of the 1920s, the younger child becomes the emotional heart of Hahn’s grouping. | created entry 7/30/19 | yes | |||||||||
49 | Lorado Taft | The Pioneers | The Pioneers | bronze | Central Park | 40.778371, -89.965769 | 40.778371 | -89.965769 | Elmwood, IL | 1928 | 1928 | Pioneer Mother Movement | Man and Woman | Park | Illinois | done | Sculpted by prominent Chicago artist Lorado Taft for his birthplace, where his parents had settled in 1855. Pioneer types had interested Taft since the 1890s, but his idealized pioneer woman for Elmwood, IL, is less idealized and more human than his earlier works. The man holding a flintlock rifle stands with his arm around his wife, who holds an infant wrapped loosely in a blanket. A collie-like dog stands at attention behind them. Taft donated his design; local fundraising paid for its casting and installation. Restored in 1993. | https://pioneermonuments.net/wp-content/uploads/2016/12/Elmwood-1.jpg | Cynthia Prescott | yes | ||||||||||
50 | Bryant Baker | Pioneer Woman | Pioneer Woman | bronze | Pioneer Woman Museum | 36.710056, -97.066011 | 36.710056 | -97.066011 | Ponca City, OK | 1929 | 1929 | Pioneer Mother Movement | Woman | Bible | Oklahoma | needs better | In 1926, oilman E. W. Marland commissioned twelve 3-foot models for a competition to select a pioneer woman monument. The models were shown in major cities across the country, where visitors cast their votes. Bryant Baker's winning entry, "Confident," was erected in Ponca City. | Cynthia Prescott | yes | |||||||||||
51 | Maurice Sterne | The Settlers of New England | The Settlers of New England / The Monument to Our Pioneers / Rogers - Kennedy Memorial | stone and bronze | Elm Park | 42.269820, -71.817368 | 42.26982 | -71.817368 | Worcester, MA | 1929 | 1929 | Pioneer Mother Movement | Man and Woman | Park | Massachusetts | done | Funded by a bequeath by Roger Kennedy, this 30-foot-tall stone and bronze monument commemorates early settlers of New England. A bronze man and woman atop the stone structure stand to either side of a plow, each holding onto a handle, symbolizing cooperation between men and women during the early settlement period. Around the stone monument features 24 6-foot-tall carved-stone panels portraying early settlers plowing, harvesting, building houses and boats, fishing, spinning, churning, and teaching children. Design was chosen from competition with 10 competitors. Sculptor Maurice Sterne immigrated to the US from Latvia at age 10. Located in Elm Park, created in 1854 and significantly renovated in 2013. | https://pioneermonuments.net/wp-content/uploads/2016/12/Worcester-MA-1.jpg | Timothy Culver | Tim Culver | ||||||||||
52 | Bruce Saville | Fallen Timbers | Battle of Fallen Timbers Monument | Fallen Timbers Battlefield Memorial Park | 41.544408, -83.697246 | 41.544408 | -83.697246 | Monclova, OH | 1929 | 1929 | Pioneer Mother Movement | Group | Park | Ohio | done | Statue depicting General Anthony Wayne, a Native American warrior, and an Anglo-American frontiersman. Commemorates the 1794 Battle of Fallen Timbers, in which General Wayne's troops defeated warriors of the American Indian Confederation (which included members of the Miami, Shawnee, Delaware, and Ottawa nations). The US Army victory opened up the Northwest Territory to white settlement. Reliefs on the monument's base celebrate white settlement and commemorate Native warriors and white settlers killed by Natives. | Image available here | no | ||||||||||||
53 | James Earle Fraser | End of the Trail | The End of the Trail | bronze | Shaler Park | 43.637761, -88.730835 | 43.637761 | -88.730835 | Waupun, WI | 1929 | 1915; erected 1929 | Early Monuments | Other | Park | Wisconsin | done | Originally displayed in plaster at PPIE in 1915. Cast in bronze in 1929 as tribute to Native Americans who disappeared from Waupun, WI, area. | https://pioneermonuments.net/wp-content/uploads/2019/02/waupun-end-of-trail-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/02/Waupun-end-of-trail-plaque-resized.jpg | David Culver | Read about the original statue. | Ginny Culver | ||||||||
54 | James Earle Fraser | The Pioneers | The Pioneers | limestone | Michigan Ave. Bridge (DuSable Bridge) | 41.889174, -87.624215 | 41.889174 | -87.624215 | Chicago, IL | 1930 | 1930 | Pioneer Mother Movement | Man and Woman | Illinois | done | James Earle Fraser (best known for his End of the Trail depicting Indian subjugation) sculpted this pioneer-themed relief as one of four large sculptural adornments to the DuSable (Michigan Avenue) Bridge in downtown Chicago. Fraser focused on his subjects’ struggle and the ultimate triumph of white civilization. Fraser's Pioneer Mother struggles far more against the elements more than do most contemporaneous Pioneer Mothers.. Flying above the pioneer group, Fraser added a winged allegory of white Civilization borrowed from Francois Rude’s 1833-36 La Marselliaise on the famous Arc de Triomph in Paris. | Fraser depicted a mounted mother and infant accompanied by her rifle- and ax-wielding husband, several other buckskin clad figures, and livestock in a 1928 relief decorating Chicago’s heavily-traveled Michigan Avenue drawbridge. In many ways it resembled A. Phimister Proctor’s 1927 Pioneer Mother for St. Louis, Missouri. Instead of joining Proctor in replicating Bingham’s small party alone in the wilderness, though, Fraser focused on his subjects’ struggle and the ultimate triumph of white civilization. The Pioneer Mother in Fraser’s The Pioneers struggles far more against the elements than does Proctor’s placid Madonna. Flying above the pioneer group, Fraser added a winged allegory of white Civilization borrowed from Francois Rude’s 1833-36 La Marselliaise on the famous Arc de Triomph in Paris. Fraser’s depiction of pioneers journeying westward beneath a female allegory also echoed John Gast’s widely disseminated 1872 American Progress. In Gast’s still frequently reproduced image, Progress appears as a blonde-haired white woman, dressed in a flowing white toga, with the “Star of Empire” in her hair. She holds a book representing common school education as she floats above westward expansion. She stretches telegraph wires and enlightens the path for hunters, a covered wagon train, farmers, a stagecoach and the railroad, while a herd of bison and half-naked American Indians flee westward in darkness. Similarly, Fraser’s winged allegory floats above the pioneer party, guiding them westward while sheltering the infant in its mother’s lap. A plaque beneath Fraser’s The Pioneers relief commemorated fur trader John Kinzie, “one of a band of courageous pioneers, who . . . struggled through the wilderness breaking soil for the seeds of future civilization.” | https://pioneermonuments.net/wp-content/uploads/2016/12/DuSalle-Bridge-1.jpg | Cynthia Prescott | yes | ||||||||||
55 | Unknown | Pioneer Pete | Pioneer Pete | painted wood | Arizona Pioneers Home | 34.537695, -112.473806 | 34.537695 | -112.473806 | Prescott, AZ | 1930 | ca. 1930 | Pioneer Mother Movement | Man | Retirement home | Arizona | done | Carved with a chainsaw from Ponderosa pine, this statue stands in front of state-funded retirement home in Prescott, Arizona. The statue was repainted by volunteers in 2013. Prescott was once the Arizona territorial capital, and continues to promote its frontier history. It is located in the nation's largest Ponderosa pine forest. | |||||||||||||
56 | Cyrus Edwin Dallin | Pioneer Mother | Pioneer Mother / End of the Trail | bronze | City Park | 40.165170, -111.611113 | 40.165170 | -111.611113 | Springville, UT | 1931 | 1931 | Pioneer Mother Movement | Woman | neither | Park | Utah | Mormon | done | The Springville chapter of the Daughters of Utah Pioneers asked Springville-born, nationally-known sculptor Cyrus Dallin to sculpt a Pioneer Mother monument for their town. Dallin, who struggled financially, kept putting them off. They finally suggested that Dallin adapt a bust he had sculpted of his mother, who had crossed the Plains to Utah in 1851, and settled in Springville a decade later. Dallin replaced his mother's Edwardian costume with an 1850s prairie-style gown, added a sunbonnet, and adapted a covered wagon bas-relief for the base. It was dedicated on Pioneer Day, July 25, 1932. | Cynthia Prescott | yes | |||||||||
57 | Unknown | Pioneers Who Founded Topeka | The Pioneers Who Founded Topeka | bronze or copper | Gage Park | 39.054850, -95.732491 | 39.05485 | -95.732491 | Topeka, KS | 1931 | 1931 | Pioneer Mother Movement | Man | Park | Kansas | done | 1931 relief of a frontier farm, with a log cabin, covered wagon, and a pioneer plowing by unknown artist. Copper or bronze plaque set on iron footings cast by Deggingers Foundry attached to boulder. Dedicated in 1931 by Shawnee County Old Settlers Society. Originally mounted on the archway entrance of the "Old Settlers Memorial Grounds" in Gage Park. | Cynthia Prescott | created entry 7/30/19 | yes | ||||||||||
58 | Pioneer Monument | Pioneer Monument | stone and concrete | roadside park | 39.15895627639631, -108.2998193123309 | 39.15895628 | -108.2998193 | Cameo, CO | 1931 | 1931 | Pioneer Mother Movement | Other | Park | Colorado | done | Obelisk covered with stones set in concrete. Plaques originally placed on each of 4 sides; 3 of the 4 plaques are missing as of 2021. Plaque reads: "Dedicated to the pioneers of the mountains and the valleys of western Colorado by Grand Junction Lodge No. 757 RROE / June 14, 1931." Unveiled by Jessie Scrimgeour Anderson. Obelisk originally stood at entrance to Plataeu Canyon. DEPLATO traveler's stop--featuring a gas station, fruit stand, diner, and gift shop--was added at site on Colorado Highway 65 in 1954. Monument was moved onto Colorado Department of Transportation in early 1960s to accommodate construction of Interstate 70. As of 2021, Plateau Valley Historical Preservation Society was fundraising to restore monument and seeking historic landmark designation. | no | |||||||||||||
59 | Ulric Ellerhusen | 1st Permanent Settlement | George Rogers Clark Memorial / The First Permanent Settlement of the West / Settlers of the West | granite | Fort Harrod State Park | 37.761334, -84.847338 | 37.761334 | -84.847338 | Harrodsburg, KY | 1932 | 1932 | Pioneer Mother Movement | Group | Historic Site / Museum | Kentucky | done | The United States Congress appropriated $100,000 at the height of the Great Depression for this memorial honoring surveyor and soldier George Rogers Clark and the early white settlers of Kentucky. Clark is known as the "Conqueror of the Old Northwest" for capturing territory in what became Kentucky. President Franklin D. Roosevelt spoke at the 1934 dedication of Ulric Ellerhusen and Francis Keally’s federal monument to Clark, and their nearby cenotaph to unknown Kentucky pioneers. | Cynthia Prescott | yes | |||||||||||
60 | Julius Loester | Benediction | Pioneers Monument / Benediction | bronze | Kingsborough Cemetery | 43.067629, -74.336132 | 43.067629 | -74.336132 | Gloversville, NY | 1932 | 1932 | Pioneer Mother Movement | Woman | New York | done | Bronze female figure "Benediction" wearing classical drapery stands in front of a granite slab inscribed with names of early settlers on the reverse. Erected by the Daughters of the American Revolution. | no | |||||||||||||
61 | Unknown | (Pioneer Woman) | (Pioneer Woman) | marble | Mount Hope Cemetery | 38.934033, -99.550533 | 38.934033 | -99.550533 | Ellis, KS | 1933 | 1933 | Pioneer Mother Movement | Woman | Books | Cemetery | Kansas | done | This white marble statue of a lone pioneer woman carrying two books was erected on a granite base in the Mount Hope Cemetery in Ellis, Kansas, at the height of the Great Depression in 1933. Her pose and the shawl covering her head and shoulders more closely resembles pioneer mothers by Mormon sculptor Avard Fairbanks than the sturdy women in sunbonnets that were typical of the Pioneer Mother Movement of the 1920s and 1930s. | Cynthia Prescott | created entry 7/30/19 | yes | |||||||||
62 | William Zorach | Pioneer Family Group | Pioneer Family Group (later cast as The Family) | model | Texas Centennial Commission | 30.275600, -97.740549 | 30.275600 | -97.740549 | Austin, TX | 1935 | 1935 model | Pioneer Mother Movement | Family | Texas | done. | Originally designed by William Zorach as a monument to a Texas pioneers to mark the centennial of the Texas Republic. Texas residents were outraged that the State Board of Control intended to place a nude family grouping on the campus of the state women's college. The state broke its contract with Zorach and replaced it with a more demure pioneer woman sculpted by Leo Friedlander. Zorach's design was later renamed "The Family" and cast in heroic size amid the avant-garde art movement of the 1960s for Columbia Savings bank. Castings were placed in a niche specially designed for it in the Mining Exchange Building in downtown Colorado Springs and another at the bank's Pueblo, Colorado, office. They were removed in the 1990s, and the Pueblo casting was restored and installed at the Colorado Springs Fine Arts Center. | Cynthia Prescott | Leo Friedlander, Pioneer Woman | included in entry for Colo Spgs Fine Arts Ctr location | yes | ||||||||||
63 | Ellis Luis Burman | The Pioneer Woman | The Pioneer Woman | bronze | Antelope Park | 40.795618, -96.675374 | 40.795618 | -96.675374 | Lincoln, NE | 1935 | commissioned 1925; erected 1935 | Pioneer Mother Movement | Woman | neither | Park | Nebraska | done | In 1935, the Lincoln (Nebraska) Woman’s Club erected Ellis Luis Burman’s rendition of The Pioneer Woman clasping a pocketbook and handkerchief in a public park that had been commissioned a decade earlier at the height of the Pioneer Mother movement. Like Leo Friedlander’s conservative statue for Denton, Texas, (which replaced William Zorach's bronze nude family grouping), Burman's statue stripped his frontier woman of the accompanying children that were so typical of 1920s pioneer mother monuments. Rather than emphasizing maternalism, these pioneer women appeared virginal. Abandoning the darker hue of bronze, these monuments utilized white materials to further emphasize their subjects’ purity and their whiteness. | https://pioneermonuments.net/wp-content/uploads/2016/12/Lincoln-PM-mustache-1.jpg | Cynthia Prescott | Leo Friedlander, Pioneer Woman | yes | ||||||||
64 | Leo Friedlander | Pioneer Woman | Pioneer Woman | marble | Texas Woman's University | 33.223417, -97.129540 | 33.223417 | -97.129540 | Denton, TX | 1936 | 1936 | Pioneer Mother Movement | Woman | neither | Campus | Texas | done | A panel of experts selected William Zorach's "Pioneer Family Grouping" to erect on the campus of Texas Woman's College in Denton as part of the 1936 centennial celebration commemorating Texas' brief independence. However, public outrage met Zorach's nude family grouping. In response, the Texas Centennial Commission cancelled its contract with Zorach, and instead hired Leo Friedlander to create this demure solo pioneer woman. Unaccompanied by children and sculpted from white marble, she appears almost virginal in comparison to the "pioneer mothers" of the late 1920s. | Cynthia Prescott | William Zorach, The Family | yes | |||||||||
65 | Avard T. Fairbanks | Tragedy at Winter Quarters | Tragedy at Winter Quarters | bronze | Pioneer Mormon Cemetery | 41.334935, -95.966330 | 41.334935 | -95.966330 | Florence, NE | 1936 | 1936 | Pioneer Mother Movement | Man and Woman | neither | Historic Site / Museum | Nebraska | Mormon | done | Originally sculpted in wax along with "Youth and New Frontiers" (later "New Frontiers") for the Chicago World's Fair in 1934, this monument was soon cast in bronze and installed in the cemetery at the site of the temporary LDS settlement where several hundred settlers died during the winter of 1846-47. | blue | David Prescott | yes | ||||||||
66 | Ulric Ellerhusen | Pioneer | Pioneer | gold gilded bronze | Oregon Capitol dome | 44.938745, -123.030406 | 44.938745 | -123.030406 | Salem, OR | 1936 | 1936 | Pioneer Mother Movement | Man | neither | Capitol | Oregon | done | On April 25, 1935, the Oregon statehouse was destroyed by fire. Instead of building a statehouse topped by a gilded dome, like many other states had, the jury chose a relatively simple, model building adorned with sculptural decorations. Above the roof line stands a 24-foot-tall gold-plated sculpture of a pioneer man holding an axe. Responding to critics who thought his model appeared too modern, sculptor Ulric Ellerhusen made his pioneer man more masculine. The sculpture's proportions are intentionally adjusted to make the "golden man" appear natural--and masculine--when viewed from ground level. | Cynthia Prescott | yes | ||||||||||
67 | John K. Daniels | Pioneers' Monument | Pioneers' Monument | granite | BF Nelson Park | 44.991782, -93.263842 | 44.991782 | -93.263842 | Minneapolis, MN | 1936 | 1936 | Pioneer Mother Movement | Group | neither | Minnesota | done | Erected as part of a 1930s efforts to replace skid row with an elaborate City Center, this statue was placed in the newly formed Pioneers Park, near the new art deco Post Office. Relocated to Northeast Minneapolis in 1961 amid new urban renewal efforts. It remained on a small traffic island until 2008, when it was moved 100 yards to a newly formed BF Nelson Park. In 2020, amid a growing Black Lives Matter protest movement following the police killing of George Floyd nearby, someone splashed the monument with red paint and spray-painted anti-colonial slogans onto it. | https://pioneermonuments.net/wp-content/uploads/2019/02/Mpls-Pioneers-reverse-resized.jpg | Cynthia Prescott | yes | ||||||||||
68 | Unknown | Mormon Handcart Brigade | Mormon Handcart Brigade Camp Marker | bronze | S. T. Morrison Park | 41.678589, -91.585389 | 41.678589 | -91.585389 | Coralville, IA | 1936 | 1936 | Pioneer Mother Movement | Group | Iowa | Mormon | done | The Iowa Daughters of the American Revolution (DAR) placed this historical marker to mark the Mormon Handcart Brigade camp in Coralville in 1936. It includes text honoring European immigrants to constructed handcarts at the site before continuing their journey westward pushing and pulling those handcarts in 1856. and bas relief of a handcart company installed on a boulder, in Iowa City in 1936. This historical marker echoed a 1918 bas relief plaque mounted on a boulder in Council Bluffs as a tribute to those who migrated across the Plains from Council Bluffs by covered wagons pulled by oxen. | https://pioneermonuments.net/wp-content/uploads/2016/12/Coralville-DAR-boulder-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Coralville-DAR-detail-1.jpg | Cynthia Prescott | yes | |||||||||
69 | Frank A. Teich | Pioneer Memorial | Pioneer Memorial obelisk | granite | Hermann Park | 29.718704, -95.390946 | 29.718704 | -95.390946 | Houston, TX | 1936 | 1936 | Pioneer Mother Movement | Other | obelisk | Texas | needs better | Erected on the centennial of Texas independence. | no | ||||||||||||
70 | A. D. Frets | Pioneer Monument | Pioneer Monument | granite | traffic circle | 48.39231849911823, -122.48662954881824 | 48.3923185 | -122.4866295 | La Conner, WA | 1936 | 1936 | Pioneer Mother Movement | Other | obelisk | Traffic Circle | Washington | done | 12-foot-tall granite shaft with pioneer scenes and the word "PIONEERS" in relief on all four sides near the base. Stands on a traffic circle just outside the town limits of La Conner, Washington (originally Swinomish). Dedicated on Pioneer Picnic Day (an annual event held on the first Thursday in August). Dedicated August 6, 1936, before an estimated 500 people. Skagit County Pioneer Association began fundraising for the monument in 1925, but efforts stalled with the onset of the Great Depression. Monument designer A.D. Frets of Mount Vernon (originally from Waterloo, Indiana), gave a speech encouraging donations, offering to produce the monument for $2,750 and donating $150 to the cause. | no | |||||||||||
71 | Robert Neely | Pioneer Family | The Pioneer Family | cement | Grinnell Community Center | 41.744022, -92.722820 | 41.744022 | -92.72282 | Grinnell, IA | 1937 | 1937 | Pioneer Mother Movement | Family | neither | Iowa | DAR | needs better | Donated by the Grinnell Chapter, Daughters of the American Revolution. Statue is on display inside the Community Center. | no | |||||||||||
72 | Unknown | Massengill Memorial | Massengil Memorial Monument | Winged Deer Park | 36.389873, -82.360348 | 36.389873 | -82.360348 | Johnson City, TN | 1937 | 1937 | Pioneer Mother Movement | Family | Book | Tennessee | done | Depicts local settler Henry Massengill, his wife and daughter. Henry holds a rifle. His wife holds a book and carries a satchel that resemble those held by Bryant Baker's famous Pioneer Woman in Ponca City, Oklahoma. Their daughter holds a large bouquet of flowers. At their feet are a plow and a dog. Originally located at a highway intersection in north Johnson City, the monument was relocated in 1990 to accommodate a highway improvement project. | https://pioneermonuments.net/wp-content/uploads/2021/06/massengill-pioneer-family-2.jpg | Mary Ruden | no | |||||||||||
73 | Leo Friedlander | The Covered Wagon | The Covered Wagon | marble | Oregon Capitol building | 44.938745, -123.030406 | 44.938745 | -123.030406 | Salem, OR | 1937 | circa 1937 | Pioneer Mother Movement | Family | Capitol | Oregon | done | In 1935, the Oregon statehouse burned to the ground. At the height of the Great Depression, Oregon relied in part on Works Progress Administration funding to build a grand new capitol building. Rather than recreate the copper-domed design typical of American state capitol buildings, Oregon erected a simple Modernistic design adorned with a pair of architectural sculptures depicting the Lewis and Clark Expedition and a family traveling on the Oregon Trail. In this covered wagon relief, the father steps boldly westward; his young son mimics his movement, but is held back by his kneeling mother. | Cynthia Prescott | in state capitol. created entry 6/14/19 | yes | ||||||||||
74 | Avard T. Fairbanks | New Frontiers | New Frontiers | bronze | LDS Conference Center, Temple Square | 40.772152, -111.892969 | 40.772152 | -111.892969 | Salt Lake City, UT | 1937 | 1937 | Pioneer Mother Movement | Family | Temple Square | Utah | Mormon | done | Originally sculpted in wax as a companion to "Tragedy at Winter Quarters" for the Chicago World's Fair in 1934, this monument was much later cast in bronze and placed inside the Church of Jesus Christ of Latter-day Saints' 21,000-seat Conference Center that was built adjacent to Temple Square in Salt Lake City in 2000. | blue | Cynthia Prescott | yes | |||||||||
75 | Merrell Gage | Pioneer Women of Kansas | Pioneer Women of Kansas | bronze | Kansas Capitol grounds | 39.047390, -95.678890 | 39.047390 | -95.678890 | Topeka, KS | 1937 | 1937 | Pioneer Mother Movement | Woman | Rifle | Capitol | Kansas | done | Memorial commission originally selected Bryant Baker's design of a sunbonneted pioneer woman with a scythe that closely resembled his famous statue for Ponca City, Oklahoma. But Kansans pressured Baker to replace the scythe with a rifle. Ultimately Baker's model was displayed inside the state capitol. But it was former Kansan Merrell Gage's more stayed depiction of a seated pioneer mother with a rifle across her lap, her son reading beside her, and a guard dog at her feet that was cast in heroic size for the capitol lawn. Gage also sculpted the 1920 pioneer mother relief for Westport, Missouri. | Cynthia Prescott | Merrell Gage 1920 relief | improved entry 8/15/19 | yes | ||||||||
76 | Hugo Villa | German Pioneers of Texas | German Pioneers of Texas | bronze | Landa Park | 29.710975, -98.132590 | 29.710975 | -98.132590 | New Braunfels, TX | 1938 | 1938 | Pioneer Mother Movement | Family | Book | Park | Texas | done | On the eve of World War I, a reported $81,000 was raised in Germany to erect a monument to German settlers in Texas. But not until 1936, after the peak of the Pioneer Mother Movement and as Texas celebrated the centennial of its brief independence, did efforts to erect a German pioneer monument gain traction in New Braunfels, a predominately German Texas community. Hugo Villa’s German Pioneers of Texas depicted a seated woman with a book resting in her lap and her arm around her young son; her husband stands behind her, gesturing forward. The New Braunfels monument was supported by $2,000 from the state of Texas, but apparently did not receive any support from abroad, despite earlier fundraising efforts and a formal invitation for officials of New Braunfels-on-the-Lahn, Germany, to attend its unveiling. | Cynthia Prescott | yes | ||||||||||
77 | Samuel Cashwan | Pioneer Mother | Pioneer Mother | stone | Clare Middle School | 43.822794, -84.765098 | 43.822794 | -84.765098 | Clare, MI | 1938 | 1938 | Pioneer Mother Movement | Woman | Rifle | School | Michigan | done | In 1938, the students of Clare (Michigan) High School – perhaps inspired by Works Progress Administration (WPA) projects installing pioneer-themed murals in public buildings in their state and across the nation – used their senior class fund to commission the sculpture from Samuel Cashwan, an Ecole de Beaux-Arts-trained Detroit sculptor and supervisor of the WPA’s sculpture and ceramics program. Cashwan’s design featured a gentle-looking mother cradling a young child who more closely resembled the man-child in Renaissance paintings than Hahn’s accurate portrayal of infancy. Yet Cashwan’s Madonna imagery was counterbalanced by having a rifle at the ready. Perhaps the Clare students who selected the subject matter based on sketches submitted by the artist felt that the rifle made her appropriately aggressive for their school’s developing athletic identity. The students were encouraged in this project by Clare school superintendent Kennedy because he was “trying to develop the term ‘Pioneer’ as the name for our athletic teams” and he believed that the Cashwan sculpture “would help along that line and would carry plenty of local significance as this was certainly a pioneer lumbering settlement.” (“Restoring a Clare Treasure,” http://thelakercurrent.com/2012/08/27/restoring-a-clare-treasure.) As other schools were embracing more martial names for their sports teams, these Michigan students spent their scarce resources to erect a monument to a Prairie Madonna armed improbably with a rifle. Instead of a typical Pioneer Mother wearing a prairie-style dress, sunbonnet, and heavy boots, the Russian Jewish immigrant artist portrayed the Clare pioneer mother draped in a classical-style gown with bare feet. The rifle in her hand later was broken off, making it resemble a more peaceable staff. | yes | |||||||||||
78 | Gabriel Lavare | (Pioneer woman reading to child) | (Pioneer woman reading to child) | marble | Oregon State Library | 44.939832, -123.030844 | 44.939832 | -123.030844 | Salem, OR | 1939 | circa 1939 | Pioneer Mother Movement | Woman | book | Capitol | Oregon | done | This marble relief by Portland artist Gabriel Lavare lines a hallway in the Oregon state library. The portrayal of a pioneer mother teaching a small child from the book in her hand emphasizes both the value of education and the Pioneer Mother Movement's emphasis on frontier women carrying White "civilization" to the Wild West. | Cynthia Prescott | yes | ||||||||||
79 | Byron S. Johnson | Humanity | Humanity | bronze | Pioneer Center grounds | 39.524214, -119.812032 | 39.524214 | -119.812032 | Reno, NV | 1939 | 1939 | Pioneer Mother Movement | Family | City Hall / Theater | Nevada | done | This monument was originally erected in front of the Old State Building. The statue was salvaged when the Old State Building was demolished in 1966 to make space for a new theater. Originally to be called the Apollo Center, the new building with a modernist gold geodesic dome roof instead became known as the Pioneer Center for the Performing Arts, taking its name from the 1939 Johnson pioneer monument. The new building is known locally as the "Golden Turtle." | Cynthia Prescott | yes | |||||||||||
80 | Elbert Porter | Swiss Colony Historical Marker | Swiss Colony Daughters of Utah Pioneers Historical Marker | plaster; concrete | Church of Jesus Christ of Latter-day Saints | 37.133313, -113.653968 | 37.133313 | -113.653968 | Santa Clara, UT | 1939 | 1939 | Pioneer Mother Movement | Family | Utah | done | Erected by the Daughters of Utah Pioneers in 1939, this pillar decorated with terra cotta reliefs of Mormon migrants traveling by covered wagon and handcart. Inscription reads: "November 28, 1861 about 93 pioneers under the leadership of Daniel Bonelli, were sent by President Brigham Young to settle southern Utah and raise cotton and grapes. They located at the fort built by Jacob Hamblin and others along Santa Clara Creek, one mile west of thepresent townsite. / The fort and many other buildings, dam and ditches were washed away by floods January 1, 1862. Lack of food, shelter and clothing tested their endurance for years." | https://pioneermonuments.net/wp-content/uploads/2017/01/Santa-Clara-1.jpg | https://pioneermonuments.net/wp-content/uploads/2017/01/Santa-Clara-2.jpg | Joy Richie | Joy Richie | ||||||||||
81 | Clarence Addison Shaler | Pioneers of Wisconsin | Pioneers of Wisconsin | bronze | Wilcox Park | 43.627496, -88.725015 | 43.627496 | -88.725015 | Waupun, WI | 1939 | 1939 | Pioneer Mother Movement | Man and Woman | Park | Wisconsin | done | Sculptor C. A. Shaler donated this sculpture to honor Wisconsin's pioneers, including his own parents. Its dedication plaque explains: "In the man's face we see the eager enthusiasm and courage to dare: in the woman's the calm strength to endure. Together they face their task of planting a civilization in the wilderness." This message about planting White civilization in the wilderness echoed many other monuments of the Pioneer Mother Movement. The monument was installed in Wilcox Park, which was dedicated "as a play space for small children" by the City of Waupun and its mayor to mark the city's "First Centennial" in 1939. | https://pioneermonuments.net/wp-content/uploads/2019/02/waupun-pioneers-plaque-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/02/waupun-pioneers-resized.jpg | David Culver | Ginny Culver | |||||||||
82 | Fred Torrey | Munn Memorial | Munn Memorial / Kansas Pioneers / Homage to the Native Sons and Daughters of Kansas / Lillie Gordon Munn Memorial Monument / Pageant of Kansas History | bronze, granite and limestone | Gage Park | 39.051768, -95.727021 | 39.051768 | -95.727021 | Topeka, KS | 1939 | 1939 | Pioneer Mother Movement | Man and Woman | Park | Kansas | done | Commissioned in 1936. A bronze sculpture of donor Lillie Gordon Munn and a young man stand on a granite pedestal in front of a 45-foot-long bas relief carved into limestone. The relief depicts a progression toward white civilization, including Native Americans, bison, Spanish explorers led by Francisco Vasquez de Coronado, scouts,priests, farmers, cattlemen, and pioneer families with covered wagons. | https://pioneermonuments.net/wp-content/uploads/2019/08/Munn-PPM-2mp-e1566836400897.jpg | Cynthia Prescott | Clio entry exists | yes | |||||||||
83 | Alfonso Iannelli | Fountain of the Pioneers | Fountain of the Pioneers | concrete | Bronson Park | 42.290210, -85.585541 | 42.29021 | -85.585541 | Kalamazoo, MI | 1940 | 1940-2018 | Family Monuments | Other | Park | Michigan | done | Depicts a westward-facing white settler facing an American Indian wearing a feathered headdress. The artist explained that "the scheme of the fountain conveys the advance of the pioneers and the generations that follow, showing the movement westward, culminating in the tower-symbol of the pioneer while the Indian is shown in a posture of noble resistance, yet being absorbed as the white man advances; the pattern of the parapet rail indicates the rich vegetation and produce of the land." (https://www.kpl.gov/local-history/parks/fountain.aspx) Statue removed April 2018 following protests against its depiction of race relations. | removed | ||||||||||||
84 | Avard T. Fairbanks | Pioneering | Pioneering | bronze | Temple Square | 40.770064, -111.893688 | 40.770064 | -111.893688 | Salt Lake City, UT | 1942 | 1942 | Family Monuments | Family | Temple Square | Utah | Mormon | done | In this 1942 bas relief created for Temple Square in Salt Lake City, the headquarters of the LDS church, artist Avard T. Fairbanks focused attention on the LDS patriarch’s dominant role. The artist explained in the pages of The Relief Society Magazine (29, no. 9: 1) that its “stalwart father, a tender mother, an infant child, a sturdy boy – typifies the Mormon family as it ventured forth into the unknown West.” The pioneer father in this bas relief did not only offer a supporting arm, as in other Fairbanks sculptures, but clearly held the young baby. Rather than being honored on a pedestal, this Pioneering mother seems almost an afterthought sandwiched between her husband and infant on one side and their young son on the other. While both father and son gaze forward toward their wagon and the future, Fairbanks’ mother looks backward toward the infant in her husband’s arm. The plaque’s slogan, “No toil nor labor fear,” seems intended for the forward-looking men-folk. The spinning wheel hanging from the back of the family’s wagon makes clear that the pioneer mother’s role would remain unchanged upon their settlement in Utah. Although Fairbanks placed this man behind his wife and children, the father’s animated pose and greater dimensionality again focused the viewer’s attention on his centrality in the ideal LDS family. | blue | Cynthia Prescott | yes | |||||||||
85 | Avard T. Fairbanks | Pioneer Family | Pioneer Family Group | bronze | North Dakota Capitol grounds | 46.817782, -100.782831 | 46.817782 | -100.782831 | Bismarck, ND | 1946 | 1946 | Family Monuments | Family | Capitol | North Dakota | done | Casting of this pioneer family grouping was delayed due to metal shortages during World War II. It was one of the first pioneer monuments to depict a pioneer family. The father plays the central role in this family unit, which also includes an adolescent son and a baby in its mother's arms. | blue | https://pioneermonuments.net/wp-content/uploads/2016/12/ND-PFam-2.jpg | Cynthia Prescott | yes | |||||||||
86 | Torleif S. Knaphus | Handcart Pioneer | Handcart Pioneer Monument | bronze | LDS Temple Square | 40.769609, -111.892889 | 40.769609 | -111.892889 | Salt Lake City, UT | 1947 | 1947 | Family Monuments | Family | Temple Square | Utah | Mormon | done | Handcarts became a poignant symbol of Mormon migration during the 20th century. When the LDS Church could not afford to supply new converts with wagons and oxen to cross the Great Plains, they utilized handcarts that emigrants pushed or pulled themselves. Most companies reached Utah safely, but others struggled, and more than 200 people died. Torleif S. Knaphus' 3-foot-tall model of a handcart family was unveiled by LDS President Heber J. Grant in the 1920s. Handcart pioneers Alfred Burningham of Bountiful and Michael Jensen of Gunnison were present at its dedication, and they “declared the monument to be a most accurate portrayal of the conditions under which they and the other handcart pioneers labored across the plains." That 3-foot-tall model of a handcart family was displayed at the Temple Square Bureau of Information.The sculpture was later enlarged to heroic size for outdoor display in Temple Square.Handcarts became a poignant symbol of Mormon migration during the 20th century. When the LDS Church could not afford to supply new converts with wagons and oxen to cross the Great Plains, they utilized handcarts that emigrants pushed or pulled themselves. Most companies reached Utah safely, but others struggled, and more than 200 people died. Torleif S. Knaphus' 3-foot-tall model of a handcart family was unveiled by LDS President Heber J. Grant in the 1920s. Handcart pioneers Alfred Burningham of Bountiful and Michael Jensen of Gunnison were present at its dedication, and they “declared the monument to be a most accurate portrayal of the conditions under which they and the other handcart pioneers labored across the plains." It was displayed for many years at the Temple Square Bureau of Information. That 3-foot-fall model enlarged to heroic size to mark the 1947 centennial of Mormon settlement in Utah. iThis heroic-sized copy is displayed outdoor in Temple Square. | Cynthia Prescott | yes | ||||||||||
87 | Mahonri M. Young | This is the Place | This is the Place Monument | bronze | This is the Place Park | 40.752013, -111.816173 | 40.752013 | -111.816173 | Salt Lake City, UT | 1947 | 1947 | Family Monuments | Group | Historic Site / Museum | Utah | Mormon | done | In 1937, a state commission selected a grandson of Brigham Young to design this monument celebrating Brigham Young guiding Mormon migrants to Utah. It was dedicated on the centennial of their arrival in Salt Lake Valley. | Cynthia Prescott | yes | ||||||||||
88 | Marshall M. Fredericks | Early Kentucky Settlers | Early Kentucky Settlers | bronze | Courier-Journal building | 38.247193, -85.761098 | 38.247193 | -85.761098 | Louisville, KY | 1948 | 1948 | Family Monuments | Man and Woman | Kentucky | done | Given Hollywood’s emphasis on Westerns at the height of the Cold War, including Davy Crockett: King of the Wild Frontier, it is perhaps not surprising that even residents of Kentucky and Tennessee experienced renewed interest in their frontier heritage in the late 1940s and the 1950s. Louisville Courier-Journal editor Barry Bingham commissioned sculptor Marshall M. Fredericks to design reliefs depicting the “spirit of Kentucky” for the newspaper’s new building. Fredericks reportedly traveled around the state to learn the essence of that spirit, intending for “children to be able to understand and enjoy." The completed relief featured a “pioneer family” surrounded by animals of the region, thoroughbred horses, sheep, tobacco farmers, riverboats and a giant catfish. But unlike other pioneer family monuments of that era, Fredericks chose to depict only a frontier man armed with a rifle and a woman in a sunbonnet. Deer, bear, and raccoon families frolic at their feet, taking the place of human children in symbolizing the land’s promise for the future. | Cynthia Prescott | yes | ||||||||||||
89 | Alonzo Victor Lewis | Prospector | The Prospector | bronze | Pioneers Home grounds | 57.049797, -135.338154 | 57.049797 | -135.338154 | Sitka, AK | 1949 | commissioned 1926; erected 1949 | Family Monuments | Man | Alaska | done | Commissioned in 1926 by the Seattle Alaska Yukon Pioneers. Statue committee disbanded in 1942, and model placed in storage. Finally cast and erected in Sitka, Alaska, using funds from the state's Pioneer Monument Fund. Smaller model for this heroic-sized bronze erected in Seattle's Klondike Gold Rush National Historical Park at Pioneer Square. | https://ids.si.edu/ids/deliveryService?id=SAAM-SAK000205_1 | no | ||||||||||||
90 | Unknown | Pioneer Memorial | Pioneer Memorial obelisk | quartzite | Hilltop overlooking Sioux Falls | 43.5744007,-96.7117972 | 43.5744007 | -96.7117972 | Sioux Falls, SD | 1949 | 1949 | Family Monuments | Other | South Dakota | done | Originally conceived as a tribute to Judge Joseph Amidon and his son Willie, who died in the US-Dakota War of 1862, the project stalled during the Great Depression. Plans to depict the scales of justice and Native American legends and symbols gave way to a simple 25-foot-tall obelisk constructed from locally-mined quartzite. A stone at its base is engraved with this legend: "Honors the early settlers who faced the harsh and lonely prairie, the ferocity of the elements, and the uncertainty of their fate in this new land between 1856 when Sioux Falls city was platted and 1889 when South Dakota achieved statehood. They built homes, farms and businesses and planted their family roots in Minnehaha county. This Sioux Quartzite obelisk was erected in their memory in 1949." | https://www.sdpb.org/blogs/images-of-the-past/the-sioux-falls-pioneer-memorial-the-amidon-affair-marker/ | no | ||||||||||||
91 | Anna Belle Campbell | The Homesteaders | The Homesteaders / Prairie Family | composite of concrete and stone | Mission Road traffic circle | 39.004455, -94.630372 | 39.004455 | -94.630372 | Prairie Village, KS | 1951 | 1951 | Family Monuments | Family | Shopping Center | Kansas | done | Prairie Village was a brand new suburb of the much larger Kansas City when it installed this monument in 1951. Real estate developer J. C. Nichols Company erected Anna Belle Campbell Cartright's concrete and stone depiction of a pioneer family (The Homesteaders) at the entrance to the parking lot of the shopping center that formed the heart of the new development. This was an early example of installing pioneer monuments in front of suburban shopping centers, a move that seeks to historicize modern shopping plazas. The city recently restored Cartright's statue. Yet, in a move typical of suburbs embracing pioneer monuments, Prairie Village seeks to showcase the statue while simultaneously alleviating the challenges of modern life: newly created Prairie Park is in fact a traffic circle designed to improve traffic flow at the heart of the downtown shopping district. | Cynthia Prescott | created entry 7/23/19 | yes | ||||||||||
92 | (Thomas) Puryear Mims | Mountain Group | Mountain Group / Pioneer Family | bronze | Cordell Hull State Office Building | 36.165043, -86.783066 | 36.165043 | -86.783066 | Nashville, TN | 1951 | 1951 | Family Monuments | Family | Capitol | Tennessee | done | Tennessee surrounded its massive new Cordell Hull state office building with four bronze sculptural groupings by local artist Thomas Puryear Mims. Mims' statues depicted different aspects of Tennessee history, from early white settlement through the Tennessee Valley Authority of the New Deal era. Utilizing artistic styles of that era, Mims forsook realism in favor of modernist “oversimplification, exag[g]eration and intensification of vertical lines” to elicit emotion in the viewer. Puryear Mims’ stylized Mountain Group (also known as Pioneer Family) features a buckskin- and moccasin-clad hunter and his adolescent son, who wears a coonskin hat and grasps a Bowie knife tucked into his belt. Behind them stands a barefoot woman wearing a knee-length dress who carries a young girl on her hip. Although she appears in modern attire rather than the prairie-style gown, heavy boots and sunbonnet typically associated with pioneer mothers, her placement within this pioneer-themed grouping marks Mims’ woman as a modernist twist on a 1920s pioneer mother. | visited site | ||||||||||||
93 | Unknown | Pioneer Mothers' Memorial | Pioneer Mothers' Memorial | stone | Pioneer Mothers Memorial Forest | 38.541247, -86.453023 | 38.541247 | -86.453023 | Paoli, IN | 1951 | 1951 | Family Monuments | Other | Park | Indiana | done | The Pioneer Mother Memorial Association of Indiana was established to erect a Pioneer Mother monument for the state's 1916 centennial. But those efforts floundered during World War I and after founder Charity Dye's death in 1921. In 1940, the club’s remaining membership voted to donate the group’s entire treasury – some $5,900 – to help purchase a ninety-acre tract of “virgin” timber near Paoli that was in danger of being logged, with the understanding that the resulting public forest “would be used as a memorial to pioneer mothers.” The Forest Service assumed title of the land and renamed it the Indiana Pioneer Mothers Memorial Forest. In 1951, the Pioneer Mother Memorial Association paid to build a memorial wall from old foundation stones reclaimed from the Hoosier National Forest, which read “Pioneer Mothers Memorial Woods.” The pioneer mothers memorial wall was dedicated in 1955. At the dedication ceremony, the Forest Service chief declared that the forest itself was a “monument to ‘help us remember the courage, personal integrity, and faith of the pioneer women.’” Today, visitors can access the memorial wall by hiking trail; an interpretive sign explains its history in the nearest Forest Service parking lot. | https://pioneermonuments.net/wp-content/uploads/2016/12/Paoli-wall-1.jpg | Cynthia Prescott | yes | ||||||||||
94 | Jo Davidson | Pioneer Woman | Pioneer Woman | bronze | Pioneer Pipe Line Company | 40.862100, -111.905710 | 40.8621 | -111.90571 | Woods Cross, UT | 1953 | 1953 | Family Monuments | Woman | Utah | Mormon | needs blurb | no | |||||||||||||
95 | George Bauwens | Glendale Pioneers | Glendale Pioneers | bronze | Church of Jesus Christ of Latter-day Saints | 37.315997, -112.595465 | 37.315997 | -112.595465 | Glendale, UT | 1955 | 1955 | Family Monuments | Other | Utah | Mormon | needs blurb | ??? | |||||||||||||
96 | Francis Minturn Sedgwick; Vladimir Oslou | Laurel Hill Pioneer | Laurel Hill Pioneer Monument | bronze, marble and concrete | Cypress Lawn Memorial Park | 37.671686, -122.457574 | 37.671686 | -122.457574 | Colma, CA | 1955 | 1955 | Family Monuments | Family | Cemetery | California | done | Remains of 35,000 California settlers were moved from San Francisco's Laurel Hill Cemetery to Colma's Cypress Lawn Memorial Park in 1946 so that the historic cemetery could be sold to real estate developers. Most original grave markers were used to construct a breakwater in the Marina. The Laurel Hill Cemetery Association commissioned this monument to honor the settlers whose remains had been reinterred. It features a pioneer family and a relief of a covered wagon at the base of a concrete obelisk. | https://pioneermonuments.net/wp-content/uploads/2019/04/Laurel-Hill-Pioneer-resized.jpg | Cynthia Prescott | yes | ||||||||||
97 | Frederic Littman | Joy (Pioneer Woman) | Joy (Pioneer Woman) / Laberee Memorial Fountain | bronze | Council Crest Park | 45.498358, -122.708010 | 45.498358 | -122.70801 | Portland, OR | 1956 | 1956 | Family Monuments | Woman | Park | Oregon | done | The artist sculpted this mother and child playing in a park to represent "joy." But like Susan Pogzeba's Homage to the Pioneer in Denver, Colorado, Portlanders interpreted this image as a pioneer mother. The plaque at the base of the statue calls it "Joy (Pioneer Woman)." Another plaque nearby indicates that it depicts the sister and nephew of local resident George B. Staehli (1922-1997). The water fountains accompanying the bronze sculpture are updated versions of the so-called "Benson Bubblers" that Simon Benson donated to the city of Portland in 1912 to discourage workers from consuming alcohol on their lunch break. | Cynthia Prescott | created entry 6/19/19 | yes | ||||||||||
98 | Avard T. Fairbanks | Guidance of Youth | Guidance of Youth | bronze | Bush's Pasture Park | 44.930173, -123.039663 | 44.930173 | -123.039663 | Salem, OR | 1958 | 1958 | Family Monuments | Family | Park | Oregon | done | Carroll Moore left his life savings to pay for a pioneer monument for Salem, Oregon. Plans to purchase a nude Pierre-Auguste Renoir Venus Victorious statue sparked controversy. The committee instead selected Avard Fairbanks' depiction of a pioneer family; the strapping young son leads the way into the future. Fairbanks adapted earlier Oregon Trail imagery for an Oregon Centennial medallion on the rear of the monument. | blue | https://pioneermonuments.net/wp-content/uploads/2017/01/Guidance-of-Youth-2.jpg | Cynthia Prescott | created entry 6/19/19 | yes | ||||||||
99 | Avard T. Fairbanks | Oregon Centennial Medallion | Oregon Centennial Medallion | bronze | Bush's Pasture Park | 44.930173, -123.039663 | 44.930173 | -123.039663 | Salem, OR | 1958 | 1958 | Family Monuments | Family | Park | Oregon | done | Fairbanks adapted earlier Oregon Trail imagery for this Oregon Centennial medallion. The pioneer man rides a horse, while his wife rides in the covered wagon holding an infant. In the foreground, their son drives the ox team. | Cynthia Prescott | in Guidance of Youth | yes | ||||||||||
100 | Gordon Shumaker | Pioneer Woman | Pioneer Woman | fiberglass | in front of Pioneer Portrait Hall, Minnesota State Fairgrounds | 44.979056, -93.170776 | 44.979056 | -93.170776 | St. Paul, MN | 1958 | 1958 | Family Monuments | Woman | Fair | Minnesota | done | This Pioneer Woman was created for the centennial of Minnesota statehood. Although sculpted from modern fiberglass, it closely resembles bronze pioneer mother monuments from the 1920s. | Cynthia Prescott | yes | |||||||||||
101 | Leonard McMurry | Pioneers of 1889 | Pioneers of 1889 | bronze | Kerr Couch Park | 35.469512, -97.515126 | 35.469512 | -97.515126 | Oklahoma City, OK | 1959 | 1959 | Family Monuments | Other | Oklahoma | done | Sculpted by Oklahoma City artist Lenoard McMurry and donated by B. D. and Pauline Eddie. According to its dedicatory plaque, this statue of a man using a hatchet to drive a stake into the ground while his young son sits atop their horse commemorated the "strong men and women" who settled in the 1889 Land Run. An estimated 50,000 people rushed into the previously designated "Indian Territory" in hopes of claiming 160 acres of land under the 1862 Homestead Act. The monument was dedicated on "89ers Day" in 1960. | https://pioneermonuments.net/wp-content/uploads/2019/02/pioneers-1889-crop-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/02/pioneers-1889-plaque-crop-resized.jpg | David Prescott | David Prescott | ||||||||||
102 | Unknown | (Pioneer Woman and Child) | (Pioneer Woman and Child) | painted concrete | Western Savings Bank Building | 33.415740, -111.874692 | 33.415740 | -111.874692 | Mesa, AZ | 1960 | circa 1960 | Family Monuments | Woman | Arizona | Mormon? | done | This painted concrete statue of a pioneer woman and child decorated the exterior of a bank building that later became a pawn shop. | Cynthia Prescott | yes | Check name of bank. Western Savings was major contributor to Mesa Pioneer Monument | ||||||||||
103 | Wheeler Williams | Pioneer Mother of Kansas | Pioneer Mother of Kansas | bronze | Public Library lawn, Cooper Park | 37.043526, -100.922119 | 37.043526 | -100.922119 | Liberal, KS | 1961 | designed 1927; erected 1961 | Family Monuments | Woman | Library | Kansas | done | The design for this statue was originally sculpted by Wheeler Williams in the 1920s. He submitted "Fearless" to a 1920s competition to place a pioneer woman monument in Ponca City, Oklahoma, but did not win. Thirty years later, donor D. K. Baty hired a local art student to design a monument for the town of Liberal. But Baty soon substituted Williams' older design. | Image available here | created entry 7/31/19 | no | ||||||||||
104 | William Zorach | The Family | The Family | bronze | Colorado Springs Fine Arts Center | 38.845337, -104.826071 | 38.845337 | -104.826071 | Colorado Springs, CO | 1964 | 1964 | Family Monuments | Family | Bank | Colorado | done | Selected by a panel of experts to be erected as part of the Texas Centennial celebration in 1936, this "Pioneer Family Group" monument design was rejected by the people of Texas as being an inappropriate way to commemorate pioneer women, and inappropriate for erection on the Texas Woman's College campus at Denton. In 1964 it was cast in bronze and erected in downtown Colorado Springs under the title "The Family." In the 1990s, the Colorado Springs casting was sold at auction, but another casting of the same work was donated to the Colorado Springs Fine Arts Center. (Photo shown is of the Colorado Springs Fine Arts Center's statue, which once stood in front of a Pueblo, Colorado, bank.) | Cynthia Prescott | private collection | |||||||||||
105 | William Zorach | The Family | The Family | bronze | Columbia Savings Bank (later moved to Colorado Springs Fine Arts Center) | 38.267993, -104.608453 | 38.267993 | -104.608453 | Pueblo, CO | 1964 | 1964; relocated 1994 | Family Monuments | Family | Bank | Colorado | done | Selected by a panel of experts to be erected as part of the Texas Centennial celebration in 1936, this "Pioneer Family Group" monument design was rejected by the people of Texas as being an inappropriate way to commemorate pioneer women, and inappropriate for erection on the Texas Woman's College campus at Denton. In 1964 it was cast in bronze and erected in downtown Pueblo, Colorado, under the title "The Family." In 1994 it was donated to the Colorado Springs Fine Arts Center. | Cynthia Prescott | created entry 9/4/19 | yes | ||||||||||
106 | Susan M. Pogzeba | Homage to the Pioneer | Homage to the Pioneer | bronze | Zeckendorf Park | 39.72714,-104.9865714 | 39.72714 | -104.9865714 | Denver, CO | 1968 | 1968 | Family Monuments | Family | Park | Colorado | done | Real estate developer William Zeckendorf’s foundation offered a $5,000 prize for a sculpture for the park dedicated to Colorado pioneers and produced by a Colorado artist. The selection committee was not impressed by traditional designs for this new monument. Instead, they chose a design by a young local artist, Susan Pogzeba, who “refuse[d] to ascribe any particular meaning to” her abstract design. But she explained that “other people have tried to pin such meanings as ‘family’ on it.” The artist said that she “was just working with forms and this was the result.” (“How Prize Is Picked,” Colorado Springs Gazette, April 6, 1968) | Cynthia Prescott | yes | |||||||||||
107 | Charles B. Martin | Arizona's Pioneer Women | Arizona's Pioneer Women | copper | Wesley Bolin Plaza | 33.448130, -112.094290 | 33.44813 | -112.09429 | Phoenix, AZ | 1968 | 1968 | Family Monuments | Woman | Capitol | Arizona | done | In the early 1960s, Daughters of Utah Pioneers (DUP) headquarters in Utah asked the local Squaw Peak Camp to erect a marker on a historical spot in the Phoenix area. They considered marking the site of Phoenix’s first school building, its first flour mill, or its earliest daily newspaper. But they ultimately chose instead to put of a statue honoring Arizona female settlers at the state capitol. Charles B. Martin, an illustrator in the City Planning Department and amateur sculptor, created the sculpture. The DUP headquarters and the National Markers Association, wanted the interpretive plaque to include specific names, but the local chapter was afraid of leaving someone out. They erected a fairly typical depiction of a pioneer woman in a sunbonnet. Instead of bronze, it is sculpted from Arizona copper. Today, it is one of 30 memorials located in Wesley Bolin Plaza.
| https://pioneermonuments.net/wp-content/uploads/2017/01/Arizona-PM-1.jpg | Cynthia Prescott | created entry 2/19 | yes | |||||||||
108 | James Earle Fraser | End of the Trail | The End of the Trail | plaster | National Cowboy & Western Heritage Museum | 35.536006, -97.483153 | 35.536006 | -97.483153 | Oklahoma City, OK | 1968 | 1968 | Family Monuments | Other | Art Museum | Oklahoma | done | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Restored and installed at National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City, where it was dedicated in 1971. | Learn more | Created entry 7/18 | no | ||||||||||
109 | James Earle Fraser | End of the Trail | The End of the Trail | bronze | Mooney Grove Park | 36.280601, -119.309367 | 36.280601 | -119.309367 | Visalia, CA | 1971 | 1971 | Family Monuments | Other | Park | California | done | The End of the Trail was sculpted by James Earle Fraser for display at the 1915 Panama-Pacific International Exposition. It was one of the most photographed sites of the fair, and has since become one of the most recognizable images in the country. After the fair closed, the plaster statue was claimed by residents of Tulare County, California, and relocated to Mooney Grove Park in Visalia. The National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma, acquired the original plaster in 1968. A bronze cast of the statue now appears in Mooney Grove Park. | Created entry 7/18 | no | |||||||||||
110 | Pete Felten, Jr. | Pioneer Family Statue | Pioneer Family Statue | limestone | North Penn Avenue | 39.8243193,-100.528994 | 39.8243193 | -100.528994 | Oberlin, KS | 1971 | 1971 | Family Monuments | Family | Kansas | done | This 1971 sculpture was the first of several pioneer monuments by local sculptor Pete Felten, Jr. Most pioneer family monuments feature a father and mother standing together, with their young son in front of them. In contrast, the Oberlin family stands in a circle with their backs toward one another and their arms linked, a defensive posture suggesting the pioneers’ reliance on the family unit for survival.The Oberlin pioneer family circle suggests a greater degree of equality among the characters than the pyramidal shape typical in earlier decades. Indeed, the father in the Oberlin family bends his knees to embrace his children, decreasing the extent that he towers over the rest of the family. In keeping with earlier pioneer family monuments, the mother leans gently backward into the family circle, maintaining its core. But in a gesture toward feminism’s growing influence, their teenage daughter leans slightly outward to embrace the future. Their young son bends his knees, mimicking his father’s posture, and appears ready to leap outward at the first opportunity. Public reactions to Felten’s initial proposal were mixed, but what initially felt to many rural Kansans like too much of a departure from established pioneer family imagery soon grew more comfortable. | https://pioneermonuments.net/wp-content/uploads/2016/12/Oberlin-PFam-mom-girl-1.jpg | Cynthia Prescott | created entry 7/31/19 | yes | ||||||||||
111 | Granville W. Carter | West Texas Pioneer Family | West Texas Pioneer Family | bronze | Avenue Q at 13th St. | 33.583333, -101.854722 | 33.583333 | -101.854722 | Lubbock, TX | 1971 | 1971 | Family Monuments | Family | Texas | done | Depicts a pioneer man holding a hoe, a woman holding a Bible and a daisy, and a boy holding a lariat. | no | |||||||||||||
112 | Gus Shafer | Wagon Master | The Wagon Master | bronze | Intercontinental Hotel | 39.039408, -94.593106 | 39.039408 | -94.593106 | Kansas City, MO | 1973 | 1973 | Family Monuments | Man | Missouri | done | This statue sculpted by L. E. “Gus” Shafer is a larger-than-life depiction of a wagon train leader. It is one of several monuments in the Kansas City area that commemorate the region's connections to the Santa Fe, Oregon and California trails during the mid-19th century. The artist used his own face as a model for this sculpture. The bronze statue stands on a large limestone rock. It was a gift from Catherine and Miller Nichols, their four daughters, and the artist. It was dedicated on September 8, 1973. | https://pioneermonuments.net/wp-content/uploads/2016/12/KC-Wagon-Master-1.jpg | Cynthia Prescott | created entry 7/23/19 | yes | ||||||||||
113 | Pete Felten, Jr. | Boot Hill Man | Boot Hill Man / The Homesteader | limestone | Boot Hill Cemetery | 38.878528, -99.327725 | 38.878528 | -99.327725 | Hays, KS | 1973 | 1973 | Family Monuments | Man | Cemetery | Kansas | done | This 1971 seven-foot-tall limestone statue by local sculptor Pete Felten, Jr., was created to stand at the Ellis County Historical society's new headquarters at Hays Boot Hill. The historical society sought a dignified sculpture of a plainsman. But Felten wanted the statue to commemorate those who died "with their boots on" as a result of frontier violence. Also known as "The Homesteader," it stands in the town's first cemetery. | created entry 8/1/19 | no | |||||||||||
114 | Gordan Dingman | Life Sketches | Life Sketches | brick | 16 N Minnesota St. | 44.313850, -94.459376 | 44.313850 | -94.459376 | New Ulm, MN | 1974 | 1974 | Family Monuments | Group | Gordon Dingman sought to depict Indians and white settlers coexisting peacefully in the area prior to the 1862 US-Dakota War. His mural depicts four scenes of local settlement that incorporate both whites and Indians. In the first, Anglo and Native women do domestic work on either side of a mounted Sioux warrior, suggesting parallels if not meaningful cultural connections. But Dingman did not treat Indian and white male figures equally. In a second scene, three white laborers, a draft horse, and drag symbolize westward expansion. Dingman intended his use of “direct frontal views and uncompromising postures [to] suggest national attitudes of that period leading to broken treaties, exploitation and ultimately war.” A third scene depicts an Indian man dressed in Anglo-style clothing using the wrong end of a saw, suggesting that he was waiting for “another man/cultural group to help him transition into a changed world.” Thus, while Dingman sought to stress peaceful coexistence, his mural instead shows the persistence of a recognizably settler colonial mindset of white superiority and sacrifice coupled with Native backwardness. | https://pioneermonuments.net/wp-content/uploads/2016/12/New-Ulm-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/New-Ulm-2.jpg | Michael Lansing | Michael Lansing | ||||||||||||
115 | Edward J. Fraughton | Mormon Pioneer Memorial | Mormon Pioneer Memorial Monument / "All is Well" | bronze | Brigham Young Family Memorial Cemetery | 40.770287, -111.885657 | 40.770287 | -111.885657 | Salt Lake City, UT | 1974 | 1974 | Family Monuments | Family | Utah | Mormon | needs better | Commissioned by the National Society of the Sons of Utah Pioneers | https://pioneermonuments.net/wp-content/uploads/2019/02/All-is-Well-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/02/all-is-well-plaque-resized.jpg | Cynthia Prescott | yes? | |||||||||
116 | Allen G. Newman | Pioneer | Pioneer | bronze | Lake Avenue and Lakeshore Drive | 42.636676, -95.200955 | 42.636676 | -95.200955 | Storm Lake, IA | 1974 | 1974 | Early Monuments | Man | Iowa | done | Bronze recasting of Newman's 1910 zinc sculpture that had been badly damaged. Paid for with funds raised for the Storm Lake Centennial in 1973. | no | |||||||||||||
117 | Pete Felten, Jr. | Pioneer Family | Pioneer Family / Volga German Immigrant Family | limestone | Corner of 19th & Cathedral | 38.856357, -99.151051 | 38.856357 | -99.151051 | Victoria, KS | 1976 | 1976 | Family Monuments | Family | Historic Site | Kansas | done | As other Midwestern towns celebrated ethnic inclusivity during the nation’s Bicentennial in 1976, Felten’s sturdy Volga German immigrant family for Victoria, Kansas, emphasized the Russian Germans’ otherness. The Volga German monument’s dedicatory plaque explains that “the first religious activities of these settlers centered around the village cross.” But Felten depicted the pioneer family as split along gender lines by that village cross: a mustached limestone father, two sons, and a pet dog peer almost angrily at a woman in a headscarf and her two daughters (the younger dragging a rag doll on the ground) from opposite sides of a large wooden cross. Although the monument was a tribute to the families that established the adjacent village of Herzog, Felten’s depiction seemed to suggest that, despite their religiosity and efforts constructing the 1100-seat Cathedral of the Plains, these Catholic Russian Germans could not be easily assimilated into American culture. | Juti Winchester | created entry 8/1/19 | Juti Winchester | ||||||||||
118 | Ann Opgenorth and Donna Marihar | Five Figures | Five Figures for Five Flags / Pioneers Sculpture | bronze | Cathedral Square | 42.495283, -90.666546 | 42.495283 | -90.666546 | Dubuque, IA | 1976 | 1976 | Family Monuments | Group | Park | Iowa | This sculptural group features stylized depictions of the generic types (many of them German and Irish immigrants) credited with founding Dubuque's Mississippi River community: a miner, a priest, a steamboat captain, and a farmer embracing his pioneer wife. The title emphasized its intended ethnic inclusivity: Five Figures for Five Flags. Yet the work soon became known as a Pioneers sculpture, abandoning its intended ethnic diversity in favor of pioneer monuments’ assumed whiteness. The objects with which Opgenorth and Marihar identify the male characters reference earlier pioneer monuments with more ethnically inclusive twists. Several frontiersmen carried axes in early-twentieth-century pioneer monuments, but here that tool is wielded by a presumably immigrant lead miner. French Jesuit priests, such as the one indicated with a cross in this Dubuque statue, were more respected by Anglo-Americans as contributors to white settlement in the upper Midwest than were their Spanish Franciscan counterparts in the Southwest, but still were rarely depicted in pioneer monuments. The steamboat captain’s steering wheel is less typical of earlier pioneer monuments, but the large wheel stands behind him, doubling as a wagon wheel evoking westward migration by covered wagon. While Five Figures for Five Flags seeks to represent the ethnic diversity of Dubuque’s early settlers, it pointedly excludes local Indigenous peoples, suggesting that inclusion in Dubuque’s melting pot was limited to those of European origin. Discarding Beaux-Arts realism, artists Ann Opgenorth and Donna Marihar created more avant-garde thin, angular figures with exaggerated facial features for Dubuque’s bicentennial sculpture. Their choice to depict the pioneer woman holding a pet cat rather than a swaddled infant represented a modernist twist on traditional pioneer mother iconography. That the woman snuggles her pet cat, rather than being protected by the more common large dog – and that her cat is a dependent pet to be coddled, instead of an independent barn cat charged with keeping the farm mouse-free – suggests that she is a modern housewife rather than a nineteenth-century bearer of white civilization. | https://pioneermonuments.net/wp-content/uploads/2016/12/Dubuque-5-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Dubuque-5-2.jpg | Cynthia Prescott | yes | ||||||||||
119 | Richard Bergen | Heritage Woman | Heritage Woman | bronze | Heritage Park | 37.684694, -97.337523 | 37.684694 | -97.337523 | Wichita, KS | 1976 | 1976 | Family Monuments | Woman | Museum | Kansas | done | This styled nude statue was intended to honor early white Kansas settler women when it was placed in Wichita amid the nation’s bicentennial celebration in 1976. The citizens of Wichita apparently viewed Bergen’s Heritage Woman within a long-established fine arts tradition of nude female forms. In contrast to the outrage expressed in Denton, Texas, in the 1930s and Salem, Oregon, in the 1950s, newspaper coverage of Wichita’s Heritage Woman did not reveal any protests to her nudity. Instead, local residents appeared to embrace the work’s merging of classical and contemporary aesthetic for their new Victorian-inspired urban park, and overlooked the artist’s conception of a nude pioneer woman revealing herself in downtown Wichita. Yet Wichitans’ acceptance of the nude pioneer woman appear to have declined over time. In April 2005, vandals damaged the sculpture’s hands, requiring $5,000 worth of repairs. Shortly after the city returned the statue to its plinth in Heritage Park in fall 2006, it was assaulted a second time, knocking it off its base, breaking it in half at the waist and cracking the bronze skin, causing another $20,000 in damages. Vandals attacked it a third time in early 2013, again removing it from its base and breaking it in half. This time repairs kept the statue out of the public eye for four years. City leaders hope that the installation of a tall iron fence around Heritage Park will protect the statue from further damage. Historical society staff suspect that the statue’s nudity inspired these repeated attacks on Heritage Woman. | https://pioneermonuments.net/wp-content/uploads/2017/01/HeritageSquare.jpg | Courtesy of City of Wichita Park and Recreation Department | created entry 8/1/19 | visited site | |||||||||
120 | W. Walter Campbell | Pioneer Family | Pioneer Family | limestone | Blair County Courthouse | 40.430180, -78.392137 | 40.430007 | -78.392479 | Hollidaysburg, PA | 1976 | 1976 | Family Monuments | Family | Pennsylvania | needs blurb | https://learninglab.si.edu/resources/view/122447# | no | |||||||||||||
121 | Rich Muno | Pioneer Man | Pioneer Man | bronze | Clinton City Hall | 40.430383, -78.392333 | 35.515646 | -98.965352 | Clinton, OK | 1976 | 1976 | Family Monuments | Man | Oklahoma | done | Man wearing wide-brimmed hat, collared work shirt and pants held up by suspenders. Holds an ax in his proper right hand. A Winchester rifle stands propped up to his left. Dedicated July 4, 1976, amid U.S. Bicentennial celebrations. | David Prescott | David Prescott | ||||||||||||
122 | Frederick A. Olds | Statehood | Statehood | bronze | Oklahoma Territorial Museum front entrance | 35.878201, -97.421013 | 35.878201 | -97.421013 | Guthrie, OK | 1977 | 1977 | Family Monuments | Man and Woman | Museum | Oklahoma | done | Depicts a wedding ceremony between a white cowboy and Miss Indian Territory. | Cynthia Prescott | yes | |||||||||||
123 | George Bassett | Delavan Pioneers | Delavan Pioneers / Land is Our Heritage | bronze | 2nd Street park | 43.767564, -94.019145 | 43.767564 | -94.019145 | Delavan, MN | 1977 | 1977 | Family Monuments | Man and Woman | Minnesota | needs better blurb | Dedicated during the town's centennial in 1977. | http://collections.mnhs.org/cms/web5/media.php?irn=10181867&width=640&height=640 | no | ||||||||||||
124 | Avard T. Fairbanks | American Family | The American Family | bronze | Utah County courthouse lawn | 40.232651, -111.658378 | 40.232651 | -111.658378 | Provo, UT | 1978 | 1978 | Family Monuments | Family | Courthouse | Utah | Mormon | done | Avard Fairbanks first proposed this monument depicting his religious vision of a child kneeling at his father's knee in prayer to the First Presidency of the Church of Jesus Christ of Latter-day Saints in the 1940s. It was not cast in bronze until the 1970s, when it was erected on the courthouse lawn in Provo, Utah. Working titles that reflected Fairbanks' LDS faith -- "God Bless this Home" and "The Eternal Family" -- were later replaced by the more inclusive "The American Family." | blue | Cynthia Prescott | yes | |||||||||
125 | Avard T. Fairbanks | American Motherhood | American Motherhood | marble | Utah County courthouse | 40.232807, -111.658012 | 40.232807 | -111.658012 | Provo, UT | 1979 | 1979 | Family Monuments | Woman | Courthouse | Utah | Mormon | done | The woman in this sculpture closely resembles the pioneer women in earlier Avard Fairbanks bronzes, including the nearby The American Family and Fairbanks’ 1946 North Dakota Pioneer Family Group. Models of this statue are presented to local, state, and national Mother of the Year recipients by the inter-faith American Mothers, Inc. | blue | Cynthia Prescott | yes | |||||||||
126 | Pershing Geiger | The Homesteader | The Homesteader | bronze | Homesteader Plaza | 42.849947, -106.322029 | 42.849947 | -106.322029 | Casper, WY | 1979 | 1979 | Family Monuments | Man | Wyoming | needs blurb | no | ||||||||||||||
127 | John Ehn | Old Trapper's Lodge | Old Trapper's Lodge | concrete embellished with found materials | Pierce College | 34.18501667 | -118.583275 | Los Angeles, CA | 1981 | created 1951-81; relocated 1981 | Family Monuments | Other | Campus | California | Self-taught artist's rendering of the Old West. Ehn used family members as models to create figures of cowboys, frontier women, and a "Boot Hill" (mock gunslinger burial ground with comedic ephitaphs) at "Old Trapper's Lodge" on Ehn's private property. These figures include a pioneer mother holding a rifle and a baby; a young son and daughter stand beside her. The figures also included stereotypical representations of American Indian man attacking "Pegleg Smith" (presumably a Mormon man with a tomahawk, and a dark-skinned man kidnapping a scantily-clad white woman. After Ehn's death in 1981, family members sold that property, and the sculptural assemblace was relocated to the campus of campus of Pierce College, on El Rancho Dr., just east of the stables, in a stand of trees. It was declared a Twentieth Century Folk Art Environment California Historical Landmark (Landmark 939.5) in 1985. Following the murder of George Floyd in 2020, protests across the United States challenged monuments to Civil War soldiers and colonialism. Pierce College sought to relocate the Old Trapper's Lodge collection | no | ||||||||||||||
128 | Christian Petersen | Madonna of the Prairie | Madonna of the Prairie / Prairie Woman | limestone | Iowa State University College of Education | 42.029720, -93.645397 | 42.029720 | -93.645397 | Ames, IA | 1982 | circa 1940; erected 1982 | Culture Wars | Woman | Campus | Iowa | needs blurb | Pamela Riney-Kehrberg | yes | ||||||||||||
129 | George W. Lundeen | Promise of the Prairie | Promise of the Prairie | bronze | North Pond Lake | 40.450533, -99.377700 | 40.450533 | -99.3777 | Holdredge, NE | 1983 | 1983 | Culture Wars | Family | Park | Nebraska | town centennial | Erected for the town's centennial. Like other pioneer family monuments, it presents a nuclear family as a vision and hope for the future. And like other pioneer family sculptures, it features a father dressed in overalls, a mother wearing a prairie-style gown and apron, and their young son. But this work strays from other pioneer family monuments in important ways. It emphasizes the married couple rather than the child, and gives the father a greater nurturing role. Most pioneer monuments place a school-aged son in front of his parents, preparing to lead them into the future. Mothers often gaze lovingly at a baby in their arms. In this work, in contrast, the father holds a preschool-aged boy. This emphasizes the father's nurturing role alongside his leadership. Both father and mother gaze into the distance, imagining their future. Rather than gripping books to prepare for the future, the young boy plays with his father's wide-brimmed hat. The boy is barefoot, which was typical for frontier children but is rarely seen in pioneer monuments. On this young boy, it further emphasizes his innocence. | created 9/4/19 | no | |||||||||||
130 | Steve Shields | Pioneer | Pioneer | copper | Pioneer Cemetery | 36.864302, -87.492711 | 36.864302 | -87.492711 | Hopkinsville, KY | 1984 | 1984 | Culture Wars | Man | Kentucky | needs blurb | no | ||||||||||||||
131 | Jack Cartlidge | Pioneer Family | Pioneer Family / Pioneer Family Hears a Sound is it Bears or Billy Bowlegs? | copper | City Hall | 27.337667, -82.539967 | 27.337667 | -82.539967 | Sarasota, FL | 1984 | 1984 | Culture Wars | Family | Florida | needs blurb | https://pioneermonuments.net/wp-content/uploads/2019/04/Sarasota-2-resized.jpg | Cynthia Prescott | yes | ||||||||||||
132 | Charlie Norton | Spirit of the Prairie | Spirit of the Prairie | bronze | Thomas County Courthouse | 39.396089, -101.043197 | 39.396089 | -101.043197 | Colby, KS | 1985 | 1985 | Culture Wars | Woman | Courthouse | Kansas | done | Sculpted by Charlie Norton of nearby Leoti, Kansas, this 9-foot-tall bronze pioneer woman statue's dedication was the highlight of Thomas County's centennial celebration on October 8, 1985. The statue was placed in front of the 1906 county courthouse, a Romanesque Revival building that is listed on the National Register of Historic Places. The pioneer woman holds a baby on her hip and waves a hankerchief over her head to signal to someone--likely her husband--far across the Kansas prairie. | https://pioneermonuments.net/wp-content/uploads/2019/08/spirit-of-the-prairie-reverse-resized.jpg | Cynthia Prescott | created entry 8/15/19 | yes | |||||||||
133 | Mike Capser | Pioneer's Vision | Pioneer's Vision | bronze with patina | First Interstate Bank Building | 45.783654, -108.512395 | 45.783654 | -108.512395 | Billings, MT | 1985 | 1985 | Culture Wars | Family | Bank | Montana | done | First Interstate Bank sought to emphasize its Montanan identity by installing this sculpture by Montana artist Mike Capser. Three pioneer figures stand on a rock overlooking the street. The mustachioed father gestures out over the land he plans to settle. His son gazes up at him with rapt attention, his hands in his overall pockets. The mother rests her hands on the boy's shoulders, looking resigned. Behind them in a separate installation, a carefree little girl romps over boulders with her dog. While the girl appears joyful, her separation from the rest of her family promises that the privileges and responsibilities of settlement remain with her parents and brother. | https://pioneermonuments.net/wp-content/uploads/2016/12/Pioneers-Vision-2.jpg | Pamela Pierce | Pamela Pierce | ||||||||||
134 | Bill Nebeker | Early Settlers | Early Settlers | bronze | Memorial Island Park | 34.544507, -112.454130 | 34.544507 | -112.45413 | Prescott, AZ | 1985 | 1985 | Culture Wars | Group | Arizona | done | Four figures back-to-back in a circle: pioneer woman wearing a sunbonnet and holding a Bible, rancher holding a rope, wagon master with a whip, and miner with a gold pan. The sculptor originally planned to include a Fort Whipple soldier as the fourth figure, but his wife and father persuaded him instead to honor the women who settled the Southwest. | https://pioneermonuments.net/wp-content/uploads/2019/04/Early-Settlers-rear-resized.jpg | Cynthia Prescott | https://walkingprescott.blogspot.com/2008/11/prescotts-heroic-bronzes.html | created entry. 2/19 | yes | |||||||||
135 | Thomas L. Beard | Pioneer Square | Pioneer Square Monument | bronze | Pioneer Square | 39.053690, -94.590608 | 39.053690 | -94.590608 | Westport, MO | 1986 | 1986 | Heritage Tourism | Group | Missouri | done | Westport business leaders wanted commemorate the town's connections to the Santa Fe Trail, the Oregon Trail, and its claim to being the birthplace of Kansas City. After several failed attempts to claim A. Phimister Proctor's Pioneer Mother from Kansas City's Penn Valley Park, and erecting smaller markers, they finally put up this statue in 1986. The tribute to John C. McCoy, Alexander Majors, and Jim Bridger is the culmination of 75 years of pioneer commemoration efforts by Westport business leaders and residents. | Cynthia Prescott | created entry 7/23/19 | yes | |||||||||||
136 | Greg Todd | They Came to Stay | They Came to Stay | bronze | Sherman County Courthouse grounds | 39.350941, -101.710171 | 39.350941 | -101.710171 | Goodland, KS | 1987 | 1987 | Culture Wars | Man and Woman | Courthouse | Kansas | done | Erected on the grounds of the Sherman County courthouse to mark the county's 1987 centennial. A pioneer man wearing a wide-brimmed hat squats down in his field, holding the rich soil in his proper right hand. Beside him stands his young wife. The wind sweeping the High Plains blows her long skirt and apron. Her right hand rests gently on her husband's shoulder, indicating her reliance on his strength. Her left hand holds tightly to one handle of their prominently featured walking plow. The man's hard work and ingenuity, combined with his wife's nurturance, enable them to survive and thrive on the soil that inspired the town's name of Goodland, Kansas. | Cynthia Prescott | created entry 8/15/19 | yes | ||||||||||
137 | Harold T. Holden | Boomer | Boomer | bronze | Cherokee Strip Conference Center | 36.395333, -97.879050 | 36.395333 | -97.87905 | Enid, OK | 1987 | 1987 | Culture Wars | Man | Oklahoma | Erected shortly before the centennial of the 1889 land run that opened Oklahoma to homesteading, Holden's Boomer depicts the Cherokee Strip land run as an explicitly masculine event. In contrast to Leonard McMurry’s 1959 Oklahoma City monument, which at a time of nationwide pioneer family commemoration presented land runs as an intergenerational project of laying down roots in the Oklahoma soil, Holden’s 1987 Boomer depicted a solo man on horseback racing to stake his claim. Holden’s dramatic scene emphasized the land runs as exciting adventures. | Cynthia Prescott | https://pioneermonuments.net/search-monuments/?Artist=Leonard%20McMurry | David Prescott | ||||||||||||
138 | Claude Pomeroy | Mesa Pioneer Monument | Mesa Pioneer Monument / Pioneer Park Statue | bronze | Pioneer Park | 33.415310, -111.819606 | 33.415310 | -111.819606 | Mesa, AZ | 1988 | 1988 | Culture Wars | Group | Park | Arizona | Mormon | done | Honors early white Mormon settlers in Mesa, Arizona. It was sculpted by Claude Pomeroy to ensure the park continued to commemorate early pioneers. The artist’s grandfather is one of the First Mesa Company leaders he depicted in the bronze grouping. They hold the tools they used to establish the town: a shovel, a level, a townsite map, and a gun. Behind them, an anonymous mother tends to her young son. The basket sitting beside her evokes the female settlers’ efforts feeding and tending to their children and to the male settlers. | Cynthia Prescott | created entry. 2/19 | yes | |||||||||
139 | Orville Quick | Pioneer Woman and Child | Pioneer Woman and Child | concrete | McCone County Museum | 47.413693, -105.590447 | 47.413693 | -105.590447 | Circle, MT | 1989 | 1989 | Culture Wars | Woman | Museum | Montana | needs blurb | Pamela Pierce | Pamela Pierce | ||||||||||||
140 | Lyndon Fayne Pomeroy | Pioneer Canal Digger | Pioneer Canal Digger | steel | Pioneer Park | 44.017125, -107.956251 | 44.017125 | -107.956251 | Worland, WY | 1989 | 1989 | Culture Wars | Man | Park | Wyoming | needs blurb | Angie Urlacher | |||||||||||||
141 | Michael Westergard | With Courage They Came | With Courage They Came | bronze | Sheridan County Civic Center | 48.770327, -104.539134 | 48.770327 | -104.539134 | Plentywood, MT | 1989 | 1989 | Culture Wars | Family | Civic Center | Montana | needs blurb | Pamela Pierce | Pamela Pierce | ||||||||||||
142 | George O. Cornish | Pioneer Gratitude | Pioneer Gratitude | bronze | Hurricane Valley Heritage Park | 37.176575, -113.288822 | 37.176575 | -113.288822 | Hurricane, UT | 1989 | 1989 | Culture Wars | Family | Park | Utah | Mormon | needs blurb | https://pioneermonuments.net/wp-content/uploads/2017/01/Hurricane-1.jpg | Joy Richie | Joy Richie | ||||||||||
143 | Dee Jay Bawden | Sons of Utah Pioneers | Sons of Utah Pioneers Pioneer Monument | bronze | Founders Park | 40.920319, -111.878706 | 40.920319 | -111.878706 | Centerville City, UT | 1990 | 1990 | Culture Wars | Family | Park | Utah | Mormon | needs blurb | Cynthia Prescott | yes | |||||||||||
144 | Juan Lombardo-Rivera | Pioneer Woman | The Pioneer Woman | bronze | National Frontier Trails Museum | 39.086795, -94.419227 | 39.086795 | -94.419227 | Independence, MO | 1990 | 1990; stolen and destroyed 2013 | Heritage Tourism | Woman | Museum | Missouri | done | Installed in the courtyard of the National Frontier Trails Museum when it opened in 1990. The tribute to frontier motherhood helped to historicize the new museum. At the time, some feared that the blue patina that the Mexican artist applied to the statue was too vivid, but Independence residents soon warmed to the work. Then the statue was stolen in 2013l the theives attempted to sell it as scrap metal. The city of Independence replaced it with a new "Pioneer Woman" sculpture by local artist Charles Goslin. | Cynthia Prescott | created entry 7/24/19 with 2016 replacement | yes | ||||||||||
145 | Pat Mathiesen | Spirit of the Frontier | Spirit of the Frontier | bronze | Frontier Village shopping center, Yavapai-Prescott Reservation | 34.549235, -112.437700 | 34.549235 | -112.437700 | Prescott, AZ | 1990 | 1990-2014 | Culture Wars | Woman | Shopping Center | Arizona | done | Erected at the height of the "New Western History" on Yavapai reservation lands, this monument appears to depict indigenous and Anglo-American mothers as equals. But Mathiesen balanced inclusivity with more traditional pro-settler imagery. She paired a traditional pioneer mother and son with a Yavapai woman holding a baby. Yet the artist did not treat the two women equally. The white pioneer gazes confidently into the future, her hands resting proudly on the shoulders of her school-aged son. Like pioneer family monuments from the 1950s, the books clasped in his arm and proud expression on his face assure the viewer that the boy is preparing to lead the nation. In contrast, the indigenous mother gazes downward at her infant strapped tightly to a cradle board, suggesting the backwardness of cultural persistence. The wagon wheel standing between the Anglo and Indian figures visually ties them together, but also promises progress toward a more white and civilized future. The statue was removed a few years after the Yavapai-Prescott Indian Tribe acquired the shopping center in 2012. | https://pioneermonuments.net/wp-content/uploads/2019/04/spirit-of-frontier-missing-resized.jpg | Cynthia Prescott | created and updated entry. 2/19-3/19 | yes | |||||||||
146 | Burke Rutherford | (Pioneer Woman) | (Pioneer Woman) | bronze with patina | Pioneer Park | 44.016957, -107.956691 | 44.016957 | -107.956691 | Worland, WY | 1992 | 1992 | Culture Wars | Woman | Park | Wyoming | needs blurb | https://pioneermonuments.net/wp-content/uploads/2017/01/Worland-PM-1.jpg | Angela Harrison-Urlacher | Another casting of this statue | Angie Urlacher | ||||||||||
147 | David Manuel | The Promised Land | The Promised Land | painted bronze | Chapman Square | 45.515339, -122.677615 | 45.515339 | -122.677615 | Portland, OR | 1993 | 1993 | Culture Wars | Family | Park | Oregon | done | The Oregon Trail Coordinating Council commissioned this statue to mark the 150th anniversary of the overland trail in 1992. Outspoken Portlanders objected to the statue, arguing that it glorified white settlers’ seizure of native lands. But many smaller Pacific Northwest towns declared their desire to prominently display the controversial piece within their communities. | Cynthia Prescott | created entry 6/20/19 | yes | ||||||||||
148 | George Wayne Lundeen | Promise of the Prairie | Promise of the Prairie | bronze | Lincoln Park | 40.424413, -104.693510 | 40.424413 | -104.69351 | Greeley, CO | 1993 | 1993 | Culture Wars | Family | Park | Colorado | done | Like other pioneer family monuments, this work presents a nuclear family as a vision and hope for the future. And like other pioneer family sculptures, it features a father dressed in overalls, a mother wearing a prairie-style gown and apron, and their young son. But this work strays from other pioneer family monuments in important ways. It emphasizes the married couple rather than the child, and gives the father a greater nurturing role. Most pioneer monuments place a school-aged son in front of his parents, preparing to lead them into the future. Mothers often gaze lovingly at a baby in their arms. In this work, in contrast, the father holds a preschool-aged boy. This emphasizes the father's nurturing role alongside his leadership. Both father and mother gaze into the distance, imagining their future. Rather than gripping books to prepare for the future, the young boy plays with his father's wide-brimmed hat. The boy is barefoot, which was typical for frontier children but is rarely seen in pioneer monuments. On this young boy, it further emphasizes his innocence. | created entry 9/4/19 | no | |||||||||||
149 | George Wayne Lundeen | Promise of the Prairie | Promise of the Prairie | bronze | City Hall | 39.862317, -105.048500 | 39.862317 | -105.0485 | Westminster, CO | 1993 | 1993 | Culture Wars | Family | Colorado | done | First piece of public art purchased for Westminster, Colorado, which is now home to more than 100 pieces of public sculpture. It features a father dressed in overalls, a mother wearing a prairie-style gown and apron, and their young son. Most pioneer family monuments place a school-aged son in front of his parents, preparing to lead them into the future. Mothers often gaze lovingly at a baby in their arms. In this work, in contrast, the father holds a preschool-aged boy. Both father and mother gaze into the distance, imagining their future. Rather than gripping books to prepare for the future, the young boy plays with his father's wide-brimmed hat. The boy is barefoot, which was typical for frontier children but is rarely seen in pioneer monuments. On this young boy, it further emphasizes his innocence. | created entry 9/4/19 | yes | ||||||||||||
150 | Bill Bennett | Hopes and Dreams | Hopes and Dreams | bronze | Noble County Courthouse grounds | 36.286652, -97.286272 | 36.286652 | -97.286272 | Perry, OK | 1993 | 1993 | Culture Wars | Man and Woman | Courthouse | Oklahoma | needs better | Depicts a settler couple atop a wagon or buggy racing to claim land as part an Oklahoma land rush. | https://pioneermonuments.net/wp-content/uploads/2019/04/Perry-side-cropped.jpg | https://pioneermonuments.net/wp-content/uploads/2019/04/Perry-front-resized.jpg | David Prescott | David Prescott | |||||||||
151 | Harold T. Holden | Holding the Claim | Holding the Claim | bronze | Government Springs Park | 36.392773, -97.870809 | 36.39277 | -97.870809 | Enid, OK | 1993 | 1993 | Culture Wars | Man | Historic site | Oklahoma | needs better | Depicts a settler camped out with his horse to stake his land claim. | https://pioneermonuments.net/wp-content/uploads/2017/01/Enid-Holding-the-Claim-1.jpg | Cynthia Prescott | yes | ||||||||||
152 | Jo Saylors | This Land is Mine | This Land is Mine / Centennial Statue | bronze | City Hall | 36.703368, -97.078039 | 36.703368 | -97.078039 | Ponca City, OK | 1993 | 1993 | Culture Wars | Man | Oklahoma | done | Commemorates centennial of the Cherokee Strip Land Run. The original title of the work, "This Land is Mine," was stripped from the work in response to protest from the local Indian community. | David Prescott | included in museum site. needs improvement -- or build one on my website & point to it? | David Prescott | |||||||||||
153 | Dorothy L. Koelling | Hardship and Dreams | Hardship and Dreams | bronze | A. Price Woodard Park | 37.683634, -97.342477 | 37.683634 | -97.342477 | Wichita, KS | 1994 | 1989 design; installed 1994 | Culture Wars | Woman | Kansas | done | This sunbonneted pioneer mother carrying a Bible and satchel and leading her young son by the hand echoes Bryant Baker's famous "Pioneer Woman" for Ponca City, Oklahoma. According to the dedication plaque, it "symbolizes the hardhip and dreams of early Wichita pioneers." It was given in memory of Eva M. and Will G. Price to recognize "their devotion and inspiration to the cultural and business life of Wichita." The statue stands in front of the civic center on the city's redeveloped riverfront, near statues of a Native American man holding a peace pipe, Lebanese immigrant Farris George Jabara, and a group of children at play representing America's future. | Cynthia Prescott | created entry 8/15/19 | yes | |||||||||||
154 | Bernadette Hess Carman | Land of Hope | Land of Hope | bronze | County Courthouse grounds | 36.881096, -97.053948 | 36.881096 | -97.053948 | Newkirk, OK | 1994 | 1994 | Culture Wars | Man and Woman | Courthouse | Oklahoma | needs blurb | https://pioneermonuments.net/wp-content/uploads/2019/04/land-of-hope-detail-cropped.jpg | https://pioneermonuments.net/wp-content/uploads/2019/04/land-of-hope-resized.jpg | David Prescott | David Prescott | ||||||||||
155 | Scott Stearman | Harvest Prayer | Harvest Prayer | bronze | MidAmerica Nazarene College campus | 38.874243, -94.781752 | 38.874243 | -94.781752 | Olathe, KS | 1994 | 1994 | Culture Wars | Family | Campus | Kansas | done | Statue of pioneer family marks the junction of the Santa Fe and Oregon Trails. It depicts a man in frontier clothing kneeling in prayer. He holds a Bible in one hand, and his other hand rests on a walking plow. His wife stands beside him with her head bowed in prayer. She cradles their young son in one arm and rests the other hand on her husband's shoulder. This statue became a centerpoint of MidAmerica Nazarene University when erected in the campus Prayer Circle in 1994. | https://pioneermonuments.net/harvest-prayer-2mp/ | https://pioneermonuments.net/harvest-prayer-plaque-2mp/ | Cynthia Prescott | created entry 7/24/19 | yes | ||||||||
156 | Burke Rutherford | (Pioneer Woman) | (Pioneer Woman) | bronze with patina | New Mexico Highlands University | 35.595649, -105.219289 | 35.595649 | -105.219289 | Las Vegas, NM | 1995 | 1995 | Culture Wars | Woman | Campus | New Mexico | needs blurb | Another casting of this statue | no | ||||||||||||
157 | Clifford J. Carlson | Promise of America | The Promise of America (Norwegian-American Immigrant Family Monument) | bronze | N. 3rd Ave. E. near Hwy 971 | 43.422450, -93.515367 | 43.422450 | -93.515367 | Lake Mills, IA | 1995 | 1995 | Heritage Tourism | Family | Iowa | needs blurb | https://pioneermonuments.net/wp-content/uploads/2016/12/Lake-Mills-Norwegian-1.jpg | Cynthia Prescott | yes | ||||||||||||
158 | Mike Cunningham | Walking to Texas | Walking to Texas | limestone | Liberty Plaza Park | 32.939360, -97.078103 | 32.93936 | -97.078105 | Grapevine, TX | 1996 | 1996 | Heritage Tourism | Man and Woman | Texas | needs blurb | https://pioneermonuments.net/wp-content/uploads/2019/04/Grapevine-cropped.jpg | https://pioneermonuments.net/wp-content/uploads/2019/04/Grapevine-closeup-resized.jpg | Anna Prescott | Anna Prescott | |||||||||||
159 | Franz and Nathan Johansen | Handcart Pioneer | (Handcart Pioneer Monument) | bronze | Mormon Trail Center at Winter Quarters | 41.335337, -95.965064 | 41.335337 | -95.965064 | Florence, NE | 1997 | 1997 | Heritage Tourism | Family | Museum | Nebraska | Mormon | needs blurb | https://pioneermonuments.net/wp-content/uploads/2016/12/WQ-handcart-1.jpg | Cynthia Prescott | yes | ||||||||||
160 | Veryl Goodnight | No Turning Back | No Turning Back | bronze | Cheyenne Frontier Days Old West Museum | 41.157503, -104.833810 | 41.157503 | -104.833812 | Cheyenne, WY | 1997 | 1997 | Heritage Tourism | Woman | Museum | Wyoming | done | Depicts a woman in calico dress standing in front of wagon wheel. Emphasizes frontier women's persistence. According to the artist, "[t]he only certainty on the trail west was once you began, there was 'no turning back'" (Veryl Goodnight, No Turning Back: The Art of Veryl Goodnight, 2011, 102). | Another casting of this statue in St. Joseph, Missouri | no | Other castings in Lincoln, NE, and courtyard of the Hirshfield-Moore House, corner West 9th and Lavaca sts, Austin. | ||||||||||
161 | Linda Sioux Henley | Texas Pioneer Woman | Texas Pioneer Woman | bronze | Capitol lawn | 30.275600, -97.740549 | 30.275600 | -97.740549 | Austin, TX | 1998 | 1998 | Culture Wars | Woman | Capitol | Texas | needs blurb | Cynthia Prescott | yes | ||||||||||||
162 | Jay O'Meilia | Frontier Woman | Frontier Woman | bronze | Gilcrease Museum | 36.173942, -96.020629 | 36.173942 | -96.020629 | Tulsa, OK | 1998 | 1998 | Heritage Tourism | Woman | Art museum | Oklahoma | needs blurb | no | |||||||||||||
163 | Tom Otterness | Gold Rush | Gold Rush | bronze | Robert T. Matsui U.S. Courthouse | 38.583355, -121.499305 | 38.583355 | -121.499305 | Sacramento, CA | 1999 | 1999 | Heritage Tourism | Family | Courthouse | California | needs blurb | Aimee Duchsherer | Aimee Duchsherer | ||||||||||||
164 | Stanley J. Watts | Journey's End | Journey's End / Mormon Trail Monument / Handcart Monument | bronze | This is the Place Park | 40.752574, -111.816556 | 40.752574 | -111.816556 | Salt Lake City, UT | 1999 | 1999 | Heritage Tourism | Family | Historic site / museum | Utah | Mormon | needs blurb | Cynthia Prescott | yes | |||||||||||
165 | D'Leanne Trueblood | Pioneer Classroom | Pioneer Classroom | bronze | Legacy Trail Park | 35.220471, -97.443104 | 35.220471 | -97.443104 | Norman, OK | 1999 | 1999 | Culture Wars | Woman | Oklahoma | needs blurb | no | ||||||||||||||
166 | Veryl Goodnight | No Turning Back | No Turning Back | bronze | City Hall | 39.768945, -94.846628 | 39.768945 | -94.846628 | St. Joseph, MO | 1999 | 1999 | Heritage Tourism | Woman | City hall | Missouri | done | Depicts a woman in calico dress standing in front of wagon wheel. Emphasizes frontier women's persistence. Accompanied by the text of a poem by the same title written by the sculptor. The final lines of the poem about young women on the trails westard declare, "There was absolutely/No Turning Back." A 1940 Pony Express Monument stands on the other side of City Hall. | https://pioneermonuments.net/no-turning-back-resized/ | https://pioneermonuments.net/no-turning-back-fountain-resized/ | Cynthia Prescott | created entry 7/30/19 | yes | Other castings in Lincoln, NE, and courtyard of the Hirshfield-Moore House, corner West 9th and Lavaca sts, Austin. | |||||||
167 | Jim Thomas | The Crossing | The Crossing | bronze | Chisholm Trail Crossing Park | 30.511995, -97.689545 | 30.511995 | -97.689545 | Round Rock, TX | 2000 | 2000 | Heritage Tourism | Group | Historic site | Texas | needs blurb | https://pioneermonuments.net/wp-content/uploads/2017/01/Round-Rock-cow-swedish-1.jpg | Cynthia Prescott | yes | |||||||||||
168 | Stanley J. Watts | Handcart Pioneers | Handcart Pioneers | bronze | Coralville Marriott | 41.681759, -91.559271 | 41.681759 | -91.559271 | Coralville, IA | 2000 | circa 2000 | Heritage Tourism | Family | Iowa | Mormon | needs better | Copy after Torleif Knaphus Handcart Pioneer Monument | https://pioneermonuments.net/wp-content/uploads/2016/12/marriott-handcart-1.jpg | Cynthia Prescott | yes | ||||||||||
169 | Kwan Wu | Children of the Trails | Children of the Trails | bronze | Johnson County Courthouse grounds | 38.882030, -94.820076 | 38.88203 | -94.820076 | Olathe, KS | 2000 | 2000 | Heritage Tourism | Other | Courthouse | Kansas | done | This bronze sculpture is dedicated to all of the children whose lives were lost due to the harsh conditions on the overland journeys westward. It was sculpted by Kansas City artist Kwan Wu. A pioneer boy, a girl and their dog run through an arch. A rainbow floats above them and doves fly overhead. Rocks in the fountain beneath them represent the streams that children crossed on the overland trail. Sculptor Kwan Wu was born and trained in China, but since immigrating to the United States and settling in the Kansas City area he has sculpted two major works depicting the western trails for Olathe, Kansas. The other is "Going West on the Old Santa Fe Trail." | https://pioneermonuments.net/olathe-kids-front-view-2mp/ | https://pioneermonuments.net/olathe-kids-plaque-2mp/ | Cynthia Prescott | created entry 7/24/19 | yes | ||||||||
170 | Trygve A. Rovelstad | Pioneer Family | Pioneer Family Memorial | bronze | Kimball St. Bridge | 42.041485, -88.288739 | 42.041485 | -88.288739 | Elgin, IL | 2001 | designed 1935; erected 2001 | Heritage Tourism | Family | Illinois | done | Commissioned in 1935 to celebrate Elgin, Illinois' centennial, but fundraising efforts stalled during the Great Depression. The city later decided to erect a log cabin replica instead. The artist struggled throughout his lifetime to raise funds for a heroic-sized bronze casting. He completed the design with the assistance of his daughter, Annie Rovelstad-Lucky, in 1985. It was cast and erected after the artist's death as part of Elgin's riverfront redevelopment in 2001. | Cynthia Prescott | yes | ||||||||||||
171 | Jerry Anderson | Pioneer Mother Monument | Pioneer Mother Monument | bronze | Historic Relief Society Hall | 37.130033, -113.513413 | 37.130033 | -113.513413 | Washington, UT | 2001 | 2001 | Heritage Tourism | Woman | Historic site | Utah | Mormon | needs blurb | Joy Richie | Joy Richie | |||||||||||
172 | Mischell Riley | Stella at the Spring | Stella at the Spring | bronze | Roger T. Sermon Community Center | 39.092670, -94.411288 | 39.09267 | -94.411288 | Independence, MO | 2001 | 2001 | Heritage Tourism | Woman | Missouri | done | A young pioneer woman carrying a bucket gazes off in the distance toward a companion piece, Mischell Riley's A Young Native American. | https://pioneermonuments.net/wp-content/uploads/2019/08/Stella-2mp-e1566836154457.jpg | https://pioneermonuments.net/wp-content/uploads/2019/08/Young-Native-American.jpg | Cynthia Prescott | created entry 7/24/19 | yes | |||||||||
173 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Oregon Trail Historic Reserve Park | 43.542328, -116.109525 | 43.542328 | -116.109525 | Boise, ID | 2002 | 1924; erected 2002 | Heritage Tourism | Man and Woman | Historic site | Idaho | done | Avard Tennyson Fairbanks sculpted the Old Oregon Trail medallion in 1924 while teaching art at the University of Oregon. It depicts the hardships that the artist's ancestors and nearly 500,000 others experienced while traveling westward on the overland trail by covered wagon in the mid-19th century. One 1852 migrant, Ezra Meeker, traveled back eastward along the trail in 1906 to seek the preservation of the Oregon Trail route. His efforts inspired Avard Fairbanks to sculpt this 36-inch bronze medallion. The medallion depicts a man driving the team of oxen that pull the covered wagon over rocky terrain. His wife rides inside the wagon, holding their infant child. Fairbanks' depiction of the trail experience was shaped as much by popular culture at the time of its sculpting as by historical reality. In fact, women and children typically walked along beside the wagons to spare their teams, particularly on rough terrain. Fairbanks' depiction of trail life appears to have been influenced by W.H.D. Koerner's famous 1921 illustration Madonna of the Prairie. Koerner’s illustration was used as the cover image for Emerson Hough’s popular novel The Covered Wagon. Koerner’s instantly popular illustration portrayed the beautiful young heroine seated on a wagon box with the opening of the wagon cover forming a halo around her face. Koerner’s illustrations inspired the costuming for a silent film adaptation of Hough’s novel, which became the first western “epic” film. In the year before The Covered Wagon movie was released, only fifty identifiable western films had been made; in the year following its release, 150 westerns were made – and the industry maintained that level of production until it was eclipsed by television in the 1950s. Adaptations of Koerner’s covered wagon imagery pervaded the massive advertising for the movie. This gave Madonna of the Prairie a significant role in shaping public perceptions of settler women. It also appears to have shaped Avard Fairbanks’ conception of pioneer women in this medallion and in other pioneer monuments that he sculpted over the next 50 years. Fairbanks’ Old Oregon Trail design was originally cast in bronze for Seaside and Baker City, Oregon. He reproduced the scene, renamed The Pioneer Mothers, for installation on the reverse of his 1928 Pioneer Mother statue for Vancouver, Washington. In more recent years, Old Oregon Trail has been recast for Oregon Trail jumping-off point Independence, Missouri, and to mark trail ruts at this location in Boise, Idaho. This casting of Old Oregon Trail was donated by the artist’s grandson, Jeff Fairbanks, and his wife Diane, both residents of the Boise area. It was dedicated April 24, 2002. The artist's descendants also helped erect another casting of the medallion in West Boise in 2008. | blue | W.H.D. Koerner, Madonna of the Prairie | created entry 6/20/19 | no | |||||||||
174 | David Alan Clark | Spirit of the Prairie | Spirit of the Prairie | bronze | Town Square | 42.025775, -88.082205 | 42.025775 | -88.082205 | Schaumburg, IL | 2002 | 2002 | Heritage Tourism | Man and Woman | Shopping center | Illinois | needs blurb | Cynthia Prescott | yes | ||||||||||||
175 | David Nunneley | Pioneer Family | (Pioneer Family) | bronze? | Centennial Park | 36.052259, -95.791194 | 36.052259 | -95.791194 | Broken Arrow, OK | 2002 | 2002 | Heritage Tourism | Family | Oklahoma | done | Like other postwar pioneer family monuments, this statue features a young boy standing in front of his parents, prepared to lead them into the future. The Centennial Commemorative Statue Committee selected the piece because it “combined all the things that have made Broken Arrow a booming community—family, tradition, farming, heritage and hard work,” and even included a nod to the area’s Native American heritage. But wedding a meek Indian maiden to a strong white farmer gives an illusion of equality, while actually depicting the white takeover of Native lands and cultures. The large book that the Native woman carries suggests her embrace of the twin blessings of Euro-American education and Christianity carried West by white pioneer women. Yet her knee-length fringed buckskin dress and moccasins and the two braids hanging down below her shoulders mark the limits of her assimilation. In contrast, her husband’s cowboy boots and hat demonstrate his hardy white masculinity. Rather than embracing one another in marital unity, they stand apart, their arms crossing behind the boy as each separately guides their young son forward. The ripe peaches in the father’s bucket and the robust rooster in the boy’s arms symbolize local white agricultural industries. | no | |||||||||||||
176 | Reynaldo Rivera with Richard Botkovetz | Journey's End | Journey's End / End of the Santa Fe Trail | bronze | entrance to Museum Hill | 35.668253, -105.925234 | 35.668253 | -105.925234 | Santa Fe, NM | 2002 | 2002 | Heritage Tourism | Other | New Mexico | done | 56-foot-long bronze monument depicts an outrider, mule skinner and lead wagon in Santa Fe Trail caravan. Men, women, children--including a Pueblo woman and Hispanic boy--and their pets greet the caravan. Funded by Scenic Byway grant to preserve Santa Fe Trail, City of Santa Fe 1% for the Public Art fund and Capital Improvements program; the Museum of New Mexico provided land near trail ruts. | no | |||||||||||||
177 | Blair Buswell and Edward Fraughton | Pioneer Courage | Pioneer Courage | bronze | Pioneer Courage Park | 41.260879, -95.935205 | 41.260879 | -95.935205 | Omaha, NE | 2003 | 2003 | Heritage Tourism | Group | Nebraska | needs blurb | https://pioneermonuments.net/wp-content/uploads/2016/12/pioneer-courage-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/pioneer-courage-2.jpg | Cynthia Prescott | yes | |||||||||||
178 | Tom Otterness | Large Covered Wagon | Large Covered Wagon | bronze | Joslyn Art Museum | 41.260399, -95.944953 | 41.260399 | -95.944953 | Omaha, NE | 2004 | 2004 | Heritage Tourism | Family | Art museum | Nebraska | needs blurb | https://pioneermonuments.net/wp-content/uploads/2016/12/Otterness-wagon-2.jpg | Cynthia Prescott | yes | |||||||||||
179 | Patrick Oliphant | Angelina Eberly | Angelina Eberly | bronze | downtown | 30.268068,-97.742813 | 30.268068 | -97.742813 | Austin, TX | 2004 | 2004 | Heritage Tourism | Woman | Texas | done | Innkeeper Angelina Eberly is credited with saving the Texas capital at Austin. In 1842 alerted citizen vigilantes about a group of Texas Rangers' efforts to move the state archives, which many feared would lead to relocating the republic's capital. Her warning cannon shot blew a hole in the wall of the General Land Office. This monument celebrates her contribution, but its comedic style also mocks the damage she wreaked during the so-called Archive War. | Cynthia Prescott | yes | ||||||||||||
180 | Veryl Goodnight | No Turning Back | No Turning Back | bronze | downtown 12th street arts corridor | 40.815806, -96.704229 | 40.815806 | -96.704229 | Lincoln, NE | 2004 | sculpted 1993; installed 2004 | Heritage Tourism | Woman | Nebraska | done | Sculpture of woman in calico dress standing in front of wagon wheel. Title and image emphasize frontier women's persistence. Installed in downtown Lincoln's 12th Street Arts Corridor with other works depicting US westward migration. Donated by Bill and Sandra Condon of Sterling, Colorado. | Another casting of this statue in St. Joseph, Missouri | |||||||||||||
181 | Chris L. Waddell | Pioneer Family | Pioneer Family | bronze | Herriman City Cemetery | 40.524193, -112.034230 | 40.52419 | -112.034232 | Herriman, UT | 2005 | 2005 | Heritage Tourism | Family | Cemetery | Utah | needs blurb | Another casting of this statue in Springville, Utah | no | ||||||||||||
182 | Harriet Lee | Follow the Setting Sun | Follow the Setting Sun | stainless steel | Pioneer Museum grounds | 38.830390, -104.822543 | 38.830390 | -104.822543 | Colorado Springs, CO | 2005 | 2005 | Heritage Tourism | Other | Museum | Colorado | done | In 1997, local civic groups persuaded the El Paso County Pioneers Association to abandon their plans to commission "a rather traditional piece, featuring a family portrayed next to a prairie schooner" cast from concrete. Local residents compromised on a local artist's design featuring a sixteen-foot-tall stainless steel pyramid imprinted with a series of images telling the history of the Pike's Peak region. Artist Harriet Lee explained, "I wanted to capture the pioneer spirit, but I wanted a more contemporary piece as opposed to a Conestoga wagon." Engravings on the pyramid include images of indigenous peoples, the Air Force Academy, and cell phones, but the primary focus is on white frontier stories, in keeping with the Pioneers Museum's focus. | Cynthia Prescott | added to CSPM entry 9.4.19 | yes | ||||||||||
183 | David Frech | Pioneer Woman and Child | Pioneer Woman and Child | bronze | Lovett Memorial Library | 35.5376406,-100.9586196 | 35.5376406 | -100.9586196 | Pampa, TX | 2005 | 2005 | Culture Wars | Woman | Library | Texas | needs blurb | Anna Prescott | Anna Prescott | ||||||||||||
184 | Chris L. Waddell | Pioneer Family | Pioneer Family | bronze | City Park | 40.166495, -111.610879 | 40.166495 | -111.610879 | Springville, UT | 2006 | 2006 | Heritage Tourism | Family | Park | Utah | Mormon | needs blurb | Cynthia Prescott | yes | |||||||||||
185 | Tom Otterness | Large Covered Wagon | Large Covered Wagon | bronze | Pioneer Park | 46.066264, -118.316816 | 46.066264 | -118.316816 | Walla Walla, WA | 2006 | 2006 | Heritage Tourism | Family | Park | Washington | needs blurb | no | |||||||||||||
186 | Charles Goslin | Dick Williams, Wagon Master | Dick Williams, Wagon Master | concrete and bronze | Pioneer Crossing Park | 39.014411, -94.706410 | 39.014411 | -94.70641 | Shawnee, KS | 2006 | 2006 | Heritage Tourism | Man | Kansas | done | A limestone and bronze portrait of wagon master Richard “Dick” Williams. Williams first came to Johnson County in the 1850s as a government surveyor. He then worked as a “wagonmaster” escorting wagon trains from Kansas City to Santa Fe, New Mexico, and other destinations in the western United States. This sculpture accompanies a life-sized depiction of a wagon train by the same artist. | Cynthia Prescott | included in Pioneer Crossing Park entry | yes | |||||||||||
187 | Charles Goslin | Pioneer Crossing | (Pioneer Crossing) | brick and bronze with patina | Pioneer Crossing Park | 39.014411, -94.706410 | 39.014411 | -94.70641 | Shawnee, KS | 2006 | 2006 | Heritage Tourism | Group | Kansas | done | This park was created as a sesquicentennial project for the town of Shawnee in 2006. It commemorates Shawnee’s place on the mid-19th-century Santa Fe, Oregon, and California wagon trails and Fort Leavenworth Military Road. It features two sculptures by local artist Charles Goslin depicting that history. Goslin’s original wagon train sculpture was reproduced in life size for this park. Most of the work is a stone relief of covered wagons driven by men and boys. At the front is a freestanding bronze oxen team. A bronze pioneer mother accompanies the relief. Near the wagon train installation stands a limestone and bronze portrait of wagon master Richard “Dick” Williams, who worked on the Santa Fe Trail. Some Shawnee residents questioned spending close to $1 million on the 2.2 acre park and stone and bronze sculptures. The park is a narrow wedge of land in a commercial district that was once a used car lot. | Cynthia Prescott | created entry 7/23/19 as Pioneer Crossing Park | yes | |||||||||||
188 | Harold T. Holden | The Homesteaders | The Homesteaders | bronze | Cherokee Strip Regional Heritage Center | 36.391076, -97.873226 | 36.391076 | -97.873226 | Enid, OK | 2007 | 2007 | Heritage Tourism | Family | Museum | Oklahoma | needs blurb | https://pioneermonuments.net/wp-content/uploads/2017/01/Enid-Homesteaders-1.jpg | Cynthia Prescott | yes | |||||||||||
189 | Jim Dodson? | Oklahoma Centennial | Oklahoma Centennial | Pioneer Park | 36.709416, -97.078080 | 36.709416 | -97.07808 | Ponca City, OK | 2007 | 2007 | New Directions | Other | Park | Oklahoma | needs blurb | https://pioneermonuments.net/wp-content/uploads/2019/08/Oklahoma-Centennial.jpg | David Prescott | David Prescott | ||||||||||||
190 | Jim Dodson? | Oklahoma Centennial | Oklahoma Centennial | Eastman National Bank | 36.88223333, -97.05341667 | 36.88223333 | -97.05341667 | Newkirk, OK | 2007 | 2007 | New Directions | Other | Bank | Oklahoma | needs blurb | David Prescott | ||||||||||||||
191 | Paul Moore | Brand New State | Brand New State / Centennial Land Run Monument | bronze | Bricktown Canal | 35.461063, -97.505173 | 35.461063 | -97.505173 | Oklahoma City, OK | 2007 | 2007 | Heritage Tourism | Group | Oklahoma | needs blurb | https://pioneermonuments.net/wp-content/uploads/2019/04/Brand-New-State-front-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/04/Brand-New-State-rear-resized.jpg | Anna Prescott | David Prescott | |||||||||||
192 | Calvin L. Graybill | Pioneer Man and Woman | (Pioneer Man and Woman) | granite | Courthouse Square Park | 36.803953, -98.664732 | 36.803953 | -98.664732 | Alva, OK | 2007 | 2007 | Heritage Tourism | Man and Woman | Courthouse | Oklahoma | needs blurb | David Prescott??? | |||||||||||||
193 | Robert Summers | Barnards of the Brazos | Barnards of the Brazos -- First Family of Glen Rose | bronze | Historic Courthouse Square | 32.234934, -97.755582 | 32.234934 | -97.755582 | Glen Rose, TX | 2007 | 2007 | New Directions | Man and Woman | Courthouse | Texas | done | An interpretive plaque for this 2007 monument to Glen Rose's founding couple by local artist Robert Summers explains that Charles Barnard, a white New Englander came to the Republic of Texas in 1843 to establish American Indian trading posts. Barnard ransomed and then fell in love with Juana Cavasos, the daughter of a wealthy family, rescuing her from the Comanches who held her captive. That “spirited, intelligent young captive … proved to be … an outstanding mother, horsewoman, herbal doctor, and neighborhood midife.” The monument attempts to tell inclusive local history and celebrate strong women. Yet the story of Glen Rose’s “first family” actually serves to reinforce traditional racial and gender narratives: A white settler came to profit off local Indians. In the absence of Anglo-American women, he “bartered successfully” for and married the Mexican-born daughter of a large “Spanish” landholder, simultaneously saving her from barbarous Indian captivity--and gained access to a large Mexican land grant on which his African-American slaves labored. | https://pioneermonuments.net/wp-content/uploads/2019/04/Glen-Rose-resized.jpg | Anna Prescott | Anna Prescott | ||||||||||
194 | Mary Lou Gresham | Leaping into History | Leaping into History | bronze | Festival Market Place Plaza | 35.654069, -97.482691 | 35.654069 | -97.482691 | Edmond, OK | 2007 | 2007 | New Directions | Woman | Oklahoma | needs blurb | no | ||||||||||||||
195 | Richard Becker | Pioneers | The Pioneers | bronze | Old Poway Park | 32.970100, -117.036883 | 32.970100 | -117.036883 | Poway, CA | 2007 | 2007 | Heritage Tourism | Woman | Museum | California | needs blurb | no | |||||||||||||
196 | Kwan Wu | Old Santa Fe Trail | Going West on the Old Santa Fe Trail / Two Trails | bronze | Mahaffie Stagecoach Stop and Farm | 38.892670, -94.797945 | 38.89267 | -94.797945 | Olathe, KS | 2008 | 2008 | New Directions | Group | Museum | Kansas | done | To mark its 150th anniversary, the town of Olathe constructed a 10,000-square-foot Heritage Center to accompany the Mahaffie Stagecoach Stop and Farm historic site. It also erected this 60-foot-long bronze stagecoach relief by local artist Kwan Wu.It features full scale bronze relief of stagecoach and passengers against a concrete backdrop. Stand-alone figures of horses, a woman and young boy emerge from the relief. Sculptor Kwan Wu was born and trained in China, but immigrated to the United States in 1988. Wu’s stagecoach scene is far more diverse than most pioneer monuments. It reflects the ethnic diversity of the 19th-century American West. Wu relied on historic photographs and photos of reproduction clothing and a stagecoach as he sculpted the scene. Fifteen characters represent men, women, and children of different ethnicities traveling on the stagecoach. A Latino man and African-American couple sit on the roof of the crowded stagecoach. A Native American woman and her dog wave farewell to the travelers while birds fly overhead. The sculpture was funded by private donations to mark Olathe’s 150th anniversary. It was dedicated August 14, 2008. | https://pioneermonuments.net/wp-content/uploads/2016/12/Olathe-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Olathe-2.jpg | Cynthia Prescott | created entry 7/23/19 | yes | ||||||||
197 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | commercial district near Staples | 43.662800, -116.354950 | 43.662800 | -116.354950 | Boise, ID | 2008 | 1924; erected 2008 | Heritage Tourism | Man and Woman | Historic site | Idaho | done | Avard Tennyson Fairbanks sculpted the Old Oregon Trail medallion in 1924 while teaching art at the University of Oregon. It depicts the hardships that the artist's ancestors and nearly 500,000 others experienced while traveling westward on the overland trail by covered wagon in the mid-19th century. One 1852 migrant, Ezra Meeker, traveled back eastward along the trail in 1906 to seek the preservation of the Oregon Trail route. His efforts inspired Avard Fairbanks to sculpt this 36-inch bronze medallion. The medallion depicts a man driving the team of oxen that pull the covered wagon over rocky terrain. His wife rides inside the wagon, holding their infant child. Fairbanks' depiction of the trail experience was shaped as much by popular culture at the time of its sculpting as by historical reality. In fact, women and children typically walked along beside the wagons to spare their teams, particularly on rough terrain. Fairbanks' depiction of trail life appears to have been influenced by W.H.D. Koerner's famous 1921 illustration Madonna of the Prairie. Koerner’s illustration was used as the cover image for Emerson Hough’s popular novel The Covered Wagon. Koerner’s instantly popular illustration portrayed the beautiful young heroine seated on a wagon box with the opening of the wagon cover forming a halo around her face. Koerner’s illustrations inspired the costuming for a silent film adaptation of Hough’s novel, which became the first western “epic” film. In the year before The Covered Wagon movie was released, only fifty identifiable western films had been made; in the year following its release, 150 westerns were made – and the industry maintained that level of production until it was eclipsed by television in the 1950s. Adaptations of Koerner’s covered wagon imagery pervaded the massive advertising for the movie. This gave Madonna of the Prairie a significant role in shaping public perceptions of settler women. It also appears to have shaped Avard Fairbanks’ conception of pioneer women in this medallion and in other pioneer monuments that he sculpted over the next 50 years. Fairbanks’ Old Oregon Trail design was originally cast in bronze for Seaside and Baker City, Oregon. He reproduced the scene, renamed The Pioneer Mothers, for installation on the reverse of his 1928 Pioneer Mother statue for Vancouver, Washington. In more recent years, Old Oregon Trail has been recast for Oregon Trail jumping-off point Independence, Missouri, and two locations in Boise, Idaho. This casting of Old Oregon Trail was erected by the artist’s descendants in cooperation with Staples, the Idaho and Northwest chapters of the Oregon-California Trails Association, and E Clampus Vitus, Snake River Outpost No. 1811 of Lucinda J. Saunders Chapter No. 1881. It was dedicated August 5, 2008. | blue | W.H.D. Koerner, Madonna of the Prairie | created entry 6/20/19 | no | |||||||||
198 | Jim Hauser | Germans from Russia | Germans from Russia | bronze | Esplanade Arts & Heritage Centre | 50.040067, -110.680450 | 50.040067 | -110.680450 | Medicine Hat, AB | 2011 | 2011 | New Directions | Man and Woman | Museum | Alberta | needs blurb | no | |||||||||||||
199 | Ron Adamson | Pioneer Woman | Pioneer Woman | bronze | Everit L. Sliter Memorial Park | 48.064056, -114.078289 | 48.064056 | -114.078289 | Bigfork, MT | 2011 | 2011 | Heritage Tourism | Woman | Park | Montana | needs blurb | Thor Skjelver | |||||||||||||
200 | Veryl Goodnight | A New Beginning | A New Beginning | bronze | Cheyene Depot Museum | 41.131829, -104.814684 | 41.131829 | -104.814684 | Cheyenne, WY | 2011 | 2011 | Heritage Tourism | Woman | Museum | Wyoming | done | Wyoming Territory granted women the right to vote in 1869, and confirmed that right on statehood in 1890. "A New Beginning" celebrates western womens empowerment in the 1890s. Cheyenne, Wyoming, purchased the first monumental sized casting of this sculpture to celebrate the state's 1890 entrance into the Union as the first woman suffrage state. | https://www.loc.gov/item/2015632904/ | no | |||||||||||
201 | Veryl Goodnight | A New Beginning | A New Beginning | bronze | History Colorado Center | 39.735354, -104.986828 | 39.735354 | -104.986828 | Denver, CO | 2012 | 2012 | Heritage Tourism | Woman | Museum | Colorado | done | Colorado became the first state in the Union to give women the right to vote in a popular election in 1893. "A New Beginning" represents western women's empowerment women in the 1890s. | https://www.loc.gov/item/2015632904/ | yes | |||||||||||
202 | Debbie Gessner | Not-So-Gentle Tamer | Not-So-Gentle Tamer | bronze | Prescott Valley Civic Center plaza | 34.594732, -112.333754 | 34.594732 | -112.333754 | Prescott Valley, AZ | 2013 | 2013 | New Directions | Woman | Civic center | Arizona | done | Based on the painting by Bob Boze Bell, this monument was created to celebrate Arizona's centennial. According to Bell, pioneer women tamed the West and the men of Arizona. Those working to erect this monument in 2013 ignored the more culturally inclusive monument at a nearby shopping center. | Cynthia Prescott | Pat Mathiesen, Spirit of the Frontier | yes | ||||||||||
203 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Historic Truman Courthouse | 39.092400, -94.416393 | 39.092400 | -94.416393 | Independence, MO | 2016 | 1924; erected 2016 | Heritage Tourism | Man and Woman | Courthouse | Missouri | done | Avard Tennyson Fairbanks sculpted the Old Oregon Trail medallion in 1924 while teaching art at the University of Oregon. It depicts the hardships that the artist's ancestors and nearly 500,000 others experienced while traveling westward on the overland trail by covered wagon in the mid-19th century. One 1852 migrant, Ezra Meeker, traveled back eastward along the trail in 1906 to seek the preservation of the Oregon Trail route. His efforts inspired Avard Fairbanks to sculpt this 36-inch bronze medallion. The medallion depicts a man driving the team of oxen that pull the covered wagon over rocky terrain. His wife rides inside the wagon, holding their infant child. Fairbanks' depiction of the trail experience was shaped as much by popular culture at the time of its sculpting as by historical reality. In fact, women and children typically walked along beside the wagons to spare their teams, particularly on rough terrain. Fairbanks' depiction of trail life appears to have been influenced by W.H.D. Koerner's famous 1921 illustration Madonna of the Prairie. Koerner’s illustration was used as the cover image for Emerson Hough’s popular novel The Covered Wagon. Koerner’s instantly popular illustration portrayed the beautiful young heroine seated on a wagon box with the opening of the wagon cover forming a halo around her face. Koerner’s illustrations inspired the costuming for a silent film adaptation of Hough’s novel, which became the first western “epic” film. In the year before The Covered Wagon movie was released, only fifty identifiable western films had been made; in the year following its release, 150 westerns were made – and the industry maintained that level of production until it was eclipsed by television in the 1950s. Adaptations of Koerner’s covered wagon imagery pervaded the massive advertising for the movie. This gave Madonna of the Prairie a significant role in shaping public perceptions of settler women. It also appears to have shaped Avard Fairbanks’ conception of pioneer women in this medallion and in other pioneer monuments that he sculpted over the next 50 years. Fairbanks’ Old Oregon Trail design was originally cast in bronze for Seaside and Baker City, Oregon. He reproduced the scene, renamed The Pioneer Mothers, for installation on the reverse of his 1928 Pioneer Mother statue for Vancouver, Washington. In more recent years, Old Oregon Trail has been recast for Oregon Trail jumping-off point Independence, Missouri, and two locations in Boise, Idaho. The artist’s son, David Fairbanks, donated this casting of the medallion to the Independence-based Oregon-California Trails Association (OCTA). Two decades later, the OCTA and Jackson County, Missouri, installed the medallion onto an existing 1948 Oregon Trail marker on the lawn of the Historic Truman Courthouse on June 7, 2016. The dedication ceremony also honored the 100th anniversary of the National Park Service. | blue | https://pioneermonuments.net/wp-content/uploads/2019/08/1948-marker-ATF-Old-Ore-Trail-added-2mp-e1566834898465.jpg | Cynthia Prescott | W.H.D. Koerner, Madonna of the Prairie | created entry 6/20/19 | yes | |||||||
204 | Charles Goslin | Pioneer Woman | (Pioneer Woman) | bronze | National Frontier Trails Museum | 39.087203, -94.419486 | 39.087203 | -94.419486 | Independence, MO | 2016 | 2016 | Heritage Tourism | Woman | Museum | Missouri | done | Chosen to replace Juan Lombardo-Rivera's "Pioneer Woman" bronze, which was stolen and destroyed in 2013. This version lacks the blue patina that appeared on Lombardo-Rivera's "Pioneer Woman" and that Goslin used for a similar pioneer woman sculpture in nearby Shawnee, Kansas. | https://pioneermonuments.net/wp-content/uploads/2019/08/New-PM-Natl-Frontier-Trails-Museum-2mp-e1566835275389.jpg | Cynthia Prescott | created entry 7/24/19 with original 1990 statue | David Prescott | |||||||||
205 | Allen G. Newman | Pioneer Mike | Pioneer Mike / Carter Memorial Fountain / Iron Mike | bronze | Ashland Plaza | 42.197268, -122.715363 | 42.197268 | -122.715363 | Ashland, OR | 2016 | 2016 | Heritage Tourism | Man | Oregon | needs better blurb | Bronze recasting of the 1910 zinc monument damaged by vandalism. | included in earlier Pioneer Mike entry | no | ||||||||||||
206 | George W. Lundeen | Harvest Dreams | Harvest Dreams | bronze | Nebraska Prairie Museum | 40.462263, -99.379275 | 40.462263 | -99.379275 | Holdredge, NE | 2016 | 2016 | Heritage Tourism | Family | Museum | Nebraska | needs better blurb | Erected by Citizens for Bronze Art. | no? | ||||||||||||
207 | Kwan Wu | Chouteau & Native American Heritage | Francois Chouteau & Native American Heritage Fountain | bronze | Chouteau Greenway | 39.165186, -94.532759 | 39.165186 | -94.532759 | Kansas City, MO | 2021 | 2021 | New Directions | Group | done | Erected to mark the Missouri Bicentennial. Depicts French fur trader Francois Chouteau and the Native peoples with whom he established a trading post at what would become Kansas City. Chouteau, dressed in a top hat, long coat, and trousers, raises a cane in his proper left hand. He faces an Osage man dressed in robes and a bear claw necklace. Both men raise their rear hands, suggesting that they are negotiating trade terms. They stand on a large boulder. A Kansa hunter stands over his prey at ground level nearby. And Osage woman stood behind the male Osage trader in summer 2021. That sculpture was stolen, disassembled, and sold for scrap soon after its installation. It was restored and reinstalled with coloration applied to the woman's face and hands in 2022. | no |
1 | Artist | shortSculptureTitle | Sculpture Title | Material | Location | GPS Coordinates | Lat | Lon | City | Date | Display Date | Era | Design | Infant? | Bible or Rifle? | Site | State | Mormon? | Centennial? | Native Americans included? | Description | Longer Analysis | theme | Image 1 | Image 2 | Photo Credit | See Also | Clio | Visited? | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
2 | New Ulm, MN | 1891 | 1891 | Early Monuments | Minnesota | ||||||||||||||||||||||||||
3 | Karl Gerhardt | Pioneer Statuary Group | Pioneer Statuary Group | bronze | Iowa Capitol grounds | 41.590865, -93.605441 | 41.590865, | -93.605441 | Des Moines, IA | 1892 | 1892 | Early Monuments | Group (men) | N/A | Capitol | Iowa | man | This early pioneer monument's design called for "a group consisting of father and son guided by a friendly Indian in search of a home." | David Culver | David Culver | |||||||||||
4 | Allen G. Newman | Pioneer | Pioneer | zinc | Lake Avenue and Lakeshore Drive | 42.636630, -95.201001 | 42.63663 | -95.201001 | Storm Lake, IA | 1912 | 1912-1972 | Early Monuments | Man | N/A | Iowa | no | Copy of Newman's 1903 Pioneer for Salem, Oregon, donated by the Tuesday Club in 1912. The statue suffered repeated vandalism, and was finally removed in 1972. It was replaced in 1974 with a bronze replica, paid for by funds raised for the town's centennial. | destroyed | |||||||||||||
5 | Frederick Hibbard | Pioneer | Pioneer / Corn Planter | bronze | University of Kansas campus | 38.956354, -95.243095 | 38.956354 | -95.243095 | Lawrence, KS | 1904 | 1904; erected 1916 | Early Monuments | Man | N/A | Shovel | Campus | Kansas | no | Depicts a white man working with a shovel. Physician and real estate speculator Simeon Bell purchased this sculpture, originally called "The Corn Planter," at the 1904 St. Louis World's Fair. He donated it to the University of Kansas in hopes that it would help future generations understand the challenges that early Kansas settlers faced. It remained in storage until 1916, when it became the first work of statuary installed on that campus. It has been moved several times as the campus has changed. | https://pioneermonuments.net/wp-content/uploads/2019/08/Corn-Planter-2mp-e1566835016152.jpg | Cynthia Prescott | created entry 7/30/19 | yes | ||||||||
6 | Paul Fjelde | Mormon Trail Memorial | Mormon Trail Memorial | bronze | Bayliss Park | 41.25975, -95.85175 | 41.25975 | -95.85175 | Council Bluffs, IA | 1918 | 1918 | Early Monuments | Family | infant | Park | Iowa | Mormon | no | The Daughters of the American Revolution erected several bas relief plaques mounted on boulders to mark western migration routes in the early 20th century. This one marks the end of the Mormon Trail through Iowa. Paul Fjelde depicted a man and his son driving an ox team that draws a covered wagon. A pioneer woman rides in the wagon, holding an infant. This imagery was typical of DAR and other overland trail monuments in the 1910s and 1920s. The armed man on horseback echoes contemporaneous monuments to solo pioneer men conquering the wilderness, such as the 1919 Pioneer on the University of Oregon campus. | Cynthia Prescott | A. Phimister Proctor, The Pioneer | yes | |||||||||
7 | Merrell Gage | Daughters of Old Westport | Daughters of Old Westport Memorial | bronze | near Pioneer Park | 39.054363, -94.591068 | 39.054363 | -94.591068 | Westport, MO | 1920 | 1920 | Early Monuments | Woman | infant | Rifle | Missouri | man on dedication plaque | To mark the 1912 centennial of the Santa Fe Trail, a group of Westport businessmen formed the Westport Improvement Association. The Improvement Association sought to install a monument to that trail in Westport, Missouri. The men worked with the Kansas City Historical Society, the Daughters of the American Revolution, the Daughters of the Confederacy, other genealogical organizations, and the National Old Trails Road Association to raise money for a Pioneer Monument Fund. Together these voluntary organizations hosted a Santa Fe Trail and Battle of Westport Reunion and Carnival. They envisioned a life-sized stone sculpture including five yoke of oxen and a “prairie schooner with wagon-master and bull-whackers and the faithful dog in the rear.”1 They planned to install it at the site of the City Hall of Westport, which stood on the Santa Fe Trail route. Plans for a stone sculpture depicting commercial traffic over the Santa Fe Trail soon faded. But while the other organizations involved in the centennial event soon turned toward other projects, the Daughters of Old Westport were determined to erect a pioneer monument in their community. The Daughters of Old Westport was a group of neighborhood women descended from the earliest settlers of the town. They ran a doll booth to raise money for a carnival at the Westport reunion. Their $181 in profit became the start of an eight-year fundraising campaign. Instead of a life-sized stone sculpture, the Daughters of Old Westport settled on a more modest design. It was similar to those erected by the Daughters of the American Revolution in this era. The Westport women installed two bronze bas relief plaques on a large boulder, which they placed in the heart of Westport’s historic business district. Instead of celebrating the men who hauled goods between Missouri and New Mexico, the Daughters of Old Westport commemorated the first women who settled in their town. Sculptor Merrell Gage’s central bas relief depicts a white mother with her two young children. She holds a rifle to defend her children against wild animals and the Native Americans these white settlers displaced. Text in the upper right corner dedicates it “To the Pioneer Mother.” On the back of the boulder, an accompanying dedication plaque features a male trapper and American Indian reminiscent of those that appeared in earlier pioneer monuments elsewhere in the American West. The Daughters of Old Westport Memorial was one of the first monuments to pioneer women erected in the United States. Dozens more would follow later in the 1920s. | https://pioneermonuments.net/wp-content/uploads/2017/01/Gage-Westport-PM-2.jpg | Cynthia Prescott | Avard T. Fairbanks, The Pioneer Mothers | created entry 7/23/19 | yes | ||||||||
8 | Myra Reynolds Richards | Pioneer Family | Pioneer Family | limestone | Fountain Square, Indianapolis | 39.752165, -86.139814 | 39.752165 | -86.139814 | Indianapolis, IN | 1924 | 1924 | Early Monuments | Family | Bible | Bible | Indiana | no | A pioneer mother clutching a Bible to her heart leads her family in this sculpture that topped the eponymous fountain in Indianapolis' Fountain Square. The duaghter carries a distaff and flax, a reference to 19th-century mythology that inaccurately remembered frontier women as having been active in making homespun cloth. Indianapolis socialite Phoebe Hill commissioned local female artist Myra Reynolds Richards to sculpt this pioneer family to top a fountain memorial to her husband, prominent lawyer and politician Ralph Hill. In the early 20th century, wealthy donors gave elaborate public fountains with large basins for watering horses like this one to cities across the country. Such fountains could simultaneously beautify the city and improve conditions for work animals. They soon became obsolete as automobiles replaced horses in the 1920s and 1930s. | Cynthia Prescott | yes | |||||||||||
9 | Hermon Atkins McNeil | Marquette Monument | Marquette Monument | bronze | Emerald Necklace | 41.84793409194334, -87.69889761192259 | 41.84793409 | -87.69889761 | Chicago, IL | 1926 | 1926 | Pioneer Mother Movement | Men | N/A | Park | Illinois | yes | Statue of Jesuit Catholic priest and missionary Jacques Marquette, accompanied by an Algonquin man and a French soldier, Marquette's traveling companion Louis Jolliet. The anonymous Algonquin man was intended to represent the many Native peoples that Marquette claimed to have befriended. Over 15,000 schoolchildren signed a petition requesting a monument to the missionary and explorer. Ill with dysentery, Marquette spent the winter of 1674 at a portage site between the Mississippi River system and the Great Lakes--the future site of Chicago. Some claim this makes him the first European resident of Chicago. | no | ||||||||||||
10 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | National Road Commons Park | 39.924771, -83.811197 | 39.924771 | -83.811197 | Springfield, OH | 1928 | 1928 | Pioneer Mother Movement | Woman | infant | Rifle | Ohio | no | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry | yes | |||||||||
11 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Glen Miller Park | 39.830476, -84.872207 | 39.830476 | -84.872207 | Richmond, IN | 1928 | 1928 | Pioneer Mother Movement | Woman | infant | Rifle | Indiana | no | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/30/19 | yes | |||||||||
12 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Old State House grounds | 38.960808, -89.094444 | 38.960808 | -89.094444 | Vandalia, IL | 1928 | 1928 | Pioneer Mother Movement | Woman | infant | Rifle | Historic site | Illinois | no | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/30/19 | yes | ||||||||
13 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Downtown above Missouri River | 39.186581, -93.886154 | 39.186581 | -93.886154 | Lexington, MO | 1928 | 1928 | Pioneer Mother Movement | Woman | infant | Rifle | Missouri | no | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/29/19 | yes | |||||||||
14 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Corner of Main St. (US 56) & N. Union St. (KS-177) | 38.662048, -96.486885 | 38.662048 | -96.486885 | Council Grove, KS | 1928 | 1928 | Pioneer Mother Movement | Woman | infant | Rifle | Historic site | Kansas | no | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | created entry 7/29/19 | yes | ||||||||
15 | Nancy Coonsman Hahn | Memorial to Pioneer Women | Memorial to Pioneer Women / The Colonial Mother | bronze | Forest Park | 38.645844, -90.285693 | 38.645844 | -90.285693 | St. Louis, MO | 1929 | 1929 | Pioneer Mother Movement | Woman | infant | infant | Museum | Missouri | no | This monument's design was selected by the Daughters of the American Colonies. The statue was removed by vandals in 1969, but was later recovered. It is now held by the Missouri History Museum. | The Missouri chapter of the Daughters of the American Colonists (DAC) commissioned a statue of a “Colonial Mother” to top a drinking fountain in 1922. The St. Louis Globe-Democrat declared that it would be “dedicated to all colonial women of Missouri prior to statehood” a century earlier, and the statue’s plaque declared that it commemorated women living in colonial Upper Louisiana under French and Spanish rule, which could be interpreted as including French, Spanish, indigenous and Métis women, and Catholic as well as Protestant women. But the Saint Louis Globe-Dispatch interpreted the DAC’s call for a “colonial mother” through the lens of the Pioneer Mother Movement, identifying the statue as depicting a pioneer mother, and the DAC and St. Louis Art Commission selected a design by local artist Nancy Coonsman Hahn known as Memorial to Pioneer Women. The completed piece included a thirty-two inch bronze Anglo-American pioneer woman and children, mounted on top of a six-foot-tall granite fountain. The completed fountain was dedicated in October 1929 in St. Louis’ vast Forest Park, and a model of Hahn’s “Colonial Woman” was selected by the National Sculptors’ Society for inclusion in a Washington exhibit celebrating the 200th anniversary of George Washington’s birth. Like other pioneer mother monuments erected in the 1920s, Hahn’s Memorial to Pioneer Women depicted a young white woman accompanied by young children. Hahn depicted the pioneer woman as a young white woman clad in a simple ankle-length dress and cape, but without the broad sunbonnet that marked so many other pioneer mothers. Hahn intended the woman to be “fearless and independent, and fully capable of enduring all hardships,” but less “Juno-like” than the better-known Daughters of the American Revolution monuments discussed below. Compared to other statues of “pioneer women” produced in the 1920s, Hahn’s rendering of the pioneer mother’s relationship with her children is more tender and intimate, and reflects a greater understanding of maternal relationships. This was in keeping with her ambition to portray “the innocence of childhood, the joy of living.” Unlike Leimbach’s Madonna of the Trail, Hahn’s son does not cling to his mother’s skirts. Her hand rests on his shoulder, and his hand reaches up toward hers. Both mother and son step forward confidently with their left feet. The child in its mother’s arms, meanwhile, appears somewhat older than the typical babe-in-arms. The mother carries the toddler on her forearm, nestled against her chest, rather than straddling her hip as in, or lying prone like a small baby. The child sits upright, and has distinct facial features suggesting a specific child, rather than a generic infant. He or she faces forward in a manner that directly engages the viewer, but does not gaze into the distance like the mother and older child. The mother’s and older child’s posture and facial expressions suggest that they are bravely moving westward. But the younger child’s head inclines slightly to nestle against its mother’s chin, and its forward arm reaches back to rest on her shoulder. Hahn’s creation is thus more gentle and intimate – both in its depiction of the relationships within the figures in the statue, and in its engagement with the viewer – than those created by men such as F. Lynn Jenkins in that period. Moreover, the young child’s posture and gaze invites the viewer to engage emotionally with the price paid by women and children in settling the frontier. No mere prop to indicate maternity as was typical of other pioneer mother monuments of the 1920s, the younger child becomes the emotional heart of Hahn’s grouping. | created entry 7/30/19 | yes | |||||||||
16 | Lorado Taft | The Pioneers | The Pioneers | bronze | Central Park | 40.778371, -89.965769 | 40.778371 | -89.965769 | Elmwood, IL | 1928 | 1928 | Pioneer Mother Movement | Man and Woman | infant | Park | Illinois | no | Sculpted by prominent Chicago artist Lorado Taft for his birthplace, where his parents had settled in 1855. Pioneer types had interested Taft since the 1890s, but his idealized pioneer woman for Elmwood, IL, is less idealized and more human than his earlier works. The man holding a flintlock rifle stands with his arm around his wife, who holds an infant wrapped loosely in a blanket. A collie-like dog stands at attention behind them. Taft donated his design; local fundraising paid for its casting and installation. Restored in 1993. | https://pioneermonuments.net/wp-content/uploads/2016/12/Elmwood-1.jpg | Cynthia Prescott | yes | ||||||||||
17 | Bruce Saville | Fallen Timbers | Battle of Fallen Timbers Monument | Fallen Timbers Battlefield Memorial Park | 41.544408 | -83.697246 | Monclova, OH | 1929 | 1929 | Pioneer Mother Movement | Group | N/A | Park | Ohio | man | Statue depicting General Anthony Wayne, a Native American warrior, and an Anglo-American frontiersman. Commemorates the 1794 Battle of Fallen Timbers, in which General Wayne's troops defeated warriors of the American Indian Confederation (which included members of the Miami, Shawnee, Delaware, and Ottawa nations). The US Army victory opened up the Northwest Territory to white settlement. Reliefs on the monument's base celebrate white settlement and commemorate Native warriors and white settlers killed by Natives. | Image available here | ||||||||||||||
18 | James Earle Fraser | End of the Trail | The End of the Trail | bronze | Shaler Park | 43.637761, -88.730835 | 43.637761 | -88.730835 | Waupun, WI | 1929 | 1915; erected 1929 | Early Monuments | Other | N/A | Park | Wisconsin | man | Originally displayed in plaster at PPIE in 1915. Cast in bronze in 1929 as tribute to Native Americans who disappeared from Waupun, WI, area. | https://pioneermonuments.net/wp-content/uploads/2019/02/waupun-end-of-trail-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/02/Waupun-end-of-trail-plaque-resized.jpg | David Culver | Read about the original statue. | Ginny Culver | ||||||||
19 | James Earle Fraser | The Pioneers | The Pioneers | limestone | Michigan Ave. Bridge (DuSable Bridge) | 41.889174, -87.624215 | 41.889174 | -87.624215 | Chicago, IL | 1930 | 1930 | Pioneer Mother Movement | Man and Woman | infant | Illinois | no | James Earle Fraser (best known for his End of the Trail depicting Indian subjugation) sculpted this pioneer-themed relief as one of four large sculptural adornments to the DuSable (Michigan Avenue) Bridge in downtown Chicago. Fraser focused on his subjects’ struggle and the ultimate triumph of white civilization. Fraser's Pioneer Mother struggles far more against the elements more than do most contemporaneous Pioneer Mothers.. Flying above the pioneer group, Fraser added a winged allegory of white Civilization borrowed from Francois Rude’s 1833-36 La Marselliaise on the famous Arc de Triomph in Paris. | Fraser depicted a mounted mother and infant accompanied by her rifle- and ax-wielding husband, several other buckskin clad figures, and livestock in a 1928 relief decorating Chicago’s heavily-traveled Michigan Avenue drawbridge. In many ways it resembled A. Phimister Proctor’s 1927 Pioneer Mother for St. Louis, Missouri. Instead of joining Proctor in replicating Bingham’s small party alone in the wilderness, though, Fraser focused on his subjects’ struggle and the ultimate triumph of white civilization. The Pioneer Mother in Fraser’s The Pioneers struggles far more against the elements than does Proctor’s placid Madonna. Flying above the pioneer group, Fraser added a winged allegory of white Civilization borrowed from Francois Rude’s 1833-36 La Marselliaise on the famous Arc de Triomph in Paris. Fraser’s depiction of pioneers journeying westward beneath a female allegory also echoed John Gast’s widely disseminated 1872 American Progress. In Gast’s still frequently reproduced image, Progress appears as a blonde-haired white woman, dressed in a flowing white toga, with the “Star of Empire” in her hair. She holds a book representing common school education as she floats above westward expansion. She stretches telegraph wires and enlightens the path for hunters, a covered wagon train, farmers, a stagecoach and the railroad, while a herd of bison and half-naked American Indians flee westward in darkness. Similarly, Fraser’s winged allegory floats above the pioneer party, guiding them westward while sheltering the infant in its mother’s lap. A plaque beneath Fraser’s The Pioneers relief commemorated fur trader John Kinzie, “one of a band of courageous pioneers, who . . . struggled through the wilderness breaking soil for the seeds of future civilization.” | https://pioneermonuments.net/wp-content/uploads/2016/12/DuSalle-Bridge-1.jpg | Cynthia Prescott | yes | ||||||||||
20 | Unknown | Pioneers Who Founded Topeka | The Pioneers Who Founded Topeka | bronze or copper | Gage Park | 39.054850, -95.732491 | 39.05485 | -95.732491 | Topeka, KS | 1931 | 1931 | Pioneer Mother Movement | Man | N/A | Park | Kansas | no | 1931 relief of a frontier farm, with a log cabin, covered wagon, and a pioneer plowing by unknown artist. Copper or bronze plaque set on iron footings cast by Deggingers Foundry attached to boulder. Dedicated in 1931 by Shawnee County Old Settlers Society. Originally mounted on the archway entrance of the "Old Settlers Memorial Grounds" in Gage Park. | Cynthia Prescott | created entry 7/30/19 | yes | ||||||||||
21 | Unknown | (Pioneer Woman) | (Pioneer Woman) | marble | Mount Hope Cemetery | 38.934033, -99.550533 | 38.934033 | -99.550533 | Ellis, KS | 1933 | 1933 | Pioneer Mother Movement | Woman | books | Books | Cemetery | Kansas | no | This white marble statue of a lone pioneer woman carrying two books was erected on a granite base in the Mount Hope Cemetery in Ellis, Kansas, at the height of the Great Depression in 1933. Her pose and the shawl covering her head and shoulders more closely resembles pioneer mothers by Mormon sculptor Avard Fairbanks than the sturdy women in sunbonnets that were typical of the Pioneer Mother Movement of the 1920s and 1930s. | Cynthia Prescott | created entry 7/30/19 | yes | |||||||||
22 | Ellis Luis Burman | The Pioneer Woman | The Pioneer Woman | bronze | Antelope Park | 40.795618, -96.675374 | 40.795618 | -96.675374 | In 1935, the Lincoln (Nebraska) Woman’s Club erected Ellis Luis Burman’s rendition of The Pioneer Woman clasping a pocketbook and handkerchief in a public park that had been commissioned a decade earlier at the height of the Pioneer Mother movement. Like Leo Friedlander’s conservative statue for Denton, Texas, (which replaced William Zorach's bronze nude family grouping), Burman's statue stripped his frontier woman of the accompanying children that were so typical of 1920s pioneer mother monuments. Rather than emphasizing maternalism, these pioneer women appeared virginal. Abandoning the darker hue of bronze, these monuments utilized white materials to further emphasize their subjects’ purity and their whiteness. The Lincoln, NE, Woman's Club erected a statue that portrayed Midwestern women as refined, in opposition to the hyper-masculine Wild West. | 1935 | commissioned 1925; erected 1935 | Pioneer Mother Movement | Woman | purse | neither | Park | Nebraska | no | In 1935, the Lincoln (Nebraska) Woman’s Club erected Ellis Luis Burman’s rendition of The Pioneer Woman clasping a pocketbook and handkerchief in a public park that had been commissioned a decade earlier at the height of the Pioneer Mother movement. Like Leo Friedlander’s conservative statue for Denton, Texas, (which replaced William Zorach's bronze nude family grouping), Burman's statue stripped his frontier woman of the accompanying children that were so typical of 1920s pioneer mother monuments. Rather than emphasizing maternalism, these pioneer women appeared virginal. Abandoning the darker hue of bronze, these monuments utilized white materials to further emphasize their subjects’ purity and their whiteness. Burman's statue for Lincoln, NE, portrayed Midwestern clubwomen | https://pioneermonuments.net/wp-content/uploads/2016/12/Lincoln-PM-mustache-1.jpg | Cynthia Prescott | Leo Friedlander, Pioneer Woman | yes | ||||||||
23 | Avard T. Fairbanks | Tragedy at Winter Quarters | Tragedy at Winter Quarters | bronze | Pioneer Mormon Cemetery | 41.334935, -95.966330 | 41.334935 | -95.966330 | Florence, NE | 1936 | 1936 | Pioneer Mother Movement | Man and Woman | dead infant | neither | Historic Site / Museum | Nebraska | Mormon | no | Originally sculpted in wax along with "Youth and New Frontiers" (later "New Frontiers") for the Chicago World's Fair in 1934, this monument was soon cast in bronze and installed in the cemetery at the site of the temporary LDS settlement where several hundred settlers died during the winter of 1846-47. | blue | David Prescott | yes | ||||||||
24 | John K. Daniels | Pioneers' Monument | Pioneers' Monument | granite | BF Nelson Park | 44.991782, -93.263842 | 44.991782 | -93.263842 | Minneapolis, MN | 1936 | 1936 | Pioneer Mother Movement | Group | infant | neither | Minnesota | man on reverse | https://pioneermonuments.net/wp-content/uploads/2019/02/Mpls-Pioneers-reverse-resized.jpg | Cynthia Prescott | yes | |||||||||||
25 | Unknown | Mormon Handcart Brigade | Mormon Handcart Brigade Camp Marker | bronze | S. T. Morrison Park | 41.678589, -91.585389 | 41.678589 | -91.585389 | Coralville, IA | 1936 | 1936 | Pioneer Mother Movement | Group | none | Iowa | Mormon | no | https://pioneermonuments.net/wp-content/uploads/2016/12/Coralville-DAR-boulder-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Coralville-DAR-detail-1.jpg | Cynthia Prescott | yes | ||||||||||
26 | Robert Neely | Pioneer Family | The Pioneer Family | cement | Grinnell Community Center | 41.744022, -92.722820 | 41.744022 | -92.72282 | Grinnell, IA | 1937 | 1937 | Pioneer Mother Movement | Family | none | neither | Iowa | DAR | no | Donated by the Grinnell Chapter, Daughters of the American Revolution. Statue is on display inside the Community Center. | no | |||||||||||
27 | Merrell Gage | Pioneer Women of Kansas | Pioneer Women of Kansas | bronze | Kansas Capitol grounds | 39.047390, -95.678890 | 39.047390 | -95.678890 | Topeka, KS | 1937 | 1937 | Pioneer Mother Movement | Woman | infant | Rifle | Capitol | Kansas | no | Memorial commission originally selected Bryant Baker's design of a sunbonneted pioneer woman with a scythe that closely resembled his famous statue for Ponca City, Oklahoma. But Kansans pressured Baker to replace the scythe with a rifle. Ultimately Baker's model was displayed inside the state capitol. But it was former Kansan Merrell Gage's more stayed depiction of a seated pioneer mother with a rifle across her lap, her son reading beside her, and a guard dog at her feet that was cast in heroic size for the capitol lawn. Gage also sculpted the 1920 pioneer mother relief for Westport, Missouri. | Cynthia Prescott | Merrell Gage 1920 relief | improved entry 8/15/19 | yes | ||||||||
28 | Samuel Cashwan | Pioneer Mother | Pioneer Mother | stone | Clare Middle School | 43.822794, -84.765098 | 43.822794 | -84.765098 | Clare, MI | 1938 | 1938 | Pioneer Mother Movement | Woman | infant | staff? | School | Michigan | no | Clare High School students raised funds to erect this monument. | yes | |||||||||||
29 | Clarence Addison Shaler | Pioneers of Wisconsin | Pioneers of Wisconsin | bronze | Wilcox Park | 43.627496, -88.725015 | 43.627496 | -88.725015 | Waupun, WI | 1939 | 1939 | Pioneer Mother Movement | Man and Woman | infant | Park | Wisconsin | no | https://pioneermonuments.net/wp-content/uploads/2019/02/waupun-pioneers-plaque-resized.jpg | https://pioneermonuments.net/wp-content/uploads/2019/02/waupun-pioneers-resized.jpg | David Culver | Ginny Culver | ||||||||||
30 | Fred Torrey | Munn Memorial | Munn Memorial / Kansas Pioneers / Homage to the Native Sons and Daughters of Kansas / Lillie Gordon Munn Memorial Monument / Pageant of Kansas History | bronze, granite and limestone | Gage Park | 39.051768, -95.727021 | 39.051768 | -95.727021 | Topeka, KS | 1939 | 1939 | Pioneer Mother Movement | Man and Woman | none | Park | Kansas | men & woman | Commissioned in 1936. A bronze sculpture of donor Lillie Gordon Munn and a young man stand on a granite pedestal in front of a 45-foot-long bas relief carved into limestone. The relief depicts a progression toward white civilization, including Native Americans, bison, Spanish explorers led by Francisco Vasquez de Coronado, scouts,priests, farmers, cattlemen, and pioneer families with covered wagons. | https://pioneermonuments.net/wp-content/uploads/2019/08/Munn-PPM-2mp-e1566836400897.jpg | Cynthia Prescott | Clio entry exists | yes | |||||||||
31 | Alfonso Iannelli | Fountain of the Pioneers | Fountain of the Pioneers | concrete | Bronson Park | 42.290210, -85.585541 | 42.29021 | -85.585541 | Kalamazoo, MI | 1940 | 1940-2018 | Family Monuments | Other | N/A | Park | Michigan | man | Depicts a westward-facing white settler facing an American Indian wearing a feathered headdress. The artist explained that "the scheme of the fountain conveys the advance of the pioneers and the generations that follow, showing the movement westward, culminating in the tower-symbol of the pioneer while the Indian is shown in a posture of noble resistance, yet being absorbed as the white man advances; the pattern of the parapet rail indicates the rich vegetation and produce of the land." (https://www.kpl.gov/local-history/parks/fountain.aspx) Statue removed April 2018 following protests against its depiction of race relations. | removed | ||||||||||||
32 | Avard T. Fairbanks | Pioneer Family | Pioneer Family Group | bronze | North Dakota Capitol grounds | 46.817782, -100.782831 | 46.817782 | -100.782831 | Bismarck, ND | 1946 | 1946 | Family Monuments | Family | infant | Capitol | North Dakota | no | Casting of this pioneer family grouping was delayed due to metal shortages during World War II. It was one of the first pioneer monuments to depict a pioneer family. The father plays the central role in this family unit, which also includes an adolescent son and a baby in its mother's arms. | blue | https://pioneermonuments.net/wp-content/uploads/2016/12/ND-PFam-2.jpg | Cynthia Prescott | yes | |||||||||
33 | Unknown | Pioneer Memorial | Pioneer Memorial obelisk | quartzite | Hilltop overlooking Sioux Falls | 43.5744007,-96.7117972 | 43.5744007 | -96.7117972 | Sioux Falls, SD | 1949 | 1949 | Family Monuments | Other | N/A | South Dakota | no | Erected by the Minnehaha County Historical Society. The Society added a memorial block at the base of the obelisk in 2007. | no | |||||||||||||
34 | Anna Belle Campbell | The Homesteaders | The Homesteaders / Prairie Family | composite of concrete and stone | Mission Road traffic circle | 39.004455, -94.630372 | 39.004455 | -94.630372 | Prairie Village, KS | 1951 | 1951 | Family Monuments | Man and Woman | infant | Shopping Center | Kansas | no | This statue was originally purchased by J. C. Nichols Company to place at the entrance to the Prairie Village Shopping Center in an attempt to historicize this postwar Kansas City suburb. It was moved to a fountain at the entrance to the town in 2002. | Cynthia Prescott | created entry 7/23/19 | yes | ||||||||||
35 | Unknown | Pioneer Mothers' Memorial | Pioneer Mothers' Memorial | stone | Pioneer Mothers Memorial Forest | 38.541247, -86.453023 | 38.541247 | -86.453023 | Paoli, IN | 1951 | 1951 | Family Monuments | Other | N/A | Park | Indiana | no | https://pioneermonuments.net/wp-content/uploads/2016/12/Paoli-wall-1.jpg | Cynthia Prescott | yes | |||||||||||
36 | Gordon Shumaker | Pioneer Woman | Pioneer Woman | fiberglass | in front of Pioneer Portrait Hall, Minnesota State Fairgrounds | 44.979056, -93.170776 | 44.979056 | -93.170776 | St. Paul, MN | 1958 | 1958 | Family Monuments | Woman | Bible | Fair | Minnesota | no | This Pioneer Woman was created for the centennial of Minnesota statehood. Although sculpted from modern fiberglass, it closely resembles bronze pioneer mother monuments from the 1920s. | Cynthia Prescott | yes | |||||||||||
37 | Wheeler Williams | Pioneer Mother of Kansas | Pioneer Mother of Kansas | bronze | Public Library lawn, Cooper Park | 37.043526, -100.922119 | 37.043526 | -100.922119 | Liberal, KS | 1961 | designed 1927; erected 1961 | Family Monuments | Woman | infant | Library | Kansas | no | The design for this statue was originally sculpted by Wheeler Williams in the 1920s. He submitted "Fearless" to a 1920s competition to place a pioneer woman monument in Ponca City, Oklahoma, but did not win. Thirty years later, donor D. K. Baty hired a local art student to design a monument for the town of Liberal. But Baty soon substituted Williams' older design. | Image available here | created entry 7/31/19 | no | ||||||||||
38 | Pete Felten, Jr. | Pioneer Family Statue | Pioneer Family Statue | limestone | North Penn Avenue | 39.8243193,-100.528994 | 39.8243193 | -100.528994 | Oberlin, KS | 1971 | 1971 | Family Monuments | Family | kids | Kansas | no | This 1971 sculpture was the first of several pioneer monuments by local sculptor Pete Felten, Jr. Most pioneer family monuments feature a father and mother standing together, with their young son in front of them. In contrast, the Oberlin family stands in a circle with their backs toward one another and their arms linked, a defensive posture suggesting the pioneers’ reliance on the family unit for survival.The Oberlin pioneer family circle suggests a greater degree of equality among the characters than the pyramidal shape typical in earlier decades. Indeed, the father in the Oberlin family bends his knees to embrace his children, decreasing the extent that he towers over the rest of the family. In keeping with earlier pioneer family monuments, the mother leans gently backward into the family circle, maintaining its core. But in a gesture toward feminism’s growing influence, their teenage daughter leans slightly outward to embrace the future. Their young son bends his knees, mimicking his father’s posture, and appears ready to leap outward at the first opportunity. Public reactions to Felten’s initial proposal were mixed, but what initially felt to many rural Kansans like too much of a departure from established pioneer family imagery soon grew more comfortable. | https://pioneermonuments.net/wp-content/uploads/2016/12/Oberlin-PFam-mom-girl-1.jpg | Cynthia Prescott | created entry 7/31/19 | yes | ||||||||||
39 | Gus Shafer | Wagon Master | The Wagon Master | bronze | Intercontinental Hotel | 39.039408, -94.593106 | 39.039408 | -94.593106 | Kansas City, MO | 1973 | 1973 | Family Monuments | Man | N/A | Missouri | no | This statue sculpted by L. E. “Gus” Shafer is a larger-than-life depiction of a wagon train leader. It is one of several monuments in the Kansas City area that commemorate the region's connections to the Santa Fe, Oregon and California trails during the mid-19th century. The artist used his own face as a model for this sculpture. The bronze statue stands on a large limestone rock. It was a gift from Catherine and Miller Nichols, their four daughters, and the artist. It was dedicated on September 8, 1973. | https://pioneermonuments.net/wp-content/uploads/2016/12/KC-Wagon-Master-1.jpg | Cynthia Prescott | created entry 7/23/19 | yes | ||||||||||
40 | Pete Felten, Jr. | Boot Hill Man | Boot Hill Man / The Homesteader | limestone | Boot Hill Cemetery | 38.878528, -99.327725 | 38.878528 | -99.327725 | Hays, KS | 1973 | 1973 | Family Monuments | Man | N/A | Cemetery | Kansas | no | This 1971 seven-foot-tall limestone statue by local sculptor Pete Felten, Jr., was created to stand at the Ellis County Historical society's new headquarters at Hays Boot Hill. The historical society sought a dignified sculpture of a plainsman. But Felten wanted the statue to commemorate those who died "with their boots on" as a result of frontier violence. Also known as "The Homesteader," it stands in the town's first cemetery. | created entry 8/1/19 | no | |||||||||||
41 | Gordan Dingman | Life Sketches | Life Sketches | brick | 16 N Minnesota St. | 44.313850, -94.459376 | 44.313850 | -94.459376 | New Ulm, MN | 1974 | 1974 | Family Monuments | Group | none | Minnesota | men and women | https://pioneermonuments.net/wp-content/uploads/2016/12/New-Ulm-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/New-Ulm-2.jpg | Michael Lansing | Michael Lansing | |||||||||||
42 | Allen G. Newman | Pioneer | Pioneer | bronze | Lake Avenue and Lakeshore Drive | 42.636676, -95.200955 | 42.636676 | -95.200955 | Storm Lake, IA | 1974 | 1974 | Early Monuments | Man | N/A | Iowa | no | Bronze recasting of Newman's 1910 zinc sculpture that had been badly damaged. Paid for with funds raised for the Storm Lake Centennial in 1973. | no | |||||||||||||
43 | Pete Felten, Jr. | Pioneer Family | Pioneer Family / Volga German Immigrant Family | limestone | Corner of 19th & Cathedral | 38.856357, -99.151051 | 38.856357 | -99.151051 | Victoria, KS | 1976 | 1976 | Family Monuments | Family | kids | Historic Site | Kansas | no | As other Midwestern towns celebrated ethnic inclusivity during the nation’s Bicentennial in 1976, Felten’s sturdy Volga German immigrant family for Victoria, Kansas, emphasized the Russian Germans’ otherness. The Volga German monument’s dedicatory plaque explains that “the first religious activities of these settlers centered around the village cross.” But Felten depicted the pioneer family as split along gender lines by that village cross: a mustached limestone father, two sons, and a pet dog peer almost angrily at a woman in a headscarf and her two daughters (the younger dragging a rag doll on the ground) from opposite sides of a large wooden cross. Although the monument was a tribute to the families that established the adjacent village of Herzog, Felten’s depiction seemed to suggest that, despite their religiosity and efforts constructing the 1100-seat Cathedral of the Plains, these Catholic Russian Germans could not be easily assimilated into American culture. | Juti Winchester | created entry 8/1/19 | Juti Winchester | ||||||||||
44 | Ann Opgenorth and Donna Marihar | Five Figures | Five Figures for Five Flags / Pioneers Sculpture | bronze | Cathedral Square | 42.495283, -90.666546 | 42.495283 | -90.666546 | Dubuque, IA | 1976 | 1976 | Family Monuments | Group | none | Park | Iowa | no | https://pioneermonuments.net/wp-content/uploads/2016/12/Dubuque-5-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Dubuque-5-2.jpg | Cynthia Prescott | yes | ||||||||||
45 | Richard Bergen | Heritage Woman | Heritage Woman | bronze | Heritage Park | 37.684694, -97.337523 | 37.684694 | -97.337523 | Wichita, KS | 1976 | 1976 | Family Monuments | Woman | none | Museum | Kansas | no | This styled nude statue was intended to honor early white Kansas settler women when it was placed in Wichita amid the nation’s bicentennial celebration in 1976. The citizens of Wichita apparently viewed Bergen’s Heritage Woman within a long-established fine arts tradition of nude female forms. In contrast to the outrage expressed in Denton, Texas, in the 1930s and Salem, Oregon, in the 1950s, newspaper coverage of Wichita’s Heritage Woman did not reveal any protests to her nudity. Instead, local residents appeared to embrace the work’s merging of classical and contemporary aesthetic for their new Victorian-inspired urban park, and overlooked the artist’s conception of a nude pioneer woman revealing herself in downtown Wichita. Yet Wichitans’ acceptance of the nude pioneer woman appear to have declined over time. In April 2005, vandals damaged the sculpture’s hands, requiring $5,000 worth of repairs. Shortly after the city returned the statue to its plinth in Heritage Park in fall 2006, it was assaulted a second time, knocking it off its base, breaking it in half at the waist and cracking the bronze skin, causing another $20,000 in damages. Vandals attacked it a third time in early 2013, again removing it from its base and breaking it in half. This time repairs kept the statue out of the public eye for four years. City leaders hope that the installation of a tall iron fence around Heritage Park will protect the statue from further damage. Historical society staff suspect that the statue’s nudity inspired these repeated attacks on Heritage Woman. | https://pioneermonuments.net/wp-content/uploads/2017/01/HeritageSquare.jpg | Courtesy of City of Wichita Park and Recreation Department | created entry 8/1/19 | visited site | |||||||||
46 | George Bassett | Delavan Pioneers | Delavan Pioneers / Land is Our Heritage | bronze | 2nd Street park | 43.767564, -94.019145 | 43.767564 | -94.019145 | Delavan, MN | 1977 | 1977 | Family Monuments | Man and Woman | none | Minnesota | no | Dedicated during the town's centennial in 1977. | http://collections.mnhs.org/cms/web5/media.php?irn=10181867&width=640&height=640 | no | ||||||||||||
47 | Christian Petersen | Madonna of the Prairie | Madonna of the Prairie / Prairie Woman | limestone | Iowa State University College of Education | 42.029720, -93.645397 | 42.029720 | -93.645397 | Ames, IA | 1982 | circa 1940; erected 1982 | Culture Wars | Woman | infant | Campus | Iowa | no | Pamela Riney-Kehrberg | yes | ||||||||||||
48 | George W. Lundeen | Promise of the Prairie | Promise of the Prairie | bronze | North Pond Lake | 40.450533, -99.377700 | 40.450533 | -99.3777 | Holdredge, NE | 1983 | 1983 | Culture Wars | Family | father holds toddler son | Park | Nebraska | town centennial | no | Erected for the town's centennial. Like other pioneer family monuments, it presents a nuclear family as a vision and hope for the future. And like other pioneer family sculptures, it features a father dressed in overalls, a mother wearing a prairie-style gown and apron, and their young son. But this work strays from other pioneer family monuments in important ways. It emphasizes the married couple rather than the child, and gives the father a greater nurturing role. Most pioneer monuments place a school-aged son in front of his parents, preparing to lead them into the future. Mothers often gaze lovingly at a baby in their arms. In this work, in contrast, the father holds a preschool-aged boy. This emphasizes the father's nurturing role alongside his leadership. Both father and mother gaze into the distance, imagining their future. Rather than gripping books to prepare for the future, the young boy plays with his father's wide-brimmed hat. The boy is barefoot, which was typical for frontier children but is rarely seen in pioneer monuments. On this young boy, it further emphasizes his innocence. | created 9/4/19 | no | ||||||||||
49 | Charlie Norton | Spirit of the Prairie | Spirit of the Prairie | bronze | Thomas County Courthouse | 39.396089, -101.043197 | 39.396089 | -101.043197 | Colby, KS | 1985 | 1985 | Culture Wars | Woman | infant | Courthouse | Kansas | no | Sculpted by Charlie Norton of nearby Leoti, Kansas, this 9-foot-tall bronze pioneer woman statue's dedication was the highlight of Thomas County's centennial celebration on October 8, 1985. The statue was placed in front of the 1906 county courthouse, a Romanesque Revival building that is listed on the National Register of Historic Places. The pioneer woman holds a baby on her hip and waves a hankerchief over her head to signal to someone--likely her husband--far across the Kansas prairie. | https://pioneermonuments.net/wp-content/uploads/2019/08/spirit-of-the-prairie-reverse-resized.jpg | Cynthia Prescott | created entry 8/15/19 | yes | |||||||||
50 | Thomas L. Beard | Pioneer Square | Pioneer Square Monument | bronze | Pioneer Square | 39.053690, -94.590608 | 39.053690 | -94.590608 | Westport, MO | 1986 | 1986 | Heritage Tourism | Group | n/a | Missouri | no | Westport business leaders wanted commemorate the town's connections to the Santa Fe Trail, the Oregon Trail, and its claim to being the birthplace of Kansas City. After several failed attempts to claim A. Phimister Proctor's Pioneer Mother from Kansas City's Penn Valley Park, and erecting smaller markers, they finally put up this statue in 1986. The tribute to John C. McCoy, Alexander Majors, and Jim Bridger is the culmination of 75 years of pioneer commemoration efforts by Westport business leaders and residents. | Cynthia Prescott | created entry 7/23/19 | yes | |||||||||||
51 | Greg Todd | They Came to Stay | They Came to Stay | bronze | Sherman County Courthouse grounds | 39.350941, -101.710171 | 39.350941 | -101.710171 | Goodland, KS | 1987 | 1987 | Culture Wars | Man and Woman | none | Courthouse | Kansas | no | Erected on the grounds of the Sherman County courthouse to mark the county's 1987 centennial. A pioneer man wearing a wide-brimmed hat squats down in his field, holding the rich soil in his proper right hand. Beside him stands his young wife. The wind sweeping the High Plains blows her long skirt and apron. Her right hand rests gently on her husband's shoulder, indicating her reliance on his strength. Her left hand holds tightly to one handle of their prominently featured walking plow. The man's hard work and ingenuity, combined with his wife's nurturance, enable them to survive and thrive on the soil that inspired the town's name of Goodland, Kansas. | Cynthia Prescott | created entry 8/15/19 | yes | ||||||||||
52 | Juan Lombardo-Rivera | Pioneer Woman | The Pioneer Woman | bronze | National Frontier Trails Museum | 39.086795, -94.419227 | 39.086795 | -94.419227 | Independence, MO | 1990 | 1990; stolen and destroyed 2013 | Heritage Tourism | Woman | infant | Museum | Missouri | no | Installed in the courtyard of the National Frontier Trails Museum when it opened in 1990. The tribute to frontier motherhood helped to historicize the new museum. At the time, some feared that the blue patina that the Mexican artist applied to the statue was too vivid, but Independence residents soon warmed to the work. Then the statue was stolen in 2013l the theives attempted to sell it as scrap metal. The city of Independence replaced it with a new "Pioneer Woman" sculpture by local artist Charles Goslin. | Cynthia Prescott | created entry 7/24/19 with 2016 replacement | yes | ||||||||||
53 | Dorothy L. Koelling | Hardship and Dreams | Hardship and Dreams | bronze | A. Price Woodard Park | 37.683634, -97.342477 | 37.683634 | -97.342477 | Wichita, KS | 1994 | 1989 design; installed 1994 | Culture Wars | Woman | Bible | Kansas | no | This sunbonneted pioneer mother carrying a Bible and satchel and leading her young son by the hand echoes Bryant Baker's famous "Pioneer Woman" for Ponca City, Oklahoma. According to the dedication plaque, it "symbolizes the hardhip and dreams of early Wichita pioneers." It was given in memory of Eva M. and Will G. Price to recognize "their devotion and inspiration to the cultural and business life of Wichita." The statue stands in front of the civic center on the city's redeveloped riverfront, near statues of a Native American man holding a peace pipe, Lebanese immigrant Farris George Jabara, and a group of children at play representing America's future. | Cynthia Prescott | created entry 8/15/19 | yes | |||||||||||
54 | Scott Stearman | Harvest Prayer | Harvest Prayer | bronze | MidAmerica Nazarene College campus | 38.874243, -94.781752 | 38.874243 | -94.781752 | Olathe, KS | 1994 | 1994 | Culture Wars | Family | infant | Campus | Kansas | no | Statue of pioneer family marks the junction of the Santa Fe and Oregon Trails. It depicts a man in frontier clothing kneeling in prayer. He holds a Bible in one hand, and his other hand rests on a walking plow. His wife stands beside him with her head bowed in prayer. She cradles their young son in one arm and rests the other hand on her husband's shoulder. This statue became a centerpoint of MidAmerica Nazarene University when erected in the campus Prayer Circle in 1994. | https://pioneermonuments.net/harvest-prayer-2mp/ | https://pioneermonuments.net/harvest-prayer-plaque-2mp/ | Cynthia Prescott | created entry 7/24/19 | yes | ||||||||
55 | Clifford J. Carlson | Promise of America | The Promise of America (Norwegian-American Immigrant Family Monument) | bronze | N. 3rd Ave. E. near Hwy 971 | 43.422450, -93.515367 | 43.422450 | -93.515367 | Lake Mills, IA | 1995 | 1995 | Heritage Tourism | Family | kids | Iowa | no | https://pioneermonuments.net/wp-content/uploads/2016/12/Lake-Mills-Norwegian-1.jpg | Cynthia Prescott | yes | ||||||||||||
56 | Franz and Nathan Johansen | Handcart Pioneer | (Handcart Pioneer Monument) | bronze | Mormon Trail Center at Winter Quarters | 41.335337, -95.965064 | 41.335337 | -95.965064 | Florence, NE | 1997 | 1997 | Heritage Tourism | Family | in cart | Museum | Nebraska | Mormon | no | https://pioneermonuments.net/wp-content/uploads/2016/12/WQ-handcart-1.jpg | Cynthia Prescott | yes | ||||||||||
57 | Veryl Goodnight | No Turning Back | No Turning Back | bronze | City Hall | 39.768945, -94.846628 | 39.768945 | -94.846628 | St. Joseph, MO | 1999 | 1999 | Heritage Tourism | Woman | none | City hall | Missouri | no | Depicts a woman in calico dress standing in front of wagon wheel. Emphasizes frontier women's persistence. Accompanied by the text of a poem by the same title written by the sculptor. The final lines of the poem about young women on the trails westard declare, "There was absolutely/No Turning Back." A 1940 Pony Express Monument stands on the other side of City Hall. | https://pioneermonuments.net/no-turning-back-resized/ | https://pioneermonuments.net/no-turning-back-fountain-resized/ | Cynthia Prescott | created entry 7/30/19 | no | Other castings in Lincoln, NE, and courtyard of the Hirshfield-Moore House, corner West 9th and Lavaca sts, Austin. | |||||||
58 | Stanley J. Watts | Handcart Pioneers | Handcart Pioneers | bronze | Coralville Marriott | 41.681759, -91.559271 | 41.681759 | -91.559271 | Coralville, IA | 2000 | circa 2000 | Heritage Tourism | Family | in cart | Iowa | Mormon | no | Copy after Torleif Knaphus Handcart Pioneer Monument | https://pioneermonuments.net/wp-content/uploads/2016/12/marriott-handcart-1.jpg | Cynthia Prescott | yes | ||||||||||
59 | Kwan Wu | Children of the Trails | Children of the Trails | bronze | Johnson County Courthouse grounds | 38.882030, -94.820076 | 38.88203 | -94.820076 | Olathe, KS | 2000 | 2000 | Heritage Tourism | Other | n/a | Courthouse | Kansas | no | This bronze sculpture is dedicated to all of the children whose lives were lost due to the harsh conditions on the overland journeys westward. It was sculpted by Kansas City artist Kwan Wu. A pioneer boy, a girl and their dog run through an arch. A rainbow floats above them and doves fly overhead. Rocks in the fountain beneath them represent the streams that children crossed on the overland trail. Sculptor Kwan Wu was born and trained in China, but since immigrating to the United States and settling in the Kansas City area he has sculpted two major works depicting the western trails for Olathe, Kansas. The other is "Going West on the Old Santa Fe Trail." | https://pioneermonuments.net/olathe-kids-front-view-2mp/ | https://pioneermonuments.net/olathe-kids-plaque-2mp/ | Cynthia Prescott | created entry 7/24/19 | yes | ||||||||
60 | Trygve A. Rovelstad | Pioneer Family | Pioneer Family Memorial | bronze | Kimball St. Bridge | 42.041485, -88.288739 | 42.041485 | -88.288739 | Elgin, IL | 2001 | designed 1935; erected 2001 | Heritage Tourism | Family | infant | Illinois | no | Commissioned in 1935 to celebrate Elgin, Illinois' centennial, but fundraising efforts stalled during the Great Depression. The city later decided to erect a log cabin replica instead. The artist struggled throughout his lifetime to raise funds for a heroic-sized bronze casting. He completed the design with the assistance of his daughter, Annie Rovelstad-Lucky, in 1985. It was cast and erected after the artist's death as part of Elgin's riverfront redevelopment in 2001. | Cynthia Prescott | yes | ||||||||||||
61 | Mischell Riley | Stella at the Spring | Stella at the Spring | bronze | Roger T. Sermon Community Center | 39.092670, -94.411288 | 39.09267 | -94.411288 | Independence, MO | 2001 | 2001 | Heritage Tourism | Woman | bucket | Missouri | man | A young pioneer woman carrying a bucket gazes off in the distance toward a companion piece, Mischell Riley's A Young Native American. | https://pioneermonuments.net/wp-content/uploads/2019/08/Stella-2mp-e1566836154457.jpg | https://pioneermonuments.net/wp-content/uploads/2019/08/Young-Native-American.jpg | Cynthia Prescott | created entry 7/24/19 | yes | |||||||||
62 | David Alan Clark | Spirit of the Prairie | Spirit of the Prairie | bronze | Town Square | 42.025775, -88.082205 | 42.025775 | -88.082205 | Schaumburg, IL | 2002 | 2002 | Heritage Tourism | Man and Woman | none | Shopping center | Illinois | no | Cynthia Prescott | yes | ||||||||||||
63 | Blair Buswell and Edward Fraughton | Pioneer Courage | Pioneer Courage | bronze | Pioneer Courage Park | 41.260879, -95.935205 | 41.260879 | -95.935205 | Omaha, NE | 2003 | 2003 | Heritage Tourism | Group | infant (group) | Nebraska | no | https://pioneermonuments.net/wp-content/uploads/2016/12/pioneer-courage-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/pioneer-courage-2.jpg | Cynthia Prescott | yes | |||||||||||
64 | Tom Otterness | Large Covered Wagon | Large Covered Wagon | bronze | Joslyn Art Museum | 41.260399, -95.944953 | 41.260399 | -95.944953 | Omaha, NE | 2004 | 2004 | Heritage Tourism | Family | kids | Art museum | Nebraska | no | https://pioneermonuments.net/wp-content/uploads/2016/12/Otterness-wagon-2.jpg | Cynthia Prescott | yes | |||||||||||
65 | Veryl Goodnight | No Turning Back | No Turning Back | bronze | downtown 12th street arts corridor | 40.815806, -96.704229 | 40.815806 | -96.704229 | Lincoln, NE | 2004 | sculpted 1993; installed 2004 | Heritage Tourism | Woman | none | Nebraska | no | Sculpture of woman in calico dress standing in front of wagon wheel. Title and image emphasize frontier women's persistence. Installed in downtown Lincoln's 12th Street Arts Corridor with other works depicting US westward migration. Donated by Bill and Sandra Condon of Sterling, Colorado. | Another casting of this statue in St. Joseph, Missouri | no | ||||||||||||
66 | Charles Goslin | Dick Williams, Wagon Master | Dick Williams, Wagon Master | concrete and bronze | Pioneer Crossing Park | 39.014411, -94.706410 | 39.014411 | -94.70641 | Shawnee, KS | 2006 | 2006 | Heritage Tourism | Man | n/a | Kansas | no | A limestone and bronze portrait of wagon master Richard “Dick” Williams. Williams first came to Johnson County in the 1850s as a government surveyor. He then worked as a “wagonmaster” escorting wagon trains from Kansas City to Santa Fe, New Mexico, and other destinations in the western United States. This sculpture accompanies a life-sized depiction of a wagon train by the same artist. | Cynthia Prescott | included in Pioneer Crossing Park entry | yes | |||||||||||
67 | Charles Goslin | Pioneer Crossing | (Pioneer Crossing) | brick and bronze with patina | Pioneer Crossing Park | 39.014411, -94.706410 | 39.014411 | -94.70641 | Shawnee, KS | 2006 | 2006 | Heritage Tourism | Group | infant | Kansas | no | This park was created as a sesquicentennial project for the town of Shawnee in 2006. It commemorates Shawnee’s place on the mid-19th-century Santa Fe, Oregon, and California wagon trails and Fort Leavenworth Military Road. It features two sculptures by local artist Charles Goslin depicting that history. Goslin’s original wagon train sculpture was reproduced in life size for this park. Most of the work is a stone relief of covered wagons driven by men and boys. At the front is a freestanding bronze oxen team. A bronze pioneer mother accompanies the relief. Near the wagon train installation stands a limestone and bronze portrait of wagon master Richard “Dick” Williams, who worked on the Santa Fe Trail. Some Shawnee residents questioned spending close to $1 million on the 2.2 acre park and stone and bronze sculptures. The park is a narrow wedge of land in a commercial district that was once a used car lot. | Cynthia Prescott | created entry 7/23/19 as Pioneer Crossing Park | yes | |||||||||||
68 | Kwan Wu | Old Santa Fe Trail | Going West on the Old Santa Fe Trail / Two Trails | bronze | Mahaffie Stagecoach Stop and Farm | 38.892670, -94.797945 | 38.89267 | -94.797945 | Olathe, KS | 2008 | 2008 | New Directions | Group | kid | Museum | Kansas | woman | To mark its 150th anniversary, the town of Olathe constructed a 10,000-square-foot Heritage Center to accompany the Mahaffie Stagecoach Stop and Farm historic site. It also erected this 60-foot-long bronze stagecoach relief by local artist Kwan Wu.It features full scale bronze relief of stagecoach and passengers against a concrete backdrop. Stand-alone figures of horses, a woman and young boy emerge from the relief. Sculptor Kwan Wu was born and trained in China, but immigrated to the United States in 1988. Wu’s stagecoach scene is far more diverse than most pioneer monuments. It reflects the ethnic diversity of the 19th-century American West. Wu relied on historic photographs and photos of reproduction clothing and a stagecoach as he sculpted the scene. Fifteen characters represent men, women, and children of different ethnicities traveling on the stagecoach. A Latino man and African-American couple sit on the roof of the crowded stagecoach. A Native American woman and her dog wave farewell to the travelers while birds fly overhead. The sculpture was funded by private donations to mark Olathe’s 150th anniversary. It was dedicated August 14, 2008. | https://pioneermonuments.net/wp-content/uploads/2016/12/Olathe-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Olathe-2.jpg | Cynthia Prescott | created entry 7/23/19 | yes | ||||||||
69 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Historic Truman Courthouse | 39.092400, -94.416393 | 39.092400 | -94.416393 | Independence, MO | 2016 | 1924; erected 2016 | Heritage Tourism | Man and Woman | infant | Courthouse | Missouri | no | Avard Tennyson Fairbanks sculpted the Old Oregon Trail medallion in 1924 while teaching art at the University of Oregon. It depicts the hardships that the artist's ancestors and nearly 500,000 others experienced while traveling westward on the overland trail by covered wagon in the mid-19th century. One 1852 migrant, Ezra Meeker, traveled back eastward along the trail in 1906 to seek the preservation of the Oregon Trail route. His efforts inspired Avard Fairbanks to sculpt this 36-inch bronze medallion. The medallion depicts a man driving the team of oxen that pull the covered wagon over rocky terrain. His wife rides inside the wagon, holding their infant child. Fairbanks' depiction of the trail experience was shaped as much by popular culture at the time of its sculpting as by historical reality. In fact, women and children typically walked along beside the wagons to spare their teams, particularly on rough terrain. Fairbanks' depiction of trail life appears to have been influenced by W.H.D. Koerner's famous 1921 illustration Madonna of the Prairie. Koerner’s illustration was used as the cover image for Emerson Hough’s popular novel The Covered Wagon. Koerner’s instantly popular illustration portrayed the beautiful young heroine seated on a wagon box with the opening of the wagon cover forming a halo around her face. Koerner’s illustrations inspired the costuming for a silent film adaptation of Hough’s novel, which became the first western “epic” film. In the year before The Covered Wagon movie was released, only fifty identifiable western films had been made; in the year following its release, 150 westerns were made – and the industry maintained that level of production until it was eclipsed by television in the 1950s. Adaptations of Koerner’s covered wagon imagery pervaded the massive advertising for the movie. This gave Madonna of the Prairie a significant role in shaping public perceptions of settler women. It also appears to have shaped Avard Fairbanks’ conception of pioneer women in this medallion and in other pioneer monuments that he sculpted over the next 50 years. Fairbanks’ Old Oregon Trail design was originally cast in bronze for Seaside and Baker City, Oregon. He reproduced the scene, renamed The Pioneer Mothers, for installation on the reverse of his 1928 Pioneer Mother statue for Vancouver, Washington. In more recent years, Old Oregon Trail has been recast for Oregon Trail jumping-off point Independence, Missouri, and two locations in Boise, Idaho. The artist’s son, David Fairbanks, donated this casting of the medallion to the Independence-based Oregon-California Trails Association (OCTA). Two decades later, the OCTA and Jackson County, Missouri, installed the medallion onto an existing 1948 Oregon Trail marker on the lawn of the Historic Truman Courthouse on June 7, 2016. The dedication ceremony also honored the 100th anniversary of the National Park Service. | blue | https://pioneermonuments.net/wp-content/uploads/2019/08/1948-marker-ATF-Old-Ore-Trail-added-2mp-e1566834898465.jpg | Cynthia Prescott | W.H.D. Koerner, Madonna of the Prairie | created entry 6/20/19 | yes | |||||||
70 | Charles Goslin | Pioneer Woman | (Pioneer Woman) | bronze | National Frontier Trails Museum | 39.087203, -94.419486 | 39.087203 | -94.419486 | Independence, MO | 2016 | 2016 | Heritage Tourism | Woman | infant | Museum | Missouri | no | Chosen to replace Juan Lombardo-Rivera's "Pioneer Woman" bronze, which was stolen and destroyed in 2013. This version lacks the blue patina that appeared on Lombardo-Rivera's "Pioneer Woman" and that Goslin used for a similar pioneer woman sculpture in nearby Shawnee, Kansas. | https://pioneermonuments.net/wp-content/uploads/2019/08/New-PM-Natl-Frontier-Trails-Museum-2mp-e1566835275389.jpg | Cynthia Prescott | created entry 7/24/19 with original 1990 statue | David Prescott | |||||||||
71 | George W. Lundeen | Harvest Dreams | Harvest Dreams | bronze | Nebraska Prairie Museum | 40.462263, -99.379275 | 40.462263 | -99.379275 | Holdredge, NE | 2016 | 2016 | Heritage Tourism | Family | kids | Museum | Nebraska | no | Erected by Citizens for Bronze Art. | no? | ||||||||||||
72 | Chouteau | Francois Chouteau and Native American Heritage Fountain | North Kansas City, KS | woman |
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1 | Artist | shortSculptureTitle | Sculpture Title | Material | Location | GPS Coordinates | Lat | Lon | City | Date | Display Date | Era | Design | Bible or Rifle? | Site | State | Mormon? | Description | theme | Image 1 | Image 2 | Photo Credit | See Also | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
2 | Unknown | Pioneer Monument | Pioneer Monument / Centennial Monument | granite | Diamond Park | 41.638465, -80.150038 | 41.638465 | -80.150038 | Meadville, PA | 1888 | 1888 | Early Monuments | Man | Pennsylvania | Man dressed in coonskin cap and buckskin represents men and women who crossed the Allegheny Mountains to settle in northwest Pennsylvania. Statue stands on a rectangular granite base with a relief of a log cabin on the front. Erected in honor of the centennial of Meadville and Crawford County. | |||||||||
3 | Karl Gerhardt | Pioneer Statuary Group | Pioneer Statuary Group | bronze | Iowa Capitol grounds | 41.590865, -93.605441 | 41.590865, | -93.605441 | Des Moines, IA | 1892 | 1892 | Early Monuments | Group | Capitol | Iowa | This early pioneer monument's design called for "a group consisting of father and son guided by a friendly Indian in search of a home." | David Culver | |||||||
4 | Frank Happersberger | Lick Pioneers Monument | The Pioneers Monument / James Lick Monument | bronze and granite | San Francisco Public Library Main Library | 37.779707, -122.415938 | 37.779707 | -122.415938 | San Francisco, CA | 1894 | 1894 | Early Monuments | Other | City Hall | California | Relocated 1993 amid controversy about its depiction of Native Americans. | ||||||||
5 | Cyrus Edwin Dallin | Brigham Young Monument | Brigham Young Monument / Pioneer Monument | bronze | Temple Square | 40.769554, -111.891114 | 40.769554 | -111.891114 | Salt Lake City, UT | 1897 | 1897 | Early Monuments | Other | Temple Square | Utah | Mormon | Dedicated 1897; completed 1900. | Cynthia Prescott | ||||||
6 | Allen G. Newman | Pioneer | Pioneer | zinc | near capitol | 44.938745, -123.030406 | 44.938745 | -123.030406 | Salem, OR | 1903 | 1903-1917 | Early Monuments | Man | Oregon | Modeled after early white settler's hat, rifle and pouch provided by his Salem descendants, who commissioned the sculpture. Statue was toppled by a windstorm in 1917 and never replaced. | |||||||||
7 | Herman MacNeil | Coming of the White Man | Coming of the White Man | bronze | Washington Park | 45.522239, -122.701711 | 45.522239 | -122.701711 | Portland, OR | 1904 | 1904 | Early Monuments | Other | Fair? | Oregon | https://pioneermonuments.net/wp-content/uploads/2017/01/Coming-of-the-White-Man-1.jpg | Cynthia Prescott | |||||||
8 | Alice Cooper | Sacajawea | Sacajawea | bronze | Washington Park | 45.521255, -122.702758 | 45.521255 | -122.702758 | Portland, OR | 1905 | 1905 | Early Monuments | Woman | Fair | Oregon | Pacific Northwest suffragists erected this monument to the famous Native American female guide of the Lewis and Clark Expedition and to the “pioneer mothers of old Oregon.” Erecting a sculpture of an American Indian to honor "pioneer mothers" became unthinkable soon after this statue was erected. By the 1920s, monuments to pioneer mothers became much more common, and increasingly utilized common iconography celebrating so-called civilized white womanhood. | Cynthia Prescott | |||||||
9 | Frederick MacMonnies | Pioneer Monument | Pioneer Monument | bronze | Civic Center Park | 39.740247, -104.987686 | 39.740247 | -104.987686 | Denver, CO | 1911 | 1911 | Early Monuments | Other | Colorado | Cynthia Prescott | |||||||||
10 | Allen G. Newman | Pioneer Mike | Pioneer Mike / Carter Memorial Fountain / Iron Mike | zinc | Ashland Plaza | 42.197230, -122.715338 | 42.19723 | -122.715338 | Ashland, OR | 1910 | 1910-2014 | Early Monuments | Man | Oregon | Beloved copy of Newman's 1903 Pioneer for Salem, Oregon. It was repeatedly damaged by vandals before finally being removed in 2014. It was replaced with a bronze recasting two years later. | |||||||||
11 | Allen G. Newman | Minuteman | Minuteman | zinc | University of Northern Colorado campus | 40.408332, -104.692795 | 40.408332 | -104.692795 | Greeley, CO | 1911 | 1911-1938 | Early Monuments | Man | Colorado | Copy of Newman's 1903 Pioneer for Salem, Oregon. The statue was removed and lost when an adjacent building was remodeled in 1938. | |||||||||
12 | Allen G. Newman | Pioneer | Pioneer | zinc | Lake Avenue and Lakeshore Drive | 42.636630, -95.201001 | 42.63663 | -95.201001 | Storm Lake, IA | 1912 | 1912-1972 | Early Monuments | Man | Iowa | Copy of Newman's 1903 Pioneer for Salem, Oregon, donated by the Tuesday Club in 1912. The statue suffered repeated vandalism, and was finally removed in 1972. It was replaced in 1974 with a bronze replica, paid for by funds raised for the town's centennial. | |||||||||
13 | Mahonri M. Young | Seagull Monument | Seagull Monument | bronze | Temple Square | 40.769767, -111.892822 | 40.769767 | -111.892822 | Salt Lake City, UT | 1913 | 1913 | Early Monuments | Other | Temple Square | Utah | Mormon | https://pioneermonuments.net/wp-content/uploads/2017/01/Seagull-1.jpg | Cynthia Prescott | ||||||
14 | Charles Grafly | Pioneer Mother | Pioneer Mother | bronze | Golden Gate Park | 37.770892, -122.474298 | 37.770892 | -122.474298 | San Francisco, CA | 1915 | 1915 | Early Monuments | Woman | Fair | California | Ella Sterling Mighels envisioned a statue of a seated pioneer mother providing religious instruction to her children. The Panama-Pacific International Exposition’s Woman’s Board eventually took over promotion of Mighel's project. Prominent sculptor Charles Grafly substituted a white woman clad in fringed buckskin and moccasins, surrounded by nude children. Pressure from the Native Daughters of the Golden West persuaded Grafly to replace the buckskin and moccasins with Anglo-style clothing, but the children’s classical-style nudity remained. | Cynthia Prescott | |||||||
15 | James Earle Fraser | End of the Trail | The End of the Trail | plaster | Panama-Pacific International Exposition | 37.802327, -122.438855 | 37.802327 | -122.438855 | San Francisco, CA | 1915 | 1915? | Early Monuments | Other | Fair | California | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Restored and installed at National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City, where it was dedicated in 1971. | ||||||||
16 | Solon Borglum | American Pioneer | The American Pioneer / Pioneer | plaster | Panama-Pacific International Exposition | 37.802971, -122.439027 | 37.802971 | -122.439027 | San Francisco, CA | 1915 | 1915 | Early Monuments | Man | Fair | California | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Removed and destroyed 1980s. | See historic photograph at https://nationalcowboymuseum.org/learn-discover/online-unit-studies/end-of-the-trail-introduction/. | |||||||
17 | Frederick Hibbard | Pioneer | Pioneer / Corn Planter | bronze | University of Kansas campus | 38.956354, -95.243095 | 38.956354 | -95.243095 | Lawrence, KS | 1904 | 1904; erected 1916 | Early Monuments | Man | Kansas | Physician and real estate speculator Simeon Bell purchased this sculpture, titled "The Corn Planter," at the 1904 St. Louis World's Fair. He donated it to the University of Kansas in hopes that it would help future generations “understand the difficulties and handicaps early Kansans encountered.” It remained in storage until 1916, when it became the first work of statuary installed on that campus. It has been moved several times as the campus has changed. | |||||||||
18 | A. Phimister Proctor | The Pioneer | The Pioneer | bronze | University of Oregon campus | 44.044905, -123.075775 | 44.044905 | -123.075775 | Eugene, OR | 1918 | 1918 | Early Monuments | Man | Campus | Oregon | One of the few monuments to a generic pioneer man, this statue of an Anglo-American frontiersman dressed in buckskin was erected on the University of Oregon campus. A companion pioneer woman was erected a decade later next to the women's building. | Cynthia Prescott | A. Phimister Proctor, Pioneer Mother | ||||||
19 | John MacQuarrie | Pioneer Family | Pioneer Family / Donner Monument | bronze | Donner State Park | 39.323820, -120.231057 | 39.323820 | -120.231057 | Truckee, CA | 1918 | 1918 | Early Monuments | Family | Museum | California | Dr. Chester Warren Chapman, a member of the Native Sons of the Golden West, asked San Francisco sculptor Douglas Tilden to design the Donner Party monument for California’s Truckee Pass. Yet the Native Sons could not accept Tilden’s conception of a “lone pioneer figure” on top of a pedestal, surrounded by “a dozen or so figures sitting, lying, creeping in different attitudes from cowering anxiety to resignation of death.” Instead, they insisted on a generic pioneer figure whose victory over adversity was never in question. The monument committee instead selected John McQuarrie’s depiction of a sturdy pioneer family. Only the 22.5-foot base (marking the depth of the snow pack during the Donner Party’s entrapment) and bronze plaques at its base commemorate the 1846 emigrants’ suffering. | https://pioneermonuments.net/wp-content/uploads/2016/12/Donner-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Donner-detail-1.jpg | Cynthia Prescott | |||||
20 | Paul Fjelde | Mormon Trail Memorial | Mormon Trail Memorial | bronze | Bayliss Park | 41.25975, -95.85175 | 41.25975 | -95.85175 | Council Bluffs, IA | 1918 | 1918 | Early Monuments | Family | Park | Iowa | Mormon | Cynthia Prescott | |||||||
21 | James Earle Fraser | End of the Trail | The End of the Trail | plaster replaced with bronze copy | Mooney Grove Park | 36.278608, -119.312810 | 36.278608 | -119.312810 | Visalia, CA | 1919 | 1919 | Early Monuments | Other | Park | California | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Restored and installed at National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City, where it was dedicated in 1971. A bronze copy now stands in Visalia, CA. | ||||||||
22 | Solon Borglum | American Pioneer | The American Pioneer / Pioneer | plaster | Mooney Grove Park | 36.278608, -119.312810 | 36.278608 | -119.312810 | Visalia, CA | 1919 | 1919-1980s | Early Monuments | Man | Park | California | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Removed and destroyed 1980s. | Image available. | |||||||
23 | Merrell Gage | Daughters of Old Westport | Daughters of Old Westport Memorial | bronze | near Pioneer Park | 39.054363, -94.591068 | 39.054363 | -94.591068 | Westport, MO | 1920 | 1920 | Early Monuments | Woman | Rifle | Missouri | https://pioneermonuments.net/wp-content/uploads/2017/01/Gage-Westport-PM-2.jpg | Cynthia Prescott | https://pioneermonuments.net/search-monuments/?search=false&artist=Avard%20T.%20Fairbanks&sculpture=The%20Pioneer%20Mothers&date=1928&city=Vancouver%2C%20WA | ||||||
24 | A. Phimister Proctor | The Circuit Rider | The Circuit Rider | bronze | Capitol Park | 44.938226, -123.028855 | 44.938226 | -123.028855 | Salem, OR | 1924 | 1924 | Early Monuments | Man | Capitol | Oregon | This monument celebrates Christian ministers who served multiple congregations, traveling among them on horseback. | Cynthia Prescott | |||||||
25 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Broadway Bridge | 45.993095, -123.924249 | 45.993095 | -123.924249 | Seaside, OR | 1924 | 1924 | Early Monuments | Man and Woman | Oregon | Borrows from W.H.D. Koerner's famous 1921 oil painting Madonna of the Prairie, in which the wagon cover forms a kind of halo over the pioneer woman's head. First cast in 1924 for Seaside and Baker City, Oregon, this plaque was recast and repurposed many times.=HYPERLINK("https://pioneermonuments.net/wp-content/uploads/2017/01/Fairbanks-Old-Oregon-Trail-1.jpg","See image of another casting of this same work: ") | blue | W.H.D. Koerner, Madonna of the Prairie | |||||||
26 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Oregon Trail Interpretive Center | 44.813931, -117.729056 | 44.813931 | -117.729056 | Baker City, OR | 1924 | 1924 | Early Monuments | Man and Woman | Oregon | Borrows from W.H.D. Koerner's famous 1921 oil painting Madonna of the Prairie, in which the wagon cover forms a kind of halo over the pioneer woman's head. First cast in 1924 for Seaside and Baker City, Oregon, this plaque was recast and repurposed many times.=HYPERLINK("https://pioneermonuments.net/wp-content/uploads/2017/01/Fairbanks-Old-Oregon-Trail-1.jpg","See image of another casting of this same work: ") | blue | ||||||||
27 | Myra Reynolds Richards | Pioneer Family | Pioneer Family | limestone | Fountain Square, Indianapolis | 39.752165, -86.139814 | 39.752165 | -86.139814 | Indianapolis, IN | 1924 | 1924 | Early Monuments | Family | Bible | Indiana | Cynthia Prescott | ||||||||
28 | Robert Garrison | Covered Wagon Frieze | Covered Wagon Frieze | terra cotta with patina | Denver Botanical Gardens | 39.732132,-104.960029 | 39.732132 | -104.960029 | Denver, CO | 1925 | 1925 | Early Monuments | Man and Woman | Bank | Colorado | Originally located on the Midland Savings Building in Denver. | https://pioneermonuments.net/wp-content/uploads/2016/12/Garrison-frieze-2.jpg | Cynthia Prescott | ||||||
29 | Avard T. Fairbanks | US Bank Doors | US Bank Doors | bronze | U.S. Bank Building | 45.521489,-122.678454 | 45.521489 | -122.678454 | Portland, OR | 1926 | 1926-1931 | Early Monuments | Family | Bank | Oregon | blue | Cynthia Prescott | |||||||
30 | Torleif S. Knaphus | Handcart Pioneer | Handcart Pioneer Monument | bronze | LDS Temple Square | 40.769583, -111.892246 | 40.769583 | -111.892246 | Salt Lake City, UT | 1926 | 1926 | Early Monuments | Family | Temple Square | Utah | Mormon | Enlarged to heroic size in 1947. | Photo of 1947 enlargement | ||||||
31 | A. Phimister Proctor | Pioneer Mother | Pioneer Mother | bronze | Penn Valley Park | 39.077155, -94.589474 | 39.077155 | -94.589474 | Kansas City, MO | 1927 | 1927 | Pioneer Mother Movement | Man and Woman | Park | Missouri | This massive bronze grouping depicts a tender mother on horseback accompanied by her brave husband and a grizzled mountain-man guide, a clear allusion to George Caleb Bingham’s 1852 oil painting, Daniel Boone Escorting Settlers Through the Cumberland Gap. The Bible passage from the Book of Ruth that Proctor placed on Pioneer Mother monument’s base – “Whither thou goest I will go” – further underlined the gentle mother’s heroic endurance. By the 1980s, it had been forgotten by Kansas City residents, but in recent years the KC parks and recreation department has improved the landscaping. Kansas City rebuffed two attempts by neighboring Westport, MO, to claim the monument. | https://pioneermonuments.net/wp-content/uploads/2016/12/KC-PM-2.jpg | Cynthia Prescott | Daniel Boone Escorting Settlers through Cumberland Gap | |||||
32 | A. Phimister Proctor | Pioneer Mother | Pioneer Mother | bronze | University of Oregon campus | 44.044159, -123.075784 | 44.044159 | -123.075784 | Eugene, OR | 1928 | 1928 | Pioneer Mother Movement | Woman | Book | Campus | Oregon | This companion to the solo pioneer man located nearby on the University of Oregon campus was erected at the height of the Pioneer Mother Movement. Whereas most pioneer mothers sculpted in the late 1920s are depicted actively guiding their children westward, however, A. Phimister Proctor depicted an elderly woman resting from her labors, gazing contemplatively at the partially-open book in her lap. | Cynthia Prescott | A. Phimister Proctor, The Pioneer | |||||
33 | Avard T. Fairbanks | Pioneer Mother | Pioneer Mother | bronze | Esther Short Park | 45.627077, -122.674923 | 45.627077 | -122.674923 | Vancouver, WA | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Park | Washington | Like many other pioneer mother monuments erected in the late 1920s, this statue features a woman surrounded by her young children and armed with a rifle. However, this pioneer mother wears a scarf rather than a sunbonnet, and stands meekly, rather than stepping boldly westward. Fairbanks adapted his earlier "Old Oregon Trail" medallion for the reverse of the monument. In the postwar period, Esther Short Park became overgrown and dominated by drug users and the homeless. In the early 21st century, it was reinvented as part of a massive urban renewal project, and this monument was moved from its original grotto-like location to overlook a busy downtown street. | blue | Cynthia Prescott | Plaque on reverse | ||||
34 | Avard T. Fairbanks | Pioneer Mothers | The Pioneer Mothers | bronze | Esther Short Park | 45.627077, -122.674923 | 45.627077 | -122.674923 | Vancouver, WA | 1928 | 1928 | Pioneer Mother Movement | Man and Woman | Park | Washington | Fairbanks adapted his earlier "Old Oregon Trail" medallion to mount on the reverse of his "Pioneer Mother" statue for Vancouver, Washington. | Cynthia Prescott | Accompanies monument | ||||||
35 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Old Post Office | 38.983932, -77.094186 | 38.983932 | -77.094186 | Bethesda, MD | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Maryland | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | ||||||
36 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Madonna of the Trail Park | 40.060282, -80.012953 | 40.060282 | -80.012953 | Beallsville, PA | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Pennsylvania | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | David Culver | ||||||
37 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Wheeling Park, facing National Road | 40.055737, -80.669207 | 40.055737 | -80.669207 | Wheeling, WV | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | West Virginia | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | David Culver | ||||||
38 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | National Road Commons Park | 39.924771, -83.811197 | 39.924771 | -83.811197 | Springfield, OH | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Ohio | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | ||||||
39 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Glen Miller Park | 39.830476, -84.872207 | 39.830476 | -84.872207 | Richmond, IN | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Indiana | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | ||||||
40 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Old State House grounds | 38.960808, -89.094444 | 38.960808 | -89.094444 | Vandalia, IL | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Historic site | Illinois | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | |||||
41 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Downtown above Missouri River | 39.186581, -93.886154 | 39.186581 | -93.886154 | Lexington, MO | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Missouri | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | ||||||
42 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Corner of Main St. (US 56) & N. Union St. (KS-177) | 38.662048, -96.486885 | 38.662048 | -96.486885 | Council Grove, KS | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Historic site | Kansas | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | |||||
43 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Colorado Welcome Center | 38.089300, -102.619100 | 38.089300 | -102.619100 | Lamar, CO | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Colorado | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. See image of the Ohio Madonna of the Trail: https://pioneermonuments.net/wp-content/uploads/2016/12/OH-Madonna-1.jpg | yellow | |||||||
44 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | corner of Marble Ave. and Fourth St. | 35.092913, -106.649823 | 35.092913 | -106.649823 | Albuquerque, NM | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | New Mexico | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Anna Prescott | ||||||
45 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | 318 E Main St., next to McDonald's | 34.133259, -109.285118 | 34.133259 | -109.285118 | Springerville, AZ | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | Arizona | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. See image of the Ohio Madonna of the Trail: https://pioneermonuments.net/wp-content/uploads/2016/12/OH-Madonna-1.jpg | yellow | |||||||
46 | August Leimbach | Madonna of the Trail | Madonna of the Trail | poured algonite stone | Euclid Ave. at Foothill Blvd (Route 66) | 34.107224, -117.651186 | 34.107224 | -117.651186 | Upland, CA | 1928 | 1928 | Pioneer Mother Movement | Woman | Rifle | California | In 1911 the National Society Daughters of the American Revolution set out to mark the "Old Trails Road" stretching from Maryland to California. Initial plans for painted mileage markers were later abandoned in favor of commissioning twelve identical "Madonna of the Trail" statues to be placed in the 12 states through which the "Old Trails Road" passed. August Leimbach's larger-than-life pioneer woman steps forward boldly, armed with a rifle, and appears almost masculine. The artist envisioned a scene in which she is looking for her husband whom she believes to be in danger. Yet the title "Madonna of the Trail" evoked W. H. D. Koerner's famous image of a much gentler woman crowned by a covered-wagon halo. | yellow | Cynthia Prescott | ||||||
47 | Nancy Coonsman Hahn | Memorial to Pioneer Women | Memorial to Pioneer Women / The Colonial Mother | bronze | Forest Park | 38.645844, -90.285693 | 38.645844 | -90.285693 | St. Louis, MO | 1928 | 1928 | Pioneer Mother Movement | Woman | infant | Museum | Missouri | This monument's design was selected by the Daughters of the American Colonies. The statue was removed by vandals in 1969, but was later recovered. It is now held by the Missouri History Museum. | Image available here | ||||||
48 | Lorado Taft | The Pioneers | The Pioneers | bronze | Central Park | 40.778371, -89.965769 | 40.778371 | -89.965769 | Elmwood, IL | 1928 | 1928 | Pioneer Mother Movement | Man and Woman | Park | Illinois | https://pioneermonuments.net/wp-content/uploads/2016/12/Elmwood-1.jpg | Cynthia Prescott | |||||||
49 | Bryant Baker | Pioneer Woman | Pioneer Woman | bronze | Pioneer Woman Museum | 36.710056, -97.066011 | 36.710056 | -97.066011 | Ponca City, OK | 1929 | 1929 | Pioneer Mother Movement | Woman | Bible | Oklahoma | In 1926, oilman E. W. Marland commissioned twelve 3-foot models for a competition to select a pioneer woman monument. The models were shown in major cities across the country, where visitors cast their votes. Bryant Baker's winning entry, "Confident," was erected in Ponca City. | Cynthia Prescott | |||||||
50 | Maurice Sterne | The Settlers of New England | The Settlers of New England / The Monument to Our Pioneers / Rogers - Kennedy Memorial | stone and bronze | Elm Park | 42.269820, -71.817368 | 42.26982 | -71.817368 | Worcester, MA | 1929 | 1929 | Pioneer Mother Movement | Man and Woman | Park | Massachusetts | https://pioneermonuments.net/wp-content/uploads/2016/12/Worcester-MA-1.jpg | Timothy Culver | |||||||
51 | James Earle Fraser | End of the Trail | End of the Trail | bronze | Shaler Park | 43.637761, -88.730835 | 43.637761 | -88.730835 | Waupun, WI | 1929 | 1915; erected 1929 | Early Monuments | Other | Park | Wisconsin | Originally displayed in plaster at PPIE in 1915. Cast in bronze in 1929 as tribute to Native Americans who disappeared from Waupun, WI, area. | Read about the original statue. | |||||||
52 | James Earle Fraser | The Pioneers | The Pioneers | limestone | Michigan Ave. Bridge (DuSable Bridge) | 41.889174, -87.624215 | 41.889174 | -87.624215 | Chicago, IL | 1930 | 1930 | Pioneer Mother Movement | Man and Woman | Illinois | https://pioneermonuments.net/wp-content/uploads/2016/12/DuSalle-Bridge-1.jpg | Cynthia Prescott | ||||||||
53 | Cyrus Edwin Dallin | Pioneer Mother | Pioneer Mother / End of the Trail | bronze | City Park | 40.165170, -111.611113 | 40.165170 | -111.611113 | Springville, UT | 1931 | 1931 | Pioneer Mother Movement | Woman | neither | Park | Utah | Mormon | Cynthia Prescott | ||||||
54 | Unknown | Pioneers Who Founded Topeka | The Pioneers Who Founded Topeka | bronze or copper | Gage Park | 39.054725, -95.728606 | 39.054725 | -95.728606 | Topeka, KS | 1931 | 1931 | Pioneer Mother Movement | Man | Kansas | Relief of a frontier farm, with a log cabin, covered wagon, and a pioneer plowing. | |||||||||
55 | Ulric Ellerhusen | 1st Permanent Settlement | George Rogers Clark Memorial / The First Permanent Settlement of the West / Settlers of the West | granite | Fort Harrod State Park | 37.761334, -84.847338 | 37.761334 | -84.847338 | Harrodsburg, KY | 1932 | 1932 | Pioneer Mother Movement | Group | Historic Site / Museum | Kentucky | Cynthia Prescott | ||||||||
56 | Julius Loester | Benediction | Pioneers Monument / Benediction | bronze | Kingsborough Cemetery | 43.067629, -74.336132 | 43.067629 | -74.336132 | Gloversville, NY | 1932 | 1932 | Pioneer Mother Movement | Woman | New York | Bronze female figure "Benediction" wearing classical drapery stands in front of a granite slab inscribed with names of early settlers on the reverse. Erected by the Daughters of the American Revolution. | |||||||||
57 | Unknown | (Pioneer Woman) | (Pioneer Woman) | marble | Mount Hope Cemetery | 38.934033, -99.550533 | 38.934033 | -99.550533 | Ellis, KS | 1933 | 1933 | Pioneer Mother Movement | Woman | Books | Cemetery | Kansas | Cynthia Prescott | |||||||
58 | William Zorach | Pioneer Family Group | Pioneer Family Group (later cast as The Family) | model | Texas Centennial Commission | 30.275600, -97.740549 | 30.275600 | -97.740549 | Austin, TX | 1935 | 1935 model | Pioneer Mother Movement | Family | Texas | Selected by a panel of experts to be erected as part of the Texas Centennial celebration in 1936, this "Pioneer Family Group" monument design was rejected by the people of Texas as being an inappropriate way to commemorate pioneer women, and inappropriate for erection on the Texas Woman's College campus at Denton. In 1964 it was cast in bronze and erected in downtown Colorado Springs under the title "The Family." | Cynthia Prescott | ||||||||
59 | Ellis Luis Burman | The Pioneer Woman | The Pioneer Woman | bronze | Antelope Park | 40.795618, -96.675374 | 40.795618 | -96.675374 | Lincoln, NE | 1935 | commissioned 1925; erected 1935 | Pioneer Mother Movement | Woman | neither | Park | Nebraska | https://pioneermonuments.net/wp-content/uploads/2016/12/Lincoln-PM-mustache-1.jpg | Cynthia Prescott | ||||||
60 | Leo Friedlander | Pioneer Woman | Pioneer Woman | marble | Texas Woman's University | 33.223417, -97.129540 | 33.223417 | -97.129540 | Denton, TX | 1936 | 1936 | Pioneer Mother Movement | Woman | neither | Campus | Texas | A panel of experts selected William Zorach's "Pioneer Family Grouping" to erect on the campus of Texas Woman's College in Denton as part of the 1936 centennial celebration commemorating Texas' brief independence. However, public outrage met Zorach's nude family grouping. In response, the Texas Centennial Commission cancelled its contract with Zorach, and instead hired Leo Friedlander to create this demure solo pioneer woman. Unaccompanied by children and sculpted from white marble, she appears almost virginal in comparison to the "pioneer mothers" of the late 1920s. See also: https://arts-sciences.und.edu/math/faculty/timothy-prescott/monuments/monument.htmlsearch=false&artist=Leo%20Friedlander&sculpture=Pioneer%20Woman&city=Denton%2C%20TX; https://arts-sciences.und.edu/math/faculty/timothy-prescott/monuments/monument.html?search=false&artist=William%20Zorach&sculpture=The%20Family&city=Colorado%20Springs%2C%20CO | Cynthia Prescott | ||||||
61 | Avard T. Fairbanks | Tragedy at Winter Quarters | Tragedy at Winter Quarters | bronze | Pioneer Mormon Cemetery | 41.334935, -95.966330 | 41.334935 | -95.966330 | Florence, NE | 1936 | 1936 | Pioneer Mother Movement | Man and Woman | Historic Site / Museum | Nebraska | Mormon | Originally sculpted in wax along with "Youth and New Frontiers" (later "New Frontiers") for the Chicago World's Fair in 1934, this monument was soon cast in bronze and installed in the cemetery at the site of the temporary LDS settlement where several hundred settlers died during the winter of 1846-47. | blue | David Prescott | |||||
62 | Ulric Ellerhusen | Pioneer | Pioneer | gold gilded bronze | Oregon Capitol dome | 44.938745, -123.030406 | 44.938745 | -123.030406 | Salem, OR | 1936 | 1936 | Pioneer Mother Movement | Man | Capitol | Oregon | Cynthia Prescott | ||||||||
63 | John K. Daniels | Pioneers' Monument | Pioneers' Monument | granite | BF Nelson Park | 44.991782, -93.263842 | 44.991782 | -93.263842 | Minneapolis, MN | 1936 | 1936 | Pioneer Mother Movement | Group | Minnesota | Cynthia Prescott | |||||||||
64 | Unknown | Mormon Handcart Brigade | Mormon Handcart Brigade Camp Marker | bronze | S. T. Morrison Park | 41.678589, -91.585389 | 41.678589 | -91.585389 | Coralville, IA | 1936 | 1936 | Pioneer Mother Movement | Group | Iowa | Mormon | https://pioneermonuments.net/wp-content/uploads/2016/12/Coralville-DAR-boulder-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Coralville-DAR-detail-1.jpg | Cynthia Prescott | ||||||
65 | Frank A. Teich | Pioneer Memorial | Pioneer Memorial obelisk | granite | Hermann Park | 29.718704, -95.390946 | 29.718704 | -95.390946 | Houston, TX | 1936 | 1936 | Pioneer Mother Movement | Other | Texas | Erected on the centennial of Texas independence. | |||||||||
66 | Robert Neely | Pioneer Family | The Pioneer Family | cement | Grinnell Community Center | 41.744022, -92.722820 | 41.744022 | -92.72282 | Grinnell, IA | 1937 | 1937 | Pioneer Mother Movement | Family | Iowa | Donated by the Grinnell Chapter, Daughters of the American Revolution. Statue is on display inside the Community Center. | Image available here | ||||||||
67 | Unknown | Massengill Memorial | Massengil Memorial Monument | Winged Deer Park | 36.389873, -82.360348 | 36.389873 | -82.360348 | Johnson City, TN | 1937 | 1937 | Pioneer Mother Movement | Family | Tennessee | Depicts local settler Henry Massengill, his wife and daughter. Henry holds a rifle. His wife holds a book and carries a satchel that resemble those held by Bryant Baker's famous Pioneer Woman in Ponca City, Oklahoma. Their daughter holds a large bouquet of flowers. At their feet are a plow and a dog. Originally located at a highway intersection in north Johnson City, the monument was relocated in 1990 to accommodate a highway improvement project. | Image available here | |||||||||
68 | Leo Friedlander | The Covered Wagon | The Covered Wagon | marble | Oregon Capitol building | 44.938745, -123.030406 | 44.938745 | -123.030406 | Salem, OR | 1937 | circa 1937 | Pioneer Mother Movement | Family | Capitol | Oregon | In 1935, the Oregon statehouse burned to the ground. At the height of the Great Depression, Oregon relied in part on Works Progress Administration funding to build a grand new capitol building. Rather than recreate the copper-domed design typical of American state capitol buildings, Oregon erected a simple Modernistic design adorned with a pair of architectural sculptures depicting the Lewis and Clark Expedition and a family traveling on the Oregon Trail. In this covered wagon relief, the father steps boldly westward; his young son mimics his movement, but is held back by his kneeling mother. | Cynthia Prescott | |||||||
69 | Avard T. Fairbanks | New Frontiers | New Frontiers | bronze | LDS Conference Center, Temple Square | 40.772152, -111.892969 | 40.772152 | -111.892969 | Salt Lake City, UT | 1937 | 1937 | Pioneer Mother Movement | Family | Temple Square | Utah | Mormon | Originally sculpted in wax as a companion to "Tragedy at Winter Quarters" for the Chicago World's Fair in 1934, this monument was much later cast in bronze and placed inside the Church of Jesus Christ of Latter-day Saints' 21,000-seat Conference Center that was built adjacent to Temple Square in Salt Lake City in 2000. | blue | Cynthia Prescott | |||||
70 | Merrell Gage | Pioneer Women of Kansas | Pioneer Women of Kansas | bronze | Kansas Capitol grounds | 39.047390, -95.678890 | 39.047390 | -95.678890 | Topeka, KS | 1937 | 1937 | Pioneer Mother Movement | Woman | Rifle | Capitol | Kansas | Cynthia Prescott | |||||||
71 | Hugo Villa | German Pioneers of Texas | German Pioneers of Texas | bronze | Landa Park | 29.710975, -98.132590 | 29.710975 | -98.132590 | New Braunfels, TX | 1938 | 1938 | Pioneer Mother Movement | Family | Park | Texas | Cynthia Prescott | ||||||||
72 | Samuel Cashwan | Pioneer Mother | Pioneer Mother | stone | Clare Middle School | 43.822794, -84.765098 | 43.822794 | -84.765098 | Clare, MI | 1938 | 1938 | Pioneer Mother Movement | Woman | staff? | School | Michigan | Clare High School students raised funds to erect this monument. | |||||||
73 | Gabriel Lavare | (Pioneer woman reading to child) | (Pioneer woman reading to child) | marble | Oregon State Library | 44.939832, -123.030844 | 44.939832 | -123.030844 | Salem, OR | 1939 | circa 1939 | Pioneer Mother Movement | Woman | book | Capitol | Oregon | Cynthia Prescott | |||||||
74 | Byron S. Johnson | Humanity | Humanity | bronze | Pioneer Center grounds | 39.524214, -119.812032 | 39.524214 | -119.812032 | Reno, NV | 1939 | 1939 | Pioneer Mother Movement | Family | City Hall / Theater | Nevada | This monument was originally erected in front of the Old State Building. The statue was salvaged when the Old State Building was demolished in 1966 to make space for a new theater. Originally to be called the Apollo Center, the new building with a modernist gold geodesic dome roof instead became known as the Pioneer Center for the Performing Arts, taking its name from the 1939 Johnson pioneer monument. The new building is known locally as the "Golden Turtle." | Cynthia Prescott | |||||||
75 | Elbert Porter | Swiss Colony Historical Marker | Swiss Colony Daughters of Utah Pioneers Historical Marker | plaster; concrete | Church of Jesus Christ of Latter-day Saints | 37.133313, -113.653968 | 37.133313 | -113.653968 | Santa Clara, UT | 1939 | 1939 | Pioneer Mother Movement | Family | Utah | https://pioneermonuments.net/wp-content/uploads/2017/01/Santa-Clara-1.jpg | https://pioneermonuments.net/wp-content/uploads/2017/01/Santa-Clara-2.jpg | Joy Richie | |||||||
76 | Clarence Addison Shaler | Pioneers of Wisconsin | Pioneers of Wisconsin | bronze | Wilcox Park | 43.627496, -88.725015 | 43.627496 | -88.725015 | Waupun, WI | 1939 | 1939 | Pioneer Mother Movement | Man and Woman | Park | Wisconsin | |||||||||
77 | Alfonso Iannelli | Fountain of the Pioneers | Fountain of the Pioneers | concrete | Bronson Park | 42.290210, -85.585541 | 42.29021 | -85.585541 | Kalamazoo, MI | 1940 | Dedicated 1940 | Family Monuments | Other | Park | Michigan | Depicts a westward-facing white settler facing an American Indian wearing a feathered headdress. The artist explained that "the scheme of the fountain conveys the advance of the pioneers and the generations that follow, showing the movement westward, culminating in the tower-symbol of the pioneer while the Indian is shown in a posture of noble resistance, yet being absorbed as the white man advances; the pattern of the parapet rail indicates the rich vegetation and produce of the land." (https://www.kpl.gov/local-history/parks/fountain.aspx) | ||||||||
78 | Avard T. Fairbanks | Pioneering | Pioneering | bronze | Temple Square | 40.770064, -111.893688 | 40.770064 | -111.893688 | Salt Lake City, UT | 1942 | 1942 | Family Monuments | Family | Temple Square | Utah | Mormon | Relief Society Magazine (29, no. 9: 1) explained that this family group – consisting of “a stalwart father, a tender mother, an infant child, a sturdy boy – typifies the Mormon family as it ventured forth into the unknown West.” | blue | Cynthia Prescott | |||||
79 | Avard T. Fairbanks | Pioneer Family | Pioneer Family Group | bronze | North Dakota Capitol grounds | 46.817782, -100.782831 | 46.817782 | -100.782831 | Bismarck, ND | 1946 | 1946 | Family Monuments | Family | Capitol | North Dakota | Casting of this pioneer family grouping was delayed due to metal shortages during World War II. It was one of the first pioneer monuments to depict a pioneer family. The father plays the central role in this family unit, which also includes an adolescent son and a baby in its mother's arms. | blue | https://pioneermonuments.net/wp-content/uploads/2016/12/ND-PFam-2.jpg | Cynthia Prescott | |||||
80 | Torleif S. Knaphus | Handcart Pioneer | Handcart Pioneer Monument | bronze | LDS Temple Square | 40.769609, -111.892889 | 40.769609 | -111.892889 | Salt Lake City, UT | 1947 | 1947 | Family Monuments | Family | Temple Square | Utah | Mormon | Cynthia Prescott | |||||||
81 | Mahonri M. Young | This is the Place | This is the Place Monument | bronze | This is the Place Park | 40.752013, -111.816173 | 40.752013 | -111.816173 | Salt Lake City, UT | 1947 | 1947 | Family Monuments | Group | Historic Site / Museum | Utah | Mormon | In 1937, a state commission selected a grandson of Brigham Young to design this monument celebrating Brigham Young guiding Mormon migrants to Utah. It was dedicated on the centennial of their arrival in Salt Lake Valley. | Cynthia Prescott | ||||||
82 | Marshall M. Fredericks | Early Kentucky Settlers | Early Kentucky Settlers | bronze | Courier-Journal building | 38.247193, -85.761098 | 38.247193 | -85.761098 | Louisville, KY | 1948 | 1948 | Family Monuments | Man and Woman | Kentucky | Cynthia Prescott | |||||||||
83 | Alonzo Victor Lewis | Prospector | The Prospector | bronze | Pioneers Home grounds | 57.049797, -135.338154 | 57.049797 | -135.338154 | Sitka, AK | 1949 | commissioned 1926; erected 1949 | Family Monuments | Man | Alaska | Commissioned in 1926 by the Seattle Alaska Yukon Pioneers. Statue committee disbanded in 1942, and model placed in storage. Finally cast and erected in Sitka, Alaska, using funds from the state's Pioneer Monument Fund. Smaller model for this heroic-sized bronze erected in Seattle's Klondike Gold Rush National Historical Park at Pioneer Square. | https://ids.si.edu/ids/deliveryService?id=SAAM-SAK000205_1 | ||||||||
84 | Unknown | Pioneer Memorial | Pioneer Memorial obelisk | quartzite | Hilltop overlooking Sioux Falls | 43.5744007,-96.7117972 | 43.5744007 | -96.7117972 | Sioux Falls, SD | 1949 | 1949 | Other | South Dakota | Erected by the Minnehaha County Historical Society. The Society added a memorial block at the base of the obelisk in 2007. | ||||||||||
85 | Anna Belle Campbell | Prairie Family | Prairie Family / The Homesteaders | composite of concrete and stone | Mission Road traffic circle | 39.004455, -94.630372 | 39.004455 | -94.630372 | Prairie Village, KS | 1951 | 1951 | Family Monuments | Family | Shopping Center | Kansas | This statue was originally purchased by J. C. Nichols Company to place at the entrance to the Prairie Village Shopping Center in an attempt to historicize this postwar Kansas City suburb. It was moved to a fountain at the entrance to the town in 2002. | Cynthia Prescott | |||||||
86 | (Thomas) Puryear Mims | Mountain Group | Mountain Group / Pioneer Family | bronze | Cordell Hull State Office Building | 36.165043, -86.783066 | 36.165043 | -86.783066 | Nashville, TN | 1951 | 1951 | Family Monuments | Family | Capitol | Tennessee | |||||||||
87 | Unknown | Pioneer Mothers' Memorial | Pioneer Mothers' Memorial | stone | Pioneer Mothers Memorial Forest | 38.541247, -86.453023 | 38.541247 | -86.453023 | Paoli, IN | 1951 | 1951 | Family Monuments | Other | Park | Indiana | https://pioneermonuments.net/wp-content/uploads/2016/12/Paoli-wall-1.jpg | Cynthia Prescott | |||||||
88 | Jo Davidson | Pioneer Woman | Pioneer Woman | bronze | Pioneer Pipe Line Company | 40.862100, -111.905710 | 40.8621 | -111.90571 | Woods Cross, UT | 1953 | 1953 | Family Monuments | Woman | Utah | Mormon | |||||||||
89 | George Bauwens | Glendale Pioneers | Glendale Pioneers | bronze | Church of Jesus Christ of Latter-day Saints | 37.315997, -112.595465 | 37.315997 | -112.595465 | Glendale, UT | 1955 | 1955 | Family Monuments | Other | Utah | Mormon | |||||||||
90 | Francis Minturn Sedgwick; Vladimir Oslou | Laurel Hill Pioneer | Laurel Hill Pioneer Monument | bronze, marble and concrete | Cypress Lawn Memorial Park | 37.671686, -122.457574 | 37.671686 | -122.457574 | Colma, CA | 1955 | 1955 | Family Monuments | Family | Cemetery | California | Remains of 35,000 California settlers were moved from San Francisco's Laurel Hill Cemetery to Colma's Cypress Lawn Memorial Park in 1946 so that the historic cemetery could be sold to real estate developers. Most original grave markers were used to construct a breakwater in the Marina. The Laurel Hill Cemetery Association commissioned tis monument to honor the settlers whose remains had been reinterred. It features a pioneer family and a relief of a covered wagon at the base of a concrete obelisk. | ||||||||
91 | Frederic Littman | Pioneer Woman | Pioneer Woman / Joy / Young Pioneer Woman / Laberee Memorial Fountain / Mother/Child | bronze | Council Crest Park | 45.498358, -122.708010 | 45.498358 | -122.70801 | Portland, OR | 1956 | 1956 | Family Monuments | Woman | Park | Oregon | Images available at https://racc.org/public-art/search/?recid=812.182. | ||||||||
92 | Avard T. Fairbanks | Guidance of Youth | Guidance of Youth | bronze | Bush's Pasture Park | 44.930173, -123.039663 | 44.930173 | -123.039663 | Salem, OR | 1958 | 1958 | Family Monuments | Family | Park | Oregon | Carroll Moore left his life savings to pay for a pioneer monument for Salem, Oregon. Plans to purchase a nude Pierre-Auguste Renoir Venus Victorious statue sparked controversy. The committee instead selected Avard Fairbanks' depiction of a pioneer family; the strapping young son leads the way into the future. Fairbanks adapted earlier Oregon Trail imagery for an Oregon Centennial medallion on the rear of the monument. | blue | https://pioneermonuments.net/wp-content/uploads/2017/01/Guidance-of-Youth-2.jpg | Cynthia Prescott | |||||
93 | Avard T. Fairbanks | Oregon Centennial Medallion | Oregon Centennial Medallion | bronze | Bush's Pasture Park | 44.930173, -123.039663 | 44.930173 | -123.039663 | Salem, OR | 1958 | 1958 | Family Monuments | Family | Park | Oregon | Fairbanks adapted earlier Oregon Trail imagery for this Oregon Centennial medallion. The pioneer man rides a horse, while his wife rides in the covered wagon holding an infant. In the foreground, their son drives the ox team. | Cynthia Prescott | |||||||
94 | Gordon Shumaker | Pioneer Woman | Pioneer Woman | fiberglass | in front of Pioneer Portrait Hall, Minnesota State Fairgrounds | 44.979056, -93.170776 | 44.979056 | -93.170776 | St. Paul, MN | 1958 | 1958 | Family Monuments | Woman | Fair | Minnesota | Cynthia Prescott | ||||||||
95 | Leonard McMurry | Pioneers of 1889 | Pioneers of 1889 | bronze | Kerr Couch Park | 35.469512, -97.515126 | 35.469512 | -97.515126 | Oklahoma City, OK | 1959 | 1959 | Family Monuments | Other | Oklahoma | ||||||||||
96 | Unknown | (Pioneer Woman and Child) | (Pioneer Woman and Child) | painted concrete | Western Savings Bank Building | 33.415740, -111.874692 | 33.415740 | -111.874692 | Mesa, AZ | 1960 | circa 1960 | Family Monuments | Woman | Arizona | Cynthia Prescott | |||||||||
97 | Wheeler Williams | Pioneer Mother of Kansas | Pioneer Mother of Kansas | bronze | Public Library lawn, Cooper Park | 37.043526, -100.922119 | 37.043526 | -100.922119 | Liberal, KS | 1961 | designed 1927; erected 1961 | Family Monuments | Woman | Library | Kansas | Originally submitted to the Ponca City, Oklahoma, Pioneer Woman competition, this piece was later cast in bronze for Liberal, Kansas. | Image available here | |||||||
98 | William Zorach | The Family | The Family | bronze | Colorado Springs Fine Arts Center | 38.845337, -104.826071 | 38.845337 | -104.826071 | Colorado Springs, CO | 1964 | 1964 | Family Monuments | Family | Bank | Colorado | Selected by a panel of experts to be erected as part of the Texas Centennial celebration in 1936, this "Pioneer Family Group" monument design was rejected by the people of Texas as being an inappropriate way to commemorate pioneer women, and inappropriate for erection on the Texas Woman's College campus at Denton. In 1964 it was cast in bronze and erected in downtown Colorado Springs under the title "The Family." In the 1990s, the Colorado Springs casting was sold at auction, but another casting of the same work was donated to the Colorado Springs Fine Arts Center. (Photo shown is of the Colorado Springs Fine Arts Center's statue, which once stood in front of a Pueblo, Colorado, bank.) | Cynthia Prescott | |||||||
99 | William Zorach | The Family | The Family | bronze | Columbia Savings Bank (later moved to Colorado Springs Fine Arts Center) | 38.267993, -104.608453 | 38.267993 | -104.608453 | Pueblo, CO | 1964 | 1964; relocated 1994 | Family Monuments | Family | Bank | Colorado | Selected by a panel of experts to be erected as part of the Texas Centennial celebration in 1936, this "Pioneer Family Group" monument design was rejected by the people of Texas as being an inappropriate way to commemorate pioneer women, and inappropriate for erection on the Texas Woman's College campus at Denton. In 1964 it was cast in bronze and erected in downtown Pueblo, Colorado, under the title "The Family." In 1994 it was donated to the Colorado Springs Fine Arts Center. | Cynthia Prescott | |||||||
100 | Susan M. Pogzeba | Homage to the Pioneer | Homage to the Pioneer | bronze | Zeckendorf Park | 39.72714,-104.9865714 | 39.72714 | -104.9865714 | Denver, CO | 1968 | 1968 | Family Monuments | Family | Park | Colorado | Cynthia Prescott | ||||||||
101 | Charles B. Martin | Arizona's Pioneer Women | Arizona's Pioneer Women | copper | Wesley Bolin Plaza | 33.448130, -112.094290 | 33.44813 | -112.09429 | Phoenix, AZ | 1968 | 1968 | Family Monuments | Woman | Capitol | Arizona | https://pioneermonuments.net/wp-content/uploads/2017/01/Arizona-PM-1.jpg | Cynthia Prescott | |||||||
102 | Pete Felten, Jr. | Pioneer Family Statue | Pioneer Family Statue | limestone | North Penn Avenue | 39.8243193,-100.528994 | 39.8243193 | -100.528994 | Oberlin, KS | 1971 | 1971 | Family Monuments | Family | Kansas | https://pioneermonuments.net/wp-content/uploads/2016/12/Oberlin-PFam-mom-girl-1.jpg | Cynthia Prescott | ||||||||
103 | James Earle Fraser | End of the Trail | The End of the Trail | plaster | National Cowboy & Western Heritage Museum | 35.536006, -97.483153 | 35.536006 | -97.483153 | Oklahoma City, OK | 1971 | 1971 | Family Monuments | Other | Art Museum | Oklahoma | Removed after end of PPIE fair in December 1915. Relocated to Mooney Grove Park, Visalia, California, in 1919. Restored and installed at National Cowboy Hall of Fame and Western Heritage Center in Oklahoma City, where it was dedicated in 1971. | Learn more | |||||||
104 | Granville W. Carter | West Texas Pioneer Family | West Texas Pioneer Family | bronze | Avenue Q at 13th St. | 33.583333, -101.854722 | 33.583333 | -101.854722 | Lubbock, TX | 1971 | 1971 | Family Monuments | Family | Texas | Depicts a pioneer man holding a hoe, a woman holding a Bible and a daisy, and a boy holding a lariat. | |||||||||
105 | Gus Shafer | Wagon Master | The Wagon Master | bronze | Intercontinental Hotel | 39.039408, -94.593106 | 39.039408 | -94.593106 | Kansas City, MO | 1973 | 1973 | Family Monuments | Man | Missouri | https://pioneermonuments.net/wp-content/uploads/2016/12/KC-Wagon-Master-1.jpg | Cynthia Prescott | ||||||||
106 | Pete Felten, Jr. | Boot Hill Man | Boot Hill Cowboy / The Homesteader | limestone | Boot Hill Cemetery | 38.878528, -99.327725 | 38.878528 | -99.327725 | Hays, KS | 1973 | 1973 | Family Monuments | Man | Cemetery | Kansas | |||||||||
107 | Gordan Dingman | Life Sketches | Life Sketches | brick | 16 N Minnesota St. | 44.313850, -94.459376 | 44.313850 | -94.459376 | New Ulm, MN | 1974 | 1974 | Family Monuments | Group | Minnesota | https://pioneermonuments.net/wp-content/uploads/2016/12/New-Ulm-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/New-Ulm-2.jpg | Michael Lansing | |||||||
108 | Edward J. Fraughton | Mormon Pioneer Memorial | Mormon Pioneer Memorial Monument / "All is Well" | bronze | Brigham Young Family Memorial Cemetery | 40.770287, -111.885657 | 40.770287 | -111.885657 | Salt Lake City, UT | 1974 | 1974 | Family Monuments | Family | Utah | Mormon | Commissioned by the National Society of the Sons of Utah Pioneers | ||||||||
109 | Allen G. Newman | Pioneer | Pioneer | bronze | Lake Avenue and Lakeshore Drive | 42.636676, -95.200955 | 42.636676 | -95.200955 | Storm Lake, IA | 1974 | 1974 | Early Monuments | Man | Iowa | Bronze recasting of Newman's 1910 zinc sculpture that had been badly damaged. Paid for with funds raised for the Storm Lake Centennial in 1973. | |||||||||
110 | Pete Felten, Jr. | Pioneer Family | Pioneer Family / Volga German Immigrant Family | limestone | Corner of 19th & Cathedral | 38.856357, -99.151051 | 38.856357 | -99.151051 | Victoria, KS | 1976 | 1976 | Family Monuments | Family | Historic Site | Kansas | Juti Winchester | ||||||||
111 | Ann Opgenorth and Donna Marihar | Five Figures | Five Figures for Five Flags (Pioneers Sculpture) | bronze | Cathedral Square | 42.495283, -90.666546 | 42.495283 | -90.666546 | Dubuque, IA | 1976 | 1976 | Family Monuments | Group | Park | Iowa | https://pioneermonuments.net/wp-content/uploads/2016/12/Dubuque-5-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/Dubuque-5-2.jpg | Cynthia Prescott | ||||||
112 | Richard Bergen | Heritage Woman | Heritage Woman | bronze | Heritage Park | 37.684694, -97.337523 | 37.684694 | -97.337523 | Wichita, KS | 1976 | 1976 | Family Monuments | Woman | Museum | Kansas | This nude pioneer woman was warmly received amid U.S. Bicentennial celebrations. In recent years it has been vandalized repeatedly. Offsite for repairs as of Fall 2016. | https://pioneermonuments.net/wp-content/uploads/2017/01/HeritageSquare.jpg | Courtesy of City of Wichita Park and Recreation Department | ||||||
113 | W. Walter Campbell | Pioneer Family | Pioneer Family | limestone | Blair County Courthouse | 40.430007, -78.392477 | 40.430007 | -78.392479 | Hollidaysburg, PA | 1976 | 1976 | Family Monuments | Family | Pennsylvania | Erected to commemorate the nation's Bicentennial. | https://learninglab.si.edu/resources/view/122447# | ||||||||
114 | Rich Muno | Pioneer Man | Pioneer Man | bronze | Clinton City Hall | 35.515646, -98.965352 | 35.515646 | -98.965352 | Clinton, OK | 1976 | 1976 | Family Monuments | Man | Oklahoma | Man wearing wide-brimmed hat, collared work shirt and pants held up by suspenders. Holds an ax in his proper right hand. A Winchester rifle stands propped up to his left. Dedicated July 4, 1976, amid U.S. Bicentennial celebrations. | |||||||||
115 | Frederick A. Olds | Statehood | Statehood (Oklahoma) | bronze | Oklahoma Territorial Museum front entrance | 35.878201, -97.421013 | 35.878201 | -97.421013 | Guthrie, OK | 1977 | 1977 | Family Monuments | Man and Woman | Museum | Oklahoma | Depicts a wedding ceremony between a white cowboy and Miss Indian Territory. | Cynthia Prescott | |||||||
116 | George Bassett | Delavan Pioneers | Delavan Pioneers / Land is Our Heritage | bronze | 2nd Street park | 43.767564, -94.019145 | 43.767564 | -94.019145 | Delavan, MN | 1977 | 1977 | Family Monuments | Man and Woman | Minnesota | Dedicated during the town's centennial in 1977. | |||||||||
117 | Avard T. Fairbanks | American Family | The American Family | bronze | Utah County courthouse lawn | 40.232651, -111.658378 | 40.232651 | -111.658378 | Provo, UT | 1978 | 1978 | Family Monuments | Family | Courthouse | Utah | Mormon | Avard Fairbanks first proposed this monument depicting his religious vision of a child kneeling at his father's knee in prayer to the First Presidency of the Church of Jesus Christ of Latter-day Saints in the 1940s. It was not cast in bronze until the 1970s, when it was erected on the courthouse lawn in Provo, Utah. Working titles that reflected Fairbanks' LDS faith -- "God Bless this Home" and "The Eternal Family" -- were later replaced by the more inclusive "The American Family." | blue | Cynthia Prescott | |||||
118 | Avard T. Fairbanks | American Motherhood | American Motherhood | marble | Utah County courthouse | 40.232807, -111.658012 | 40.232807 | -111.658012 | Provo, UT | 1979 | 1979 | Family Monuments | Woman | Courthouse | Utah | Mormon | The woman in this sculpture closely resembles the pioneer women in earlier Avard Fairbanks bronzes, including the nearby The American Family and Fairbanks’ 1946 North Dakota Pioneer Family Group. Models of this statue are presented to local, state, and national Mother of the Year recipients by the inter-faith American Mothers, Inc. | blue | Cynthia Prescott | |||||
119 | Pershing Geiger | The Homesteader | The Homesteader | bronze | Homesteader Plaza | 42.849947, -106.322029 | 42.849947 | -106.322029 | Casper, WY | 1979 | 1979 | Family Monuments | Man | Wyoming | ||||||||||
120 | Christian Petersen | Madonna of the Prairie | Madonna of the Prairie / Prairie Woman | limestone | Iowa State University College of Education | 42.029720, -93.645397 | 42.029720 | -93.645397 | Ames, IA | 1982 | circa 1940; erected 1982 | Culture Wars | Woman | Campus | Iowa | Pamela Riney-Kehrberg | ||||||||
121 | Steve Shields | Pioneer | Pioneer | copper | Pioneer Cemetery | 36.864302, -87.492711 | 36.864302 | -87.492711 | Hopkinsville, KY | 1984 | 1984 | Culture Wars | Man | Kentucky | ||||||||||
122 | Jack Cartlidge | Pioneer Family | Pioneer Family / Pioneer Family Hears a Sound is it Bears or Billy Bowlegs? | copper | City Hall | 27.337667, -82.539967 | 27.337667 | -82.539967 | Sarasota, FL | 1984 | 1984 | Culture Wars | Family | Florida | ||||||||||
123 | Charlie Norton | Spirit of the Prairie | Spirit of the Prairie | bronze | Thomas County Courthouse | 39.396089, -101.043197 | 39.396089 | -101.043197 | Colby, KS | 1985 | 1985 | Culture Wars | Woman | Courthouse | Kansas | Cynthia Prescott | ||||||||
124 | Mike Capser | Pioneer's Vision | Pioneer's Vision | bronze with patina | First Interstate Bank Building | 45.783654, -108.512395 | 45.783654 | -108.512395 | Billings, MT | 1985 | 1985 | Culture Wars | Family | Bank | Montana | https://pioneermonuments.net/wp-content/uploads/2016/12/Pioneers-Vision-2.jpg | Pamela Pierce | |||||||
125 | Bill Nebeker | Early Settlers | Early Settlers | bronze | Memorial Island Park | 34.544507, -112.454130 | 34.544507 | -112.45413 | Prescott, AZ | 1985 | 1985 | Culture Wars | Group | Arizona | Four figures back-to-back in a circle: pioneer woman wearing a sunbonnet and holding a Bible, rancher holding a rope, wagon master with a whip, and miner with a gold pan. | https://walkingprescott.blogspot.com/2008/11/prescotts-heroic-bronzes.html | ||||||||
126 | Thomas L. Beard | Pioneer Square | Pioneer Square Monument | bronze | Pioneer Square | 39.053690, -94.590608 | 39.053690 | -94.590608 | Westport, MO | 1986 | 1986 | Heritage Tourism | Group | Missouri | Cynthia Prescott | |||||||||
127 | Greg Todd | They Came to Stay | They Came to Stay | bronze | Sherman County Courthouse grounds | 39.350941, -101.710171 | 39.350941 | -101.710171 | Goodland, KS | 1987 | 1987 | Culture Wars | Man and Woman | Courthouse | Kansas | Cynthia Prescott | ||||||||
128 | Harold T. Holden | Boomer | Boomer | bronze | Cherokee Strip Conference Center | 36.395333, -97.879050 | 36.395333 | -97.87905 | Enid, OK | 1987 | 1987 | Culture Wars | Man | Oklahoma | Cynthia Prescott | |||||||||
129 | Claude H. Pomeroy | Mesa Pioneer Monument | Mesa Pioneer Monument / Pioneer Park Statue | bronze | Pioneer Park | 33.415310, -111.819606 | 33.415310 | -111.819606 | Mesa, AZ | 1988 | 1988 | Culture Wars | Group | Park | Arizona | Cynthia Prescott | ||||||||
130 | Orville Quick | Pioneer Woman and Child | Pioneer Woman and Child | concrete | McCone County Museum | 47.413693, -105.590447 | 47.413693 | -105.590447 | Circle, MT | 1989 | 1989 | Culture Wars | Woman | Museum | Montana | Pamela Pierce | ||||||||
131 | Lyndon Fayne Pomeroy | Pioneer Canal Digger | Pioneer Canal Digger | steel | Pioneer Park | 44.017125, -107.956251 | 44.017125 | -107.956251 | Worland, WY | 1989 | 1989 | Culture Wars | Man | Park | Wyoming | |||||||||
132 | Michael Westergard | With Courage They Came | With Courage They Came | bronze | Sheridan County Civic Center | 48.770327, -104.539134 | 48.770327 | -104.539134 | Plentywood, MT | 1989 | 1989 | Culture Wars | Family | Civic Center | Montana | Pamela Pierce | ||||||||
133 | George O. Cornish | Pioneer Gratitude | Pioneer Gratitude | bronze | Hurricane Valley Heritage Park | 37.176575, -113.288822 | 37.176575 | -113.288822 | Hurricane, UT | 1989 | 1989 | Culture Wars | Family | Park | Utah | Mormon | https://pioneermonuments.net/wp-content/uploads/2017/01/Hurricane-1.jpg | Joy Richie | ||||||
134 | Dee Jay Bawden | Sons of Utah Pioneers | Sons of Utah Pioneers Pioneer Monument | bronze | Founders Park | 40.920319, -111.878706 | 40.920319 | -111.878706 | Centerville City, UT | 1990 | 1990 | Culture Wars | Family | Park | Utah | Mormon | Cynthia Prescott | |||||||
135 | Juan Lombardo-Rivera | Pioneer Woman | The Pioneer Woman | bronze | National Frontier Trails Museum | 39.086795, -94.419227 | 39.086795 | -94.419227 | Independence, MO | 1990 | 1990; stolen and destroyed 2013 | Heritage Tourism | Woman | Museum | Missouri | Stolen in 2013 and sold for scrap metal. The city of Independence has vowed to replace it with a similar statue. | Cynthia Prescott | |||||||
136 | Pat Mathiesen | Spirit of the Frontier | Spirit of the Frontier | bronze | Frontier Village shopping center, Yavapai-Prescott Reservation | 34.549235, -112.437700 | 34.549235 | -112.437700 | Prescott, AZ | 1990 | 1990 | Culture Wars | Woman | Shopping Center | Arizona | Erected at the height of the "New Western History" on Yavapai reservation lands, this monument appears to depict indigenous and Anglo-American mothers as equals. But Mathiesen balanced inclusivity with more traditional Turnerian frontier imagery. Mathiesen paired a traditional pioneer mother and son with a Yavapai woman holding a baby. Yet the artist did not treat the two women equally. The white pioneer gazes confidently into the future, her hands resting proudly on the shoulders of her school-aged son. Like pioneer family monuments from the 1950s, the books clasped in his arm and proud expression on his face assure the viewer that the boy is preparing to lead the nation. In contrast, the indigenous mother gazes downward at her infant strapped tightly to a cradle board, suggesting the backwardness of such cultural persistence. The wagon wheel standing between the Anglo and Indian figures visually ties them together, but also promises progress toward a more white and civilized future.This inclusive imagery seems at odd with the Turnerian title celebrating the frontier. | Cynthia Prescott | |||||||
137 | Burke Rutherford | (Pioneer Woman) | (Pioneer Woman) | bronze with patina | Pioneer Park | 44.016957, -107.956691 | 44.016957 | -107.956691 | Worland, WY | 1992 | 1992 | Culture Wars | Woman | Park | Wyoming | https://pioneermonuments.net/wp-content/uploads/2017/01/Worland-PM-1.jpg | Angela Harrison-Urlacher | Another casting of this statue | ||||||
138 | David Manuel | The Promised Land | The Promised Land | painted bronze | Chapman Square | 45.515339, -122.677615 | 45.515339 | -122.677615 | Portland, OR | 1993 | 1993 | Culture Wars | Family | Park | Oregon | Cynthia Prescott | ||||||||
139 | George Wayne Lundeen | Promise of the Prairie | Promise of the Prairie | bronze | Lincoln Park | 40.424413, -104.693510 | 40.424413 | -104.69351 | Greeley, CO | 1993 | 1993 | Culture Wars | Family | Colorado | ||||||||||
140 | George Wayne Lundeen | Promise of the Prairie | Promise of the Prairie | bronze | City Hall | 39.862317, -105.048500 | 39.862317 | -105.0485 | Westminster, CO | 1993 | 1993 | Culture Wars | Family | Colorado | ||||||||||
141 | Bill Bennett | Hopes and Dreams | Hopes and Dreams | bronze | Noble County Courthouse grounds | 36.286652, -97.286272 | 36.286652 | -97.286272 | Perry, OK | 1993 | 1993 | Culture Wars | Man and Woman | Courthouse | Oklahoma | |||||||||
142 | Harold T. Holden | Holding the Claim | Holding the Claim | bronze | Government Springs Park | 36.392773, -97.870809 | 36.39277 | -97.870809 | Enid, OK | 1993 | 1993 | Culture Wars | Man | Historic site | Oklahoma | https://pioneermonuments.net/wp-content/uploads/2017/01/Enid-Holding-the-Claim-1.jpg | Cynthia Prescott | |||||||
143 | Jo Saylors | This Land is Mine | This Land is Mine / Centennial Statue | bronze | City Hall | 36.703368, -97.078039 | 36.703368 | -97.078039 | Ponca City, OK | 1993 | 1993 | Culture Wars | Man | Oklahoma | Commemorates centennial of the Cherokee Strip Land Run. The original title of the work, "This Land is Mine," was stripped from the work in response to protest from the local Indian community. | |||||||||
144 | Dorothy L. Koelling | Hardship and Dreams | Hardship and Dreams | bronze | A. Price Woodard Park | 37.683634, -97.342477 | 37.683634 | -97.342477 | Wichita, KS | 1994 | 1994 | Culture Wars | Woman | Kansas | 1989 design; installed 1994 | Cynthia Prescott | ||||||||
145 | Bernadette Hess Carman | Land of Hope | Land of Hope | bronze | County Courthouse grounds | 36.881096, -97.053948 | 36.881096 | -97.053948 | Newkirk, OK | 1994 | 1994 | Culture Wars | Man and Woman | Courthouse | Oklahoma | |||||||||
146 | Scott Stearman | Harvest Prayer | Harvest Prayer | bronze | MidAmerica Nazarene College campus | 38.874243, -94.781752 | 38.874243 | -94.781752 | Olathe, KS | 1994 | 1994 | Culture Wars | Man and Woman | Campus | Kansas | Marks the junction of the Santa Fe and Oregon Trails in Olathe, Kansas. | ||||||||
147 | Burke Rutherford | (Pioneer Woman) | (Pioneer Woman) | bronze with patina | New Mexico Highlands University | 35.595649, -105.219289 | 35.595649 | -105.219289 | Las Vegas, NM | 1995 | 1995 | Culture Wars | Woman | Campus | New Mexico | Another casting of this statue | ||||||||
148 | Clifford J. Carlson | Promise of America | The Promise of America (Norwegian-American Immigrant Family Monument) | bronze | N. 3rd Ave. E. near Hwy 971 | 43.422450, -93.515367 | 43.422450 | -93.515367 | Lake Mills, IA | 1995 | 1995 | Heritage Tourism | Family | Iowa | https://pioneermonuments.net/wp-content/uploads/2016/12/Lake-Mills-Norwegian-1.jpg | Cynthia Prescott | ||||||||
149 | Mike Cunningham | Walking to Texas | Walking to Texas | limestone | Liberty Plaza Park | 32.939360, -97.078103 | 32.93936 | -97.078105 | Grapevine, TX | 1996 | 1996 | Heritage Tourism | Man and Woman | Texas | ||||||||||
150 | Franz and Nathan Johansen | Handcart Pioneer | (Handcart Pioneer Monument) | bronze | Mormon Trail Center at Winter Quarters | 41.335337, -95.965064 | 41.335337 | -95.965064 | Florence, NE | 1997 | 1997 | Heritage Tourism | Family | Museum | Nebraska | Mormon | https://pioneermonuments.net/wp-content/uploads/2016/12/WQ-handcart-1.jpg | Cynthia Prescott | ||||||
151 | Linda Sioux Henley | Texas Pioneer Woman | Texas Pioneer Woman | bronze | Capitol lawn | 30.275600, -97.740549 | 30.275600 | -97.740549 | Austin, TX | 1998 | 1998 | Culture Wars | Woman | Capitol | Texas | Cynthia Prescott | ||||||||
152 | Jay O'Meilia | Frontier Woman | Frontier Woman | bronze | Gilcrease Museum | 36.173942, -96.020629 | 36.173942 | -96.020629 | Tulsa, OK | 1998 | 1998 | Heritage Tourism | Woman | Art museum | Oklahoma | |||||||||
153 | Tom Otterness | Gold Rush | Gold Rush | bronze | Robert T. Matsui U.S. Courthouse | 38.583355, -121.499305 | 38.583355 | -121.499305 | Sacramento, CA | 1999 | 1999 | Heritage Tourism | Family | Courthouse | California | Aimee Duchsherer | ||||||||
154 | Stanley J. Watts | Journey's End | Journey's End / Mormon Trail Monument / Handcart Monument | bronze | This is the Place Park | 40.752574, -111.816556 | 40.752574 | -111.816556 | Salt Lake City, UT | 1999 | 1999 | Heritage Tourism | Family | Historic site / museum | Utah | Mormon | Cynthia Prescott | |||||||
155 | D'Leanne Trueblood | Pioneer Classroom | Pioneer Classroom | bronze | Legacy Trail Park | 35.220471, -97.443104 | 35.220471 | -97.443104 | Norman, OK | 1999 | 1999 | Culture Wars | Woman | Oklahoma | ||||||||||
156 | Jim Thomas | The Crossing | The Crossing | bronze | Chisholm Trail Crossing Park | 30.511995, -97.689545 | 30.511995 | -97.689545 | Round Rock, TX | 2000 | 2000 | Heritage Tourism | Group | Historic site | Texas | https://pioneermonuments.net/wp-content/uploads/2017/01/Round-Rock-cow-swedish-1.jpg | Cynthia Prescott | |||||||
157 | Stanley J. Watts | Handcart Pioneers | Handcart Pioneers | bronze | Coralville Marriott | 41.681759, -91.559271 | 41.681759 | -91.559271 | Coralville, IA | 2000 | circa 2000 | Heritage Tourism | Family | Iowa | Mormon | Copy after Torleif Knaphus Handcart Pioneer Monument | https://pioneermonuments.net/wp-content/uploads/2016/12/marriott-handcart-1.jpg | Cynthia Prescott | ||||||
158 | Kwan Wu | Children of the Trails | Children of the Trails | bronze | Johnson County Courthouse grounds | 38.882030, -94.820076 | 38.88203 | -94.820076 | Olathe, KS | 2000 | 2000 | Heritage Tourism | Other | Courthouse | Kansas | |||||||||
159 | Trygve A. Rovelstad | Pioneer Family | Pioneer Family Memorial | bronze | Kimball St. Bridge | 42.041485, -88.288739 | 42.041485 | -88.288739 | Elgin, IL | 2001 | designed 1935; erected 2001 | Heritage Tourism | Family | Illinois | Commissioned in 1935 to celebrate Elgin, Illinois' centennial, but fundraising efforts stalled during the Great Depression. The city later decided to erect a log cabin replica instead. The artist struggled throughout his lifetime to raise funds for a heroic-sized bronze casting. He completed the design with the assistance of his daughter, Annie Rovelstad-Lucky, in 1985. It was cast and erected after the artist's death as part of Elgin's riverfront redevelopment in 2001. | Cynthia Prescott | ||||||||
160 | Jerry Anderson | Pioneer Mother Monument | Pioneer Mother Monument | bronze | Historic Relief Society Hall | 37.130033, -113.513413 | 37.130033 | -113.513413 | Washington, UT | 2001 | 2001 | Heritage Tourism | Woman | Historic site | Utah | Mormon | Joy Richie | |||||||
161 | Mischell Riley | Stella at the Spring | Stella at the Spring | bronze | Roger T. Sermon Community Center | 39.092670, -94.411288 | 39.09267 | -94.411288 | Independence, MO | 2001 | 2001 | Heritage Tourism | Woman | Missouri | A young pioneer woman carrying a bucket gazes off in the distance toward a companion piece, Mischell Riley's A Young Native American. | |||||||||
162 | Avard T. Fairbanks | Old Oregon Trail | Old Oregon Trail | bronze | Oregon Trail Historic Reserves Park | 43.542328, -116.109525 | 43.542328 | -116.109525 | Boise, ID | 2002 | 1924; erected 2002 | Heritage Tourism | Man and Woman | Historic site | Idaho | Borrows from W.H.D. Koerner's famous 1921 oil painting Madonna of the Prairie, in which the wagon cover forms a kind of halo over the pioneer woman's head. First cast in 1924 for Seaside and Baker City, Oregon, this plaque was recast and repurposed many times.=HYPERLINK("https://pioneermonuments.net/wp-content/uploads/2017/01/Fairbanks-Old-Oregon-Trail-1.jpg","See image of another casting of this same work: ") | blue | |||||||
163 | David Alan Clark | Spirit of the Prairie | Spirit of the Prairie | bronze | Town Square | 42.025775, -88.082205 | 42.025775 | -88.082205 | Schaumburg, IL | 2002 | 2002 | Heritage Tourism | Man and Woman | Shopping center | Illinois | Cynthia Prescott | ||||||||
164 | Blair Buswell and Edward Fraughton | Pioneer Courage | Pioneer Courage | bronze | Pioneer Courage Park | 41.260879, -95.935205 | 41.260879 | -95.935205 | Omaha, NE | 2003 | 2003 | Heritage Tourism | Group | Nebraska | https://pioneermonuments.net/wp-content/uploads/2016/12/pioneer-courage-1.jpg | https://pioneermonuments.net/wp-content/uploads/2016/12/pioneer-courage-2.jpg | Cynthia Prescott | |||||||
165 | Tom Otterness | Large Covered Wagon | Large Covered Wagon | bronze | Joslyn Art Museum | 41.260399, -95.944953 | 41.260399 | -95.944953 | Omaha, NE | 2004 | 2004 | Heritage Tourism | Family | Art museum | Nebraska | https://pioneermonuments.net/wp-content/uploads/2016/12/Otterness-wagon-2.jpg | Cynthia Prescott | |||||||
166 | Patrick Oliphant | Angelina Eberly | Angelina Eberly | bronze | downtown | 30.268068,-97.742813 | 30.268068 | -97.742813 | Austin, TX | 2004 | 2004 | Heritage Tourism | Woman | Texas | Cynthia Prescott | |||||||||
167 | Chris L. Waddell | Pioneer Family | Pioneer Family | bronze | Herriman City Cemetery | 40.524193, -112.034230 | 40.52419 | -112.034232 | Herriman, UT | 2005 | 2005 | Heritage Tourism | Family | Cemetery | Utah | |||||||||
168 | Harriet Lee | Follow the Setting Sun | Follow the Setting Sun | stainless steel | Pioneer Museum grounds | 38.830390, -104.822543 | 38.830390 | -104.822543 | Colorado Springs, CO | 2005 | 2005 | Heritage Tourism | Other | Museum | Colorado | Cynthia Prescott | ||||||||
169 | David Frech | Pioneer Woman and Child | Pioneer Woman and Child | bronze | Lovett Memorial Library | 35.5376406,-100.9586196 | 35.5376406 | -100.9586196 | Pampa, TX | 2005 | 2005 | Culture Wars | Woman | Library | Texas | Anna Prescott | ||||||||
170 | Chris L. Waddell | Pioneer Family | Pioneer Family | bronze | City Park | 40.166495, -111.610879 | 40.166495 | -111.610879 | Springville, UT | 2006 | 2006 | Heritage Tourism | Family | Park | Utah | Mormon | Cynthia Prescott | |||||||
171 | Tom Otterness | Large Covered Wagon | Large Covered Wagon | bronze | Pioneer Park | 46.066264, -118.316816 | 46.066264 | -118.316816 | Walla Walla, WA | 2006 | 2006 | Heritage Tourism | Family | Park | Washington | |||||||||
172 | Charles Goslin | Dick Williams, Wagon Master | Dick Williams, Wagon Master | concrete and bronze | Pioneer Crossing Park | 39.014411, -94.706410 | 39.014411 | -94.70641 | Shawnee, KS | 2006 | 2006 | Heritage Tourism | Man | Kansas | Cynthia Prescott | |||||||||
173 | Charles Goslin | Pioneer Crossing | (Pioneer Crossing) | brick and bronze with patina | Pioneer Crossing Park | 39.014411, -94.706410 | 39.014411 | -94.70641 | Shawnee, KS | 2006 | 2006 | Heritage Tourism | Group | Kansas | Cynthia Prescott | |||||||||
174 | Harold T. Holden | The Homesteaders | The Homesteaders | bronze | Cherokee Strip Regional Heritage Center | 36.391076, -97.873226 | 36.391076 | -97.873226 | Enid, OK | 2007 | 2007 | Heritage Tourism | Family | Museum | Oklahoma | https://pioneermonuments.net/wp-content/uploads/2017/01/Enid-Homesteaders-1.jpg | Cynthia Prescott | |||||||
175 | Jim Dodson? | Oklahoma Centennial | Oklahoma Centennial | Pioneer Park | 36.709416, -97.078080 | 36.709416 | -97.07808 | Ponca City, OK | 2007 | 2007 | New Directions | Other | Park | Oklahoma | ||||||||||
176 | Jim Dodson? | Oklahoma Centennial | Oklahoma Centennial | Eastman National Bank | 36.88223333, -97.05341667 | 36.88223333 | -97.05341667 | Newkirk, OK | 2007 | 2007 | New Directions | Other | Bank | Oklahoma | ||||||||||
177 | Paul Moore | Brand New State | Brand New State / Centennial Land Run Monument | bronze | Bricktown Canal | 35.461063, -97.505173 | 35.461063 | -97.505173 | Oklahoma City, OK | 2007 | 2007 | Heritage Tourism | Group | Oklahoma | ||||||||||
178 | Calvin L. Graybill | Pioneer Man and Woman | (Pioneer Man and Woman) | granite | Courthouse Square Park | 36.803953, -98.664732 | 36.803953 | -98.664732 | Alva, OK | 2007 | 20 |