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{"$oid": "64580f91d72f0e29f61313ec"}

{"$oid": "4da197b9b538b73d9300bc5f"}

"https://www.daao.org.au/bio/kevin-gilbert"

{"year": "1996", "month": "1", "day": "1"}

{"year": "2018", "month": "1", "day": "9"}

"moderator approved"

"Kevin Gilbert"

"Painter, printmaker, cartoonist, photographer, poet, writer, historian and activist. Produced the first known fine art prints by an Aboriginal artist, made while he was in prison."

{"family_name": "Gilbert", "given_names": "Kevin"}

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[{"broad_role": "artist", "detailed_role": "Printmaker"}, {"broad_role": "artist", "detailed_role": "Cartoonist / Illustrator"}, {"broad_role": "artist", "detailed_role": "Photographer"}]

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["English"]

"http://nla.gov.au/nla.party-476384"

{"status": "moderator approved", "contributors": [4184], "date_modified": {"$date": "2016-09-30T14:47:07.078Z"}, "text": "KEVIN GILBERT (10 July 1933 - 1 April 1993) was born into the Wiradjuri nation on the Kalara riverbank (Lachlan River) in Condobolin, Central New South Wales. During his lifetime Kevin was a tireless advocate for Aboriginal rights and responsibilities and has left a legacy for others Aboriginal and non-Aboriginal to follow in the struggle for recognition and acceptance of Aboriginal sovereignty and an understanding of the spirituality of the oldest living culture in the world.\nThe youngest of eight children, Kevin and his siblings became orphaned at a very young age. He escaped the orphanages and with two of his sisters, returning to Condobolin to their family and extended family where they lived off the land in a \u2018fringe camp\u2019 and holding onto Wiradjuri language and culture. \nMarried with two children, Kevin successfully worked his way to being a station manager on a property near Condobolin, but his marriage ended in tragedy with the murder of his wife, for which he served over fourteen years in jail. With limited reading material, and a formal education to fourth grade, Kevin read dictionaries from cover to cover and developed an extensive vocabulary.\nIn Long Bay Goal Kevin learnt the art of lino-cutting techniques which enabled him to become the first Aboriginal printmaker. He made his own tools 'from a spoon, fork, gem blades and nails', carved 'old brittle lino off the prison floor' and printed images using the back of a spoon. His artwork was first exhibited in 1970 at the Arts Council gallery, Sydney, in an exhibition organised by the Australia Council. \nHis creative talents also flourished through poetry, essays and plays. Kevin became the first Aboriginal playwright with The Cherry Pickers being written in 1968. In 2001 The Cherry Pickers, directed by Wesley Enoch, toured to the Commonwealth Games Cultural Festival in Manchester 2002; Exeter; Brighton; Nottingham and Salisbury, England.\nIn 1971, Kevin joined the Gurindji Land Rights campaign and was instrumental in establishing the Aboriginal Tent Embassy opposite Parliament House in Canberra in 1972. He crystallised central issues of the Aboriginal political struggle in Because a White Man'll Never Do It and it is recognised as an Angus and Robertson Classic. \nHe exposed the reality of surviving genocide in the oral history Living Black, a collection of Aboriginal people\u2019s stories which won the National Book Council award in 1978. In 1979 he spearheaded the National Aboriginal Government protest on Capital Hill, Canberra, calling for acceptance of, and respect for, Aboriginal Sovereignty. \nIn 1981 he moved to the bush on the Queanbeyan River and co-ordinated the Treaty'88 campaign. He defined a legal argument for justice in Aboriginal Sovereignty, Justice, the Law and Land (including Draft Treaty) and completed the books Inside Black Australia, The Cherry Pickers and Child\u2019s Dreaming. \nTo coincide with the 1988 opening of the new parliament house, Kevin commissioned and exhibited the ground breaking photographic group exhibition Inside Black Australia: Aboriginal Photographers\u2019 Exhibition. Later that year, for his anthology Inside Black Australia, the Governor-General presented him the 1988 Human Rights Award for Literature, but Kevin publicly refused it on the grounds that Aboriginal Peoples continue to be denied basic human rights in their own land.\nIn 1992 Kevin Gilbert was instrumental in re-establishing the Aboriginal Tent Embassy and spent most of the last year of his life at this Tent Embassy. He had a profound conviction that the Aboriginal Embassy is the vehicle through which there will be a resolution to the underlying conflict over the opposing sovereignties in Australia. In the lino-print Colonising Species, with the blood of the oppressed dripping on the Crown, he depicts the turning point for justice as the High Court Mabo decision.\nHis art has been exhibited nationally and internationally and is in major collections. In 1992 he was awarded a four-year Creative Arts Fellowship for his 'outstanding artistic contribution to the nation' but sadly died six months later aged 59. On 8 April 1993 the Memorial for Kevin was held at the Aboriginal Tent Embassy, Canberra, where some of his ashes were placed in the Fire.\nIn 1995 Kevin was posthumously presented the RAKA poetry award for Black from the Edge and was highly commended in the ACT Book of the Year award. His autobiographical book for children, Me and Mary Kangaroo, was short listed for the 1995 Australian Multicultural Award.\nKevin has 6 children Kevin, Kerry, Kate, Ruth, Euroka and Kalara and many grandchildren and great grandchildren and great great grandchildren. He is also survived by his 2nd and 3rd wives Cora and Ellie. \nBooks\nThe Cherry Pickers\nLiving Black\nBecause a White man'll Never Do It\nThe Blackside: People Are Legends and other poems\nThe Purfleet Report\nInside Black Australia\nAboriginal Sovereignty, Justice, the Law and Land (including Draft Treaty)\nFlashes of Essence (poetry recordings)\nBlack from the Edge\nChild's Dreaming\nMe and Mary Kangaroo (published posthumously)\nLinocuts\nTotality; Corroboree Spirits; Bhoolbene Miggai; My Fathers\u2019 Studio; Lineal Legends; Eagle Men Legend; Burrawang; Mabung; Massacre Mountain; Christmas Eve in the Land of the Dispossessed; Colonising Species.\n \nCollections\nNational Gallery of Australia, Canberra; Art Gallery of NSW, Sydney; Queensland Art Gallery, Brisbane; Queensland Museum, Brisbane; West Australian Art Gallery, Perth; Powerhouse Museum, Sydney; Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra; National Museum of Australia, Canberra; Private Collections.\nExhibitions\n2013 - I Do Have A Belief (1933- !993) Art Retrospective Belconnen Arts Centre Canberra.\n2004 - Athens Olympics, Athens, Greece.\n2001 - Intermission, Wharf 2 Gallery, Sydney Theatre Company, Sydney.\n2001 - Kevin Gilbert Retrospective, Boomalli Aboriginal Artists Co-Op, Sydney. \n1996 - 1999 - Breath of Life: Moments in transit towards Aboriginal Sovereignty - toured nationally to Canberra, Adelaide, Armidale, Moree and Sydney, Perth, Townsville, Towoomba and internationally to Rebecca Hosacks Gallery, Soho, London; and Commonwealth Heads of Government Meeting, Commonwealth Peoples Centre, Durban, South Africa. \n1995 - Yiribana, Art Gallery of New South Wales, Sydney.\n1994 - Urban Focus, National Gallery of Australia, Canberra;\n1994 - Tyerabarrbowaryaou II \u2013 I shall never become a whiteman, at the Museum of Contemporary Art, Sydney Harbour; Ballarat Fine Art Gallery, Ballarat, Victoria; Urban Focus, Australian National Gallery, Canberra, exhibited in Cuba at the 5th Havana Biennial. \n1994- Who\u2019s Afraid of black, Red and Yella, Museum of Ethnology, Rotterdam.\n1994- Legends From Down Under, Boomerang Galerie, Amsterdam.\n1992 - 1994- New Tracks-Old Land, Australian Galleries, Green Street, Soho, London; USA tour, New York, Portland Art Museum, Portland, Oregon and Massachusetts Collage of Art, Huntington Gallery, Boston Massachusetts; Northern Territory Museum of Arts and Sciences, Darwin; Queensland Aboriginal Creations, Brisbane; Redcliff Entertainment Centre, Redcliff, Queensland; and Memorial Tribute, Gallery One, National Gallery of Australia.\n1992 - Painting Our Dreaming, Alliance Francaise Gallery, Canberra; \u201992 Pressing Spiral Arm Gallery, Canberra.\n1991 - Tjukurrpa Nganampa Kantyila Kanyintjaku \u2013 Keeping Our Dreaming Strong: Hackett, ACT; Alliance Francaise Gallery, Canberra; Social Images, Gorman House, Canberra.\n1990 - Desert Art, Albert Hall, Canberra.\n1988- 1999 - Inside Black Australia, Aboriginal Photographers Exhibition: Showground, Wagga Wagga; Trades and Labour Club, Newcastle; Queensland Museum, Brisbane; Museum of Victoria, Melbourne; Narragunnawali, Canberra Contemporary Art Space, Canberra; Albert Hall, Canberra; Leftbank Bookshop, Tin Sheds Gallery, Sydney; Boomalli Aboriginal Artists Co-Op, Sydney; and Centreprize, London.\n1975-76 - Kooringhat Gardens Art Gallery, Taree.\n1971 - Robin Hood Gallery, Sydney.\n1970-71 - Arts Council Gallery, East Sydney.", "date_created": {"$date": "1996-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"language": "Wiradjuri language (D10) (NSW SI55-07)"}]

[{"type": "Creative Artists, Musicians, Writers and Performers", "title": "writer"}]

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David Horton, Canberra: AIATSIS, pp.413-14\n", "title": "K. Gilbert", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002db5"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Howie-Willis, Ian (1994), 'K. Gilbert', Encyclopaedia of Aboriginal Australia, ed. David Horton, Canberra: AIATSIS, pp.413-14."}}, {"is_deleted": false, "note": "Place: Sydney, New South Wales: National Trust S.H. Ervin Gallery\n", "title": "Artists and Cartoonists in Black and White", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002db6"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Kerr, Joan (1999), 'Artists and Cartoonists in Black and White', Sydney, New South Wales: National Trust S.H. Ervin Gallery."}}, {"is_deleted": false, "note": "Place: Jumna Milla Tunth: Our weapon/our shield, Penrith, New South Wales: Lewers Bequest and Penrith Regional Art Gallery catalogue\n", "title": "Foreword", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002db7"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Pollock, Reg (Assistant Director General NSW Dept School Education) (1993), 'Foreword', Jumna Milla Tunth: Our weapon/our shield, Penrith, New South Wales: Lewers Bequest and Penrith Regional Art Gallery catalogue."}}, {"is_deleted": false, "note": "Place: Imprint 28/4 (summer), pp 5-7\n", "title": "Contemporary Aboriginal prints in the Queensland University of Technology collection", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002db8"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Rainbird, Stephen (1993), 'Contemporary Aboriginal prints in the Queensland University of Technology collection', Imprint 28/4 (summer), pp 5-7."}}, {"is_deleted": false, "note": "Place: West Melbourne: Print Council of Australia catalogue, 1987-07-25/1987-09-17\n", "title": "Aboriginal Australian Views in Print and Poster", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002db9"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Samuels, Jeffrey and Watson, Chris (1987), 'Aboriginal Australian Views in Print and Poster', West Melbourne: Print Council of Australia catalogue, 1987-07-25/1987-09-17."}}, {"is_deleted": false, "note": "Place: Artlink vol 10, nos 1 & 2, pp. 52-53\n", "title": "The struggle continues", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002dba"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Kevin Gilbert (1990), 'The struggle continues', Artlink vol 10, nos 1 & 2, pp. 52-53."}}, {"is_deleted": false, "note": "Place: Art Gallery of New South Wales, Sydney, NSW\n", "title": "Tradition Today: Indigenous art in Australia Art Gallery of New South Wales, p. 48", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002dbb"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Miller, Steven (2004), 'Tradition Today: Indigenous art in Australia Art Gallery of New South Wales, p. 48', Art Gallery of New South Wales, Sydney, NSW."}}, {"is_deleted": false, "note": "Place: Craftsman House, Sydney\n", "title": "Australian Printmakers in the 1990s: Artist printmakers 1991-1995,pp. 96-97", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002dbc"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Grishin, Sasha (1997), 'Australian Printmakers in the 1990s: Artist printmakers 1991-1995,pp. 96-97', Craftsman House, Sydney."}}, {"is_deleted": false, "note": "Place: Art Gallery of New South Wales, Sydney, NSW\n", "title": "Australian prints from the Gallery's Collection", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002dbd"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Kolenberg, H. & Ryan, A. (1998), 'Australian prints from the Gallery's Collection', Art Gallery of New South Wales, Sydney, NSW."}}, {"is_deleted": false, "note": "Place: Australian Film Institute Archival Film Series\n", "title": "Kevin Gilbert (video recording of interview)", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002dbe"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "James Murdoch (research and interview) Peter Campbell (production) (1992), 'Kevin Gilbert (video recording of interview)', Australian Film Institute Archival Film Series."}}, {"is_deleted": false, "note": "Place: Aboriginal Program Unit, ABC\n", "title": "Kevin Gilbert: poet, prisoner, playwright, worker, thinker, voice", "ori_dbid": {"$oid": "50b4009ad707ff7d9e002dbf"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Blackout series (1991), 'Kevin Gilbert: poet, prisoner, playwright, worker, thinker, voice', Aboriginal Program Unit, ABC."}}]

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{"$oid": "645810a4d72f0e29f6134acf"}

{"$oid": "5c1c4121ede61054ad000406"}

"https://www.daao.org.au/bio/caroline-taylor-1"

{"year": "2018", "month": "12", "day": "21"}

{"year": "2018", "month": "12", "day": "21"}

"needs approval"

"Caroline Taylor"

{"family_name": "Taylor", "given_names": "Caroline"}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}}]}

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{"$oid": "64581052d72f0e29f6132ecd"}

{"$oid": "4fb4d899d707ff522e000000"}

"https://www.daao.org.au/bio/dennis-wolanski"

{"year": "2012", "month": "5", "day": "17"}

{"year": "2013", "month": "2", "day": "6"}

"moderator approved"

"Dennis Wolanski"

"Wolanski is the designer of the Lido clip-on tie and founder of Lido Tie Company. He was also active as a sculptor with works in Israeli Parliament, Tel Aviv and Fitzroy Gardens, Sydney."

{"family_name": "Wolanski", "given_names": "Dennis"}

{"coverage": {"date": {"year": "1917", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Poland", "country": "Poland", "state": "\u0141\u00f3d\u017a Voivodeship", "city": "Poland", "postcode": "95-045"}, "ori_dbid": {"$oid": "4da19519b538b73d930019c2"}, "ori_address": "Poland", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 51.919438, "longitude": 19.145136}}}}

{"coverage": {"date": {"year": "1992", "month": "1", "day": "1"}}, "burial_place": {"address": {"ori_address": "Australia", "country": "Australia", "postcode": "0872"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000638"}, "ori_address": "Australia", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -25.274398, "longitude": 133.775136}}}

[{"broad_role": "designer"}]

{"career_periods": [{"occupation": {"type": "designer"}}]}

[{"date": [{"year": "1950", "month": "1", "day": "1"}], "note": "via Paris, France"}]

{"status": "moderator approved"}

[{"ori_dbid": {"$oid": "5111fe36d707ff0bca00001a"}, "_class_ori": "asset", "_class": "resource", "source_info": {"url": "http://www.flickr.com/photos/90540450@N06/8450104704/", "page": "source_page"}, "description": "Dennis Wolanski"}]

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{"$oid": "64581059d72f0e29f6133091"}

{"$oid": "5094a55dd707ff7365000023"}

"https://www.daao.org.au/bio/caroline-chambrelent"

{"year": "2012", "month": "11", "day": "3"}

"moderator approved"

"Caroline Chambrelent"

{"family_name": "Chambrelent", "given_names": "Caroline"}

[{"broad_role": "designer"}]

{"career_periods": [{"occupation": {"type": "designer"}}]}

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{"$oid": "6458108fd72f0e29f6134356"}

{"$oid": "5463e755d707ff0dd7000015"}

"https://www.daao.org.au/bio/vaclovas-ratas"

{"year": "2014", "month": "11", "day": "13"}

{"year": "2014", "month": "11", "day": "20"}

"moderator approved"

"Vaclovas Ratas"

{"family_name": "Ratas", "given_names": "Vaclovas"}

{"coverage": {"date": {"year": "1973", "month": "1", "day": "3"}, "place": {"address": {"ori_address": "Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "546dbdd5d707ff109e000001"}, "ori_country": "Australia", "ori_address": "Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8674869, "longitude": 151.2069902}}}}

[{"broad_role": "artist", "detailed_role": "Printmaker"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Printmaker"}}]}

["Lithuanian"]

{"status": "moderator approved", "contributors": [1021], "date_modified": {"$date": "2014-11-20T21:11:05.354Z"}, "date_created": {"$date": "2014-11-20T21:11:05.354Z"}}

[{"heritage": "Lithuanian", "ori_dbid": {"$oid": "4da1a2bbb538b73d93018667"}, "_class_ori": "CulturalHeritage"}]

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{"$oid": "64581076d72f0e29f6133b45"}

{"$oid": "514e70c1d707ff2ede00267b"}

"https://www.daao.org.au/bio/scott-morrison"

{"year": "2013", "month": "3", "day": "24"}

{"year": "2013", "month": "3", "day": "24"}

"moderator approved"

"Scott Morrison"

{"family_name": "Morrison", "given_names": "Scott"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"status": "moderator approved", "text": "<p>Scott Morrison was born in Bowral in 1982. Morrison completed a Bachelor of Arts at the Australian National University, Canberra in 2004 and a Master of Fine Arts at the College of Fine Arts, University of NSW in 2010. </p>\n<p>Morrison is a sound and video artist based in Sydney. His practice encompasses live performance, gallery installation and festival screenings that have focused towards the synergistic properties of the moving image. He has had numerous solo and group exhibitions nation-wide and his audiovisual works have screened extensively nationally and abroad. His primary research and output has fallen under the title of \"ballad(s) for quiet horizons\". This body of work details and further develops the artist's appreciation of Australia's rural landscape. It is an exploration and abstraction of natural occurrence, rhythmic meditations of place and how familiar experience(s) can be re-interpreted, re-imagined and rendered anew.</p>", "initial_contributors": ["Diana Smith"]}]

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["http://scanlines.net/node/4085"]

["Scanlines, COFA, UNSW"]

["http://www.scottm.com.au", "http://scanlines.net/node/4085"]

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{"$oid": "64580ff5d72f0e29f6132072"}

{"$oid": "4da1a677b538b73d9301a105"}

"https://www.daao.org.au/bio/walter-synnot"

{"year": "1992", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Walter Synnot"

"Colonial army officer, amateur painter of natural history paintings, watercolour scenes and at least one portrait. Known works were produced during his time living in South Africa and Launceston."

{"family_name": "Synnot", "given_names": "Walter"}

{"coverage": {"date": {"year": "1773", "month": "12", "day": "29"}}}

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[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"title": "Army officer", "type": "Defence"}}, {"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1819", "month": "1", "day": "1"}, "date_end": {"year": "1842", "month": "1", "day": "1"}}}}]}

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["English"]

"http://nla.gov.au/nla.party-1485559"

[{"date": [{"year": "1836", "month": "8", "day": "25"}], "note": "At Van Diemen's Land (Tasmania) aboard the 'Amelia Thompson'."}]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:45:43.587Z"}, "text": "sketcher and army officer, was born on 29 December 1773, the second son of Sir Walter Synnot and his first wife Jane, n\u00e9e Seton. Entering the British Army as an ensign with the 66th Regiment of Foot (Berkshire) in 1793, he attained his captaincy in 1797 and served with his regiment in Newfoundland, Nova Scotia and Jamaica. On retiring from the army he migrated to South Africa in 1820, where he was appointed deputy landdrost of Clanwilliam, Cape of Good Hope. He held this position until 1825 when he returned to Ireland. On 28 April 1836, he sailed from London in the _Amelia Thompson_ , arriving at Van Diemen's Land on 25 August. With him was his third wife Mary Jane, n\u00e9e Mather, and eight of the surviving children from his second marriage. He lived privately at Launceston until his death on 31 December 1851.\nAn amateur painter, Synnot produced natural history paintings, watercolour scenes and at least one portrait. Those known to exist in private hands are _Ballymoyer Co. Armagh 1819_ , _Tinderbox Bay 1840_ , _Purrumbete, Eastern Aspect 1842_ and a portrait of Harriet Fergusson. An album of drawings of native plants of South Africa is in the Baillieu Library (MU). Another containing views in Ireland, South Africa and Tasmania done by various members of the family is in the Allport Library. A further botanical album and other South African works are held at Cape Town.", "date_created": {"$date": "1992-01-01T00:00:00Z"}, "initial_contributors": ["Harris, Helen Doxford"]}

[{"title": "Army officer", "note": "Army officer ", "type": "Defence"}]

[{"date_start": {"year": "1819", "month": "1", "day": "1"}, "date_end": {"year": "1842", "month": "1", "day": "1"}}]

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["The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870"]

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[{"subject": {"primary_name": {"family_name": "Synnot", "given_names": "Walter", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1a677b538b73d9301a105"}, "label": "Walter Synnot", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/walter-synnot", "curr_dbid": {"$oid": "64580ff5d72f0e29f6132072"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4da1a677b538b73d9301a100"}, "label": "Ballymoyer Co. 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{"$oid": "6458109cd72f0e29f6134802"}

{"$oid": "57fef799d707ff4aa2000000"}

"https://www.daao.org.au/bio/paul-procee-1"

{"year": "2016", "month": "10", "day": "13"}

{"year": "2016", "month": "10", "day": "15"}

"needs approval"

"Paul Procee"

{"family_name": "Procee", "given_names": "Paul"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}, "coverage_range": {"date_range": {"date_start": {"year": "1982", "month": "1", "day": "1"}}}}]}

{"status": "moderator approved", "contributors": [4196], "date_modified": {"$date": "2016-10-15T10:50:39.047Z"}, "text": "Paul Procee has exhibited with Eva Breuer Galleries between 2005 and 2010 and Ground Floor galleries in 2003 as well as taking part in group shows with a variety of commercial Galleries such as the Holdsworth Gallery in the mid nineteen eighties and Robin Gibson Gallery in 2006 in Sydney. He won the Hakone Award for Sculpture Tokyo Japan in 1984. Was selected for the National Gallery of Australia survey in contemporary sculpture 2005 and has been a finalist in the Archibold prize in 2003 and 2004 the Dobel prize in 2003 and the Blake prize in 1997 and 2003. He currently lives in Glebe Sydney.", "date_created": {"$date": "2016-10-15T10:37:34.302Z"}}

[{"date_start": {"year": "1982", "month": "1", "day": "1"}}]

[{"subject": {"primary_name": {"family_name": "Procee", "given_names": "Paul", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "57fef799d707ff4aa2000000"}, "label": "Paul Procee", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/paul-procee-1", "curr_dbid": {"$oid": "6458109cd72f0e29f6134802"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4e1f928172edc24d910002ca"}, "label": "Carl Vine (Study)", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "2000", "month": "1", "day": "1"}, "date_end": {"year": "2000", "month": "1", "day": "1"}}}, "description": "12 x 10cm", "ori_url": "https://www.daao.org.au/bio/work/arl-vine-study", "curr_dbid": {"$oid": "645810f5d72f0e29f6138ba4"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812b1d72f0e29f6177c6e"}}]

{"$oid": "64581091d72f0e29f6134405"}

{"$oid": "551a45aed707ff2708000004"}

"https://www.daao.org.au/bio/clarence-davis"

"moderator approved"

"Clarence Davis"

{"family_name": "Davis", "given_names": "Clarence"}

[{"broad_role": "designer"}]

{"career_periods": [{"occupation": {"type": "designer"}}]}

[{"subject": {"primary_name": {"family_name": "Herbst", "given_names": "Gerard", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Herbst", "given_names": "Gerhard", "title": "", "note": ""}], "ori_dbid": {"$oid": "4e795f1fd707ff765a000019"}, "label": "Gerard Herbst", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/gerard-herbst", "curr_dbid": {"$oid": "64581046d72f0e29f6132b86"}}, "object": {"primary_name": {"family_name": "Davis", "given_names": "Clarence"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "551a45aed707ff2708000004"}, "label": "Clarence Davis", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/clarence-davis", "curr_dbid": {"$oid": "64581091d72f0e29f6134405"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "employee of", "reverse_term": "employer of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812a5d72f0e29f6173e05"}}]

{"$oid": "64581072d72f0e29f61339eb"}

{"$oid": "514e6c1ed707ff2ede002244"}

"https://www.daao.org.au/bio/don-colgan"

{"year": "2013", "month": "3", "day": "24"}

{"year": "2013", "month": "3", "day": "24"}

"moderator approved"

"Don Colgan"

{"family_name": "Colgan", "given_names": "Don"}

"unknown"

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"coverage_range": {"place": {"address": {"ori_address": "Australia", "country": "Australia", "postcode": "0872"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000638"}, "ori_address": "Australia", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -25.274398, "longitude": 133.775136}}}}]

[{"is_deleted": false, "ori_dbid": {"$oid": "514e6c1ed707ff2ede002243"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'Don Colgan', Scanlines:", "url": "http://scanlines.net/node/1789"}}]

["http://scanlines.net/node/1789", "http://archive.dlux.org.au/index.php?page=people&id=758"]

["Scanlines, COFA, UNSW"]

["http://scanlines.net/node/1789"]

[{"subject": {"primary_name": {"family_name": "Colgan", "given_names": "Don"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "514e6c1ed707ff2ede002244"}, "label": "Don Colgan", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/don-colgan", "curr_dbid": {"$oid": "64581072d72f0e29f61339eb"}}, "object": {"types": ["other event"], "ori_url": "https://www.daao.org.au/bio/event/cloning-the-thylacine", "description": null, "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "514e572bd707ff2ede0001f6"}, "label": "Cloning the Thylacine", "curr_dbid": {"$oid": "645811abd72f0e29f613f191"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "participated in", "reverse_term": "participant"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812acd72f0e29f61763c1"}}]

[{"subject": {"primary_name": {"family_name": "Colgan", "given_names": "Don"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "514e6c1ed707ff2ede002244"}, "label": "Don Colgan", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/don-colgan", "curr_dbid": {"$oid": "64581072d72f0e29f61339eb"}}, "object": {"address": {"ori_address": "Australia", "country": "Australia", "postcode": "0872"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000638"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -25.274398, "longitude": 133.775136}, "curr_dbid": {"$oid": "645811f2d72f0e29f614183a"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581258d72f0e29f615b6af"}}]

[{"subject": {"primary_name": {"family_name": "Colgan", "given_names": "Don"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "514e6c1ed707ff2ede002244"}, "label": "Don Colgan", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/don-colgan", "curr_dbid": {"$oid": "64581072d72f0e29f61339eb"}}, "object": {"is_deleted": false, "ori_dbid": {"$oid": "514e6c1ed707ff2ede002243"}, "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581224d72f0e29f614d6fc"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124dd72f0e29f6157a74"}}]

{"$oid": "64580ffcd72f0e29f6132144"}

{"$oid": "4da1a936b538b73d9301b16a"}

"https://www.daao.org.au/bio/a-tornaghi"

{"year": "1999", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"A. Tornaghi"

"Astronomical photographer, late 19th century."

{"family_name": "Tornaghi", "given_names": "A."}

"unknown"

[{"broad_role": "artist", "detailed_role": "Photographer"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Photographer"}, "coverage_range": {"date_range": {"date_start": {"year": "1874", "month": "1", "day": "1"}, "date_end": {"year": "1874", "month": "1", "day": "1"}}}}]}

["English"]

"http://nla.gov.au/nla.party-1482967"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:57:26.583Z"}, "text": "Professional photographer, was one of the official photographers employed to observe the transit of Venus at the end of 1874, the others being *J. Sharkey* at Eden and *J. Bischoff* at the Blue Mountains station, near Woodford. ( _Sydney Mail_ 28 November 1874).\n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"date_start": {"year": "1874", "month": "1", "day": "1"}, "date_end": {"year": "1874", "month": "1", "day": "1"}}]

["Legacy data. Source 'unknown'"]

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{"$oid": "6458100bd72f0e29f613232c"}

{"$oid": "4da1af0ab538b73d9301d2ab"}

"https://www.daao.org.au/bio/william-s-woollett"

{"year": "1992", "month": "1", "day": "1"}

{"year": "2012", "month": "12", "day": "19"}

"moderator approved"

"William S. Woollett"

"William S. Woollett was an artist living at Geelong, Victoria in 1860s."

{"family_name": "Woollett", "given_names": "William S."}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}, "coverage_range": {"date_range": {"date_start": {"year": "1861", "month": "1", "day": "1"}, "date_end": {"year": "1861", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Geelong, Victoria", "country": "Australia", "state": "Victoria", "city": "Greater Geelong", "suburb": "Geelong", "postcode": "3220"}, "ori_dbid": {"$oid": "4da19574b538b73d93003eb2"}, "ori_address": "Geelong, Victoria", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -38.1485437, "longitude": 144.3613479}}}}]

["English"]

"http://nla.gov.au/nla.party-1480398"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T23:22:18.299Z"}, "text": "artist, was listed as such in 1861 when he was living at Geelong, Victoria.", "date_created": {"$date": "1992-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"date_start": {"year": "1861", "month": "1", "day": "1"}, "date_end": {"year": "1861", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Geelong Art Gallery catalogue, Victoria\n", "title": "Painters of the Past", "ori_dbid": {"$oid": "50b40384d707ff7d9e0075b8"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Filmer, V. (1991), 'Painters of the Past', Geelong Art Gallery catalogue, Victoria."}}]

["The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870"]

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{"$oid": "6458107fd72f0e29f6133d38"}

{"$oid": "515828d8d707ff422f0013c6"}

"https://www.daao.org.au/bio/noel-angus-mckail"

{"year": "2013", "month": "3", "day": "31"}

{"year": "2013", "month": "3", "day": "31"}

"moderator approved"

"Noel Angus McKail"

"Painter who exhibited in 1933 in the Drew Robinson store in Albany, along with Marshall Clifton and Henri van Raalte. It is possible that he had been a pupil of van Raalte's."

{"family_name": "McKail", "given_names": "Noel Angus"}

{"coverage": {"date": {"year": "1901", "month": "1", "day": "1"}}}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}}]}

{"status": "moderator approved", "date_modified": {"$date": "2011-05-19T00:00:00Z"}, "text": "<p> </p><p>Painter son of Nathaniel William McKail pastoralist and Effie n_e Howson. In 1933 he and Marshall Clifton exhibited with Henri van Raalte in the Drew Robinson store in Albany. It is possible that he had been a pupil of van Raalte's. Angus McKail was included in the Exhibition of Western Australian Painting from 1826-1937.</p> <p><br /></p><p><b> </b></p> <p></p>", "date_created": {"$date": "2010-08-12T00:00:00Z"}, "initial_contributors": ["Dr Dorothy Erickson"]}

["LegacyBioID_8694"]

["Western Australian artists, designers & makers (1829-1959)"]

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{"$oid": "64581065d72f0e29f6133492"}

{"$oid": "513fdb4fd707ff6bcd001b65"}

"https://www.daao.org.au/bio/george-kurtelov"

{"year": "2013", "month": "3", "day": "13"}

{"year": "2013", "month": "3", "day": "13"}

"moderator approved"

"George Kurtelov"

{"family_name": "Kurtelov", "given_names": "George"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

["UTASParty_0822"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

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{"$oid": "64581048d72f0e29f6132c07"}

{"$oid": "4e8d2184d707ff75d300000b"}

"https://www.daao.org.au/bio/wiska-listwan"

{"year": "2011", "month": "10", "day": "6"}

{"year": "2012", "month": "9", "day": "26"}

"moderator approved"

"Wiska Listwan"

{"family_name": "Listwan", "given_names": "Wiska"}

{"coverage": {"place": {"address": {"ori_address": "Cracow, Poland", "country": "Poland", "state": "Lesser Poland Voivodeship", "postcode": "31-156"}, "ori_dbid": {"$oid": "4e8d21e0d707ff695d000009"}, "ori_address": "Cracow, Poland", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 50.0646501, "longitude": 19.9449799}}}}

{"coverage": {"date": {"year": "1984", "month": "1", "day": "1"}}}

[{"broad_role": "maker", "detailed_role": "Textile Artist / Fashion Designer"}]

{"career_periods": [{"occupation": {"type": "maker", "title": "Textile Artist / Fashion Designer"}, "coverage_range": {"date_range": {"date_start": {"year": "1950", "month": "1", "day": "1"}}}}]}

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{"status": "moderator approved", "text": "This entry is a stub. You can help DAAO by submitting a biography."}

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[{"date_start": {"year": "1950", "month": "1", "day": "1"}}]

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{"$oid": "64580fd1d72f0e29f6131bf2"}

{"$oid": "4da19dd0b538b73d93014ccd"}

"https://www.daao.org.au/bio/sharni-oconnor"

{"year": "2007", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Sharni O'Connor"

"Torres Strait Islander, Sharni O'Connor carves jewellery in the shapes of marine life and the flora of the Torres Strait from gold lipped mother-of-pearl shells she sources locally."

{"family_name": "O'Connor", "given_names": "Sharni"}

{"coverage": {"date": {"year": "1989", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Torres Strait, Queensland", "country": "Australia", "state": "Queensland", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da19dd0b538b73d93014ccc"}, "ori_address": "Torres Strait, Qld", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -9.8802778, "longitude": 142.5905556}}}}

[{"broad_role": "artist", "detailed_role": "Carver"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Carver"}, "coverage_range": {"date_range": {"date_start": {"year": "2006", "month": "1", "day": "1"}}}}]}

["English"]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:08:48.392Z"}, "text": "Sharni O'Connor was born on Thursday Island, Torres Strait in 1989. She carves jewellery in the shapes of marine life and the flora of the Torres Strait from gold lipped mother-of-pearl shells. O'Connor exhibited in the 2006 'Gatherings II' exhibition in Brisbane and states in the accompanying catalogue that \"mother-of-pearl is such a beautiful medium. I look for the lustre, pattern and iridescent hues when choosing which piece of shell to carve. It is like a gem from the ocean and I feel that every piece has its own magic.\"", "date_created": {"$date": "2007-01-01T00:00:00Z"}, "initial_contributors": ["Allas, Tess"]}

[{"date_start": {"year": "2006", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Keeaira Press, Southport, Qld.\n", "title": "Gatherings II", "ori_dbid": {"$oid": "50b40226d707ff7d9e0053f2"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Demozay, Marion (2006), 'Gatherings II', Keeaira Press, Southport, Qld."}}]

["Storylines Project, COFA, UNSW"]

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{"$oid": "513fd55dd707ff6bcd0017e0"}

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{"year": "2013", "month": "3", "day": "13"}

{"year": "2014", "month": "8", "day": "7"}

"moderator approved"

"John Davis"

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{"coverage": {"date": {"year": "1936", "month": "1", "day": "1"}}}

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{"career_periods": [{"occupation": {"type": "artist"}}]}

["UTASParty_0353"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

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"object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/john-davis-sculptural-installation", "description": "Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS\nWollongong City Gallery annual report; AGNSW Library catalogue\n\nExhibition Catalogue:\nJohn Davis: a sculptural installation. [Wollongong, NSW: Wollongong City Gallery], 1980]\n[4]p: ; 20 x 33 cm", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1980", "month": "1", "day": "1"}, "date_end": {"year": "1980", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Wollongong City Gallery, Wollongong, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Wollongong", "postcode": "2500"}, "ori_dbid": {"$oid": "4da195bab538b73d930057a9"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -34.4166667, "longitude": 150.8833333}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "513fc76ed707ff6bcd000982"}, "label": "John Davis: sculptural installation", "curr_dbid": {"$oid": "6458119ad72f0e29f613eace"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812aad72f0e29f6175405"}}]

{"$oid": "64580fb8d72f0e29f61318f0"}

{"$oid": "4da19adeb538b73d93011484"}

"https://www.daao.org.au/bio/peter-balun-bugara-lowe"

{"year": "2007", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Peter Balun Bugara Lowe"

"Peter Balun Bugara Lowe of the Bunalung clan is from the Tweed River region of northern New South Wales. He works mainly in the media of synthetic polymer paint on canvas."

{"family_name": "Lowe", "given_names": "Peter Balun Bugara"}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "2001", "month": "1", "day": "1"}}}}]}

["English"]

"http://nla.gov.au/nla.party-1486239"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:56:14.056Z"}, "text": "Peter Balun Bugara Lowe of the Bunalung clan is from the Tweed River region of northern New South Wales. He works mainly in the media of synthetic polymer paint on canvas and his works depict traditional knowledge and the Dreamings of his area as well as images of the river and sea life. He was a participant in the 2001 Brisbane exhibition \"Gatherings, Contemporary Aboriginal and Torres Strait Islander Art from Queensland, Australia\".", "date_created": {"$date": "2007-01-01T00:00:00Z"}, "initial_contributors": ["Allas, Tess"]}

[{"override": "Bundjalung", "language": "Bundjalung/Banjalang language (E12) (NSW SH56-02)"}]

[{"date_start": {"year": "2001", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Keeaira Press, Southport, Qld.\n", "title": "Gatherings, Contemporary Aboriginal and Torres Strait Islander Art from Queensland, Australia", "ori_dbid": {"$oid": "50b4018ed707ff7d9e0044f9"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Demozay, Marion (2001), 'Gatherings, Contemporary Aboriginal and Torres Strait Islander Art from Queensland, Australia', Keeaira Press, Southport, Qld."}}]

["Storylines Project, COFA, UNSW"]

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[{"subject": {"primary_name": {"family_name": "Lowe", "given_names": "Peter Balun Bugara", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19adeb538b73d93011484"}, "label": "Peter Balun Bugara Lowe", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-balun-bugara-lowe", "curr_dbid": {"$oid": "64580fb8d72f0e29f61318f0"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4da19addb538b73d93011482"}, "label": "Jew Fish Running Through Bait", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "2001", "month": "1", "day": "1"}, "date_end": {"year": "2001", "month": "1", "day": "1"}}}, "description": "", "ori_url": "https://www.daao.org.au/bio/work/jew-fish-running-through-bait", "curr_dbid": {"$oid": "645810d4d72f0e29f6136a7e"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581287d72f0e29f616adba"}}, {"subject": {"primary_name": {"family_name": "Lowe", "given_names": "Peter Balun Bugara", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19adeb538b73d93011484"}, "label": "Peter Balun Bugara Lowe", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-balun-bugara-lowe", "curr_dbid": {"$oid": "64580fb8d72f0e29f61318f0"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4da19addb538b73d93011481"}, "label": "Mangrove Jack Dreaming", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "2001", "month": "1", "day": "1"}, "date_end": {"year": "2001", "month": "1", "day": "1"}}}, "description": "", "ori_url": "https://www.daao.org.au/bio/work/mangrove-jack-dreaming", "curr_dbid": {"$oid": "645810d4d72f0e29f6136a7d"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581287d72f0e29f616adb9"}}]

{"$oid": "64581091d72f0e29f61343fa"}

{"$oid": "5518b7d2d707ff155a000000"}

"https://www.daao.org.au/bio/eric-riddler"

{"year": "2015", "month": "3", "day": "30"}

{"year": "2016", "month": "10", "day": "7"}

"moderator approved"

"Eric Riddler"

{"family_name": "Riddler", "given_names": "Eric"}

{"coverage": {"date": {"year": "1968", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Parramatta, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "suburb": "Parramatta", "postcode": "2150"}, "ori_dbid": {"$oid": "4da19505b538b73d93000f07"}, "ori_address": "Parramatta, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8151285, "longitude": 151.0031549}}}}

[{"broad_role": "artist", "detailed_role": "Printmaker"}, {"broad_role": "artist", "detailed_role": "Photographer"}]

{"career_periods": [{"occupation": {"title": "Visual Resources Librarian", "type": "Libraries and Archives"}, "coverage_range": {"date_range": {"date_start": {"year": "2001", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Art Gallery of New South Wales, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1950db538b73d930011bc"}, "ori_address": "Art Gallery of New South Wales, Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8686268, "longitude": 151.2170618}}}}, {"occupation": {"type": "artist", "title": "Printmaker"}}, {"occupation": {"type": "artist", "title": "Photographer"}}]}

{"status": "moderator approved"}

[{"organization": {"course": "BA Visual Arts / Art History", "coverage": {"date_range": {"date_start": {"year": "1987", "month": "1", "day": "1"}, "date_end": {"year": "1989", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Nepean College of Advanced Education (1987/88) / University of Western Sydney Nepean (1989), Kingswood, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Penrith", "suburb": "Kingswood", "postcode": "2340"}, "ori_dbid": {"$oid": "4da19c00b538b73d93012b1b"}, "ori_address": "Nepean College of Advanced Education (1987/88) / University of Western Sydney Nepean (1989), Kingswood, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -31.1594982, "longitude": 150.930825}}}}}, {"organization": {"course": "MA Research", "coverage": {"date_range": {"date_start": {"year": "1991", "month": "1", "day": "1"}, "date_end": {"year": "1993", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "University of Sydney, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2006"}, "ori_dbid": {"$oid": "4da194feb538b73d93000ad0"}, "ori_address": "University of Sydney, Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8884934, "longitude": 151.1870998}}}}}, {"organization": {"course": "Master of Art Administration", "coverage": {"date_range": {"date_start": {"year": "1999", "month": "1", "day": "1"}, "date_end": {"year": "2000", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "College of Fine Arts, University of NSW, Paddington, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "suburb": "Paddington", "postcode": "2021"}, "ori_dbid": {"$oid": "4da19512b538b73d9300152f"}, "ori_address": "College of Fine Arts, University of NSW, Paddington, Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8846107, "longitude": 151.2265861}}}}}, {"organization": {"course": "BA Hons", "coverage": {"date_range": {"date_start": {"year": "1990", "month": "1", "day": "1"}, "date_end": {"year": "1990", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "University of Sydney, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2006"}, "ori_dbid": {"$oid": "4da194feb538b73d93000ad0"}, "ori_address": "University of Sydney, Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8884934, "longitude": 151.1870998}}}}}]

[{"coverage_range": {"date_range": {"date_start": {"year": "2001", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Art Gallery of New South Wales, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1950db538b73d930011bc"}, "ori_address": "Art Gallery of New South Wales, Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8686268, "longitude": 151.2170618}}}, "type": "Libraries and Archives", "title": "Visual Resources Librarian"}]

[{"subject": {"primary_name": {"family_name": "Riddler", "given_names": "Eric", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5518b7d2d707ff155a000000"}, "label": "Eric Riddler", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/eric-riddler", "curr_dbid": {"$oid": "64581091d72f0e29f61343fa"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/images-at-nine", "description": "", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "1", "day": "1"}, "date_end": {"year": "1995", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Project Contemporary Artspace, Wollongong, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Wollongong", "postcode": "2500"}, "ori_dbid": {"$oid": "4da1bd19b538b73d93023d0d"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -34.4166667, "longitude": 150.8833333}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "558290f4d707ff49fb00003e"}, "label": "Images at nine", "curr_dbid": {"$oid": "645811bed72f0e29f613fc05"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812b0d72f0e29f61775e5"}}, {"subject": {"primary_name": {"family_name": "Riddler", "given_names": "Eric", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5518b7d2d707ff155a000000"}, "label": "Eric Riddler", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/eric-riddler", "curr_dbid": {"$oid": "64581091d72f0e29f61343fa"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/cuts-scratches-and-bites", "description": "", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1989", "month": "9", "day": "1"}, "date_end": {"year": "1989", "month": "10", "day": "1"}}, "place": {"address": {"ori_address": "Print Council of Australia Gallery, West Melbourne, Victoria", "country": "Australia", "state": "Victoria", "city": "Melbourne", "suburb": "West Melbourne", "postcode": "3003"}, "ori_dbid": {"$oid": "4da1a25cb538b73d9301815a"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.8090328, "longitude": 144.9492723}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "5582462cd707ff34f000000e"}, "label": "Cuts, scratches and bites", "curr_dbid": {"$oid": "645811bed72f0e29f613fbfe"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812b0d72f0e29f61775e4"}}, {"subject": {"primary_name": {"family_name": "Riddler", "given_names": "Eric", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5518b7d2d707ff155a000000"}, "label": "Eric Riddler", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/eric-riddler", "curr_dbid": {"$oid": "64581091d72f0e29f61343fa"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/just-a-memento", "description": "Expanded version of an exhibition first staged by Project Contemporary Artspace, Wollongong.", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "1", "day": "1"}, "date_end": {"year": "1995", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Casula Powerhouse Arts Centre, Casula, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "suburb": "Casula", "postcode": "2170"}, "ori_dbid": {"$oid": "4da198b6b538b73d9300deed"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.9468224, "longitude": 150.9007762}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "5582913bd707ff34f2000059"}, "label": "Just a memento", "curr_dbid": {"$oid": "645811bed72f0e29f613fc06"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812b0d72f0e29f61775e6"}}]

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{"year": "1995", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Fanny Anne Charsley"

"Natural history painter and lithographer born in England. A resident of Melbourne for 10 years, Charsley published a book of 13 hand-coloured lithographs of wildflowers in the area. The wildflower Helipterum charsleyae is named after her."

{"family_name": "Charsley", "given_names": "Fanny Anne"}

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["English"]

"http://nla.gov.au/nla.party-616668"

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{"$oid": "55ac850fd707ff73ea000050"}

"https://www.daao.org.au/bio/bill-furlong"

{"year": "2015", "month": "7", "day": "20"}

{"year": "2015", "month": "7", "day": "20"}

"moderator approved"

"William Furlong"

"editor of audio magazine (UK)"

{"family_name": "Furlong", "given_names": "William", "note": "UK"}

[{"family_name": "Furlong", "given_names": "Bill", "display_name": "Bill Furlong"}]

[{"broad_role": "non-artist/designer/curator"}]

{"career_periods": [{"occupation": {"type": "non-artist/designer/curator"}}]}

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{"$oid": "6458107dd72f0e29f6133cc7"}

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"https://www.daao.org.au/bio/m-h-forman"

{"year": "2013", "month": "3", "day": "31"}

{"year": "2013", "month": "3", "day": "31"}

"moderator approved"

"M. H. Forman"

"Painter who exhibited with the Western Australian Women's Society of Fine Arts and Crafts in 1939."

{"family_name": "Forman", "given_names": "M. H."}

[{"family_name": "Forman", "given_names": "M. H. ", "title": "Mrs", "display_name": "M. H. Forman"}]

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1939", "month": "1", "day": "1"}, "date_end": {"year": "1941", "month": "1", "day": "1"}}}}]}

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{"status": "moderator approved", "date_modified": {"$date": "2011-05-19T00:00:00Z"}, "text": "<p>was a painter who exhibited <i>Copper Teapot </i>with the Western Australian Women's Society of Fine Arts and Crafts in 1939. It was described by the critic Charles Hamilton as \"rather spoilt by an insistant shelf of books and a crooked picture, but a good rendering of texture and light.\" Mrs Forman was listed in Wise's <i>Post Office Directories</i> 1939 and 1941 under artists with an address at 4 Howard Street.</p><p><br /></p><p><b> </b></p> <p></p>", "date_created": {"$date": "2010-09-08T00:00:00Z"}, "initial_contributors": ["Dr Dorothy Erickson"]}

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["LegacyBioID_8899"]

["Western Australian artists, designers & makers (1829-1959)"]

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{"$oid": "6458106fd72f0e29f61338a9"}

{"$oid": "514e6863d707ff2ede001e72"}

"https://www.daao.org.au/bio/b-hein"

{"year": "2013", "month": "3", "day": "24"}

{"year": "2013", "month": "3", "day": "24"}

"moderator approved"

{"family_name": "Hein", "given_names": "B."}

"unknown"

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

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["http://scanlines.net/node/1415", "http://archive.dlux.org.au/index.php?page=people&id=334"]

["Scanlines, COFA, UNSW"]

["http://scanlines.net/node/1415"]

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{"$oid": "64581048d72f0e29f6132c08"}

{"$oid": "4e8d285cd707ff0905000003"}

"https://www.daao.org.au/bio/angiolo-logi"

{"year": "2011", "month": "10", "day": "6"}

{"year": "2012", "month": "9", "day": "26"}

"moderator approved"

"Angiolo Logi"

{"family_name": "Logi", "given_names": "Angiolo"}

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{"$oid": "64580f71d72f0e29f6130f31"}

{"$oid": "4da195f4b538b73d930066f2"}

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{"year": "1999", "month": "1", "day": "1"}

{"year": "2015", "month": "9", "day": "1"}

"needs approval"

"Lawrence Cetta"

"LAWRENCE CITTA (Cetta), alias LORENZO CITTE, aged 32, born Italy about 1802, tried 1834 in Sheffield, and transported on \u201cMary Ann\u201d to New South Wales in 1835. On release set up a picture-framing business.\nCetta successfully exported looking glasses and frames around the country. He left Sydney in 1853 for England. Set up looking glass business with John Crosta in Nottingham in 1854."

{"family_name": "Cetta", "given_names": "Lawrence"}

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["English"]

"http://nla.gov.au/nla.party-1484043"

{"status": "moderator approved", "contributors": [2740], "date_modified": {"$date": "2015-09-01T20:15:17.933Z"}, "text": "picture-frame and looking-glass maker, was born near Como, Italy, into a family of picture-frame and looking-glass makers. He migrated to London, was tried in Sheffield in 1834 for receiving stolen goods (silver) and was transported to Sydney on the \"Mary Ann\" in 1835. Upon release he established a partnership with another frame-maker, T.E. Hughes, by January 1843. The partnership lasted until 1845 then Cetta worked alone for a decade. He married Jane Ellis in 1846 and lived at 57 George Street from 1845/46 to 1850/51. Two brothers, Julian and Peter Cetta, joined him in the business from London in August 1846 and October 1850 respectively. From November 1844, when he sent a case of goods to Port Phillip, Cetta ran a thriving inter-colonial export business from Sydney. He exported cases of his products, mostly looking glasses, to Port Phillip (45 shipments), Launceston (9), Adelaide (8) and Hobart Town (1). Known extant picture frames are illustrated in Cant (p.45) along with a Cetta & Hughes label. Three surround *Joseph Backler* 's portraits of the Sinclair family dated 1846.\nCetta was naturalised on 31 December 1852. Then in February 1853 he, his wife and a Miss Cetta sailed for Le Havre from Sydney via Melbourne.\nBy 1854, Cetta is listed in Wright's Directory as living in Nottingham and working in partnership with John Crosta (born 1820 in Italy) as Crosta, Cetta and Co., looking-glass makers. \n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"type": "Other Wood Product Manufacturing n.e.c.", "title": "picture-frame maker"}]

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["Legacy data. Source 'unknown'"]

["Framer"]

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{"year": "1996", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Frederick Francis Booty"

"Federation-era cartoonist, Booty was a regular contributor to a number of Western Australian journals and newspapers. Born in Sydney, he spent time in Melbourne and also contributed work to the Bulletin and South Australian publication Gadfly before moving permanently to the United States c.1909."

{"family_name": "Booty", "given_names": "Frederick Francis"}

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[{"broad_role": "artist", "detailed_role": "Cartoonist / Illustrator"}]

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["English"]

"http://nla.gov.au/nla.party-1467577"

{"status": "moderator approved", "date_modified": {"$date": "2007-01-01T00:00:00Z"}, "text": "cartoonist and illustrator, was born in Sydney on 15 March 1879 (according to David Cook: Alec C. Chisholm says he was a New Zealander). Later he moved to Perth and did cartoons and illustrations for a number of local journals, including _Clare's Weekly_ , the _Argonaut_ , the _Western Mail_ and the _Sunday Times_ (c.1899-1908). A Federation cartoon published in the _Western Argus_ on 26 July 1900 (FA slide library University of Sydney) is presumably that in NLA neg. of an allegorical female tied to a tree ('Isolation') being cut free with a sword ('Federation') wielded by a knight with mining tools ('W.A. Miner') dated 1900 - a parody of J.G. Millais's _Andromache_ recorded as by Fred 'Boote'.\nIn 1901-3 Booty was political cartoonist on the _Spectator_ {WA?}. By 1906 he was in Melbourne, where he became part owner of a lithographic plant while also doing comic drawings for the Adelaide _Gadfly_ . A.H. Chisholm (p.28) tells the story of 'a New Zealand artist named Fred Booty' flipping a sovereign to editor C.J. Dennis - who had a reputation for standoffishness - at the _Gadfly_ office (c.1906-7) with the comment: 'Would this suffice to gain speech with thee?'\nBooty drew many comic postcards (see Cook reference) and bookplates (Lawrence Wilson Art Gallery, University of Western Australia, has a collection of his bookplates, donated 2000). He contributed to the Sydney _Bulletin_ from c.1900. He left for the USA in about 1909 and remained there until he died, in Boston in 1913.", "date_created": {"$date": "1996-01-01T00:00:00Z"}, "initial_contributors": ["Kerr, Joan"]}

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["Black and white artists"]

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"https://www.daao.org.au/bio/james-farrell-1"

{"year": "2014", "month": "3", "day": "6"}

{"year": "2019", "month": "5", "day": "4"}

"moderator approved"

"James Farrell"

"Melbourne-trained tram conductor who worked as a painter, potter and designer. Farrell designed a pedestal chair with the seat formed from Perspex for Module and Company, Fairfield, Victoria, ca.1970. Company shifted from Bulleen to Fairfield and was in operation 1965-1992."

{"family_name": "Farrell", "given_names": "James"}

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{"coverage": {"date": {"year": "1999", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Castlemaine, Victoria", "country": "Australia", "state": "Victoria", "postcode": "3450"}, "ori_dbid": {"$oid": "4da194f7b538b73d930006c6"}, "ori_address": "Castlemaine, Victoria", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.0644398, "longitude": 144.2172001}}}}

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"https://www.daao.org.au/bio/paul-oconnor"

{"year": "2014", "month": "10", "day": "13"}

{"year": "2014", "month": "10", "day": "13"}

"moderator approved"

"Paul O'Connor"

{"family_name": "O'Connor", "given_names": "Paul"}

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["Queen Victoria Museum & Art Gallery History Archive."]

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{"$oid": "64580f64d72f0e29f6130d45"}

{"$oid": "4da19585b538b73d93004513"}

"https://www.daao.org.au/bio/william-bradley"

{"year": "1992", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"William Bradley"

"Painter and professional photographer who worked in various businesses and locations throughout Sydney's central business district in the second half of the nineteenth century."

{"family_name": "Bradley", "given_names": "William"}

[{"broad_role": "artist", "detailed_role": "Photographer"}, {"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"title": "Professional photographer", "type": "Professional Photographic Services"}}, {"occupation": {"type": "artist", "title": "Painter"}}, {"occupation": {"type": "artist", "title": "Photographer"}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "London, England, United Kingdom", "country": "United Kingdom", "state": "England", "city": "London", "postcode": "SW1P 3JX"}, "ori_dbid": {"$oid": "4da194f7b538b73d9300068e"}, "ori_address": "London, England, UK", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 51.5001524, "longitude": -0.1262362}}}}, {"note": " ", "coverage_range": {"date_range": {"date_start": {"year": "1858", "month": "1", "day": "1"}, "date_end": {"year": "1858", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "South Head Road, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da19585b538b73d9300450c"}, "ori_address": "South Head Road, Sydney, NSW", "_class_ori": "place", "_class": "place"}}}, {"note": " ", "coverage_range": {"date_range": {"date_start": {"year": "1858", "month": "1", "day": "1"}, "date_end": {"year": "1897", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da194f4b538b73d930005f4"}, "ori_address": "Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}}}}]

["English"]

"http://nla.gov.au/nla.party-1484062"

[{"date": [{"year": "1858", "month": "1", "day": "1"}]}]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:33:25.371Z"}, "text": "painter and professional photographer, operated as Bradley & Co. late in 1858 at Peck & Jones's Rotunda (formerly Smith & Sons' Casino) on South Head Road, Sydney, having advertised in the _Sydney Morning Herald_ of 5 November that he had just arrived from London and would offer 'Portraits in the highest style of art at moderate charges'. Eight days later Messrs Peck ( *George Peck* ) and Jones announced 'the extraordinary and unprecedented novelty of presenting (gratis) to each purchaser of a double ticket [to the Novelty Ball inaugurating their Rotunda Gardens], a perfectly beautiful half-guinea Portrait of himself or friend, executed in the very highest style of art, by Mr Bradley, an eminent London photographist'. The ball was held on 16 November and Bradley's photographs gave such general satisfaction that George Peck announced that 'his second Fancy and Full Dress NOVELTY BALL', to be held on 8 December, would also offer free portraits 'by those talented artists, Messrs. BRADLEY and CO., at the Rotunda Photographic Gallery'. This time only every seventh ticket sold would receive a free portrait, but it would be a large photograph 'splendidly mounted' and worth a guinea and a half in comparison to the previously nominated value per portrait of half a guinea. (Bradley & Co.'s normal prices were, of course, more realistic: 'Guaranteed likeness in case, beautifully coloured for 5/-. All other sizes at half the city prices. Photographs for sending home, 3 for \u00a31'.)\nThe novelty, alas, wore off. William Bradley appears to have joined *Edwin Dalton* 's George Street studio almost immediately after this event. In 1863 he was reported as being the operator of Dalton's 'solar camera', and in 1867 he claimed he had been 'for 6 years sole photographer at Dalton's'. In 1863 64 Bradley's mother *Eliza Allen* also worked at Dalton's, as a colourist and miniature painter. Her second husband, *Oswald Allen* , preceded Bradley as Dalton's operator, leaving to set up his own George Street business in 1862. Bradley joined his stepfather in January 1865 on the termination of his contract with Dalton. For some years it had been understood that he would succeed Dalton, so it appears they had quarrelled. After the dissolution of Bradley & Allen the following year, William Bradley advertised that he would make a tour of the country districts of New South Wales for 'the purpose of practising Photography in all its varied branches, including Crayon Portraits, Mezzotints, Solar Pictures, Views &c.'. The tour was to include Goulburn, Bathurst, Mudgee and the principal intermediate townships. Two months later he was back in Sydney, advertising in the _Sydney Morning Herald_ (28 June 1866) that his 'instantaneous' stereoscopic 'Views of the Inauguration of Prince Albert's Statue' and other colonial subjects could be obtained from *Flavelle Brothers* and from Brush & MacDonnell's, jewellers in George Street. He announced the opening of his own photographic studio at 140 Pitt Street in the _Herald_ on 6 October 1866, where he continued to offer photographs of the Sydney unveiling of Theed's statue of Prince Albert. A set was subsequently presented to Queen Victoria.\nAdvertising as 'Artist Photographer (late of Bradley & Allen's, from Dalton's)', Bradley's repertoire in May included 'crayon portraits, either from life or copied from photographs', although it is possible that at least some were Eliza Allen's work. The portraitist *Thomas Price* also exhibited at Bradley's studio. Yet 'an exquisitely finished likeness in coloured chalks of an Australian Beauty', noted as being quite different from Price's work, was fulsomely praised as being 'from Mr. Bradley's easel' in the _Herald_ of 15 June 1867. It too is likely to have been an enlarged and overpainted photograph.\nBradley hung a large transparency in front of his Pitt Street shop for the royal tour of Prince Alfred, Duke of Edinburgh, in January 1868: 'a kit-cat portrait of the Prince' with appropriate armorial and emblematic embellishments. On 7 April the _Herald_ reported that Bradley's large portrait of Prince Alfred, purchased by the Goulburn magistrates, was to hang in their room at the court-house after it had been exhibited at Goulburn's City Book Mart. Small overpainted photographs of the arrival and departure of the royal ship _Galatea_ by Bradley are in the Mitchell Library. In a letter to the editor of the _Herald_ on 25 April 1868 Bradley protested about the 'wholesale piracy of photographic engravings' and called for a copyright act, stating that he had recently lost money from pirated reproductions of his portrait of the Duke of Edinburgh. On 27 July he was complaining of the extensive piracy of his photographs of Lord and Lady Belmore, adding that his were currently on sale at various stationers and drapers' stores in Sydney. 'A pirated or copied portrait', he advised, 'can always be distinguished from its coarse and granular appearance'.\nBradley had an additional studio at 239 George Street in 1867 but afterwards was solely at 140 Pitt Street. He added a 'new and spacious GALLERY (lighted upon an entirely new principle)' in 1870. In April 1872 he showed a collection of photographs at the Pitt Street Congregational Sabbath School exhibition. Bradley continued to be listed as a working photographer at various Sydney locations until 1897, his last known address being 19 Hunter Street.", "date_created": {"$date": "1992-01-01T00:00:00Z"}, "initial_contributors": ["Lennon, Jane"]}

[{"title": "Professional photographer", "note": "Professional photographer ", "type": "Professional Photographic Services"}]

[{"is_deleted": false, "note": "Place: Melbourne, Vic.\n", "title": "The Mechanical Eye in Australia: Photography 1841-1900", "ori_dbid": {"$oid": "50b3ffa0d707ff7d9e001093"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Davies, Alan, and Stanbury, Peter (1985), 'The Mechanical Eye in Australia: Photography 1841-1900', Melbourne, Vic."}}, {"is_deleted": false, "note": "Place: Melbourne, Vic.\n", "title": "The Story of the Camera in Australia", "ori_dbid": {"$oid": "50b3ffa0d707ff7d9e001094"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Cato, J. (1955), 'The Story of the Camera in Australia', Melbourne, Vic."}}, {"is_deleted": false, "note": "Place: Sydney Mail, 04-20\n", "ori_dbid": {"$oid": "50b3ffa0d707ff7d9e001095"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(1872), Sydney Mail, 04-20."}}]

["The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870"]

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{"year": "2013", "month": "1", "day": "22"}

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["Campfire Group"]

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{"year": "2011", "month": "7", "day": "15"}

{"year": "2017", "month": "8", "day": "10"}

"moderator approved"

"Colin Lanceley"

{"family_name": "Lanceley", "given_names": "Colin"}

[{"family_name": "Lanceley", "given_names": "Countdown", "display_name": "Countdown Lanceley"}]

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{"note": "died at the St Vincent's Hospital Palliative Care Unit", "coverage": {"date": {"year": "2015", "month": "1", "day": "30"}, "place": {"address": {"country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "54d2ac08d707ff22bc000001"}, "ori_name": "Sydney, NSW", "_class_ori": "place", "_class": "place", "display_name": "Sydney, New South Wales", "geo_coord": {"latitude": -33.8674869, "longitude": 151.2069902}}}}

[{"broad_role": "artist", "detailed_role": "Sculptor"}, {"broad_role": "artist", "detailed_role": "Printmaker"}, {"broad_role": "artist", "detailed_role": "Mixed Media Artist"}, {"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Printmaker"}}, {"occupation": {"type": "artist", "title": "Painter"}}, {"occupation": {"type": "artist", "title": "Mixed Media Artist"}}, {"occupation": {"type": "artist", "title": "Sculptor"}}]}

"http://nla.gov.au/nla.party-496698"

[{"date": [{"year": "1939", "month": "1", "day": "1"}]}]

{"status": "moderator approved", "contributors": [2338], "date_modified": {"$date": "2012-12-03T21:29:40Z"}, "text": "Colin Lanceley, painter, sculptor and printmaker, was born in Dunedin, New Zealand in 1938 and raised in Australia, as his family relocated to Sydney in the following year. In 1954 at the age of 16 Lanceley was apprenticed as a colour photo engraver in the printing industry in Sydney. He also attended evening classes taught by Peter Laverty at North Sydney Technical College. Lanceley subsequently enrolled at the East Sydney Technical College in 1956, where he graduated with a Diploma in Art in 1960. After his student days, Lanceley, together with Michael Brown and Ross Crothall, formed the Imitation Realist Group (1961) and exhibited work at John Reed\u2019s Museum of Modern Art in Melbourne and at the Rudy Komon Gallery in Sydney. This trio of artists enjoyed playing a game they called \u2018aesthetic chess,\u2019 where they made impromptu arrangements of the everyday contents of their pockets (for example coins, keys etc.), often laid out on a table at a cafe in Sydney\u2019s Taylor Square.\nAs the recipient of the prestigious Helena Rubinstein Travelling Scholarship in 1964, Colin Lanceley travelled to Italy and the UK, where he remained throughout the 1960s and 1970s. He held his first London exhibition at Marlborough Gallery in February 1966. In the course of becoming a well-travelled artist, Lanceley embarked on numerous trips across Europe, visiting France, Spain, Italy, Germany, Poland, Hungary, Austria, Holland, Belgium and Crete. He spent extended periods working in France and Spain and during his time in England he lectured part-time at the Bath Academy of Art, Gloucestershire College of Art and Design, and the Chelsea School of Art, London. After his prize win at the Europe Prize for Painting held in Belgium in 1980, Lanceley continued his art practice in Burgundy rather than London. Lanceley married his wife Kay Morphett during his time aboard and they had two sons. \nLanceley, along with his family, returned to Australia in 1981, whereby he renounced the badge of expatriate artist. He was appointed as a lecturer at the City Art Institute in Sydney, serving in this post from 1983-86. Lanceley\u2019s artistic reputation and influence was recorded in a 1987 publication by Craftsman House, with an introduction by Robert Hughes and an interview by William Wright, followed in the next year by an ABC film, \u2018Colin Lanceley - Poetry of Place\u2019 directed by Andrew Saw. \nSignificantly, in 1990 Colin Lanceley was awarded the honour of the Order of Australia (AO) for Service to Art. In the subsequent year he was presented with a Creative Arts Fellowship from the Australian Government and was also invited to lecture and exhibit at the Arts Club of Chicago, USA. Lanceley\u2019s role as an honorary lecturer continued as he delivered the 1993 Lloyd Rees Memorial Lecture, Art Gallery of New South Wales, Sydney, in 2000 he lectured at the Bathurst Regional Gallery and in 2001 he was invited to lecture at the New York Studio School, Manhattan, USA. His artistic influence has also been furthered through the official roles in which he has serving, including his post as a member (appointed 1994) of the National Gallery of Australia\u2019s Council and Chairman of the Advisory Board of the National Art School, Sydney (appointed 1998). \nLanceley has exhibited his work extensively since 1962 in Melbourne, Sydney, Brisbane, Adelaide, Canberra, and internationally in England, Switzerland, Belgium, USA, Poland and Japan. A large survey exhibition of Lanceley\u2019s work was held at the Art Gallery of New South Wales in 1987, followed by \u2018Australian Collection Focus - Colin Lanceley\u2019 in 2001. Lanceley\u2019s work has also been included in several major group exhibitions including Perspecta at the Art Gallery of New South Wales in 1983, the Biennale of Sydney in 1986 and the Great Australian Art Exhibition in 1988.\nLanceley has received a range of awards during the course of his artistic career, including the Young Contemporaries Art Prize from the NSW Contemporary Art Society (1963), the Scottish Arts Council Prize at the 1967 Edinburgh Festival, two prizes at the 1968 Krakow International Print Biennale and the Europe Prize for Painting in Belgium in 1980. His artistic commissions have included designing mosaics for the Australian International Aquatic Centre, Homebush, Sydney (1994), painting the ceiling of the Lyric Theatre, Sydney (1998) and creating a large glass work for the County Court of Victoria, Melbourne (2002). \nLanceley\u2019s iconic and brightly coloured works, presenting abstract scenes built up from fractured geometric shapes, incorporate three-dimensional crafted and painted wood elements fixed to canvas supports. Collage has served as the recurring basis of his work, which has also been inspired by literary sources, for example the writings of T.S. Eliot.\nThe art of Colin Lanceley is represented in prominent Australian and international collections including the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Art Gallery of South Australia, Adelaide; Art Gallery of Western Australia, Perth; Bezalel National Museum, Jerusalem; Centre National d'Art Contemporain, Paris, France; Contemporary Art Society and the Tate Gallery, London, England; Kunstvrein, Hamburg, Germany; Museum Narodowe, Warsaw, Poland; Museum of Fine Arts, Houston, USA; Stedelijk Museum, Amsterdam, The Netherlands; and The National Gallery, Washington, USA.", "date_created": {"$date": "2012-12-03T21:29:40Z"}}

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["Annandale Imitation Realism"]

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Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1de28b538b73d9302927c"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8724122, "longitude": 151.2109727}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "598b9964d707ff1026000000"}, "label": "Mirror-Waratah art competition 1961 art show", "curr_dbid": {"$oid": "645811c7d72f0e29f6140048"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812a3d72f0e29f6172f9d"}}, {"subject": {"primary_name": {"family_name": "Lanceley", "given_names": "Colin", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Lanceley", "given_names": "Countdown", "title": "", "note": ""}], "ori_dbid": {"$oid": "4e1f926f72edc24d910001e4"}, "label": "Colin Lanceley", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/colin-lanceley", "curr_dbid": {"$oid": "64581039d72f0e29f6132842"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/the-artists-camp-iii", "description": "An exhibition of works created at the camp or on the basis of that experience, by Frank Hodgkinson, Colin Lanceley and David Adspen, while artists in the field in 1982.\n\nSource: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS\nNT annual report; AGNSW Library catalogue\n\nExhibition Catalogue:\nThree artists in the field: the Kakadu, 1982. 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"moderator approved"

"Jack Jans"

"Jack Andrew Wilkie-Jans is an artist, artsworker, curator and events and exhibitions coordinator. His tribal Grandmother was the late Thancoupie/ Thanakupi, Dr Gloria Fletcher James AO."

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{"status": "moderator approved", "contributors": [1014, 2066], "date_modified": {"$date": "2012-12-04T17:07:04.734Z"}, "text": "Jack Andrew Wilkie-Jans originally started his career in the arts as a volunteer artsworker, curator and events and exhibitions co-ordinator for local grass-roots level arts and cultural events. His tribal Grandmother was the late, \"Thapich\" Dr Gloria Fletcher James AO. Jack lives and works in Cairns, far north Queensland. In 2011 he, along with many other volunteers who work in a wide selection of industries, was awarded the Senator Jan McLucas Volunteer Recognition Award for his efforts and work with youth at risk with youth charities and for his efforts in strengthening the local Cairns arts & cultural scene.\nJack first started volunteering in the Arts at Cell Art Space, an Artist Run Initiative in far north Queensland. This role saw him participate in a group exhibition of the Co-Directors called 'Art Sense' in 2011.\nHis most notable project was The '2012\u2019 Exhibition, funded by Youth Arts Queensland. The exhibition showcased many emerging artists alongside many established local artists. The exhibition drew a crowd consisting of many state and local dignitaries; providing emerging artists with exhibition preparation skills and networks.\nAs an artist he has exhibited earlier works in several group exhibitions. In 2011 Jack was a participant in the Wesfarmer\u2019s Arts Indigenous Leadership Program at the National Gallery of Australia.\nIn May 2012, Jack held his first solo exhibition at C.1907 Gallery & Art Space titled 'the First & Last Fleet'. It spoke of the most significant moment in Australian history when the First Fleet landed on Australian shores, changing the landscape, both social and material, forever. He has also donated several artworks to a special bursary created in honour of Thapich Dr Gloria Fletcher James AO. The bursary funds are awarded to young and emerging Western Cape artists wishing to expand their career opportunities and industry connections.\nIn August 2012 Jack held a solo exhibition throughout the Cairns Indigenous Art Fair, with the Indigenous Beautiful Art Spaces programme partnered with Art Queensland, the Cairns Regional Council and the Cairns Indigenous Art Fair. The exhibition was held at Vibe Bar and Lounge in Cairns. The exhibition will travel in October to another venue in Cairns, the Salthouse, for further display.\nIn October 2012 Jack organised a charitable art auction for the Declan Crouch Fund in partnership with the Dr Edward Koch Foundation. The Declan Crouch Fund Charity Art Auction was auctioneered by The Hon. Warren Entsch MP and raised well over $4,000 for the Fund to go towards their great work with Suicide Prevention and Awareness Raising in the Cairns community.", "date_created": {"$date": "2012-12-04T08:22:40.507Z"}}

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"Western Cape, Cape York, Mapoon, Weipa regions, Far North Queensland, and also, Gulf of Carpentaria and Burektown areas."

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"https://www.daao.org.au/bio/wynwode-mcdonald"

{"year": "1999", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Wynwode McDonald"

"Fashion copywriter, was a member of the George Patterson Advertising Service."

{"family_name": "McDonald", "given_names": "Wynwode"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"title": "Fashion copywriter", "type": "Creative Artists, Musicians, Writers and Performers"}}, {"occupation": {"type": "artist"}}]}

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["English"]

"http://nla.gov.au/nla.party-1481794"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:01:03.619Z"}, "text": "fashion copywriter, was a member of the George Patterson Advertising Service and a contributor to the courses run by the Art Training Institute, Melbourne.\n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"title": "Fashion copywriter", "note": "Fashion copywriter ", "type": "Creative Artists, Musicians, Writers and Performers"}]

[{"is_deleted": false, "note": "Place: Art Training Institute, Melbourne, Victoria\n", "title": "The New Commercial Art in Australia", "ori_dbid": {"$oid": "50b401cad707ff7d9e004ab0"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(c.1945), 'The New Commercial Art in Australia', Art Training Institute, Melbourne, Victoria."}}]

["Legacy data. Source 'unknown'"]

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{"$oid": "64580fa6d72f0e29f61316c1"}

{"$oid": "4da19926b538b73d9300eb44"}

"https://www.daao.org.au/bio/constance-lillian-jenkins"

{"year": "1995", "month": "1", "day": "1"}

{"year": "2012", "month": "11", "day": "12"}

"moderator approved"

"Constance Lillian Jenkins"

"Figurative painter and teacher born in Melbourne, one of a number of female artists who enjoyed a considerable degree of public recognition in the inter-war period. Jenkins moved to the USA in 1912 with her husband where they both became involved in the art scene in San Francisco and Jenkins became a founding member of the San Francisco Women Artists' Society."

{"family_name": "Jenkins", "given_names": "Constance Lillian"}

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[{"broad_role": "artist", "detailed_role": "Painter"}]

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["English"]

"http://nla.gov.au/nla.party-1484813"

{"status": "moderator approved", "date_modified": {"$date": "2012-11-12T10:19:38Z"}, "text": "Constance Jenkins, painter and teacher, was born in Melbourne on 29 June 1883, youngest of the children of the civil engineer and architect John S. Jenkins (son of an English professor in the Scottish Elgin Academy) and Emma, n\u00e9e Wright, who particularly encouraged her daughter\u2019s artistic interests. \nConstance Jenkins studied at the National Gallery of Victoria Art School. She enrolled in the School of Design in 1901 and two years later was admitted to the School of Painting (1903-08). During her student years, Jenkins exhibited at the NGV Art School exhibitions and with the Victorian Artists' Society. She also won several awards at the First Australian Exhibition of Women's Work held in Melbourne in 1907. \nIn 1908 Jenkins became the first woman to win the NGV Travelling Scholarship, which supported two years of overseas studies. Jenkins travelled to Paris where she studied at the Acad\u00e9mie Julian in 1909 and then completed further studies in London and Italy. She exhibited at the Salon de la Soci\u00e9t\u00e9 des Artistes Fran\u00e7ais, Paris (Old Salon) in 1910 and the Royal Academy in 1911. It is likely that 'My lady pincushion (daylight)' was completed during Jenkins' scholarship years abroad. \nIn 1912 Constance Jenkins returned to Melbourne where she held her first solo exhibition at the Athenaeum Hall. Amongst the ninety-six exhibited works were two versions of My lady pincushion: one by daylight and the other by candlelight. Later that year, Jenkins departed Melbourne for the United States where she married Spencer Macky, a fellow student from the NGV Art School. The Mackys settled in San Francisco where Jenkins taught at the San Francisco Institute of Fine Arts. She continued to exhibit and was a founding member of the San Francisco Society of Women Artists (1925). Constance Jenkins died in San Francisco in 1961.", "date_created": {"$date": "1995-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer", "Sullivan, Lisa", "The Ian Potter Museum of Art, The University of Melbourne"]}

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["Heritage: The National Women's Art Book"]

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{"$oid": "645810a8d72f0e29f6134c2b"}

{"$oid": "5d57d4f3ede610348c0006d9"}

"https://www.daao.org.au/bio/raymond-sim"

{"year": "2019", "month": "8", "day": "17"}

{"year": "2019", "month": "8", "day": "17"}

"moderator approved"

"Raymond Sim"

"Sim is an illustrator and printmaker active from 1936. He is considered a master lithographer working on limestone and/or zinc plates. He has worked as a cartographic illustrator, stamp designer and poster design. As a historic poster collector, he has an extensive collection of Australian posters by local designers."

{"family_name": "Sim", "given_names": "Raymond"}

[{"broad_role": "designer", "detailed_role": "Graphic Designer"}]

{"career_periods": [{"occupation": {"type": "designer", "title": "Graphic Designer"}}]}

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["poster design", "lithographer", "printmaker"]

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{"$oid": "64581088d72f0e29f6133f84"}

{"$oid": "53d62489d707ff658100000d"}

"https://www.daao.org.au/bio/alan-schacher-1"

"moderator approved"

"Alan Schacher"

{"family_name": "Schacher", "given_names": "Alan"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

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{"$oid": "64580f5fd72f0e29f6130c6a"}

{"$oid": "4da19562b538b73d9300393b"}

"https://www.daao.org.au/bio/biriban"

{"year": "2007", "month": "1", "day": "1"}

{"year": "2012", "month": "10", "day": "18"}

"moderator approved"

"Biriban or Johnny McGill was best known as a language informant for the Reverend Lancelot Threlkeld a Minister and linguist in the 1830s. Threlkeld thought of Biriban as a 'clever artist' and in 1831 Biriban drew a representation of the steamboat,'Sophia Jane', the location of which is currently unknown."

{"family_name": "Biriban"}

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{"note": "Then known as Bahtahbah", "coverage": {"date": {"year": "1800", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Belmont, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Lake Macquarie", "suburb": "Belmont", "postcode": "2280"}, "ori_dbid": {"$oid": "4da19562b538b73d9300393a"}, "ori_address": "Belmont, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.0359434, "longitude": 151.6604828}}}}

{"coverage": {"date": {"year": "1846", "month": "4", "day": "14"}, "place": {"address": {"ori_address": "Newcastle, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Newcastle", "postcode": "2296"}, "ori_dbid": {"$oid": "4da194fab538b73d9300083d"}, "ori_address": "Newcastle, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -32.9166667, "longitude": 151.75}}}}

[{"broad_role": "artist", "detailed_role": "Draughtsman"}]

{"career_periods": [{"occupation": {"title": "Bush Constable or Tracker", "type": "Police Services"}}, {"occupation": {"title": "Interpreter", "type": "Other Professional, Scientific and Technical Services n.e.c."}}, {"occupation": {"type": "artist", "title": "Draughtsman"}, "coverage_range": {"date_range": {"date_start": {"year": "1831", "month": "1", "day": "1"}, "date_end": {"year": "1831", "month": "1", "day": "1"}}}}]}

["English"]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:32:50Z"}, "text": "Biriban or Johnny McGill was born circa 1800 at Bahtahbah (now Belmont), NSW into the Awabagal language group centred on Newcastle and Lake Macquarie. He acquired his name from an army officer, Captain John McGill who brought him up at the Military Barracks in Sydney where he learnt to speak English.\nBy 1819 Johnny was in Newcastle, where he was caricatured as 'Magill' with his body 'painted-up' for ceremony, in a watercolour portrait by the convict artist *Richard Browne* . According to the Rev. L.E. Threlkeld in a report to the London Missionary Society, it is likely that Johnny acquired his totem name Biriban (Eaglehawk in Awaba) when he completed his initiation rites at the age of about 26 during 1826. In 1821 McGill and two other Aborigines, Boatman (also known as Boardman or Jemmy Jackass) and Mongoul or Bob Barratt, were taken to Port Macquarie on the northern coast on NSW by Captain Francis Allman of the 48th Regiment, who commanded the convict settlement. As 'bush constables' they tracked and captured runaway convicts.\nAt the 1830 Parramatta Conference, Biriban was presented with a brass breastplate or gorget by governor Sir Ralph Darling. As reported in the _Sydney Gazette_ on the 12th January, 1830 the breastplate was engraved with the inscription: Barabahn, or Mac.Gill, Chief of the Tribe of Bartabah, on Lake Macquarie; a Reward for his assistance in reducing his Native Tongue to a written Language. James Backhouse wrote in _A Narrative of a Visit to the Australian Colonies_ published in London in 1843 that Biriban wore the gorget with his \"red-striped shirt, not very clean, a pair of ragged trowsers, and an old hat\" when he and Boardman guided the Quakers James Backhouse and George Washington Walker through the bush from Newcastle to Lake Macquarie in April 1836.\nBiriban joined the Reverend Lancelot Threlkeld, a Congregational Minister and linguist, who in 1824 established a mission to the Aborigines at 'Ebenezer', (Toronto), at the entrance to Lake Macquarie as an interpreter when Aborigines appeared in court and a language informant. Biriban accompanied Threlkeld to Brisbane Water five times for the annual distribution of blankets to the Walkeloa or Brisbane Water 'Tribe' which Threlkeld supervised and recorded. In 1836 'Beerabahr' was described by the Colonial Secretary in 'Return of Aboriginal Natives' as \"Chief of the Lake Macquarie Tribes\". In Threlkeld's Preface to the Gospel of St. Luke (1857), which Biriban and Threlkeld translated into Awabagal, Threlkeld wrote 'McGill spoke the English language fluently'. He also described Biriban as 'a noble specimen of his race, my companion and teacher in the language for many years'.\nAccording to Threlkeld, Biriban was also a clever artist. \"When the first steamboat arrived in the colony, the 'Sophia Jane', I requested him to give me a description of it. This he did verbally, and when I required of him a representation, he drew with a pencil on a sheet of paper an excellent sketch of the vessel.\" Threlkeld sent Biriban's drawing to the Bishop of Sydney, Reverend W. G. Broughton, who sent it to 'one of the [religious] societies in London'. Biriban's drawing has not been located, but it could turn up one day in a British archive. It might have resembled the image of the 'Sophia Jane' a woodblock print now in the collection of the Wollongong City Library. The 250 ton 'Sophia Jane', a sea-going paddle-wheel steamship rigged with sails as a schooner, arrived in Sydney on 15th May, 1831 and went into service as a passenger ship between Sydney, Newcastle and Morpeth on the Hunter River. Biriban probably saw the steamer when it arrived at Newcastle in June that year. Alfred T. Agate, a botanical artist in the United States scientific expedition commanded by Captain Charles Wilkes, made a portrait of Biriban at Lake Macquarie in 1839 and recalled that \"it was very evident that McGill was accustomed to teaching his native language, for when he was asked the name of anything, he pronounced the world very distinctly, syllable by syllable, so that it was impossible to mistake it. \"Threlkeld recorded the name of Biriban's wife as Patty or Ti-pa-mah-ah and their son Francis or Ye-rou-wa (born in 1823).\nBiriban died in Newcastle on 14th April, 1846.", "date_created": {"$date": "2007-01-01T00:00:00Z"}, "initial_contributors": ["Smith, Keith"]}

[{"override": "Awabagal", "language": "Awabakal language (S66) (NSW SI56-05)"}]

[{"title": "Bush Constable or Tracker", "note": "Bush Constable or Tracker ", "type": "Police Services"}, {"title": "Interpreter", "note": "Interpreter ", "type": "Other Professional, Scientific and Technical Services n.e.c."}]

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["Storylines Project, COFA, UNSW"]

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{"$oid": "64580fe4d72f0e29f6131e39"}

{"$oid": "4da1a192b538b73d9301783e"}

"https://www.daao.org.au/bio/vivienne-roma"

{"year": "2007", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Vivienne Roma"

"Ceramicist Vivienne Roma was born in Cherbourg in 1955. Her pots are informed by her memories of growing up an Aboriginal woman in Queensland."

{"family_name": "Roma", "given_names": "Vivienne"}

{"coverage": {"date": {"year": "1955", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Cherbourg, Queensland", "country": "Australia", "state": "Queensland", "city": "Cherbourg", "postcode": "4605"}, "ori_dbid": {"$oid": "4da1a192b538b73d9301783d"}, "ori_address": "Cherbourg, Qld.", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -26.2918901, "longitude": 151.9558879}}}}

[{"broad_role": "artist", "detailed_role": "Ceramist"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Ceramist"}, "coverage_range": {"date_range": {"date_start": {"year": "2002", "month": "1", "day": "1"}}}}]}

["English"]

"http://nla.gov.au/nla.party-1485399"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:24:50.203Z"}, "text": "Ceramicist Vivienne Roma was born in Cherbourg in 1955. Her pots are informed by her memories of growing up an Aboriginal woman in Queensland. Roma is a member of the Murri Potters' Group and first showed with them in 2002 at Fusions Art Gallery. Roma has also shown her work in the 'Gatherings II' exhibition in Brisbane in 2006.", "date_created": {"$date": "2007-01-01T00:00:00Z"}, "initial_contributors": ["Allas, Tess"]}

[{"date_start": {"year": "2002", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Keeaira Press, Southport, Qld.\n", "title": "Gatherings II", "ori_dbid": {"$oid": "50b4029bd707ff7d9e005fa2"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Demozay, Marion (2006), 'Gatherings II', Keeaira Press, Southport, Qld."}}]

["Storylines Project, COFA, UNSW"]

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[{"subject": {"primary_name": {"family_name": "Roma", "given_names": "Vivienne", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1a192b538b73d9301783e"}, "label": "Vivienne Roma", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/vivienne-roma", "curr_dbid": {"$oid": "64580fe4d72f0e29f6131e39"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4da1a18ab538b73d93017839"}, "label": "Women in the City", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "2002", "month": "1", "day": "1"}, "date_end": {"year": "2002", "month": "1", "day": "1"}}}, "description": "", "ori_url": "https://www.daao.org.au/bio/work/women-in-the-city", "curr_dbid": {"$oid": "645810dcd72f0e29f6137340"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458128dd72f0e29f616c940"}}, {"subject": {"primary_name": {"family_name": "Roma", "given_names": "Vivienne", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1a192b538b73d9301783e"}, "label": "Vivienne Roma", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/vivienne-roma", "curr_dbid": {"$oid": "64580fe4d72f0e29f6131e39"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4da1a18ab538b73d93017838"}, "label": "Reflection of the Past", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "2002", "month": "1", "day": "1"}, "date_end": {"year": "2002", "month": "1", "day": "1"}}}, "description": "", "ori_url": "https://www.daao.org.au/bio/work/reflection-of-the-past", "curr_dbid": {"$oid": "645810dcd72f0e29f613733f"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458128dd72f0e29f616c93f"}}]

{"$oid": "64581037d72f0e29f61327cc"}

{"$oid": "4e1a553f72edc20ab300005a"}

"https://www.daao.org.au/bio/elizabeth-reidy"

{"year": "2011", "month": "7", "day": "11"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Elizabeth Reidy"

"Elizabeth Reidy is an Australian artist and curator. She has been involved in Sydney Artist Run Initiatives as both artist, curator and director since the early 2000s."

{"family_name": "Reidy", "given_names": "Elizabeth"}

{"coverage": {"date": {"year": "1981", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Australia", "country": "Australia", "postcode": "0872"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000638"}, "ori_address": "Australia", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -25.274398, "longitude": 133.775136}}}}

[{"broad_role": "curator"}, {"broad_role": "artist"}]

{"career_periods": [{"occupation": {"title": "Ballet Dancer", "type": "Creative and Performing Arts Activities"}}, {"occupation": {"type": "artist"}}, {"occupation": {"type": "curator"}}]}

{"status": "moderator approved"}

[{"type": "Creative and Performing Arts Activities", "title": "Ballet Dancer"}]

[{"subject": {"primary_name": {"family_name": "Reidy", "given_names": "Elizabeth", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4e1a553f72edc20ab300005a"}, "label": "Elizabeth Reidy", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/elizabeth-reidy", "curr_dbid": {"$oid": "64581037d72f0e29f61327cc"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/from-small-things-big-things-one-day-come", "description": "The exhibition was a one night only screening at the Chauvel Cinema featuring video and installation works by Matthew Hopkins, Kathryn Gray, Emma Ramsay & Anna John, James Newitt, Sheena Macrea, Sean Rafferty and Micheala Gleave.", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "2007", "month": "1", "day": "17"}, "date_end": {"year": "2007", "month": "1", "day": "17"}}, "place": {"address": {"ori_address": "Chauvel Cinema, Sydney, Australia", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1ceb5b538b73d93027788"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "4e1a53b772edc20ab3000054"}, "label": "From Small Things (Big Things One Day Come)", "curr_dbid": {"$oid": "6458117ed72f0e29f613de77"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "curator of", "reverse_term": "curated by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812a2d72f0e29f61729b8"}}]

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{"$oid": "64581054d72f0e29f6132f4d"}

{"$oid": "4fe9a78bd707ff27ec00003c"}

"https://www.daao.org.au/bio/makinti-napanangka"

{"year": "2012", "month": "6", "day": "26"}

{"year": "2012", "month": "7", "day": "7"}

"moderator approved"

"Makinti Napanangka"

{"family_name": "Napanangka", "given_names": "Makinti"}

{"coverage": {"date": {"year": "1930", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Kintore, Northern Territory", "country": "Australia", "state": "Northern Territory", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da19555b538b73d930033ef"}, "ori_address": "Kintore, NT", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -23.2756313, "longitude": 129.3892806}}}}

{"coverage": {"date": {"year": "2011", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Alice Springs, Northern Territory", "country": "Australia", "state": "Northern Territory", "city": "Alice Springs", "postcode": "0870"}, "ori_dbid": {"$oid": "4da194f7b538b73d930006d4"}, "ori_address": "Alice Springs, NT", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -23.7002104, "longitude": 133.8806114}}}}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

{"status": "moderator approved"}

[{"subject": {"primary_name": {"family_name": "Napanangka", "given_names": "Makinti", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4fe9a78bd707ff27ec00003c"}, "label": "Makinti Napanangka", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/makinti-napanangka", "curr_dbid": {"$oid": "64581054d72f0e29f6132f4d"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/biennale-of-sydney-4", "description": "18th Biennale of Sydney", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "2012", "month": "6", "day": "27"}, "date_end": {"year": "2012", "month": "9", "day": "16"}}, "place": {"address": {"ori_address": "Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da194f4b538b73d930005f4"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "4fe99a92d707ff27ec000036"}, "label": "Biennale of Sydney: All our relations", "curr_dbid": {"$oid": "64581187d72f0e29f613e3c3"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812a8d72f0e29f617495b"}}]

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[{"subject": {"primary_name": {"family_name": "Napanangka", "given_names": "Makinti", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4fe9a78bd707ff27ec00003c"}, "label": "Makinti Napanangka", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/makinti-napanangka", "curr_dbid": {"$oid": "64581054d72f0e29f6132f4d"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4ff7f62ad707ff0d4300006c"}, "label": "untitled", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "2008", "month": "1", "day": "1"}, "date_end": {"year": null, "month": null, "day": null}}}, "description": "Acrylic on linen, 183 x 153 cm", "ori_url": "https://www.daao.org.au/bio/work/untitled-64", "curr_dbid": {"$oid": "64581104d72f0e29f613991a"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812a8d72f0e29f617495c"}}]

{"$oid": "64581088d72f0e29f6133fbb"}

{"$oid": "5418f176d707ff1703000016"}

"https://www.daao.org.au/bio/carole-roberts"

{"year": "2014", "month": "9", "day": "17"}

{"year": "2015", "month": "7", "day": "21"}

"moderator approved"

"Carole Roberts"

{"family_name": "Roberts", "given_names": "Carole"}

{"coverage": {"date": {"year": "1958", "month": "1", "day": "1"}}}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"subject": {"primary_name": {"family_name": "Roberts", "given_names": "Carole", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5418f176d707ff1703000016"}, "label": "Carole Roberts", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/carole-roberts", "curr_dbid": {"$oid": "64581088d72f0e29f6133fbb"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/a-new-generation-1983-the-philip-morris-arts-grant-purchases", "description": "", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1988", "month": "6", "day": "4"}, "date_end": {"year": "1988", "month": "7", "day": "17"}}, "place": {"address": {"ori_address": "Australian National Gallery, Canberra, Australian Capital Territory", "country": "Australia", "state": "Australian Capital Territory", "city": "Canberra", "postcode": "2600"}, "ori_dbid": {"$oid": "4da19591b538b73d93004990"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -35.30053, "longitude": 149.136282}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "55ad8b4dd707ff06e400001a"}, "label": "A new generation 1983-1988: The Philip Morris Arts Grant Purchases", "curr_dbid": {"$oid": "645811c0d72f0e29f613fd01"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176fee"}}, {"subject": {"primary_name": {"family_name": "Roberts", "given_names": "Carole", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5418f176d707ff1703000016"}, "label": "Carole Roberts", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/carole-roberts", "curr_dbid": {"$oid": "64581088d72f0e29f6133fbb"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/review-works-by-women-from-the-permanent-collection", "description": "Speaking of Women, four guest lectures; by Nancy Underhill, Ann Thomson, Margo Neale, Joan Kerr; held over successive Fridays, 10-31 March 1995, by the Art Gallery Society.", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "3", "day": "8"}, "date_end": {"year": "1995", "month": "6", "day": "8"}}, "place": {"address": {"ori_address": "Art Gallery of New South Wales, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1950db538b73d930011bc"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8686268, "longitude": 151.2170618}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "4da19900b538b73d9300e790"}, "label": "Review", "curr_dbid": {"$oid": "64581135d72f0e29f613b6d0"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176feb"}}, {"subject": {"primary_name": {"family_name": "Roberts", "given_names": "Carole", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5418f176d707ff1703000016"}, "label": "Carole Roberts", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/carole-roberts", "curr_dbid": {"$oid": "64581088d72f0e29f6133fbb"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/conversation-clinton-garofano-carole-roberts-1", "description": "Absolute truths are not the concern of the works in this exhibition \u2018conversation\u2019. Clinton Garofano & Carole Roberts come together through their paintings to create a dialogue between Garofano's interest in Buddhist teachings on impermanence and Roberts's interest in changing energy within nature. Garafano and Roberts have been colleagues since the mid 1980s and they have participated in several group exhibitions together.", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "2006", "month": "10", "day": "20"}, "date_end": {"year": "2006", "month": "11", "day": "4"}}, "place": {"address": {"ori_address": "8 Llankelly Place, Kings Cross, Sydney, 2011", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2011"}, "ori_dbid": {"$oid": "557f5a66d707ff3bc3000006"}, "label": "The Cross Art Projects", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.872355, "longitude": 151.224854}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "55ac71add707ff73ea000038"}, "label": "Conversation: Clinton Garofano & Carole Roberts", "curr_dbid": {"$oid": "645811c0d72f0e29f613fcde"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176fed"}}, {"subject": {"primary_name": {"family_name": "Roberts", "given_names": "Carole", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5418f176d707ff1703000016"}, "label": "Carole Roberts", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/carole-roberts", "curr_dbid": {"$oid": "64581088d72f0e29f6133fbb"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/women-artists-in-the-contemporary-collection-of-the-art-gallery-of-new-south-wales-hang-no-2", "description": "See also the catalogue for _Review_", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "4", "day": "24"}, "date_end": {"year": "1995", "month": "6", "day": "4"}}, "place": {"address": {"ori_address": "Art Gallery of New South Wales, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1950db538b73d930011bc"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8686268, "longitude": 151.2170618}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "542a2e73d707ff34bd00000f"}, "label": "Women Artists in the Contemporary Collection of The Art Gallery of New South Wales: Hang No. 2", "curr_dbid": {"$oid": "645811b8d72f0e29f613f93d"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176fec"}}]

{"$oid": "64581085d72f0e29f6133e9b"}

{"$oid": "52312f64d707ff3a7f000004"}

"https://www.daao.org.au/bio/ben-templesmith"

"moderator approved"

"Ben Templesmith"

{"family_name": "Templesmith", "given_names": "Ben "}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"subject": {"primary_name": {"family_name": "Chaloner", "given_names": "Gary", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da195f5b538b73d9300677c"}, "label": "Gary Chaloner", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/gary-chaloner", "curr_dbid": {"$oid": "64580f71d72f0e29f6130f38"}}, "object": {"primary_name": {"family_name": "Templesmith", "given_names": "Ben "}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "52312f64d707ff3a7f000004"}, "label": "Ben Templesmith", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/ben-templesmith", "curr_dbid": {"$oid": "64581085d72f0e29f6133e9b"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "collaborator of", "reverse_term": "collaborator of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458127ed72f0e29f6167f61"}}]

{"$oid": "64580f5ad72f0e29f6130b8f"}

{"$oid": "4da19543b538b73d93002d32"}

"https://www.daao.org.au/bio/joseph-wellesh-baume"

{"year": "1992", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Joseph Wellesh Baume"

"A professional photographer, Joseph Wellesh Baume, worked in Melbourne in 1860 before becoming an itinerant photographer and travelling around rural Victoria and New South Wales."

{"family_name": "Baume", "given_names": "Joseph Wellesh"}

[{"broad_role": "artist", "detailed_role": "Photographer"}]

{"career_periods": [{"occupation": {"title": "Professional Photographer", "type": "Professional Photographic Services"}}, {"occupation": {"type": "artist", "title": "Photographer"}, "coverage_range": {"date_range": {"date_start": {"year": "1860", "month": "1", "day": "1"}, "date_end": {"year": "1868", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"date_range": {"date_start": {"year": "1860", "month": "1", "day": "1"}, "date_end": {"year": "1862", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Melbourne, Victoria", "country": "Australia", "state": "Victoria", "city": "Melbourne", "postcode": "3000"}, "ori_dbid": {"$oid": "4da194f5b538b73d930005fd"}, "ori_address": "Melbourne, Vic.", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.8131869, "longitude": 144.9629796}}}}, {"note": "Echuca, Deniliquin, Hay ", "coverage_range": {"date_range": {"date_start": {"year": "1868", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "(rural) New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2831"}, "ori_dbid": {"$oid": "4da19543b538b73d93002d2f"}, "ori_address": "(rural) New South Wales", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -31.2532183, "longitude": 146.921099}}}}]

["English"]

"http://nla.gov.au/nla.party-1485361"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:32:19.522Z"}, "text": "professional photographer, was working at 39 Swanston Street, Melbourne, in 1860, moving the following year to 8 Bourke Street where he remained until 1862. He exhibited _Portrait of--Sargeant Esq._ at the Victorian Exhibition of Fine Arts in 1860. Later he became a travelling photographer in rural Victoria and south-western New South Wales, being recorded at Echuca, Deniliquin and Hay in 1868 and at Church Street and Scallen Street, Pleasant Creek (Victoria), on undated cartes-de-visite.", "date_created": {"$date": "1992-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"title": "Professional Photographer", "note": "Professional Photographer ", "type": "Professional Photographic Services"}]

[{"date_start": {"year": "1860", "month": "1", "day": "1"}, "date_end": {"year": "1868", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Melbourne, Vic.\n", "title": "The Mechanical Eye in Australia: Photography 1841-1900", "ori_dbid": {"$oid": "50b3ff5fd707ff7d9e000b13"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Davies, Alan & Stanbury, Peter (1985), 'The Mechanical Eye in Australia: Photography 1841-1900', Melbourne, Vic."}}]

["The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870"]

[{"subject": {"primary_name": {"family_name": "Baume", "given_names": "Joseph Wellesh", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19543b538b73d93002d32"}, "label": "Joseph Wellesh Baume", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/joseph-wellesh-baume", "curr_dbid": {"$oid": "64580f5ad72f0e29f6130b8f"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/victorian-exhibition-of-fine-arts-29", "description": "", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1860", "month": "1", "day": "1"}, "date_end": {"year": "1860", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Melbourne, Victoria", "country": "Australia", "state": "Victoria", "city": "Melbourne", "postcode": "3000"}, "ori_dbid": {"$oid": "4da194f7b538b73d930006c3"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.8131869, "longitude": 144.9629796}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "4da1a147b538b73d93017568"}, "label": "Victorian Exhibition of Fine Arts", "curr_dbid": {"$oid": "6458113fd72f0e29f613bc69"}}, "relation_class": "Person_RelatedEvent", "predicate": {}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458127bd72f0e29f6166fe6"}}]

[{"subject": {"primary_name": {"family_name": "Jones", "given_names": "Henry", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19945b538b73d9300ef90"}, "label": "Henry Jones", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/henry-jones", "curr_dbid": {"$oid": "64580fa8d72f0e29f6131706"}}, "object": {"primary_name": {"family_name": "Baume", "given_names": "Joseph Wellesh", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19543b538b73d93002d32"}, "label": "Joseph Wellesh Baume", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/joseph-wellesh-baume", "curr_dbid": {"$oid": "64580f5ad72f0e29f6130b8f"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "associate of", "reverse_term": "associate of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581285d72f0e29f616a2f7"}}]

[{"subject": {"primary_name": {"family_name": "Baume", "given_names": "Joseph Wellesh", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19543b538b73d93002d32"}, "label": "Joseph Wellesh Baume", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/joseph-wellesh-baume", "curr_dbid": {"$oid": "64580f5ad72f0e29f6130b8f"}}, "object": {"address": {"ori_address": "(rural) New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2831"}, "ori_dbid": {"$oid": "4da19543b538b73d93002d2f"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -31.2532183, "longitude": 146.921099}, "curr_dbid": {"$oid": "645811f3d72f0e29f6141b43"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581265d72f0e29f615fb20"}}, {"subject": {"primary_name": {"family_name": "Baume", "given_names": "Joseph Wellesh", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19543b538b73d93002d32"}, "label": "Joseph Wellesh Baume", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/joseph-wellesh-baume", "curr_dbid": {"$oid": "64580f5ad72f0e29f6130b8f"}}, "object": {"address": {"ori_address": "Melbourne, Victoria", "country": "Australia", "state": "Victoria", "city": "Melbourne", "postcode": "3000"}, "ori_dbid": {"$oid": "4da194f5b538b73d930005fd"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.8131869, "longitude": 144.9629796}, "curr_dbid": {"$oid": "645811f2d72f0e29f6141831"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581265d72f0e29f615fb21"}}]

[{"subject": {"primary_name": {"family_name": "Baume", "given_names": "Joseph Wellesh", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19543b538b73d93002d32"}, "label": "Joseph Wellesh Baume", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/joseph-wellesh-baume", "curr_dbid": {"$oid": "64580f5ad72f0e29f6130b8f"}}, "object": {"is_deleted": false, "title": "The Mechanical Eye in Australia: Photography 1841-1900", "ori_dbid": {"$oid": "50b3ff5fd707ff7d9e000b13"}, "label": "The Mechanical Eye in Australia: Photography 1841-1900", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581212d72f0e29f61481f7"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581237d72f0e29f6150135"}}]

[{"subject": {"primary_name": {"family_name": "Baume", "given_names": "Joseph Wellesh", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19543b538b73d93002d32"}, "label": "Joseph Wellesh Baume", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/joseph-wellesh-baume", "curr_dbid": {"$oid": "64580f5ad72f0e29f6130b8f"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "4da19543b538b73d93002d30"}, "label": "Portrait of--Sargeant Esq.", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "1860", "month": "1", "day": "1"}, "date_end": {"year": "1860", "month": "1", "day": "1"}}}, "description": "", "ori_url": "https://www.daao.org.au/bio/work/portrait-of-sargeant-esq", "curr_dbid": {"$oid": "645810bdd72f0e29f613546c"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458127bd72f0e29f6166fe7"}}]

{"$oid": "64581089d72f0e29f6134023"}

{"$oid": "54220c73d707ff781e000003"}

"https://www.daao.org.au/bio/evelyn-crocker"

{"year": "2014", "month": "9", "day": "24"}

{"year": "2014", "month": "9", "day": "24"}

"moderator approved"

"Evelyn Crocker"

{"family_name": "Crocker", "given_names": "Evelyn"}

{"coverage": {"date": {"year": "1948", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Uganda", "country": "Uganda", "state": "Nakasongola", "postcode": "Unknown"}, "ori_dbid": {"$oid": "5157dd5cd707ff422f0000a6"}, "ori_address": "Uganda", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 1.373333, "longitude": 32.290275}}}}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"date": [{"year": "1959", "month": "1", "day": "1"}]}]

[{"subject": {"primary_name": {"family_name": "Crocker", "given_names": "Evelyn", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "54220c73d707ff781e000003"}, "label": "Evelyn Crocker", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/evelyn-crocker", "curr_dbid": {"$oid": "64581089d72f0e29f6134023"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/a-lhombre-des-jeunes-filles-et-des-fleurs-in-the-shadow-of-young-girls-and-flowers", "description": "", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "3", "day": "10"}, "date_end": {"year": "1995", "month": "5", "day": "28"}}, "place": {"address": {"ori_address": "Benalla Art Gallery, Benalla, Victoria", "country": "Australia", "state": "Victoria", "postcode": "3672"}, "ori_dbid": {"$oid": "4da1997eb538b73d9300f501"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -36.5514956, "longitude": 145.9817019}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "5419068bd707ff0c48000027"}, "label": "A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers", "curr_dbid": {"$oid": "645811b8d72f0e29f613f8ef"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f61770b3"}}]

[{"subject": {"primary_name": {"family_name": "Crocker", "given_names": "Evelyn", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "54220c73d707ff781e000003"}, "label": "Evelyn Crocker", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/evelyn-crocker", "curr_dbid": {"$oid": "64581089d72f0e29f6134023"}}, "object": {"address": {"ori_address": "Uganda", "country": "Uganda", "state": "Nakasongola", "postcode": "Unknown"}, "ori_dbid": {"$oid": "5157dd5cd707ff422f0000a6"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 1.373333, "longitude": 32.290275}, "curr_dbid": {"$oid": "645811fcd72f0e29f6145398"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "was born in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458125bd72f0e29f615c4db"}}]

{"$oid": "64581079d72f0e29f6133bed"}

{"$oid": "515823c9d707ff422f000f25"}

"https://www.daao.org.au/bio/florence-a-bell"

{"year": "2013", "month": "3", "day": "31"}

{"year": "2013", "month": "3", "day": "31"}

"moderator approved"

"Florence A Bell"

"Painter who exhibited with the West Australian Society of Arts in 1923 to 1926."

{"family_name": "Bell", "given_names": "Florence A"}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1923", "month": "1", "day": "1"}, "date_end": {"year": "1926", "month": "1", "day": "1"}}}}]}

[{"coverage_range": {"place": {"address": {"ori_address": "Western Australia", "country": "Australia", "state": "Western Australia", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da194f9b538b73d930007f5"}, "ori_name": "Western Australia", "ori_address": "WA", "_class_ori": "place", "_class": "place", "display_name": "Western Australia", "geo_coord": {"latitude": 47.7510741, "longitude": -120.7401386}}}}]

{"status": "moderator approved", "date_modified": {"$date": "2011-06-14T00:00:00Z"}, "text": "<p> </p><p>Painter who had studied at the Perth School of Art under Margaret Saunders and exhibited oil paintings with the West Australian Society of Arts in 1923 to 1926. In 1926 her exhibits were <i>Poppies,</i> <i>White Daisies </i>and <i>The Salmon Gum</i>.</p> <p><br /></p><p><br /></p><p><b>This entry is a stub. You can help DAAO by submitting a biography. </b></p> <p></p>", "date_created": {"$date": "2010-07-21T00:00:00Z"}, "initial_contributors": ["Dr Dorothy Erickson"]}

[{"organization": {"coverage": {"place": {"address": {"ori_address": "Perth School of Art", "country": "Australia", "state": "Western Australia", "city": "Perth", "postcode": "6000"}, "ori_dbid": {"$oid": "4da1a3c0b538b73d9301902b"}, "ori_address": "Perth School of Art", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -31.9483794, "longitude": 115.8624351}}}}}]

[{"date_start": {"year": "1923", "month": "1", "day": "1"}, "date_end": {"year": "1926", "month": "1", "day": "1"}}]

[{"is_deleted": false, "ori_dbid": {"$oid": "515823c9d707ff422f000f24"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Perth, WA: West Australian Society of Arts exhibition catalogues."}}]

["LegacyBioID_8453"]

["Western Australian artists, designers & makers (1829-1959)"]

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[{"subject": {"primary_name": {"family_name": "Bell", "given_names": "Florence A"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "515823c9d707ff422f000f25"}, "label": "Florence A Bell", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/florence-a-bell", "curr_dbid": {"$oid": "64581079d72f0e29f6133bed"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "51582224d707ff422f000c99"}, "label": "The Salmon Gum", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "1926", "month": "1", "day": "1"}, "date_end": {"year": "1926", "month": "1", "day": "1"}}}, "description": null, "ori_url": "https://www.daao.org.au/bio/work/the-salmon-gum", "curr_dbid": {"$oid": "64581117d72f0e29f613a766"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812add72f0e29f617671f"}}, {"subject": {"primary_name": {"family_name": "Bell", "given_names": "Florence A"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "515823c9d707ff422f000f25"}, "label": "Florence A Bell", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/florence-a-bell", "curr_dbid": {"$oid": "64581079d72f0e29f6133bed"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "51582223d707ff422f000c97"}, "label": "White Daisies", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "1926", "month": "1", "day": "1"}, "date_end": {"year": "1926", "month": "1", "day": "1"}}}, "description": null, "ori_url": "https://www.daao.org.au/bio/work/white-daisies", "curr_dbid": {"$oid": "64581117d72f0e29f613a765"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812add72f0e29f617671e"}}, {"subject": {"primary_name": {"family_name": "Bell", "given_names": "Florence A"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "515823c9d707ff422f000f25"}, "label": "Florence A Bell", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/florence-a-bell", "curr_dbid": {"$oid": "64581079d72f0e29f6133bed"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "51582222d707ff422f000c95"}, "label": "Poppies", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "1926", "month": "1", "day": "1"}, "date_end": {"year": "1926", "month": "1", "day": "1"}}}, "description": null, "ori_url": "https://www.daao.org.au/bio/work/poppies-5", "curr_dbid": {"$oid": "64581117d72f0e29f613a764"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812add72f0e29f617671d"}}]

{"$oid": "64581052d72f0e29f6132ef7"}

{"$oid": "4fcd2e92d707ff5c33000001"}

"https://www.daao.org.au/bio/william-iggulden"

{"year": "2012", "month": "6", "day": "5"}

{"year": "2012", "month": "7", "day": "18"}

"moderator approved"

"William Palmer (W.P.) Iggulden"

"W.P. Iggulden was one of the founders (with brother J.M. Iggulden) of Planet Lighting, designer of their first anglepoise \"Orbit\" lamp (1938), later products include \"I Series\", \"Studio K', \"FSC\" and others. The Melbourne firm was initially known as \"Bentley Manufacturing\" and specialised in handtools."

{"family_name": "Iggulden", "given_names": "William Palmer (W.P.)"}

{"coverage": {"date": {"year": "1970", "month": "1", "day": "1"}}}

[{"broad_role": "designer", "detailed_role": "Industrial / Product Designer"}]

{"career_periods": [{"occupation": {"type": "designer", "title": "Industrial / Product Designer"}}]}

{"status": "moderator approved"}

[{"is_deleted": false, "title": "Planet Lighting", "note": "Summary of history", "ori_dbid": {"$oid": "4fcd3042d707ff0a80000011"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "unk (1 January 2012), 'Planet Lighting'.", "url": "http://planetlighting.com/about-us/history/"}}, {"is_deleted": false, "note": "Work illustrated in Colin Barrie, Design, Arts in Australia series, Longmans, 1962", "title": "Design", "ori_dbid": {"$oid": "4fcd3072d707ff5c33000003"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Colin Barrie (1 January 1962), 'Design'."}}, {"is_deleted": false, "note": "Design Australia, March 1971, pps.26-31 (Profile of W.P. Iggulden and development of lighting.", "title": "Design for a Life (W.P. Iggulden)", "ori_dbid": {"$oid": "5006acbcd707ff03f4000000"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "John Uggleden (1 January 1971), 'Design for a Life (W.P. Iggulden)'."}}]

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[{"subject": {"primary_name": {"family_name": "Iggulden", "given_names": "William Palmer (W.P.)", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4fcd2e92d707ff5c33000001"}, "label": "William Palmer (W.P.) Iggulden", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/william-iggulden", "curr_dbid": {"$oid": "64581052d72f0e29f6132ef7"}}, "object": {"is_deleted": false, "title": "Planet Lighting", "ori_dbid": {"$oid": "4fcd3042d707ff0a80000011"}, "label": "Planet Lighting", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "6458120fd72f0e29f61479a6"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124cd72f0e29f61574b1"}}, {"subject": {"primary_name": {"family_name": "Iggulden", "given_names": "William Palmer (W.P.)", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4fcd2e92d707ff5c33000001"}, "label": "William Palmer (W.P.) Iggulden", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/william-iggulden", "curr_dbid": {"$oid": "64581052d72f0e29f6132ef7"}}, "object": {"is_deleted": false, "title": "Design", "ori_dbid": {"$oid": "4fcd3072d707ff5c33000003"}, "label": "Design", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "6458120fd72f0e29f61479a7"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124cd72f0e29f61574b2"}}, {"subject": {"primary_name": {"family_name": "Iggulden", "given_names": "William Palmer (W.P.)", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4fcd2e92d707ff5c33000001"}, "label": "William Palmer (W.P.) Iggulden", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/william-iggulden", "curr_dbid": {"$oid": "64581052d72f0e29f6132ef7"}}, "object": {"is_deleted": false, "title": "Design for a Life (W.P. Iggulden)", "ori_dbid": {"$oid": "5006acbcd707ff03f4000000"}, "label": "Design for a Life (W.P. Iggulden)", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "6458120fd72f0e29f6147a5c"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124cd72f0e29f61574b3"}}]

{"$oid": "64580fefd72f0e29f6131fcc"}

{"$oid": "4da1a422b538b73d93019398"}

"https://www.daao.org.au/bio/miss-spong"

{"year": "1999", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Miss Spong was possibly Jean Spong who made a coloured crayon landscape in 1885."

{"family_name": "Spong", "prefix": "Miss"}

[{"family_name": "Spong", "given_names": "Jean", "note": "possible attribution", "display_name": "Jean Spong"}]

[{"broad_role": "artist", "detailed_role": "Draughtsman"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Draughtsman"}, "coverage_range": {"date_range": {"date_start": {"year": "1885", "month": "1", "day": "1"}, "date_end": {"year": "1885", "month": "1", "day": "1"}}}}]}

["English"]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:35:46.415Z"}, "text": "sketcher, had a coloured crayon landscape in the 1885 . The artist may have been *Jean Spong* .\n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"date_start": {"year": "1885", "month": "1", "day": "1"}, "date_end": {"year": "1885", "month": "1", "day": "1"}}]

["Legacy data. Source 'unknown'"]

{"$oid": "64580f6ed72f0e29f6130ec5"}

{"$oid": "4da195d6b538b73d93005f0a"}

"https://www.daao.org.au/bio/dr-w-m-campbell"

{"year": "1999", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"W. M. Campbell"

"Lender or exhibitor, who participated at the 1888-89 Melbourne Centennial International Exhibition."

{"family_name": "Campbell", "given_names": "W. M.", "prefix": "Dr"}

"unknown"

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1888", "month": "1", "day": "1"}, "date_end": {"year": "1889", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"date_range": {"date_start": {"year": "1888", "month": "1", "day": "1"}, "date_end": {"year": "1889", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "South Australia", "country": "Australia", "state": "South Australia", "postcode": "5720"}, "ori_dbid": {"$oid": "4da194f8b538b73d930007a7"}, "ori_address": "South Australia", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -30.0002315, "longitude": 136.2091547}}}}]

["English"]

"http://nla.gov.au/nla.party-1482462"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:34:46.753Z"}, "text": "Exhibited 1888-89 Melbourne Centennial International Exhibition, South Australian Court, Class 1 [Oil paintings]: cat. no.3, Four Landscapes, 'Glenelg River' ( _Official Record_ p.551). It is unknown if Dr Campbell was the artist or the exhibitor.\n*This exhibition is a stub. You can help the DAAO by submitting a biography.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"date_start": {"year": "1888", "month": "1", "day": "1"}, "date_end": {"year": "1889", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Melbourne, Vic, [p.551]\n", "title": "Official Record", "ori_dbid": {"$oid": "50b3ffc6d707ff7d9e001521"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'Official Record', Melbourne, Vic, [p.551]."}}, {"is_deleted": false, "note": "Place: National Library of Australia, Canberra, ACT\n", "title": "Joan Kerr Archive", "ori_dbid": {"$oid": "50b3ffc6d707ff7d9e001522"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'Joan Kerr Archive', National Library of Australia, Canberra, ACT."}}]

["Legacy data. Source 'unknown'"]

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{"$oid": "4edeb46ad707ff78300017ab"}

"https://www.daao.org.au/bio/jeff-mincham-1"

{"year": "2012", "month": "9", "day": "25"}

{"year": "2021", "month": "6", "day": "23"}

"needs approval"

"Jeff Mincham"

{"family_name": "Mincham", "given_names": "Jeff"}

[{"broad_role": "artist", "detailed_role": "Ceramist"}, {"broad_role": "maker"}, {"broad_role": "designer"}]

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{"status": "moderator approved", "contributors": [3106], "date_modified": {"$date": "2016-08-08T19:50:50.221Z"}, "text": "Jeff Mincham (1951-) was born at Milang, SA. He trained as an art teacher, obtained an Advanced Diploma of Art Teaching from the South Australian School of Art. And did postgraduate studies at the Tasmanian School of Art, before becoming a full time potter in 1976, based at Cherryville, SA. He was creative director of the Jam Factory from 1979 - 1982, then returned to his Cherryville Studio to explore his interest in raku. He has held numerous solo and group exhibitions, won a number of awards and is represented in major collections in Australia and overseas. In 2009 he was nominated a master of his craft as part of the Living Treasures series. He works mainly in handbuilt earthenware. Most pieces are multi-fired with successive layers of glaze and other surface treatments. Landscape is a major source of inspiration. Recent work uses a range of unusual techniques and processes. He signs his work with an incised M in a loosely-drawn circle, or his full surname.", "date_created": {"$date": "2016-08-08T19:50:50.221Z"}}

[{"date_start": {"year": "1983", "month": "1", "day": "1"}, "date_end": {"year": "1983", "month": "1", "day": "1"}}]

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["Powerhouse Museum"]

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{"$oid": "64581085d72f0e29f6133ea0"}

{"$oid": "52441a37d707ff453c000000"}

"https://www.daao.org.au/bio/hilary-wrigley"

{"year": "2014", "month": "11", "day": "28"}

{"year": "2014", "month": "11", "day": "28"}

"moderator approved"

"Hilary Wrigley"

{"family_name": "Wrigley", "given_names": "Hilary"}

[{"broad_role": "designer"}]

{"career_periods": [{"occupation": {"type": "designer"}}]}

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{"$oid": "64581052d72f0e29f6132edf"}

{"$oid": "4fbdad4ed707ff3cb6000000"}

"https://www.daao.org.au/bio/richard-craig"

{"year": "2012", "month": "5", "day": "24"}

"moderator approved"

"Richard Craig"

{"family_name": "Craig", "given_names": "Richard"}

"unspecified"

[{"broad_role": "non-artist/designer/curator"}]

{"career_periods": [{"occupation": {"type": "non-artist/designer/curator"}}]}

{"$oid": "64580fb1d72f0e29f6131805"}

{"$oid": "4da19a2cb538b73d93010265"}

"https://www.daao.org.au/bio/peter-tjakamarra-leo"

{"year": "1994", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Peter Tjakamarra Leo"

"Anmatyerre artist who lived at Napperby with his wife, Susan Leo, who often painted with him. His work has been widely exhibited in Australia and overseas."

{"family_name": "Leo", "given_names": "Peter Tjakamarra"}

[{"family_name": "Tjakamarra", "given_names": "Peter Leo", "display_name": "Peter Leo Tjakamarra"}]

{"coverage": {"date": {"year": "1950", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Coniston, Northern Territory", "country": "Australia", "state": "Northern Territory", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da19964b538b73d9300f277"}, "ori_address": "Coniston, NT", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -22.151529, "longitude": 132.522003}}}}

{"note": "Deceased - information supplied by Janet Chisholm (2006)"}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1986", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Napperby, Northern Territory", "country": "Australia", "state": "Northern Territory", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da195d3b538b73d93005e16"}, "ori_address": "Napperby, NT", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -22.633333, "longitude": 132.833333}}}}]

["English"]

"http://nla.gov.au/nla.party-1485388"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:53:16.226Z"}, "text": "Born on Coniston station c.1950, *Peter Leo Tjakamarra* was an Anmatyerre speaker. His traditional country was Coniston (Aruka) and the area around Tilmouth Well on Napperby station. He painted Witchetty Grub, Hunting, Yam and Snake Dreamings and often worked with his wife, *Susan Leo* . They lived at Napperby and both began painting in 1986. Peter Leo's work has been exhibited in major Australian cities and the USA.", "date_created": {"$date": "1994-01-01T00:00:00Z"}, "initial_contributors": ["Johnson, Vivien"]}

[{"dreaming": "Snake", "ori_dbid": {"$oid": "4da19529b538b73d9300223a"}, "_class_ori": "IndigenousDreaming"}, {"dreaming": "Yam", "ori_dbid": {"$oid": "4da19a2cb538b73d93010263"}, "_class_ori": "IndigenousDreaming"}, {"dreaming": "Hunting", "ori_dbid": {"$oid": "4da19a2cb538b73d93010264"}, "_class_ori": "IndigenousDreaming"}, {"dreaming": "Witchetty Grub", "ori_dbid": {"$oid": "4da1959cb538b73d93004cf9"}, "_class_ori": "IndigenousDreaming"}]

[{"override": "Tilmouth Well, Napperby, NT", "country": "Tilmouth Well, Napperby, NT"}, {"override": "Aruka (Coniston), NT", "country": "Aruka (Coniston), NT"}]

" Country Note: in this area\n Country Note: \nDreaming Note: \nDreaming Note: \nDreaming Note: \nDreaming Note: \n"

[{"override": "Anmatyerre", "language": "Anmatyerre/Anmatyerr language (C8.1) (NT SF53-09)"}]

[{"date_start": {"year": "1986", "month": "1", "day": "1"}}]

["Aboriginal Artists of the Western Desert: A Biographical Dictionary"]

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[{"subject": {"primary_name": {"family_name": "Leo", "given_names": "Susan Napaltjarri", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Leo", "given_names": "Dixon Napaltjarri", "title": "", "note": ""}, {"family_name": "Leo", "given_names": "Susan", "title": "", "note": ""}], "ori_dbid": {"$oid": "4da19a49b538b73d9301051d"}, "label": "Susan Napaltjarri Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/susan-napaltjarri-leo", "curr_dbid": {"$oid": "64580fb2d72f0e29f6131831"}}, "object": {"primary_name": {"family_name": "Leo", "given_names": "Peter Tjakamarra", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tjakamarra", "given_names": "Peter Leo", "title": ""}], "ori_dbid": {"$oid": "4da19a2cb538b73d93010265"}, "label": "Peter Tjakamarra Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-tjakamarra-leo", "curr_dbid": {"$oid": "64580fb1d72f0e29f6131805"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "spouse of", "reverse_term": "spouse of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581286d72f0e29f616a991"}}, {"subject": {"primary_name": {"family_name": "Tilmouth", "given_names": "Bobby", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tilmouth", "given_names": "Bobby Japarula", "title": "", "note": ""}, {"family_name": "Tilmouth", "given_names": "Bobby Jupurrula", "title": "", "note": ""}], "ori_dbid": {"$oid": "4da1a884b538b73d9301acb8"}, "label": "Bobby Tilmouth", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/bobby-tilmouth", "curr_dbid": {"$oid": "64580ff9d72f0e29f61320f8"}}, "object": {"primary_name": {"family_name": "Leo", "given_names": "Peter Tjakamarra", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tjakamarra", "given_names": "Peter Leo", "title": ""}], "ori_dbid": {"$oid": "4da19a2cb538b73d93010265"}, "label": "Peter Tjakamarra Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-tjakamarra-leo", "curr_dbid": {"$oid": "64580fb1d72f0e29f6131805"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "relative of", "reverse_term": "relative of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581290d72f0e29f616d7a4"}}, {"subject": {"primary_name": {"family_name": "Leo", "given_names": "Peter Tjakamarra", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tjakamarra", "given_names": "Peter Leo", "title": ""}], "ori_dbid": {"$oid": "4da19a2cb538b73d93010265"}, "label": "Peter Tjakamarra Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-tjakamarra-leo", "curr_dbid": {"$oid": "64580fb1d72f0e29f6131805"}}, "object": {"primary_name": {"family_name": "Leo", "given_names": "Susan Napaltjarri", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Leo", "given_names": "Dixon Napaltjarri", "title": "", "note": ""}, {"family_name": "Leo", "given_names": "Susan", "title": "", "note": ""}], "ori_dbid": {"$oid": "4da19a49b538b73d9301051d"}, "label": "Susan Napaltjarri Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/susan-napaltjarri-leo", "curr_dbid": {"$oid": "64580fb2d72f0e29f6131831"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "associate of", "reverse_term": "associate of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581286d72f0e29f616a8e2"}}, {"subject": {"primary_name": {"family_name": "Tilmouth", "given_names": "Bobby", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tilmouth", "given_names": "Bobby Japarula", "title": "", "note": ""}, {"family_name": "Tilmouth", "given_names": "Bobby Jupurrula", "title": "", "note": ""}], "ori_dbid": {"$oid": "4da1a884b538b73d9301acb8"}, "label": "Bobby Tilmouth", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/bobby-tilmouth", "curr_dbid": {"$oid": "64580ff9d72f0e29f61320f8"}}, "object": {"primary_name": {"family_name": "Leo", "given_names": "Peter Tjakamarra", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tjakamarra", "given_names": "Peter Leo", "title": ""}], "ori_dbid": {"$oid": "4da19a2cb538b73d93010265"}, "label": "Peter Tjakamarra Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-tjakamarra-leo", "curr_dbid": {"$oid": "64580fb1d72f0e29f6131805"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "associate of", "reverse_term": "associate of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581290d72f0e29f616d7a3"}}]

[{"subject": {"primary_name": {"family_name": "Leo", "given_names": "Peter Tjakamarra", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tjakamarra", "given_names": "Peter Leo", "title": ""}], "ori_dbid": {"$oid": "4da19a2cb538b73d93010265"}, "label": "Peter Tjakamarra Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-tjakamarra-leo", "curr_dbid": {"$oid": "64580fb1d72f0e29f6131805"}}, "object": {"address": {"ori_address": "Napperby, Northern Territory", "country": "Australia", "state": "Northern Territory", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da195d3b538b73d93005e16"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -22.633333, "longitude": 132.833333}, "curr_dbid": {"$oid": "645811f4d72f0e29f6141edf"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581261d72f0e29f615e465"}}, {"subject": {"primary_name": {"family_name": "Leo", "given_names": "Peter Tjakamarra", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Tjakamarra", "given_names": "Peter Leo", "title": ""}], "ori_dbid": {"$oid": "4da19a2cb538b73d93010265"}, "label": "Peter Tjakamarra Leo", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/peter-tjakamarra-leo", "curr_dbid": {"$oid": "64580fb1d72f0e29f6131805"}}, "object": {"address": {"ori_address": "Coniston, Northern Territory", "country": "Australia", "state": "Northern Territory", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da19964b538b73d9300f277"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -22.151529, "longitude": 132.522003}, "curr_dbid": {"$oid": "645811f5d72f0e29f6142972"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "was born in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581261d72f0e29f615e466"}}]

{"$oid": "64580f60d72f0e29f6130c7e"}

{"$oid": "4da19565b538b73d93003a48"}

"https://www.daao.org.au/bio/margaret-black"

{"year": "1999", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Margaret Black"

"Margaret Black sketched several notable views of Launceston that were exhibited in Melbourne in 1860 to glowing reviews. In 1861 one of the picture was offered for sale 'by lottery after the manner of the Art Union'."

{"family_name": "Black", "given_names": "Margaret"}

{"coverage": {"place": {"address": {"ori_address": "Warrnambool, Victoria", "country": "Australia", "state": "Victoria", "city": "Warrnambool", "postcode": "3280"}, "ori_dbid": {"$oid": "4da19565b538b73d93003a3a"}, "ori_address": "Warrnambool, Vic.", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -38.38, "longitude": 142.48}}}}

[{"broad_role": "artist", "detailed_role": "Draughtsman"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Draughtsman"}, "coverage_range": {"date_range": {"date_start": {"year": "1859", "month": "1", "day": "1"}, "date_end": {"year": "1863", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Tasmania", "country": "Australia", "state": "Tasmania", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000667"}, "ori_address": "Tasmania", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -41.3650419, "longitude": 146.6284905}}}}, {"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Warrnambool, Victoria", "country": "Australia", "state": "Victoria", "city": "Warrnambool", "postcode": "3280"}, "ori_dbid": {"$oid": "4da19565b538b73d93003a3a"}, "ori_address": "Warrnambool, Vic.", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -38.38, "longitude": 142.48}}}}, {"note": " ", "coverage_range": {"date_range": {"date_start": {"year": "1859", "month": "1", "day": "1"}, "date_end": {"year": "1861", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Collingwood, Melbourne, Victoria", "country": "Australia", "state": "Victoria", "city": "Melbourne", "suburb": "Collingwood", "postcode": "3066"}, "ori_dbid": {"$oid": "4da19533b538b73d930026d7"}, "ori_address": "Collingwood, Melbourne, Vic.", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.8031231, "longitude": 144.9836514}}}}]

["English"]

"http://nla.gov.au/nla.party-1487172"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:32:53.887Z"}, "text": "sketcher, showed two works at the Victorian Exhibition of Fine Arts, Melbourne, in November 1860: _Launceston and the Tamar, from the Flagstaff Hill; a Pencil Drawing_ and a probable pastel sketch, _View from Studley Park_ . The former is her major known work. This panoramic pencil view of Launceston, measuring 92 x 235 cm (La Trobe Collection, SLV), was favourably commented on by the _Argus_ in October 1859 when it was being exhibited in the window of the shop of J.A. Campi (a looking-glass manufacturer of Russell Street, Melbourne), the artist being described as 'a lady living in Collingwood'. In 1861 the picture was offered for sale 'by lottery after the manner of the Art Union' and displayed in the window of R. Sharpe's music shop, Launceston. The _Cornwall Chronicle_ of 21 September 1861 stated: 'The great beauty of the picture to us appears in the exquisite finish given by the fair and accomplished artist to the houses and buildings ... The picture has evidently been sketched some years since for we looked in vain for the Gas Manufactory--Government Buildings--Mechanics' Institute, etc., and there are many little omissions which show plainly it has been finished from memory'. _View of Launceston_ was lithographed in Melbourne by *Fran\u00e7ois Cogn\u00e9* in 1863 and published by *Julius Hamel* . Each subscriber to the art union at which it was finally raffled was to receive a print.\nMargaret Black was evidently the wife of Philip Black, a Victorian squatter who lived in Van Diemen's Land from the 1830s until the late 1850s, then moved back to Victoria. In 1859 Margaret Black was described as as 'a lady living in Collingwood [Melbourne]' when she exhibited her very large pencil _View of Launceston_ (Tas.) with a view to selling it. She died at Philip Black's property on the Hopkins River north of Warrnambool, Victoria. Margaret H. Black, a student at the National Gallery of Victoria Schools in 1871-75 who lived in Drummond Street, Carlton, was presumably her daughter.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Kerr, Joan"]}

[{"date_start": {"year": "1859", "month": "1", "day": "1"}, "date_end": {"year": "1863", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Launceston, Tas.\n", "title": "Old Tasmanian Prints", "ori_dbid": {"$oid": "50b3ff82d707ff7d9e000e12"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Craig, C. (1964), 'Old Tasmanian Prints', Launceston, Tas."}}, {"is_deleted": false, "note": "Place: Cornwall Chronicle, 09-21\n", "ori_dbid": {"$oid": "50b3ff82d707ff7d9e000e13"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(1861), Cornwall Chronicle, 09-21."}}, {"is_deleted": false, "note": "Place: Launceston Examiner, 09-19\n", "ori_dbid": {"$oid": "50b3ff82d707ff7d9e000e14"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(1861), Launceston Examiner, 09-19."}}, {"is_deleted": false, "note": "Place: Information sourced from\n", "ori_dbid": {"$oid": "50b3ff82d707ff7d9e000e15"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Information sourced from Stilwell, G.T."}}]

[{"is_deleted": false, "title": "Heritage: section 8, plate 320", "ori_dbid": {"$oid": "4da19565b538b73d93003a47"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'Heritage: section 8, plate 320'."}}]

["DAA with additions"]

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{"$oid": "6458106ad72f0e29f6133694"}

{"$oid": "513fe409d707ff6bcd00201a"}

"https://www.daao.org.au/bio/margaret-stones"

{"year": "2013", "month": "3", "day": "13"}

{"year": "2020", "month": "2", "day": "21"}

"needs approval"

"Margaret Stones"

"Awarded MBE 1977 and AM, 1988 \"For service to art as an illustrator of botanical specimens\"."

{"family_name": "Stones", "given_names": "Margaret"}

[{"family_name": "Stones", "given_names": "Elsie Margaret", "display_name": "Elsie Margaret Stones"}]

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{"note": "https://tributes.theage.com.au/obituaries/125923/margaret-stones/", "coverage": {"date": {"year": "2018", "month": "12", "day": "26"}, "place": {"address": {"ori_address": "Richmond, Victoria", "country": "Australia", "state": "Victoria", "city": "Yarra", "suburb": "Richmond", "postcode": "3121"}, "ori_dbid": {"$oid": "4da196f9b538b73d93009d98"}, "ori_address": "Richmond, Victoria", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.818635, "longitude": 145.0014704}}}}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

["UTASParty_1442"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

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{"$oid": "64580f95d72f0e29f613147e"}

{"$oid": "4da197f8b538b73d9300c67e"}

"https://www.daao.org.au/bio/nicki-greenberg"

{"year": "1996", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Nicki Greenberg"

"Contemporary comic book artist who participated in 'Silent Army' - a publication featuring the works of 20 young Australian comic book veterans published as part of the 2002 Next Wave Festival in Melbourne. Greenburg is the artist responsible for the comic strip, The POinty EnD no.1"

{"family_name": "Greenberg", "given_names": "Nicki"}

[{"broad_role": "artist", "detailed_role": "Cartoonist / Illustrator"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Cartoonist / Illustrator"}, "coverage_range": {"date_range": {"date_start": {"year": "1999", "month": "1", "day": "1"}, "date_end": {"year": "2002", "month": "1", "day": "1"}}}}]}

["English"]

"http://nla.gov.au/nla.party-1482586"

{"status": "moderator approved", "date_modified": {"$date": "2007-01-01T00:00:00Z"}, "text": "comic strip artist, produces _The POinty EnD_ no.1, (female 'bug' heroine in 'united states of australia' supermarket story)\nOne of the 20 young Australian comic book veterans exhibited \"together for the first time\" in _Silent Army_ , as part of 2002 Next Wave Festival with Arts Victoria sponsorship: *Bicycle, Blanden, Brown, Carvan, Conn, Cure, Danko, Dodds, Fikaris,* Greenberg *, Mackay, Mangan, Mrongovius, O'Donnell, Ord, Pox, Savieri, Schell, Smith, Taylor* .", "date_created": {"$date": "1996-01-01T00:00:00Z"}, "initial_contributors": ["Kerr, Joan"]}

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["Black and white artists"]

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{"$oid": "645810a9d72f0e29f6134c98"}

{"$oid": "5e4f77cdede61011ed00003d"}

"https://www.daao.org.au/bio/man-sing"

{"year": "2020", "month": "2", "day": "21"}

{"year": "2020", "month": "2", "day": "21"}

"moderator approved"

"Man Sing"

"Identified as a furniture factory operator, Goulburn Street, Sydney by Peter Gibson, Voices of Sydney\u2019s Chinese Furniture Factory Workers, 1890\u20131920, Labour History, no. 112 (May 2017): 99\u2013117."

{"family_name": "Sing", "given_names": "Man"}

[{"broad_role": "maker"}]

{"career_periods": [{"occupation": {"type": "maker"}}]}

["furniture maker"]

{"$oid": "64581023d72f0e29f613257b"}

{"$oid": "4da1c0e6b538b73d93024ce8"}

"https://www.daao.org.au/bio/ashley-kerr-firebrace"

{"year": "2011", "month": "4", "day": "11"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Ashley Kerr-Firebrace"

"Yorta Yorta/Wurundjeri artist and winner of the Lin Onus Award at the 2007 Victorian Indigenous Art Awards."

{"family_name": "Kerr-Firebrace", "given_names": "Ashley"}

{"coverage": {"place": {"address": {"ori_address": "Dandenong, Victoria", "country": "Australia", "state": "Victoria", "city": "Greater Dandenong", "suburb": "Dandenong", "postcode": "3177"}, "ori_dbid": {"$oid": "4da1bbe8b538b73d93022f68"}, "ori_address": "Dandenong, VIC", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.9874598, "longitude": 145.2148612}}}}

[{"broad_role": "artist", "detailed_role": "Draughtsman"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Draughtsman"}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Dandenong, Victoria", "country": "Australia", "state": "Victoria", "city": "Greater Dandenong", "suburb": "Dandenong", "postcode": "3177"}, "ori_dbid": {"$oid": "4da1bbe8b538b73d93022f68"}, "ori_address": "Dandenong, VIC", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.9874598, "longitude": 145.2148612}}}}]

["English"]

"http://nla.gov.au/nla.party-1483364"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-11T00:38:30.145Z"}, "text": "Ashley Kerr-Firebrace is a Yorta Yorta/Wurundjeri artist based in Dandenong, Victoria. In 2007 he received the Lin Onus Award at the Victorian Indigenous Art Awards for a portrait of the Wurundjeri leader and artist William Barak.", "date_created": {"$date": "2011-04-11T00:38:30.145Z"}, "initial_contributors": ["Fisher, Laura"]}

[{"override": "Wurundjeri", "language": "Wurundjeri/Woiwurung language (S36) (Vic SJ55-05)"}, {"override": "Yorta Yorta", "language": "Yorta Yorta/Yota Yota language (D2) (NSW SI55-13)"}]

[{"is_deleted": false, "note": "Place: Arts Victoria, Melbourne, VIC\n", "title": "Victorian Indigenous Art Awards catalogue", "ori_dbid": {"$oid": "50b40136d707ff7d9e003e08"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(2007), 'Victorian Indigenous Art Awards catalogue', Arts Victoria, Melbourne, VIC."}}]

["Storylines Project, COFA, UNSW"]

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{"year": "2013", "month": "3", "day": "24"}

{"year": "2020", "month": "8", "day": "15"}

"moderator approved"

"Sally Couacaud"

"Couacaud was a gallery director at Sydney's Artspace (1988-1992), later curator of public art, City of Sydney where she developed the city's Sydney Open Museum's \"Sculpture Walk\". She curated a number of other exhibitions internationally and in Australia, later initiating the inaugural Australian International Video Festival. In 2008, she moved to Mauritius, later returning to Sydney near the end of her life."

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{"status": "moderator approved", "text": "<p>Sally Couacaud is a curator, project manager, and former director of Artspace in Sydney. She was the inaugural Director of the Australian International Video Festival, and was one of the first curators in Australia to focus her critical attention on video and other forms of electronic media art.</p>\n<p>Some of her video curatorial projects include<em>: Putting on an Act </em>(Performance Space, Sydney); <em>Terrorising the Code: Recent US Video,</em> (Australian Centre for Photography and New Zealand tour)<em>; Looking with the Whole Body </em>(AGNSW, Artspace, ACP, Powerhouse Museum<em>)</em>;<em> Aboriginal Video from Central Australia </em>(Los Angles Festival)<em>; Satellite Cultures</em> (New Museum, NYC); <em>Videokunst in Australien - Auf dem Weg zu Teletopologien </em>(Linz); Video Art in Australia (Fukui, Japan).</p>\n<p>She was also Curator of the Sydney Open Museum where she commissioned and managed the City of Sydney's public art collection, including the Sculpture Walk. She also spent three months working with Art Front Gallery in Tokyo. Art Front was well known for its commissioning of site-specific art works and the close collaboration between artists, town planners and architects.</p>", "initial_contributors": ["Scanlines"]}

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["http://scanlines.net/node/3850"]

["Scanlines, COFA, UNSW"]

["Writer", "Curator", "Gallery Director"]

["http://scanlines.net/node/3850"]

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{"$oid": "64581066d72f0e29f613353b"}

{"$oid": "513fde20d707ff6bcd001cf6"}

"https://www.daao.org.au/bio/david-p-miller"

{"year": "2013", "month": "3", "day": "13"}

{"year": "2013", "month": "3", "day": "13"}

"moderator approved"

"David P Miller"

{"family_name": "Miller", "given_names": "David P"}

[{"broad_role": "curator"}]

{"career_periods": [{"occupation": {"type": "curator"}}]}

["UTASParty_1815"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

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{"$oid": "64581032d72f0e29f6132721"}

{"$oid": "4da1f620b538b73d9302b6e3"}

"https://www.daao.org.au/bio/marie-miller"

{"year": "2011", "month": "4", "day": "11"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Marie Miller"

"Weaver Marie Miller, who arrived from England in 1915, started weaving in 1945 and built up a network of clients all over Australia. She taught weaving at the Western Australian Women's Society of Fine Arts & Crafts and was three times president of the society."

{"family_name": "Miller", "given_names": "Marie"}

{"coverage": {"date": {"year": "1998", "month": "1", "day": "1"}}}

[{"broad_role": "artist", "detailed_role": "Weaver"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Weaver"}, "coverage_range": {"date_range": {"date_start": {"year": "1945", "month": "1", "day": "1"}, "date_end": {"year": "1989", "month": "1", "day": "1"}}}}]}

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["English"]

"http://nla.gov.au/nla.party-1475217"

[{"date": [{"year": "1915", "month": "1", "day": "1"}]}]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-11T04:25:36.295Z"}, "text": "Weaver Marie Miller, who arrived from England in 1915, started weaving in 1945 and built up a network of clients all over Australia. Miller had lost her husband during World War II and turned to craft as a means of supporting herself and their children. She learnt the basics from Hilda Stephens at the Western Australian Women's Association of Fine Arts and Crafts. From about 1948 she started to sell her work and soon had a network of clients all over Australia. She found it a convenient way to work from home and support her family.\nShe soon felt the need to see the world and improve her skills. In 1956, when the children were 'off her hands', Miller spent twelve months overseas upgrading her techniques. She started at the London School of Weaving and then visited a number of European countries stopping eventually at Vera Sundahl's weaving school in Stockholm. Here she worked seven days a week until she mastered all the techniques, particularly those of tapestry and carpet weaving. She had an inquiring mind and continued to study spending 1964 at the Banff School in Canada and in the 1970s spent time in Iran.\nMuch of Miller's work draws on Scandinavian design tradition, which came into international prominence after the war. This clean-cut, functional style was seen increasingly in Perth homes and Miller, with her production of table linen, tapestry-weave carpets and shaggy Rya rugs, helped fill the demand. Her work was functional and suited perfectly to domestic situations where it was subjected to wear and tear. As she worked as a craftswoman rather than an artist-craftswoman, no work is held in public collections and very little remains.\nAbout 1959 Miller exhibited with fabric printer Ida Ott Nilsen and potter Heather McSwain in a highly successful show at the Skinner Galleries. The prime movers of the show, which attracted print and television coverage, were fabric printer Ida Ott Nilsen and Heather McSwain. Nilsen, a graduate of Copenhagen Arts School, accompanied her engineer husband to Australia when his firm won the contract to build the Narrows Bridge. In Copenhagen she had worked at Den Permanente, the Danish design centre and in Perth she taught and exhibited. Miller, who had six looms of varying sizes in her large studio, exhibited fabric lengths, stoles, floor-rugs, luncheon-sets, scarves, serviettes, mats and guest-towels priced from five to twelve guineas. An unnamed reviewer in an undated cutting tells us that: \"making fashion news among her exhibits are the rough textured wool skirt lengths in bold peasant stripes with matching stoles. Her striped rugs and eight foot long hall runners have earthy colours reminiscent of the famous Navajo rugs.\" A check stole went on to win a prize in Melbourne. Miller, who taught weaving at the Western Australian Women's Society of Fine Arts & Crafts, was three times president of the society and organized exhibitions of Western Australian work in Eastern States venues. An exhibition in Canberra in 1966 was particularly successful.\nThe open-weave-linen curtains she made were typical of Scandinavian work of the period. The plain pastel colours were occasionally given depth with a deeper tone or another colour. The main interest however was created by the open weave, which allowed the outside surroundings, seen through the open spaces of the warp and weft, to become part of the design. Tapestry woven for chairs was naturally much denser to withstand more intense wear and contrasted flat surfaces against a pile, restricting designs to subtle geometric patterns. The interest was created by highlighting the overshot-warp sections in a lighter shade and emphasizing the depth with a fine, silk thread.\nOn several occasions Miller demonstrated her craft on television. Channel Two made a documentary film about her in 1964. She continued to make her living from her craft until the late 1970s when she went into semi-retirement. Over eighty in 1988 she was fit and weaving recreationally for herself and her family. She died in the late 1990s. Her importance as a role model for others should not be forgotten.", "date_created": {"$date": "2011-04-11T04:25:36.295Z"}, "initial_contributors": ["Erickson, Dorothy (Dr)"]}

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[{"date_start": {"year": "1945", "month": "1", "day": "1"}, "date_end": {"year": "1989", "month": "1", "day": "1"}}]

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"title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e3"}, "label": "Marie Miller", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/marie-miller", "curr_dbid": {"$oid": "64581032d72f0e29f6132721"}}, "object": {"address": {"ori_address": "London School of Weaving, London, England, United Kingdom", "country": "United Kingdom", "state": "England", "city": "London", "postcode": "SW1P 3JX"}, "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e2"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 51.5001524, "longitude": -0.1262362}, "curr_dbid": {"$oid": "645811fbd72f0e29f6144ba0"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "was educated/trained in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581267d72f0e29f6160a52"}}, {"subject": {"primary_name": {"family_name": "Miller", "given_names": 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"is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e3"}, "label": "Marie Miller", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/marie-miller", "curr_dbid": {"$oid": "64581032d72f0e29f6132721"}}, "object": {"address": {"ori_address": "Perth, Western Australia", "country": "Australia", "state": "Western Australia", "city": "Perth", "postcode": "6000"}, "ori_dbid": {"$oid": "4da194f8b538b73d9300076b"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -31.9522222, "longitude": 115.8588889}, "curr_dbid": {"$oid": "645811f2d72f0e29f614185c"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581267d72f0e29f6160a50"}}, {"subject": {"primary_name": {"family_name": "Miller", "given_names": "Marie", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e3"}, "label": "Marie Miller", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/marie-miller", "curr_dbid": {"$oid": "64581032d72f0e29f6132721"}}, "object": {"address": {"ori_address": "Iran", "country": "Iran", "state": "Yazd Province", "city": "\u062f\u0647\u0633\u062a\u0627\u0646 \u0639\u0642\u062f\u0627", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da1ddf7b538b73d93029110"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 32.427908, "longitude": 53.688046}, "curr_dbid": {"$oid": "645811fad72f0e29f61448b0"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581267d72f0e29f6160a51"}}, {"subject": {"primary_name": {"family_name": "Miller", "given_names": "Marie", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e3"}, "label": "Marie Miller", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/marie-miller", "curr_dbid": {"$oid": "64581032d72f0e29f6132721"}}, "object": {"address": {"ori_address": "Canada", "country": "Canada", "state": "Saskatchewan", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da194ffb538b73d93000bc7"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 56.130366, "longitude": -106.346771}, "curr_dbid": {"$oid": "645811f3d72f0e29f61418bb"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581267d72f0e29f6160a4e"}}]

[{"subject": {"primary_name": {"family_name": "Miller", "given_names": "Marie", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e3"}, "label": "Marie Miller", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/marie-miller", "curr_dbid": {"$oid": "64581032d72f0e29f6132721"}}, "object": {"is_deleted": false, "title": "Three Western Australian Weavers: Norma Rolland, Marie Miller and Judy Weedon", "ori_dbid": {"$oid": "50b401ded707ff7d9e004cdf"}, "label": "Three Western Australian Weavers: Norma Rolland, Marie Miller and Judy Weedon", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "6458121cd72f0e29f614b269"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124ad72f0e29f61569e9"}}, {"subject": {"primary_name": {"family_name": "Miller", "given_names": "Marie", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1f620b538b73d9302b6e3"}, "label": "Marie Miller", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/marie-miller", "curr_dbid": {"$oid": "64581032d72f0e29f6132721"}}, "object": {"is_deleted": false, "title": "", "ori_dbid": {"$oid": "50b401ded707ff7d9e004cde"}, "label": "", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "6458121cd72f0e29f614b268"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124ad72f0e29f61569e8"}}]

{"$oid": "6458103fd72f0e29f61329ad"}

{"$oid": "4e520a45d707ff1dc7004fa6"}

"https://www.daao.org.au/bio/arthur-loureiro"

{"year": "2011", "month": "8", "day": "22"}

{"year": "2014", "month": "10", "day": "19"}

"moderator approved"

"Arthur Loureiro"

{"family_name": "Loureiro", "given_names": "Arthur"}

[{"family_name": "Loureiro", "given_names": "Artur Jose", "display_name": "Artur Jose Loureiro"}]

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

{"status": "moderator approved"}

[{"subject": {"primary_name": {"family_name": "Loureiro", "given_names": "Vasco", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19ad8b538b73d930113d5"}, "label": "Vasco Loureiro", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/vasco-loureiro", "curr_dbid": {"$oid": "64580fb8d72f0e29f61318e9"}}, "object": {"primary_name": {"family_name": "Loureiro", "given_names": "Arthur", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Loureiro", "given_names": "Artur Jose", "title": "", "note": ""}], "ori_dbid": {"$oid": "4e520a45d707ff1dc7004fa6"}, "label": "Arthur Loureiro", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/arthur-loureiro", "curr_dbid": {"$oid": "6458103fd72f0e29f61329ad"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "child of", "reverse_term": "parent of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581287d72f0e29f616ad8c"}}, {"subject": {"primary_name": {"family_name": "Withers", "given_names": "Walter", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Withers", "given_names": "Walter Herbert", "title": "", "note": ""}], "ori_dbid": {"$oid": "4da1aec9b538b73d9301d09f"}, "label": "Walter Withers", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/walter-withers", "curr_dbid": {"$oid": "6458100ad72f0e29f6132306"}}, "object": {"primary_name": {"family_name": "Loureiro", "given_names": "Arthur", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Loureiro", "given_names": "Artur Jose", "title": "", "note": ""}], "ori_dbid": {"$oid": "4e520a45d707ff1dc7004fa6"}, "label": "Arthur Loureiro", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/arthur-loureiro", "curr_dbid": {"$oid": "6458103fd72f0e29f61329ad"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "friend of", "reverse_term": "friend of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581292d72f0e29f616e1ff"}}]

{"$oid": "64581093d72f0e29f613449c"}

{"$oid": "5578072ad707ff0fae000005"}

"https://www.daao.org.au/bio/buchanan"

{"year": "2015", "month": "6", "day": "10"}

{"year": "2015", "month": "6", "day": "10"}

"moderator approved"

"Buchanan"

{"family_name": "Buchanan"}

"unspecified"

[{"broad_role": "designer", "detailed_role": "Textile Artist / Fashion Designer"}]

{"career_periods": [{"occupation": {"type": "designer", "title": "Textile Artist / Fashion Designer"}}]}

["Richards-Buchanan"]

[{"subject": {"primary_name": {"family_name": "Buchanan", "given_names": "", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5578072ad707ff0fae000005"}, "label": "Buchanan", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/buchanan", "curr_dbid": {"$oid": "64581093d72f0e29f613449c"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/7-designers", "description": "An exhibition of Australian designers curated by Marion Hall Best in her new position as director of the David Jones Art Gallery. (30 September - 15 October, 1948) The exhibitors included James A B Linton (metalsmith), Frances Burke, Gordon Andrews, Steven Kalmar, Richards and Buchanan (fabric), Allan Lowe (potter) and Professor George Korody (Artes Studio). Images and expanded entry available from http://www.powerhousemuseum.com/collection/database/?irn=161627#ixzz2uthdRnSG \r\nUnder Creative Commons License: Attribution Non-Commercial", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1948", "month": "9", "day": "30"}, "date_end": {"year": "1948", "month": "10", "day": "15"}}, "place": {"address": {"ori_address": "David Jones Gallery, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da19681b538b73d930086bb"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "5157f4c0d707ff422f00052d"}, "label": "7 Designers", "curr_dbid": {"$oid": "645811b0d72f0e29f613f4bc"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812b0d72f0e29f61776d1"}}]

{"$oid": "64581095d72f0e29f6134542"}

{"$oid": "55910ce4d707ff3500000028"}

"https://www.daao.org.au/bio/jill-ansell"

{"year": "2015", "month": "6", "day": "29"}

{"year": "2015", "month": "6", "day": "29"}

"moderator approved"

"Jill Ansell"

{"family_name": "Ansell", "given_names": "Jill"}

{"coverage": {"date": {"year": "1960", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Western Australia", "country": "Australia", "state": "Western Australia", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da194ffb538b73d93000ba8"}, "ori_address": "Western Australia", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -27.6728168, "longitude": 121.6283098}}}}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}}]}

[{"subject": {"primary_name": {"family_name": "Ansell", "given_names": "Jill", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "55910ce4d707ff3500000028"}, "label": "Jill Ansell", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/jill-ansell", "curr_dbid": {"$oid": "64581095d72f0e29f6134542"}}, "object": {"address": {"ori_address": "Western Australia", "country": "Australia", "state": "Western Australia", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da194ffb538b73d93000ba8"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -27.6728168, "longitude": 121.6283098}, "curr_dbid": {"$oid": "645811f3d72f0e29f61418b4"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "was born in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458125fd72f0e29f615dced"}}]

{"$oid": "64580f5bd72f0e29f6130bbd"}

{"$oid": "4da19549b538b73d93002f1e"}

"https://www.daao.org.au/bio/frank-beck"

{"year": "1996", "month": "1", "day": "1"}

{"year": "2012", "month": "8", "day": "6"}

"moderator approved"

"Frank Beck"

"Mid 20th century Sydney political illustrator and cartoonist. Beck was associated with the Studio of Realist Art in Sydney and in 1933 was one of the eight contributing artists to the Worker's Club publication 'Saga: A protest in linocuts by the Worker Artists'."

{"family_name": "Beck", "given_names": "Frank"}

[{"broad_role": "artist", "detailed_role": "Cartoonist / Illustrator"}, {"broad_role": "artist", "detailed_role": "Printmaker"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Printmaker"}, "coverage_range": {"date_range": {"date_start": {"year": "1932", "month": "1", "day": "1"}, "date_end": {"year": "1946", "month": "1", "day": "1"}}}}, {"occupation": {"type": "artist", "title": "Cartoonist / Illustrator"}, "coverage_range": {"date_range": {"date_start": {"year": "1932", "month": "1", "day": "1"}, "date_end": {"year": "1946", "month": "1", "day": "1"}}}}]}

["English"]

"http://nla.gov.au/nla.party-1484226"

{"status": "moderator approved", "date_modified": {"$date": "2007-01-01T00:00:00Z"}, "text": "illustrator and cartoonist, worked as a 'humorous artist' and illustrator for Associated Newspapers, also as a freelance illustrator of books, etc. In c.1932-35 he contributed to _Saga: A protest in linocuts by the Worker Artists_ , Workers Art Club, 1933 [or c.1932-35] (ML F7741/W) (ill. Coleman & Tanner 106). Eight artists contributed, i.e. Frank Beck, *Stan Clements* , *George Finey* , *Clive Guthrie* (husband of *Bessie Guthrie* ), *John Harvey* , *Geoff Litchfield* , *McDonnell* & *Adrienne ('Kitty') Parkes* . He was also a SORA artist in Sydney.", "date_created": {"$date": "1996-01-01T00:00:00Z"}, "initial_contributors": ["Kerr, Joan"]}

[{"date_start": {"year": "1932", "month": "1", "day": "1"}, "date_end": {"year": "1946", "month": "1", "day": "1"}}]

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["Black and white artists"]

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{"$oid": "64581022d72f0e29f613255d"}

{"$oid": "4da1bee3b538b73d930247af"}

"https://www.daao.org.au/bio/herbert-moegel"

{"year": "2009", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Herbert Moegel"

"Herbert Moegel came to Australia after the close of World War II, like many migrants, to establish a new life. The work he produced was abstracted and influenced by the Dreaming stories of Aboriginal people."

{"family_name": "Moegel", "given_names": "Herbert"}

{"coverage": {"date": {"year": "1923", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Mannheim, Germany", "country": "Germany", "state": "Baden-W\u00fcrttemberg", "city": "Mannheim", "postcode": "68165"}, "ori_dbid": {"$oid": "4da19770b538b73d9300adba"}, "ori_address": "Mannheim, Germany", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 49.4846773, "longitude": 8.476724}}}}

{"coverage": {"date": {"year": "1987", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Cabarita, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "suburb": "Cabarita", "postcode": "2137"}, "ori_dbid": {"$oid": "4da1bec8b538b73d930247a9"}, "ori_address": "Cabarita, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8438042, "longitude": 151.1166505}}}}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1980", "month": "1", "day": "1"}, "date_end": {"year": "1980", "month": "1", "day": "1"}}}}]}

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["English"]

"http://nla.gov.au/nla.party-1486774"

{"status": "moderator approved", "date_modified": {"$date": "2010-08-06T00:00:00Z"}, "text": "Moegel was born at Mannheim, a small town in southern Germany, where he also studied art. He served on German submarines during World War II. He married Elsie (?) (b. 1924) and migrated to Australia when they settled near Cairns where Moegel worked with the local Aboriginal community. They moved to southeast Queensland where Herbert became acquainted with Ian Fairweather and was probably influenced by Fairweather's style of abstraction. The couple finally moved to Cabarita, NSW, where they built house which incorporated a small studio upstairs.\nMoegel exhibited locally at Tweed Heads, Kingscliffe and the Gold Coast where he contributed to the Gold Coast City Art Prize from 1971 to 1975. He held a solo exhibition in Sydney during the 1970s. He taught at the Murwullimbah TAFE for two years around this time as well as conducting lessons and holding exhibitions of his work in his home. He died on emphysema in 1987 and his ashes were scattered off Cabarita Point.", "date_created": {"$date": "2009-01-01T00:00:00Z"}, "initial_contributors": ["Cooke, Glenn R."]}

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{"year": "2007", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"William Brian 'Badger' Bates"

"Carver, sculptor, printmaker and educator born in Wilcannia NSW in 1947. He has exhibited extensively in Sydney and regional NSW and his work can be found in the collection of the Art Gallery of New South Wales. The themes in his work include anthropological, archaeological and political references within the framework of his deep attachment to the Darling River."

{"family_name": "Bates", "given_names": "William Brian 'Badger'"}

[{"family_name": "Bates", "given_names": "Badger", "display_name": "Badger Bates"}]

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[{"broad_role": "artist", "detailed_role": "Sculptor"}, {"broad_role": "artist", "detailed_role": "Carver"}, {"broad_role": "artist", "detailed_role": "Printmaker"}]

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["English"]

"http://nla.gov.au/nla.party-1475162"

{"status": "moderator approved", "contributors": [1991], "date_modified": {"$date": "2008-01-01T00:00:00Z"}, "text": "Carver, sculptor, printmaker and educator Badger Bates was born William Brian Bates in 1947 in Wilcannia (New South Wales) of a Scottish father and an Aboriginal mother. Raised by his maternal grandmother, Grannie Moisey (1870-1976), he is comfortable in both cultures. \"My father was white and my mother was black\" Bates said in a 2006 interview with the author, \"That's why I don't care about the politics. We're all Australians. We've got to accept each other.\" (quoted in Lander, Nov 2006).\nThis pro-active, peaceful attitude is a defining characteristic of the man and was articulated in his public work _The Reconciliation Stone_ , carved from a stone chosen from the local Baradale property, for the people of Wilcannia in 2006. The simple graphic images incorporate the Ngatyi (the Rainbow Serpent) as the creative and symbolic device to hold together an informal arrangement of the different symbols of ethnic groups who participated in the rich history of the region - a Scots Thistle; an Irish Shamrock; an Afghan camel and a Chinese water-carrier, alongside handprints and \"an old blackfella's face... looking up into the sky. That person is looking for (the) protection of the Ursas (constellations)\" (Bates quoted in Lander, Nov 2006). Thus the stone is successful in commemorating the diverse cultural history of the area while retaining the flavour of the ancient rock peckings of local sacred places like Mutawintji and Euriowie. The 'rock peckings', or rock art, carved in hard rock with quartz (and other stone) tools by Indigenous ancestors over millennia, are a feature of sacred places throughout Australia, and provide an archeological record of the culture, including references to totem animals, tribal history and creation stories.\nThe Wilcannia _Reconciliation Stone_ was part of a project instigated by the Wilcannia Community Working Party (Chairman: William Bates) in cooperation with Canberra officials, the Central Darling Shire Council and community Elders. Two large stones acquired from Baradale and Goonalga properties, near Wilcannia, were carved by Indigenous artists from the area and installed at Reconciliation Place, Canberra. At the same time, Badger Bates was commissioned to carve a large stone, also acquired from Baradale Station, for the people of Wilcannia. The installation and unveiling at Wilcannia took place on Wednesday, 5 July 2006, to coincide with the unveiling of the two reconciliation stones in Canberra, and is in place at the reserve opposite Wilcannia Health Service. \nIn a 2006 interview with the author, Bates described his four-sided _Reconciliation Stone_ in this way:\n\"I've got the Darling River at the bottom, then there's the Rainbow Serpent coming up out of it, blowing a rainbow, and the plaque will be in there. It will say, 'This is the Reconciliation Stone for the Wilcannia Community,' - that's black and white - 'and the people that passed on.' - that means all the ancestors. So it's the past and present. That's why I put a paddle steamer on the Darling with the Ngatyi. And up a bit further there's a Cob & Co coach. The paddle steamer was used for cargo. And why I put Cob & Co coach is because people used it as transport to get around; and also, they built the Cob & Co coaches in Wilcannia. On the top of the stone where the plaque is, that's the rising sun off the slouch hat that the Diggers wore. I didn't want the focus to be on Aboriginal stuff. I wanted to mix it all up. Because it doesn't matter what colour you are, if you're Australian, you're Australian, and that's it. So the slouch hat there, it represents the Diggers.\"\nAs an activist, Bates has campaigned successfully on behalf of Indigenous land rights and the protection of significant sites against spoilage by mining and agricultural practices. After a protracted campaign (1983-98), Mutawintji National Park was handed over to the Local Aboriginal Land Council, headed by Bates' cousin William Charles Bates. The Council conducts popular tours of Mutawintji, a corroboree site, which is rich in peckings and archaeological remains.\nBadger is an Elder of the Paakantji group, and for twenty years (1987-2006) worked as a heritage officer with the Rangers of the National Parks and Wildlife Services (NPWS) until he turned fifty-nine, when he retired from the service to carve full-time. Valued for his profound knowledge of his culture, his good humour and his ability to articulate and communicate an Indigenous point of view to international visitors, there have been attempts to lure him back to the service, but Bates says he just wants to \"sit by the river and make boomerangs\". He jokes that, one time, a woman in a sight-seeing group approached him and asked him how long it took him to become a ranger. He said, \"I'm not a ranger, I'm a bush-ranger\". She asked him what was the difference. He replied, \"the rangers protect the animals, I eat 'em.\" Badger kills about three to five kangaroos each week (at the time of writing in 2008). He portions out the meat to the old people of his group who cannot hunt any more.\nShortly after resigning, Bates completed a large sandstone carving (seven feet tall) for the Mt Annan Botanical Gardens in New South Wales. The subject is _The Stolen Generation_ (2006); it shows a loving family, encircled by the Ngatyi. A child's stone footprints lead away from the group. A large rainbow blows from the mouth of the Ngatyi and falling tears are carved down the side of the stone. Though the subject matter is painful, Bates' treatment is gentle:\n\"I was raised by my grandmother on the Darling River and Wilcannia. She would send me to relatives in Queensland when the Welfare people come around, otherwise I would have gone to the Missions with the other kids. They was taking all the kids, black and white, and relocating them.\" \nIt took Badger twenty years to find his brother, who was taken from the family when they were both children. Bates harbours no bitterness on racial issues but prefers to respond with logic and humour. While he was carving _The Stolen Generation_ using an electric drill, a whitefella onlooker challenged the authenticity of the work, commenting that the Old People only worked with stone tools. Bates responded \"Well mate, if I was to do it like the Old People, I'd be stark naked, and then you'd arrest me for indecent exposure!\" Badger Bates is part of a new wave of articulate aboriginal artists, at ease in both worlds, determined to mediate an understanding between the two cultures through his work.\nAs an art educator, Bates has taught linocut, sculpture and carving to many different groups: the people of Wilcannia, during an artist's residency there in 2006; the students at the College of Fine Arts, UNSW in Sydney (circa 1990); and in 2008 he conducted a workshop in kite-making for children at the Broken Hill Regional Gallery. Because of his deep connection with the Wilcannia community, he was the first artist to be invited into the new artist-in-residence program instigated by the Wilcannia Arts Group (2006). In April 2008 Bates acquired a house in Wilcannia and used it as a place where \"the children of the town can spend time learning to read, write, sculpt and paint.\" The place is named 'Badger's Yapaara' - yapaara being the Paakantji word for 'house'. Badger's Yapaara \"belongs to everyone, particularly the children,\" he said in an interview with the ABC (in Sleath, 2008).\nBadger Bates is represented in public collections including the Australian Museum in Sydney (with seven carved emu eggs), the Broken Hill Regional Gallery (with a large carved barque in wood), the Art Gallery of New South Wales (woodblock prints) as well as many private collections across Australia. Bates began to attract notice in the 1990s with his series of woodblock prints and carved emu eggs celebrating stories both from the Dreamings and from his own life around the Darling River. In 1993 a group of his works, including lino cuts, emu eggs and carvings, were exhibited at the Tin Sheds Gallery at Sydney University. Eight of his woodblock prints were used as illustrations in the book _Nourishing Terrains_ (1996).\nBates works in a variety of media including wood, stone, lino, metal and found objects. The themes in his work include contemporary cross-cultural references to anthropological, archeological and political matters within the framework of the songlines of his people. His humour is in evidence in the (constructed) work _Echidnas,_ made from bicycle chains, and in other constructions of native animals made from found objects. He prefers carving and constructing to painting, as he enjoys handling and touching the work. Drawing is merely the preliminary step in the design of the carving. \"I use lino because I can make big bold images and use my Baakantji traditional designs to fill in the picture. Lino is like carving emu eggs or wood, which I was taught as a kid at Wilcannia. The wavy lines show the movement of the water, bringing it alive. These lines are what my grandmother used to carve on boomerangs. The lines take you right back to the billabong, like in a dream.\" ( _Bubbles on the Surface I_ 2006, unpaginated).\nBates says that his inspiration comes directly from his grandmother and the ancestors, who guide his hands when he works and send him ideas. Although he learned basic printmaking techniques at Broken Hill TAFE (circa 1986), his work retains the flavour of Indigenous traditions and he makes a firm distinction between technical training and learning the traditional skills of carving. The recurrent themes in his work reflect his profound respect for, and connection with, spiritual guides, his insight into human beings and knowledge and love of the land. He said in the 2006 interview with the author: \"I know I'm doing it, but it's not me. It's hard to explain, but when I pick up something I think about my grandmother and it's like the old people control my hand, they're putting it in.\"\nBadger told this story in conversation with the author (2006): \"When I was carving this _Reconciliation Stone_ , there was a whitefella looking at the face on the other side, and I frightened him. He says, 'Oh, you frightened me! I saw your car, but I didn't see anyone.' He said, 'I thought it was a crow peckin' at a piece of plastic. Makin' this funny noise.' And I said, 'No Bud, it's a blackfella pickin' at this hard stone.' Then I showed him everything, and he said, 'Gee, that's good! You go to college, or art school?' I said, 'No, mate.' He said, 'Where'd you get your skill from?' I said, 'Sittin' on the river bank, makin' boomerangs. That's where. Listenin' to the Old People. Sittin' on the riverbank makin' boomerangs.'isn't happy with", "date_created": {"$date": "2007-01-01T00:00:00Z"}, "initial_contributors": ["Janis Lander"]}

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[{"country": "Murray Darling Basin, NSW"}, {"country": "Kinchega, NSW"}, {"country": "Euriowie, NSW"}, {"country": "Mutawintji, NSW"}]

" Country Note: \r\n Country Note: \r\n Country Note: \r\n Country Note: \r\n"

[{"override": "Paakantji", "language": "Paakantyi/Paakantji/Barkindji language (D12) (NSW SI54-03)"}]

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[{"is_deleted": false, "title": "\"Nourishing Terrains\" by Deborah Bird Rose, 1996.", "note": "Note: Collection of Linoprints \n", "ori_dbid": {"$oid": "4da1aef9b538b73d9301d1fc"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'\"Nourishing Terrains\" by Deborah Bird Rose, 1996.', Collection of Linoprints."}}]

["Storylines Project, COFA, UNSW"]

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{"year": "2013", "month": "3", "day": "31"}

{"year": "2013", "month": "3", "day": "31"}

"moderator approved"

"Robert Henry Burnside Downes"

"Robert Henry Burnside Downes was born in 1861. He was an engineer, architect and surveyor who exhibited with the West Australian Society of Arts in 1920."

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["Western Australian artists, designers & makers (1829-1959)"]

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[{"subject": {"primary_name": {"family_name": "Downes", "given_names": "Robert Henry Burnside"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5158267dd707ff422f001167"}, "label": "Robert Henry Burnside Downes", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/robert-henry-burnside-downes", "curr_dbid": {"$oid": "6458107cd72f0e29f6133c91"}}, "object": {"is_deleted": false, "ori_dbid": {"$oid": "5158267dd707ff422f001166"}, "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581224d72f0e29f614d9f7"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124dd72f0e29f6157d75"}}]

{"$oid": "645810a6d72f0e29f6134b8c"}

{"$oid": "5ce4ded8ede61006eb00028f"}

"https://www.daao.org.au/bio/solomon-smith"

{"year": "2019", "month": "5", "day": "22"}

{"year": "2019", "month": "5", "day": "22"}

"moderator approved"

[{"given_names": "Socrates Smith Society", "note": "https://www.socratessmith.org", "display_name": "Socrates Smith Society"}, {"family_name": "Smith", "given_names": "\"Socrates\"", "display_name": "\"Socrates\" Smith"}]

{"coverage": {"date": {"year": "1953", "month": "1", "day": "1"}, "place": {"address": {"ori_address": "Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da194f4b538b73d930005f4"}, "ori_address": "Sydney, NSW", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}}}}

{"coverage": {"date": {"year": "2013", "month": "1", "day": "1"}}}

[{"broad_role": "artist", "detailed_role": "Photographer"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Photographer"}}]}

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["photographer"]

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[{"subject": {"primary_name": {"family_name": "", "given_names": "", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Smith", "given_names": "\"Socrates\"", "title": "", "note": ""}, {"family_name": "", "given_names": "Socrates Smith Society", "title": "", "note": "https://www.socratessmith.org"}], "ori_dbid": {"$oid": "5ce4ded8ede61006eb00028f"}, "label": "", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/solomon-smith", "curr_dbid": {"$oid": "645810a6d72f0e29f6134b8c"}}, "object": {"address": {"ori_address": "Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da194f4b538b73d930005f4"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}, "curr_dbid": {"$oid": "645811f2d72f0e29f614182d"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "was born in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581266d72f0e29f6160262"}}]

[{"subject": {"primary_name": {"family_name": "", "given_names": "", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Smith", "given_names": "\"Socrates\"", "title": "", "note": ""}, {"family_name": "", "given_names": "Socrates Smith Society", "title": "", "note": "https://www.socratessmith.org"}], "ori_dbid": {"$oid": "5ce4ded8ede61006eb00028f"}, "label": "", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/solomon-smith", "curr_dbid": {"$oid": "645810a6d72f0e29f6134b8c"}}, "object": {"is_deleted": false, "ori_dbid": {"$oid": "5ce4e235ede61006eb000296"}, "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581227d72f0e29f614e715"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124ed72f0e29f61583ea"}}]

{"$oid": "6458107dd72f0e29f6133cc8"}

{"$oid": "5158272cd707ff422f00124e"}

"https://www.daao.org.au/bio/w-t-forster"

{"year": "2013", "month": "3", "day": "31"}

{"year": "2013", "month": "3", "day": "31"}

"moderator approved"

"W. T. Forster"

"Although listed as a working member of the West Australian Society of Arts in 1896 and 1901 he did not exhibit."

{"family_name": "Forster", "given_names": "W. T."}

[{"broad_role": "architect", "detailed_role": "Architect / Interior Architect / Landscape Architect"}]

{"career_periods": [{"occupation": {"type": "architect", "title": "Architect / Interior Architect / Landscape Architect"}, "coverage_range": {"date_range": {"date_start": {"year": "1896", "month": "1", "day": "1"}, "date_end": {"year": "1901", "month": "1", "day": "1"}}}}]}

{"status": "moderator approved", "date_modified": {"$date": "2011-05-19T00:00:00Z"}, "text": "<p>Although listed as a working member of the West Australian Society of Arts in 1896 and 1901 he did not exhibit. He was possibly an architect who did not appear to have to exhibit to be a working member.</p> <p><br /></p><p><b> </b></p> <p></p>", "date_created": {"$date": "2010-09-08T00:00:00Z"}, "initial_contributors": ["Dr Dorothy Erickson"]}

[{"date_start": {"year": "1896", "month": "1", "day": "1"}, "date_end": {"year": "1901", "month": "1", "day": "1"}}]

[{"is_deleted": false, "ori_dbid": {"$oid": "5158272cd707ff422f00124d"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "WA: West Australian Society of Arts Exhibition Catalogues."}}]

["LegacyBioID_8901"]

["Western Australian artists, designers & makers (1829-1959)"]

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{"$oid": "64580f98d72f0e29f61314d3"}

{"$oid": "4da19821b538b73d9300cc86"}

"https://www.daao.org.au/bio/john-haig"

{"year": "1992", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"John Haig"

"portrait painter, professional photographer and civil servant, in 1858 he started a photography and portrait painting business in Warwick, Qld. A fourth generation Haig photographic firm survives at Warwick today."

{"family_name": "Haig", "given_names": "John"}

{"coverage": {"place": {"address": {"ori_address": "Scotland, United Kingdom", "country": "United Kingdom", "state": "Scotland", "postcode": "FK21 8SU"}, "ori_dbid": {"$oid": "4da194fbb538b73d930008a1"}, "ori_address": "Scotland, UK", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 56.4906712, "longitude": -4.2026458}}}}

[{"broad_role": "artist", "detailed_role": "Painter"}, {"broad_role": "artist", "detailed_role": "Photographer"}]

{"career_periods": [{"occupation": {"title": "Accountant", "type": "Accounting Services"}}, {"occupation": {"title": "Bookkeeper", "type": "Accounting Services"}}, {"occupation": {"title": "Civil servant", "type": "Public Administration"}}, {"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1858", "month": "1", "day": "1"}}}}, {"occupation": {"type": "artist", "title": "Photographer"}, "coverage_range": {"date_range": {"date_start": {"year": "1858", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "London, England, United Kingdom", "country": "United Kingdom", "state": "England", "city": "London", "postcode": "SW1P 3JX"}, "ori_dbid": {"$oid": "4da194f7b538b73d9300068e"}, "ori_address": "London, England, UK", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 51.5001524, "longitude": -0.1262362}}}}, {"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Darling Downs, Queensland", "country": "Australia", "state": "Queensland", "city": "Darling", "suburb": "Darling Downs", "postcode": "Unknown"}, "ori_dbid": {"$oid": "4da19820b538b73d9300cc84"}, "ori_address": "Darling Downs, Qld.", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -27.5299906, "longitude": 150.5820676}}}}]

["English"]

"http://nla.gov.au/nla.party-1484104"

[{"date": [{"year": "1849", "month": "1", "day": "1"}], "note": "Darling Downs, Queensland."}]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:44:33.010Z"}, "text": "portrait painter, professional photographer and civil servant, was born in Scotland. He is said to have worked as a portrait painter in London before coming to the Darling Downs, Queensland, probably in the late 1840s, as accountant and bookkeeper on the Leslie brothers' properties ( _see_ G.K.E. Fairholme). In 1856 Haig was appointed the first registrar of births, marriages and deaths for Warwick (Qld) and district. Two years later, he set up concurrently as the town's portrait painter and photographer. His son Henry (c.1842-1913) was subsequently in partnership with him in the photography business and continued the studio when John died. A fourth generation Haig photographic firm survives at Warwick.\n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1992-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"heritage": "Scottish", "ori_dbid": {"$oid": "4da194fbb538b73d930008c4"}, "_class_ori": "CulturalHeritage"}]

"Heritage Note: \n"

[{"title": "Civil servant", "note": "Civil servant ", "type": "Public Administration"}, {"title": "Bookkeeper", "note": "Bookkeeper ", "type": "Accounting Services"}, {"title": "Accountant", "note": "Accountant ", "type": "Accounting Services"}]

[{"date_start": {"year": "1858", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Morningside, Qld.\n", "title": "Queenslanders behind the Camera 3", "ori_dbid": {"$oid": "50b400c3d707ff7d9e0031e7"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Barrie, S. (1988), 'Queenslanders behind the Camera 3', Morningside, Qld."}}]

["The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870"]

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{"$oid": "64581097d72f0e29f6134604"}

{"$oid": "55af3176d707ff0fa700008d"}

"https://www.daao.org.au/bio/eric-beach"

{"year": "2015", "month": "7", "day": "22"}

{"year": "2015", "month": "7", "day": "22"}

"moderator approved"

"Eric Beach"

{"family_name": "Beach", "given_names": "Eric"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

{"$oid": "6458106ed72f0e29f613383c"}

{"$oid": "514e671ed707ff2ede001d21"}

"https://www.daao.org.au/bio/kate-williams"

{"year": "2013", "month": "3", "day": "24"}

{"year": "2017", "month": "4", "day": "13"}

"moderator approved"

"Kate Williams"

{"family_name": "Williams", "given_names": "Kate"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"coverage_range": {"place": {"address": {"ori_address": "Australia", "country": "Australia", "postcode": "0872"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000638"}, "ori_address": "Australia", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -25.274398, "longitude": 133.775136}}}}]

[{"is_deleted": false, "ori_dbid": {"$oid": "514e671ed707ff2ede001d20"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'Kate Williams', Scanlines:", "url": "http://scanlines.net/node/1281"}}]

["http://scanlines.net/node/1281", "http://archive.dlux.org.au/index.php?page=people&id=192"]

["Scanlines, COFA, UNSW"]

["http://scanlines.net/node/1281"]

[{"subject": {"primary_name": {"family_name": "Williams", "given_names": "Kate", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "514e671ed707ff2ede001d21"}, "label": "Kate Williams", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/kate-williams", "curr_dbid": {"$oid": "6458106ed72f0e29f613383c"}}, "object": {"address": {"ori_address": "Australia", "country": "Australia", "postcode": "0872"}, "ori_dbid": {"$oid": "4da194f6b538b73d93000638"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -25.274398, "longitude": 133.775136}, "curr_dbid": {"$oid": "645811f2d72f0e29f614183a"}}, "relation_class": "Person_RelatedPlace", "predicate": {"term": "lived in"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "64581261d72f0e29f615e3fc"}}]

[{"subject": {"primary_name": {"family_name": "Williams", "given_names": "Kate", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "514e671ed707ff2ede001d21"}, "label": "Kate Williams", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/kate-williams", "curr_dbid": {"$oid": "6458106ed72f0e29f613383c"}}, "object": {"is_deleted": false, "ori_dbid": {"$oid": "514e671ed707ff2ede001d20"}, "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581223d72f0e29f614d54c"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458124cd72f0e29f61578bf"}}]

[{"subject": {"primary_name": {"family_name": "Williams", "given_names": "Kate", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "514e671ed707ff2ede001d21"}, "label": "Kate Williams", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/kate-williams", "curr_dbid": {"$oid": "6458106ed72f0e29f613383c"}}, "object": {"is_deleted": false, "is_locked": false, "ori_dbid": {"$oid": "514e5b12d707ff2ede00070a"}, "label": "Ladies No Charge", "_class_ori": "work", "_class": "work", "coverage_range": {"date_range": {"date_start": {"year": "1991", "month": "1", "day": "1"}, "date_end": {"year": "1991", "month": "1", "day": "1"}}}, "description": null, "ori_url": "https://www.daao.org.au/bio/work/ladies-no-charge", "curr_dbid": {"$oid": "6458110ed72f0e29f6139f4a"}}, "relation_class": "Person_RelatedWork", "predicate": {"term": "creator of", "reverse_term": "created by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812acd72f0e29f617606b"}}]

{"$oid": "6458105ed72f0e29f613322b"}

{"$oid": "513fd106d707ff6bcd001589"}

"https://www.daao.org.au/bio/hayley-arjona"

{"year": "2013", "month": "3", "day": "13"}

{"year": "2013", "month": "3", "day": "13"}

"moderator approved"

"Hayley Arjona"

{"family_name": "Arjona", "given_names": "Hayley"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

["UTASParty_0037"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

[{"subject": {"primary_name": {"family_name": "Arjona", "given_names": "Hayley"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "513fd106d707ff6bcd001589"}, "label": "Hayley Arjona", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/hayley-arjona", "curr_dbid": {"$oid": "6458105ed72f0e29f613322b"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/hayley-arjona-paintings", "description": "Part of Gold Card1 series, the paintings, offered a take on subjectivity, and self-consciously iconic.\n\nSource: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS\nEAF annual report", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1999", "month": "1", "day": "1"}, "date_end": {"year": "1999", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Experimental Art Foundation, Adelaide, South Australia", "country": "Australia", "state": "South Australia", "city": "Adelaide", "postcode": "5000"}, "ori_dbid": {"$oid": "4da19591b538b73d9300499f"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -34.9286212, "longitude": 138.5999594}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "513fc5ead707ff6bcd00079c"}, "label": "Hayley Arjona: paintings", "curr_dbid": {"$oid": "64581197d72f0e29f613e9db"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812a9d72f0e29f6175192"}}]

{"$oid": "64581067d72f0e29f61335a3"}

{"$oid": "513fdff3d707ff6bcd001df5"}

"https://www.daao.org.au/bio/sheridan-palmer"

{"year": "2013", "month": "3", "day": "13"}

{"year": "2013", "month": "3", "day": "13"}

"moderator approved"

"Sheridan Palmer"

{"family_name": "Palmer", "given_names": "Sheridan"}

[{"broad_role": "curator"}]

{"career_periods": [{"occupation": {"type": "curator"}}]}

["UTASParty_1834"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

[{"subject": {"primary_name": {"family_name": "Palmer", "given_names": "Sheridan"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "513fdff3d707ff6bcd001df5"}, "label": "Sheridan Palmer", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/sheridan-palmer", "curr_dbid": {"$oid": "64581067d72f0e29f61335a3"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/all-this-i-knew-helen-ogilvie-retrospective-exhibition", "description": "Organised and toured by BFAG. Sponsored by the Asthma Foundation of Victoria through the Victorian Health Foundation. Though best known for her relief prints, Ogilivie's shows here her paintings and drawings.\n\nSource: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS\nBFAG annual report; UTAS catalogue\n\nExhibition Catalogue:\nPalmer, Sheridan, All this I knew : Helen Ogilvie retrospective exhibition. Ballarat, Vic. : Ballarat Fine Art Gallery, [1995]\nISBN:\u00a0094906307X", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "1", "day": "1"}, "date_end": {"year": "1995", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Ballarat Fine Art Gallery, Ballarat, Victoria", "country": "Australia", "state": "Victoria", "city": "Ballarat", "postcode": "3350"}, "ori_dbid": {"$oid": "4da1f5bcb538b73d9302b624"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.5621071, "longitude": 143.8561493}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "513fc9d5d707ff6bcd000cba"}, "label": "All this I knew...' : Helen Ogilvie retrospective exhibition", "curr_dbid": {"$oid": "6458119ed72f0e29f613ec6a"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "curator of", "reverse_term": "curated by"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812abd72f0e29f61759d0"}}]

{"$oid": "64580fd1d72f0e29f6131be6"}

{"$oid": "4da19db0b538b73d93014ba1"}

"https://www.daao.org.au/bio/pierre-nuyts"

{"year": "1992", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Pierre Nuyts"

"Nuyts was a portrait painter whose works were highly praised. He completed portraits of Bishop W.G. Broughton, Robert Campbell, Thomas Sutcliffe and Conrad Martens."

{"family_name": "Nuyts", "given_names": "Pierre"}

{"coverage": {"place": {"address": {"ori_address": "Belgium", "country": "Belgium", "state": "Hainaut", "postcode": "6211"}, "ori_dbid": {"$oid": "4da195ffb538b73d930069cb"}, "ori_address": "Belgium", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 50.503887, "longitude": 4.469936}}}}

[{"broad_role": "artist", "detailed_role": "Painter"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Painter"}, "coverage_range": {"date_range": {"date_start": {"year": "1854", "month": "1", "day": "1"}, "date_end": {"year": "1856", "month": "1", "day": "1"}}}}]}

[{"note": " ", "coverage_range": {"date_range": {"date_start": {"year": "1856", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Batavia, Java, Dutch East Indies (Jakarta, Indonesia)", "country": "Indonesia", "postcode": "12850"}, "ori_dbid": {"$oid": "4da19dafb538b73d93014b95"}, "ori_address": "Batavia, Java, Dutch East Indies (Jakarta, Indonesia)", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -6.211544, "longitude": 106.845172}}}}, {"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da19500b538b73d93000beb"}, "ori_address": "Sydney, New South Wales", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8689009, "longitude": 151.2070914}}}}]

["English"]

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T22:08:16.333Z"}, "text": "portrait painter, was a native of Belgium and a former student of the Antwerp Academy. Listed in _Waugh and Cox's Sydney Directory_ in 1855, he had been working in Sydney before February 1854 when the _Illustrated Sydney News_ published a portrait of the merchant Thomas Sutcliffe Mort of Greenoaks, Darling Point after his (completed) oil painting. In June _Bell's Life_ referred to 'a couple of gents, who inhabit the altitudes (we would not like to say attics) of Mort's auction rooms in Pitt Street - Conrad Martens and Pierre Nuyts'. Another friend was the painter *John Rae* .\nAfter Nuyts painted a portrait of *Conrad Martens* (possibly in the Mitchell Library [ML]), Martens wrote to his brother: 'there are various opinions about the likeness; some say it is very good but Mrs Martens prefers ... [a colourotype] which I have done with the intention of sending you'. Many Sydney citizens clearly preferred Nuyts, who seems rapidly to have attained a local reputation as a portraitist. His 'faithful rendering of complexions' was praised in May 1854 and on 25 January 1855 'A Lover of Art' wrote to the _Sydney Morning Herald_ objecting that the commission for a portrait of Governor Sir Charles FitzRoy had been given to an English painter, stating: 'Visits to the studio of M. Nuits [sic], Mr Smith [ *H.R. Smith* ] and other eminent artists who have made Sydney their abiding-place, must convince judges of high art that to send such a commission of the kind to London - a commission which involves sentiments essentially Australian - is a gratuitous insult to eminent artists of whose presence amongst us, Sydney ought to be proud.'\nTwo days later the _Herald_ was praising Nuyts's half-length, life-size portrait of Bishop W.G. Broughton which *Sophia Campbell* 's son *John* had commissioned for St Philip's Church of England Grammar School, Sydney. This oil painting (now at The King's School) seems heavy and stilted today but was then thought to evince 'that elevation of thought which distinguishes the true artist', 'a largeness and liberality of style which subordinates mere consideration of technicality'. His oil portrait of Robert Campbell was praised in much the same terms.\nAn unsigned and undated naive watercolour, _Camp Hill, Young, at Time of the Riot_ (ML), probably painted at the time of the anti-Chinese riots of 1860-61, has been attributed to Nuyts despite an inscription which states that it was by *Mrs C. Moley Clark* . The attribution is particularly unconvincing because Martens wrote that Nuyts left New South Wales for Batavia (Java) in 1856.", "date_created": {"$date": "1992-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"organization": {"coverage": {"place": {"address": {"ori_address": "Antwerp Academy, Belgium", "country": "Belgium", "state": "Antwerp", "city": "Antwerp", "postcode": "2000"}, "ori_dbid": {"$oid": "4da19825b538b73d9300cd50"}, "ori_address": "Antwerp Academy, Belgium", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": 51.21992, "longitude": 4.39625}}}}}]

[{"date_start": {"year": "1854", "month": "1", "day": "1"}, "date_end": {"year": "1856", "month": "1", "day": "1"}}]

[{"is_deleted": false, "title": "Sydney Directory", "ori_dbid": {"$oid": "4da195acb538b73d930052cf"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Waugh and Cox (1855), 'Sydney Directory'."}}, {"is_deleted": false, "title": "Sydney Morning Herald", "ori_dbid": {"$oid": "4da196bbb538b73d93009007"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(22 September 1882), 'Sydney Morning Herald'.", "url": "http://nla.gov.au/nla.news-article28377185"}}, {"is_deleted": false, "title": "Sydney Morning Herald", "ori_dbid": {"$oid": "4da196bbb538b73d93009007"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(22 September 1882), 'Sydney Morning Herald'.", "url": "http://nla.gov.au/nla.news-article28377185"}}, {"is_deleted": false, "title": "Sydney Morning Herald", "ori_dbid": {"$oid": "4da196bbb538b73d93009007"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(22 September 1882), 'Sydney Morning Herald'.", "url": "http://nla.gov.au/nla.news-article28377185"}}, {"is_deleted": false, "title": "Illustrated Sydney News", "ori_dbid": {"$oid": "4da1958db538b73d93004842"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(11 February 1854), 'Illustrated Sydney News'."}}, {"is_deleted": false, "title": "Bell's Life in Sydney", "ori_dbid": {"$oid": "4da1969cb538b73d93008bbc"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(13 May 1865), 'Bell's Life in Sydney'."}}, {"is_deleted": false, "note": "Place: Sydney 1979\n", "title": "Artists in Early Australia and their Portraits", "ori_dbid": {"$oid": "50b40223d707ff7d9e0053aa"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Buscombe, E. (1979), 'Artists in Early Australia and their Portraits', Sydney 1979."}}, {"is_deleted": false, "note": "Place: Parramatta 1953\n", "title": "The Art Union Story and Old Parramatta", "ori_dbid": {"$oid": "50b40223d707ff7d9e0053ab"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Rivett, C. (1953), 'The Art Union Story and Old Parramatta', Parramatta 1953."}}, {"is_deleted": false, "note": "Place: Dixson Library, State Library of New South Wales, Sydney ms Q313 item 2 box 4, 23 February 1856\n", "title": "Papers", "ori_dbid": {"$oid": "50b40223d707ff7d9e0053ac"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Martens, Conrad (23 February 1856), 'Papers', Dixson Library, State Library of New South Wales, Sydney ms Q313 item 2 box 4, 23 February 1856."}}, {"is_deleted": false, "note": "Place: Dixson Library, State Library of New South Wales, Sydney ms WD53\n", "title": "'Notes on Australian artists'", "ori_dbid": {"$oid": "50b40223d707ff7d9e0053ad"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Dixson, W., 'Notes on Australian artists', Dixson Library, State Library of New South Wales, Sydney ms WD53."}}, {"is_deleted": false, "note": "Place: Information sourced from\n", "ori_dbid": {"$oid": "50b40223d707ff7d9e0053ae"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Information sourced from Lennon, Jane."}}, {"is_deleted": false, "note": "Place: Information sourced from\n", "ori_dbid": {"$oid": "50b40223d707ff7d9e0053af"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Information sourced from Neville, Richard."}}]

[{"is_deleted": false, "title": "Pierre Nuyts (attrib.), Conrad Martens 1853, oil on canvas, 50.8 x 40.7cm. Dixson Gallleries.", "ori_dbid": {"$oid": "4da19db0b538b73d93014ba0"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'Pierre Nuyts (attrib.), Conrad Martens 1853, oil on canvas, 50.8 x 40.7cm. Dixson Gallleries.'."}}]

["The Dictionary of Australian Artists: painters, sketchers, photographers and engravers to 1870"]

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"https://www.daao.org.au/bio/leonard-hessing"

{"year": "1999", "month": "1", "day": "1"}

{"year": "2017", "month": "8", "day": "10"}

"moderator approved"

"Leonard Hessing"

"Leonard Hessing was a leading abstract painter in Sydney and London in the mid 20th century."

{"family_name": "Hessing", "given_names": "Leonard"}

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["English"]

"http://nla.gov.au/nla.party-557260"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-10T21:46:02.741Z"}, "text": "painter\n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1999-01-01T00:00:00Z"}, "initial_contributors": ["Staff Writer"]}

[{"date_start": {"year": "1950", "month": "1", "day": "1"}}]

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["Legacy data. Source 'unknown'"]

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"https://www.daao.org.au/bio/elizabeth-coats"

{"year": "2014", "month": "9", "day": "17"}

{"year": "2019", "month": "8", "day": "22"}

"moderator approved"

"Elizabeth Coats"

{"family_name": "Coats", "given_names": "Elizabeth"}

[{"family_name": "Coats", "given_names": "Liz", "display_name": "Liz Coats"}]

{"coverage": {"date": {"year": "1946", "month": "1", "day": "1"}}}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"subject": {"primary_name": {"family_name": "Coats", "given_names": "Elizabeth", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Coats", "given_names": "Liz", "title": "", "note": ""}], "ori_dbid": {"$oid": "5418db6dd707ff0c48000003"}, "label": "Elizabeth Coats", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/elizabeth-coats", "curr_dbid": {"$oid": "64581088d72f0e29f6133fb4"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/review-works-by-women-from-the-permanent-collection", "description": "Speaking of Women, four guest lectures; by Nancy Underhill, Ann Thomson, Margo Neale, Joan Kerr; held over successive Fridays, 10-31 March 1995, by the Art Gallery Society.", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "3", "day": "8"}, "date_end": {"year": "1995", "month": "6", "day": "8"}}, "place": {"address": {"ori_address": "Art Gallery of New South Wales, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1950db538b73d930011bc"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8686268, "longitude": 151.2170618}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "4da19900b538b73d9300e790"}, "label": "Review", "curr_dbid": {"$oid": "64581135d72f0e29f613b6d0"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176fcf"}}, {"subject": {"primary_name": {"family_name": "Coats", "given_names": "Elizabeth", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Coats", "given_names": "Liz", "title": "", "note": ""}], "ori_dbid": {"$oid": "5418db6dd707ff0c48000003"}, "label": "Elizabeth Coats", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/elizabeth-coats", "curr_dbid": {"$oid": "64581088d72f0e29f6133fb4"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/girls-girls-girls", "description": "touring exhibition", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "3", "day": "1"}, "date_end": {"year": "1995", "month": "3", "day": "27"}}, "place": {"address": {"ori_address": "Annandale Galleries, Sydney, NSW; Orange Regional Gallery, Orange, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Orange", "suburb": "Sydney", "postcode": "2800"}, "ori_dbid": {"$oid": "4da19591b538b73d9300498c"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.2833333, "longitude": 149.1}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "4da19591b538b73d9300498d"}, "label": "Girls! Girls! Girls!", "curr_dbid": {"$oid": "64581129d72f0e29f613b070"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176fd0"}}, {"subject": {"primary_name": {"family_name": "Coats", "given_names": "Elizabeth", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [{"family_name": "Coats", "given_names": "Liz", "title": "", "note": ""}], "ori_dbid": {"$oid": "5418db6dd707ff0c48000003"}, "label": "Elizabeth Coats", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/elizabeth-coats", "curr_dbid": {"$oid": "64581088d72f0e29f6133fb4"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/women-artists-in-the-contemporary-collection-of-the-art-gallery-of-new-south-wales-hang-no-2", "description": "See also the catalogue for _Review_", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "4", "day": "24"}, "date_end": {"year": "1995", "month": "6", "day": "4"}}, "place": {"address": {"ori_address": "Art Gallery of New South Wales, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "postcode": "2000"}, "ori_dbid": {"$oid": "4da1950db538b73d930011bc"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8686268, "longitude": 151.2170618}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "542a2e73d707ff34bd00000f"}, "label": "Women Artists in the Contemporary Collection of The Art Gallery of New South Wales: Hang No. 2", "curr_dbid": {"$oid": "645811b8d72f0e29f613f93d"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f6176fd1"}}]

{"$oid": "64581089d72f0e29f6134052"}

{"$oid": "5429e5dcd707ff2d0e000003"}

"https://www.daao.org.au/bio/renata"

{"year": "2014", "month": "9", "day": "30"}

{"year": "2014", "month": "9", "day": "30"}

"moderator approved"

{"family_name": "Renata"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

[{"subject": {"primary_name": {"family_name": "Renata", "given_names": "", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "5429e5dcd707ff2d0e000003"}, "label": "Renata", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/renata", "curr_dbid": {"$oid": "64581089d72f0e29f6134052"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/lifting-veils-women-of-survival", "description": "Community International Women's Day event held 8 March 1995.", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "1995", "month": "3", "day": "14"}, "date_end": {"year": "1995", "month": "3", "day": "26"}}, "place": {"address": {"ori_address": "Bondi Pavilion Gallery, Bondi Beach, Sydney, New South Wales", "country": "Australia", "state": "New South Wales", "city": "Sydney", "suburb": "Bondi Beach", "postcode": "2026"}, "ori_dbid": {"$oid": "4da1b664b538b73d93020367"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -33.8908435, "longitude": 151.2742906}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "5420cd86d707ff245d000014"}, "label": "Lifting Veils: Women of Survival", "curr_dbid": {"$oid": "645811b8d72f0e29f613f908"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812afd72f0e29f61770f4"}}]

{"$oid": "64580f9ed72f0e29f613159a"}

{"$oid": "4da19879b538b73d9300d7f4"}

"https://www.daao.org.au/bio/herman"

{"year": "1996", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Herman"

"Late 20th century Bulletin cartoonist. Herman's original work is held at the Mitchell Library, State Library of New South Wales, Sydney, NSW."

{"family_name": "Herman"}

"unknown"

[{"broad_role": "artist", "detailed_role": "Cartoonist / Illustrator"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Cartoonist / Illustrator"}, "coverage_range": {"date_range": {"date_start": {"year": "1980", "month": "1", "day": "1"}, "date_end": {"year": "1980", "month": "1", "day": "1"}}}}]}

["English"]

{"status": "moderator approved", "date_modified": {"$date": "2007-01-01T00:00:00Z"}, "text": "cartoonist, drew a cartoon for the _Bulletin_ dated 17 June 1980 (original ML PXD 739).\n*This entry is a stub. You can help DAAO by submitting a biography.", "date_created": {"$date": "1996-01-01T00:00:00Z"}, "initial_contributors": ["Kerr, Joan"]}

[{"date_start": {"year": "1980", "month": "1", "day": "1"}, "date_end": {"year": "1980", "month": "1", "day": "1"}}]

[{"is_deleted": false, "note": "Place: Sydney, NSW : State Library of New South Wales\n", "title": "ANON, PICMAN", "ori_dbid": {"$oid": "50b400e2d707ff7d9e003553"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "'ANON, PICMAN', Sydney, NSW : State Library of New South Wales."}}, {"is_deleted": false, "note": "Place: Sydney, NSW : in the Bulletin\n", "ori_dbid": {"$oid": "50b400e2d707ff7d9e003554"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "(17 June 1980), Sydney, NSW : in the Bulletin."}}]

["Black and white artists"]

[{"subject": {"primary_name": {"family_name": "Herman", "given_names": "", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19879b538b73d9300d7f4"}, "label": "Herman", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/herman", "curr_dbid": {"$oid": "64580f9ed72f0e29f613159a"}}, "object": {"is_deleted": false, "title": "", "ori_dbid": {"$oid": "50b400e2d707ff7d9e003554"}, "label": "", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581219d72f0e29f614a09a"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458123dd72f0e29f6152368"}}, {"subject": {"primary_name": {"family_name": "Herman", "given_names": "", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da19879b538b73d9300d7f4"}, "label": "Herman", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/herman", "curr_dbid": {"$oid": "64580f9ed72f0e29f613159a"}}, "object": {"is_deleted": false, "title": "ANON, PICMAN", "ori_dbid": {"$oid": "50b400e2d707ff7d9e003553"}, "label": "ANON, PICMAN", "description": null, "_class_ori": "externalresource", "_class": "resource", "curr_dbid": {"$oid": "64581219d72f0e29f614a099"}}, "relation_class": "Person_RelatedResource", "predicate": {"term": "has reference", "reverse_term": "is reference of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458123dd72f0e29f6152367"}}]

{"$oid": "64581064d72f0e29f6133417"}

{"$oid": "513fd971d707ff6bcd001a42"}

"https://www.daao.org.au/bio/ann-holt"

{"year": "2013", "month": "3", "day": "13"}

{"year": "2013", "month": "3", "day": "13"}

"moderator approved"

"Ann Holt"

{"family_name": "Holt", "given_names": "Ann"}

[{"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}]}

["UTASParty_0674"]

["Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS"]

[{"subject": {"primary_name": {"family_name": "Holt", "given_names": "Ann"}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "513fd971d707ff6bcd001a42"}, "label": "Ann Holt", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/ann-holt", "curr_dbid": {"$oid": "64581064d72f0e29f6133417"}}, "object": {"types": ["exhibition"], "ori_url": "https://www.daao.org.au/bio/event/anne-holt-circumnavigating-the-island", "description": "Invited to exhibit Circumnavigating the Island, displayed in Hobart as part of \"10 Days on the Island' Festival in 2001. The work was accompanied by recent studies of the You Yangs, Victoria, as viewed from Holt's home in St. Kilda.\n\nSource: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS\nWarrnambool Art Gallery exhibition archive", "_class": "event", "is_deleted": false, "coverage_ranges": [{"date_range": {"date_start": {"year": "2003", "month": "1", "day": "1"}, "date_end": {"year": "2003", "month": "1", "day": "1"}}, "place": {"address": {"ori_address": "Warrnambool Art Gallery, Warrnambool, Victoria", "country": "Australia", "state": "Victoria", "city": "Warrnambool", "postcode": "3280"}, "ori_dbid": {"$oid": "4da19590b538b73d9300495e"}, "label": "", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -38.3855297, "longitude": 142.4824539}}}], "is_locked": false, "_class_ori": "event", "ori_dbid": {"$oid": "513fc86dd707ff6bcd000ad8"}, "label": "Anne Holt: circumnavigating the island", "curr_dbid": {"$oid": "6458119bd72f0e29f613eb79"}}, "relation_class": "Person_RelatedEvent", "predicate": {"term": "exhibited at", "reverse_term": "exhibitor"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "645812aad72f0e29f617569f"}}]

{"$oid": "6458101ad72f0e29f6132484"}

{"$oid": "4da1ba73b538b73d930222a5"}

"https://www.daao.org.au/bio/donna-brown"

{"year": "2008", "month": "1", "day": "1"}

{"year": "2011", "month": "10", "day": "19"}

"moderator approved"

"Donna Brown"

"Donna Brown of the Gumbaungerri people of New South Wales is painter and graphic designer whose work is in the collections of the National Gallery of Victoria and the Art Gallery of New South Wales."

{"family_name": "Brown", "given_names": "Donna"}

{"coverage": {"date": {"year": "1966", "month": "1", "day": "1"}}}

[{"broad_role": "artist", "detailed_role": "Painter"}, {"broad_role": "artist"}]

{"career_periods": [{"occupation": {"type": "artist"}}, {"occupation": {"type": "artist", "title": "Painter"}}]}

[{"note": " ", "coverage_range": {"place": {"address": {"ori_address": "Melbourne, Victoria", "country": "Australia", "state": "Victoria", "city": "Melbourne", "postcode": "3000"}, "ori_dbid": {"$oid": "4da19511b538b73d930014e5"}, "ori_address": "Melbourne, VIC", "_class_ori": "place", "_class": "place", "geo_coord": {"latitude": -37.8131869, "longitude": 144.9629796}}}}]

["English"]

"http://nla.gov.au/nla.party-1483863"

{"status": "moderator approved", "date_modified": {"$date": "2011-04-11T00:10:59.376Z"}, "text": "Donna Brown is from the Gumbaungerri people of Nambucca Heads, on the mid north coast of New South Wales. She is a painter who has exhibited nationally and internationally. The National Gallery of Victoria has one of her paintings in its collection, while the Art Gallery of New South Wales has three. Brown is also known as a graphic designer whose work is in demand throughout Australia.", "date_created": {"$date": "2008-01-01T00:00:00Z"}, "initial_contributors": ["Allas, Tess"]}

["Brown, Donna \n"]

[{"override": "Nambucca Heads, NSW", "country": "Nambucca Heads, NSW"}]

" Country Note: \n"

[{"override": "Gumbaungerri", "language": "Gumbaynggir/Gumbainggirr language (E7) (NSW SH56-11)"}]

[{"is_deleted": false, "note": "Note: \nPlace: Koorie Business Networkurl: \nwww.business.vic.gov.au/scripts/nc.dll?BUSVIC:STANDARD:1001:pc=PC_61127", "title": "Tribal Expressions: The Business of Art and Culture in Indigenous Victoria", "ori_dbid": {"$oid": "4da1b291b538b73d9301e5e3"}, "_class_ori": "externalresource", "_class": "resource", "source_info": {"citation": "Harrison, Jane (Ed) (2006), 'Tribal Expressions: The Business of Art and Culture in Indigenous Victoria', Koorie Business Networkurl:, .", "url": "http://www.business.vic.gov.au/scripts/nc.dll?BUSVIC:STANDARD:1001:pc=PC_61127"}}]

["Storylines Project, COFA, UNSW"]

[{"subject": {"primary_name": {"family_name": "McGuire", "given_names": "Kye", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1c0d9b538b73d93024b69"}, "label": "Kye McGuire", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/kye-mcguire", "curr_dbid": {"$oid": "64581022d72f0e29f613256d"}}, "object": {"primary_name": {"family_name": "Brown", "given_names": "Donna", "title": "", "note": ""}, "is_shadow": false, "is_deleted": false, "is_locked": false, "alternative_names": [], "ori_dbid": {"$oid": "4da1ba73b538b73d930222a5"}, "label": "Donna Brown", "_class_ori": "person", "_class": "person", "ori_url": "https://www.daao.org.au/bio/donna-brown", "curr_dbid": {"$oid": "6458101ad72f0e29f6132484"}}, "relation_class": "Person_RelatedPerson", "predicate": {"term": "associate of", "reverse_term": "associate of"}, "data_source": "DAAO", "relationship_dbid": {"$oid": "6458129ad72f0e29f6170609"}}]

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{"year": "1996", "month": "1", "day": "1"}

{"year": "2012", "month": "11", "day": "5"}

"moderator approved"

"Cyril Dillon"

"Mid 20th century commercial artist and cartoonist."

{"family_name": "Dillon", "given_names": "Cyril"}

{"coverage": {"date": {"year": "1880", "month": "1", "day": "1"}}}

{"coverage": {"date": {"year": "1970", "month": "1", "day": "1"}}}

[{"broad_role": "designer", "detailed_role": "Graphic Designer"}, {"broad_role": "artist", "detailed_role": "Cartoonist / Illustrator"}]

{"career_periods": [{"occupation": {"type": "artist", "title": "Cartoonist / Illustrator"}, "coverage_range": {"date_range": {"date_start": {"year": "1935", "month": "1", "day": "1"}, "date_end": {"year": "1955", "month": "1", "day": "1"}}}}, {"occupation": {"type": "designer", "title": "Graphic Designer"}, "coverage_range": {"date_range": {"date_start": {"year": "1935", "month": "1", "day": "1"}, "date_end": {"year": "1955", "month": "1", "day": "1"}}}}]}

["English"]