A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | JUDGE | Aviva Nebesky | ||||||||||||||||||||||||
2 | RIDER # | 7794 | ||||||||||||||||||||||||
3 | NAME: | Madison Lareau | ||||||||||||||||||||||||
4 | Max Pts: | 340 | ||||||||||||||||||||||||
5 | Final Score: | 62.794% | ||||||||||||||||||||||||
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8 | FEI PRIX ST. GEORGE | |||||||||||||||||||||||||
9 | ||||||||||||||||||||||||||
10 | TEST | MARK | CORRECTION | * | TOTAL | DIRECTIVES | REMARKS | |||||||||||||||||||
11 | 1 | A X XC | Enter in collected canter Halt - immobility - salute Proceed in collected trot Collected trot | 7 | 7 | Quality of paces, halt, and transitions. Straightness. Contact and poll. | straight. if your canter is a little more active and elevated your halt will be better balanced so you will not have that rogue right hind step out. imagine that you are super collecting for the last 2 strides preparing for a pirouette and then ask for your halt. that will help him stay more on the HQ | |||||||||||||||||||
12 | 2 | C MXK K KAF | Track to the right
Medium trot Collected trot Collected trot | 5.5 | 5.5 | Regularity, elasticity, balance, engagement of hindquarters, lengthening of steps and frame. Both transitions. Collection. | variable tempo and push but clear transitions. note that you are a bit behind the vertical which causes him to hollow to your seat. try to think of opening your thigh and hip more and use your core and lower leg to push him forward. his natural tendency is to get wide behind so that he doesn't truly need to sit- try riding as if you are leg yielding him from side to side every stride so that you constantly encourage him to bring his hind legs under and engage more. be sure your core is strong and you are also thinking up so he mirrors your posture | |||||||||||||||||||
13 | 3 | FB | Shoulder-in left | 7 | 7 | Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. | correct positionning and steady tempo and angle. addidng more power- thinking about almost riding it as a medium will increase the lift and make the movement more expressive- be sure, though, that you don't over-ride it and compromise the rhythm | |||||||||||||||||||
14 | 4 | B | Volte left (8 m Ø) | 6.5 | 6.5 | Regularity and quality of trot, collection, and balance. Bend; size and shape of volte | supple- bracing in neck last 1/4. I think you started to prepare for the 1/2 pass and he tensed. try to finish the volte as his nose touches the track and then use that position to put him into the 1/2 pass- you can even ride the volte into shouder-in and then push laterally to 1/2 pass | |||||||||||||||||||
15 | 5 | BG G C | Half-pass to the left
On centre line Track to the left | 6.5 | 2 | 13 | Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs. | steady with correct position and balance- like with the shoulder-in, addidng power from the HQ willmake this more expressive and raise the score | ||||||||||||||||||
16 | 6 | HXF F | Extended trot
Collected trot | 5 | 5 | Regularity, elasticity, balance, energy of hindquarters, overtrack. Lengthening of frame. Differentiation from medium trot. | rushing, loss of rhythm- if you look at your position, you are behind the motion and actually hindering him from the lift and power he needs for the extension. You are not truly using your seat- try to feel your seatbones lock in to him and then rock him bigger- don't push down into him- | |||||||||||||||||||
17 | 7 | FAK | Transitions at H and F
The collected trot | 6 | 6 | Maintenance of rhythm, fluency, precise and smooth execution of transitions. Change of frame. Collection. | modest difference- as he gets stronger and you do, too, it will be easier to push him immediately forward into ext- as you school, try to increase gradually on a circle- use the circle as, if you over do, he will canter which will help you refine the aids. | |||||||||||||||||||
18 | 8 | KE | Shoulder-in right | 6.5 | 6.5 | Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. | slight changes in position, adding energy will help you keep him thinking forward instead of worrying about his position | |||||||||||||||||||
19 | 9 | E | Volte right (8 m Ø) | 6.5 | 6.5 | Regularity and quality of trot, collection, and balance. Bend; size and shape of volte. | rider collapses to the inside, energy wanes, rider trying to use hand to keep horse up rather than leg and seat- again, the more forward you ride him, the better his carriage | |||||||||||||||||||
20 | 10 | EG G | Half-pass to the right
On centre line | 6.5 | 2 | 13 | Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs. | could show more crossing and consistency in power, forward energy is always your friend! | ||||||||||||||||||
21 | 11 | Before C C H Between G & M | [Collected walk]
[Track to the left] [Turn left] Half pirouette to the left | 6 | 6 | Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of fourbeat. | could be more fluid, be sure to take a moment to overcollect before starting your pirouette to prepare him, then feel each hind foot take its step- don't rush. be sure to sit to the inside with your inside seatbone forward to hold the bend- feel as if you are riding a haunches in on the spot | |||||||||||||||||||
22 | 12 | Between G & H GM | Half pirouette to the right
[Collected walk] | 5 | 5 | Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of fourbeat. | large- lacks collection and sit- don't forget to prepare with a half halt so that he stays on the aids and doesn't wander | |||||||||||||||||||
23 | 13 | The collected walk C-H-G-(M)-G-
(H)-G-M | 6 | 2 | 12 | Regularity, suppleness of back, activity, shortening and heightening of steps, self-carriage. Transition into walk. | some tension but correct 4 beat- allow more of a feeling of medium walk so that there is more flow less up and down and collect every couple of steps to keep him from getting too medium- riding every stride constricts the back- shorter reins might help so that your hand could be lower and your connection from elbow to bit staighter- walk much better after the pirouettes | |||||||||||||||||||
24 | 14 | MRXV(K) | Extended walk | 5.5 | 2 | 11 | Regularity, suppleness of back, activity, overtrack, freedom of shoulder, stretching to the bit. | lengthens frame but not stride, reins become slack- this is an extended walk not a free walk so keep him connected. try to ride your seat more the way you did after the priouettes- in the ext walk you collapsed your core | ||||||||||||||||||
25 | 15 | Before K K KAF | Collected walk
Proceed in collected canter left Collected canter | 5.5 | 5.5 | Precise execution and fluency of transition. Quality of canter. | tension leading up to very crooked transition, while a H-I is a grewat way to increase engagement, riding it at K is very obvious to the judge and demonstrates a lack of straightness | |||||||||||||||||||
26 | 16 | FX X | Half-pass to the left
Flying change of leg | 6.5 | 6.5 | Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change. | correct position, steady and uphill, ride more actively forward for increased expression and a higher score, clean, straight change slightly losing uphill balance | |||||||||||||||||||
27 | 17 | XM M MCH | Half-pass to the right
Flying change of leg Collected canter | 6.5 | 6.5 | Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change. | take a moment to straighten after the change before starting the 1/2 pass to make it better balanced, clean, straight change, add energy and power | |||||||||||||||||||
28 | 18 | H Between H & X | Proceed towards X in collected
canter Half pirouette to the left | 6 | 2 | 12 | Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after. | large but correct idea, good collection into pirouette but then loses collection in the turn itself- be sure to keep your leg on and 1/2 halt each stride | ||||||||||||||||||
29 | 19 | HC C | Counter canter
Flying change of leg | 8 | 8 | Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change. | lovely quality of canter here- uphill and expressive, clean change- this is canter I want to see through the test- truly clear 3 beats and hind feet quick off the ground- schooling the CC will improve the overall canter work | |||||||||||||||||||
30 | 20 | M Between M & X | Proceed towards X in collected
canter Half pirouette to the right | 5.5 | 2 | 11 | Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after. | labored and earth bound- quite crooked coming in to priouette- yes, you need collection but if you over position too soon and collect too much you will lose your jump in the canter and he will fall on the FH | ||||||||||||||||||
31 | 21 | MC C | Counter canter
Flying change of leg | 7 | 7 | Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change. | clean change but canter lacks quickness that other lead had in CC | |||||||||||||||||||
32 | 22 | HXF FAK | On the diagonal 5 flying changes of leg every 4th stride
Collected canter | 7 | 7 | Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after. | awkward 1st change but all clean, some swinging, could be better centered in the arena- start earlier | |||||||||||||||||||
33 | 23 | KXM MCH | On the diagonal 5 flying changes
of leg every 3rd stride Collected canter | 7 | 7 | Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after. | clean and fluid although some swing- start a bit later for better placement | |||||||||||||||||||
34 | 24 | HXF | Extended canter | 6.5 | 6.5 | Quality of canter, impulsion, lengthening of strides and frame. Balance, uphill tendency, straightness. | starts well- nice uphill and bounding canter b ut collection apparent from 2nd 1/4 line | |||||||||||||||||||
35 | 25 | F FA | Collected canter and flying
change of leg Collected canter | 6 | 6 | Quality of flying change on diagonal. Precise, smooth execution of transition. Collection. | collects very early, fluent change | |||||||||||||||||||
36 | 26 | A X | Down the centre line
Halt - immobility - salute | 6.5 | 6.5 | Quality of pace, halt, and transition. Straightness. Contact and poll. | could be better balanced from HQ | |||||||||||||||||||
37 | Leave arena at A in walk on a long rein | |||||||||||||||||||||||||
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39 | COLLECTIVE MARKS | MARK | CORRECTION | * | TOTAL | REMARKS | ||||||||||||||||||||
40 | 1 | Rider’s Position and Seat; Correctness and Effect of the Aids | 7 | 2 | 14 | |||||||||||||||||||||
41 | Very nice pair. Horse needs to be more forward and powerful from the HQ for increased expression. Medium and extended work need to be more powerful and ground covering. Work to be more effective with the seat to help horse with his balance. Harmonious pair with the potential for higher scores as horse increases his strength. (He looks like such a sweetheart of a horse!! So willing and tries so hard. GOOD LUCK!) | |||||||||||||||||||||||||
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46 | POINTS: | 213.5 | ||||||||||||||||||||||||
47 | ERRORS: | 0 | ||||||||||||||||||||||||
48 | SUBTOTAL: | 213.5 | ||||||||||||||||||||||||
49 | SCORE: | 62.794% | ||||||||||||||||||||||||
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