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TimeGalvin Recital HallRegenstein Master Class RoomMcClintock Choral/Recital HallRyan Opera Theater
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Pre-Conference — Tuesday, July 21
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3:00-4:30 PMPre-Conference Trainee Social · Lake Room (2-180), Norris University Center
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6:30 PMTrainee Excursion · Millenium Park
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 Day 1 — Wednesday, July 22
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8:15 – 9:00 AMCoffee & Pastries · Jean Gimbel Lane
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9:00 – 9:30 AMWelcome & Opening · Galvin Recital Hall
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9:30 – 9:45 AMBreak / Transition
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9:45 – 10:45 AM[T29] Cross-cultural perception[T1] Music and social bonding[T9] Corpus studies & style Special Session: Memorization for music performance: The importance of conceptual memory
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Session Chair: Van HedgerSession Chair: Pfordresher Session Chair: Condit-SchultzSession Chair: Morrison
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Hsu Speck: Conceptual Boundaries of Music: A Behavioral Study of Cross-Cultural Sound ClassificationRabinowitch: Music and Interpersonal Synchrony in Small Groups: An Experimental Investigation of Social DynamicsChou: Decoding K-Pop: A Computational Analysis of Musical ElementsChaffin; Gerling; Shi & Demos
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Sears: Where is this Music From? Vocal and Instrumental Cues in Geographic Source AttributionStudent Research Awardee
Wood: Shared Musical Preference Promotes Social Bonding Through Movement Synchrony and Positive Mood		Windholz: Comparing harmony across diverse datasets
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McPherson-McNato: Aversion to screechy sounds varies with exposure to industrialized environments
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10:45 – 11:45 AM[T11] Rhythm theory & methodology[T2] Information theory and surprise[T26] Music neuroscience: emotion & imagery[T6] Transfer effects of music
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Session Chair: Van HandelSession Chair: HalpernSession Chair: O'ConnellSession Chair: Nayak
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Ravignani: Not all random rhythms are created equal, and why we should care when designing experimentsHalpern: Surprise!: Developmental change in sensitivity to melodic violationsBravo: Minor mode music recruits right-lateralized spectral sound and affective prosody neural encoding during film watching.Villanueva: Response Time Variability and their Neural Correlates in Adolescent Musicians and Dancers
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Jagadeesan: Pulse Salience and Timing Variability as Reciprocal Manifestations of Preferred Tempo: a Model based on Beat Distinction and Connection as Dialectical Correlates of Time (DiCoT)Galik: Reevaluating Surprisal and Entropy as Predictors of Musical Pleasure: Zeroth-Order Factors Explain More Variance in a Reanalysis of Cheung et al (2019)Prychitko: Exploring Effects of Instrument-Specific Expertise in Motor and Music Imagery using Functional Near-Infrared SpectroscopyShalev: The Clinical Use of Music in Naturalistic and Developmental Early Interventions for Social Communication in Young Autistic Children: A Direct Content Analysis
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Kim: This is your brain and body on syncopation: an embodied coordination dynamics approach to beat-based rhythmQi: A Wrong Chord or a Cool Chord? Information Theory Predicts Surprise but Not Necessarily PleasantnessHong: Neural Representations of Imagined Pitch and Melody: A Scoping ReviewBugos: Results of a Randomized Trial of Intense Music Training on Executive Functions and Sensory Processing in Children (8-12 years)
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11:45 AM – 1:15 PMLunch Break /
Early Career Panel · Ryan Opera Theater
presented by the SMPC Mentorship Committee
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1:15 – 2:15 PMSymposium: In Synch: Rhythmic Foundations of Early Social Coordination[T14] Lyrics and vocalsSpecial Session: Mini-Concert and Mixed Reality Workshop[T41] Melodic and pitch perception
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Session Chair: TsangSession Chair: SchlegelSession Chair: Acevedo
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Alviar; Smith; FramVuvan: Introducing the Lyric Focus Questionnaire (LFQ)Rudenko; Fu; Haahr
Demonstration on Meta Quest 3 of the visualisation of Rachmaninoff, Scriabin Preludes and original compositions on the art of Dalí and De Chirico.
Kelly: Dynamics of Human Auditory Symmetry Detection
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Van Hedger: The Song Remains the Same, mostly when it has vocals: Vocal advantage in absolute pitch memory accuracy and confidenceCassano-Coleman: Novel perceptual mechanisms of music-evoked autobiographical memory
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Salimi: How Much Lyrics Matter: Understanding How Altered Lyrics Affect Emotional Perception
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2:15 – 2:30 PMBreak / Transition
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2:30 – 3:30 PMPanel Discussion: Who gets to participate in music and how does that impact music science? · Galvin Recital Hall
presented by the SMPC Anti-Racism and Equity Committee
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3:30 – 4:00 PMCoffee Break · Jean Gimbel Lane Reception Room
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4:00 – 5:00 PM[T4] Song, speech, and sensorimotor interactions[T15] Harmony, tonality & cultural experience[T40] Algorithmic approaches to music research
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Session Chair: HutchinsSession Chair: SchmucklerSession Chair: Baker
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Pfordresher: Are manipulations of pitch stability sufficient to elicit speech/song transitions?Ashley: Pupillometry as a measure of cognitive load and comprehension in 18th century musicCANCELLED: Humpal-Pash: Addressing Access Issues in the Field of Music Perception and Cognition
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Ampiah-Bonney: Global Differences Between Song and Speech in Vocal ImitationHughes: Style impacts listeners’ tonal-harmonic representation of Western musicChu: The Streamed Listening Index of Musical Experience: A New Instrument for the Analysis of Algorithmically Mediated Music Listening
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Ho: Reordered chord spellings while utilizing sensorimotor-lexical mapping advances fluency in music theory fundamentalsEitel: Harmonic Expectation and Cultural Experience: Effects on Behavior and ERP ResponsesMcNamara: Incorporating Individual Differences into Computational Musical Tension Models
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5:00 – 6:00 PM[T3] Music and movement[T33] Aging; hearing health[T8] Computational tools for music
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Session Chair: WoodSession Chair: HabibiSession Chair: Schutz
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Student Research Awardee
Christianson: The Music-Evoked Kinesthetic Imagery Scale: a novel self-report measure of imagined movement during music listening		Herschel: The effects of active and passive music interventions on physiological synchrony, loneliness, belonging, and well-being in older adultsQi: PPIDyOM: A HumdrumR library for Statistical Modeling of Musical Expectations
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Han: Not Quite Dance? Novel Investigation of Dance-Like State Scores to Quantify Dance-Like Movements During Group Speech and SingingNayak: Perceptual, Cognitive, and Genetic Links between Musicality and Aging-Relevant Hearing Health OutcomesArthur: When Music Cues Itself: Testing Predictive and Match-Based Mechanisms in Earworms
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Dewan: Examining the role of short-term music training on speech-in-noise perceptionSwierczek: The Effect of Musical Transformations on Automated Music Feature Extraction
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6:00 – 8:00 PMOpening Reception · Kahn Plaza
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 Day 2 — Thursday, July 23
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8:15 – 9:00 AMCoffee & Pastries · Jean Gimbel Lane
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9:00 – 10:00 AM[T12] Rhythm, development & autism[T39] Music, cognitive function, and wellbeing[T22] Form and structure
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Session Chair: RabinowitchSession Chair: BugosSession Chair: Agrawal
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Karniel: The effect of a novel “Rotating Plates” musical instrument on interpersonal interaction in Children with ASDHerschel: A randomized controlled trial comparing the effects of music and audiobooks on adults with cognitive impairmentWarkentin: Finding Form in Listener Responses to Caroline Shaw’s "To the Hands": Schematic Archetypes in the Absence of the Typical
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Fram: Using functional principal components analysis to reveal autism-related differences in temporal prediction: An EEG studyDouglass: Investigating Functional Connectivity of the Prefrontal Cortex in Sequential Problem Solving of Audio and Visual GamesCondit-Schultz: Syntactic structure as a determinant of melodic organization
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Xu: Sensorimotor Synchronization and Musical Phenotypes in AutismRosen: Songs of the Self: Autobiographically Salient Music Shapes Emotion, Altered States, Transient Well-Being, and EEG Gamma-Band DynamicsWilkie: Music-Evoked Imaginings in a Live Concert Setting: A Computational Approach
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10:00 – 10:30 AMBreak · Jean Gimbel Lane
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10:30 – 11:30 AM[T7] Neural encoding of hierarchical structure[T37] Rhythm [T34] Nostalgia
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Session Chair: PiazzaSession Chair: RavignaniSession Chair: Belfi
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Pinho: Shared and context-dependent cortico–striatal–cerebellar organization of temporal predictionLeonetti: Individual song contributions in indri lemurs interlock into a collective isochronySakakibara: A comparison of musical features associated with music-evoked nostalgia with and without prior listening experience
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Williams: Hierarchical neural integration of musical structure during live performanceMacLean: Auditory rhythmic cueing facilitates the neural encoding and perception of speech-in-noise in young adultsSchwitzgebel: Timbre-evoked nostalgia in popular music: An investigation of decade-specific sonic signatures
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Student Research Awardee
Asthagiri: Deep generative models reveal nested timescales of musical prediction during naturalistic listening		Cheng: Do You Feel the Beat, Baby? The Development of Sensorimotor Neural Responses to Musical Rhythm in The First Year of LifeAlbrecht: Sunken and Sorrowful: Perception of Lower Than Normal Music
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11:30 AM – 1:15 PMLunch Break
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1:15 – 2:15 PM[T23] Ensemble coordination & synchrony [T16] Music-language interface[T5] Music and emotion
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Session Chair: PalmerSession Chair: Vanden BoschSession Chair: White
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Mock: Dyadic Performance Under Acceleration and Deceleration: Adaptation and RecoveryShalev: Active Musical Rhythmic Engagement Moderates the Relationship Between Age and Mouth-Looking in Typically Developing ToddlersLecamwasam: Understanding Listener Perceptions of AI and Human-Composed Music in Emotional Applications
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Demos: Beyond Dyads: Statistical Challenges in Measuring Synchronization and Experience in Musical EnsemblesLiu: Intergenerational associations between parent musicality and children’s phonological awarenessHuang: Everyday Sounds as Emotional Catalysts: A Research-Creation Study in Contemporary Music
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Moreira: Group Coordination in Changing Tempos: Behavioral and Perceived Synchrony Across Group SizesLuetkehans: Distinct Neural Indices of Speech and Music Perception in NoiseSchutz: Opening the Black Box: Automating Interpretable-cue Models for Musical Emotion
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2:15 – 3:45 PMPoster Session & Coffee · Louis Room
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3:45 – 5:00 PMBusiness Meeting / Awards · Galvin Recital Hall
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5:00 – 6:00 PMKeynote Address (Miriam Lense) · Galvin Recital Hall
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8:00 – 9:30 PMScience! The Musical · McClintock Choral/Recital Hall
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 Day 3 — Friday, July 24
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8:15 – 9:00 AMCoffee & Pastries · Louis Room
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9:00 – 10:30 AMPoster Session & Coffee · Louis Room
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10:30 – 10:45 AMBreak
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10:45 – 11:45 AMPanel Discussion: Navigating Interdisciplinarity[T31] Early development & language[T32] Individual differences in music perception[T13] Rhythm perception & neural correlates
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Session Chair: FauseySession Chair: RudySession Chair: Lookenbill
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Margulis; Habibi; Lense; LouiMcComb: Conclusions about how everyday music is related to infants’ vocalizations depend on the annotation schemeSjaus: Musical sophistication and rhythm perception: comparing the Gold-MSI and a single-item measureRosner: Competing Cycles, Conflicting Cues: Pupillometry and Tapping Reflect Choice of Timbre or Pitch
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Bien: Infant-directed song increases attention to the mouths of others from 0-2 years in typically developing infants and those with autism spectrum disorderFriedman: Interactive Effects of Self-Perceived Musical Ability and Musical Contingent Self-Worth on Tonal Working MemoryCasti: Entraining Through Silence: A Theoretical Model for Implied Pulse Perception
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Hutchins: The Time Course of Music–Language Associations in Early ChildhoodLiu: Melodic perception, autistic traits, and musical training predict spoken and sung emotion recognition better than autism diagnosisLe: How Musical Knowledge Spreads: Network Diffusion in the Bebop and Modal Jazz Eras
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11:45 AM – 1:15 PMLunch Break
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1:15 – 2:15 PM[T21] Mental imagery & musical meaning[T25] Groups & social musical experiences[T19] Emotional dynamics across groups & development[T38] Timbre
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Session Chair: SlevcSession Chair: ShanahanSession Chair: LopezSession Chair: McAdams
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Turnbull: Shared Mechanisms for Memory and Imagination in Word- and Music-Cued ThoughtsPalmer: How do group roles impact the tempo of musical trios?Kathios: Adolescent-Specific Engagement of the Default Mode Network during Music ListeningHuang: Grounding Musical Intimacy in Timbre: Exploring a Conceptual Model of Intimate Listening
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Farquharson: Individual differences in narrative perceptions of instrumental music: Contribution of empathetic traitsKushan: Attention orientation in ensemble performanceWilson: The Relationship Between Musical Emotion Traits & Music Perception Ability in Older AdultsChase: Does Training on Isolated vs Integrated Acoustic Features Impact Participants’ Ability to Reproduce Target Sounds?
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Lau: Narrative and Contextual Imagination to Very Short SoundsWood: Behavioural and neural signatures of naturalistic group singingDe Kock: The time course of continuous emotional reactions to music in children and adultsWu: Can a Xylophone Play a Dirge? Effects of Timbre on the Categorization of Ambiguous Musical Intervals
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2:15 – 3:15 PM[T18] Music and meaning[T24] Psychosocial issues in music performance and education[T17] Music and emotion[T27] Pitch perception
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Session Chair: KingSession Chair: GutierrezSession Chair: KathiosSession Chair: Vuvan
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White: Connecting Physiological and Affective Responses to Complex Musical FeaturesBarrett: Assessing vocal gender incongruence in singing contexts: Creation of the SInG ScaleAgrawal: Feeling Moved Mediates the Enjoyment of Emotional Music and ImagesSchmuckler: Perceiving Missing Fundamentals in Melodies
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Kim: Children Hear Meaning in MusicKumar: Combating Post-Performance Rumination in College-Level Students Experiencing Music Performance AnxietyLopez: Individual differences in music reward sensitivity are associated with nucleus accumbens activation during music listening following an acute stressorChoi: Neural Representations of Perceptual Reorganization in the Musical Scale Illusion
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Bourne: Music Activates Character-Schemas and Influences Perception of Character Morality in FilmCohen: Exploring Equitable Access to Music Education (AMusE) in an Interdisciplinary Systems-Theoretic Context: Methodology, Findings and ImplicationsMehdizadeh: Forms of music appreciation, social context, and recommendation source uniquely impact felt experienceFostick: Spectral temporal order judgment (TOJ) as a tool for mapping spectral-temporal predominance in music perception
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3:15 – 3:45 PMCoffee Break · Jean Gimbel Lane
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3:45 – 4:45 PM[T28] Audiovisual integration[T35] Music & wellbeing[T36] Style, genre, & timbre
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Session Chair: GardnerSession Chair: KragnessSession Chair: Hughes
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Slevc: What the eyes hear: Timbral brightness affects perception of visual luminanceRoberts: Dangerous Listening: Music-Induced Symptomology in Post Covid Health ConditionsMa: Theorizing Vocal Timbre Affects in Popular Music
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Acosta: Jump Scares & the Startle ReflexBeale: The Comfort of Music: How Music is Identified as a Coping Skill in Crisis Response PlansKing: "The Bare Necessities": Song Type as a Highly Diagnostic Feature in the Disney Sound
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Herschel: Development and Implementation of Fidelity Tools for Youth Community Arts InterventionsKoenig: Networks of Transmission in Jazz Communities: A Case Study with “It Could Happen To You”
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