| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | AD | AE | AF | AG | AH | AI | AJ | AK | AL | AM | AN | AO | AP | AQ | AR | AS | AT | AU | AV | AW | AX | AY | AZ | BA | BB | BC | BD | BE | BF | BG | BH | BI | BJ | BK | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | MMA/AMEI公開仕様、Y:YAMAHA、R:Roland、灰青:連続可変用途 | CC# | nanoKontrol2 デフォルト | Drums/SE | London | Recife | Bilbao | Abu Dhabi | Tokyo | CC# | Amsterdam | Gladstone | Otorii | Stockholm | Sydney | Bass/Guitar | CC# | Chicago | Miami | Dublin | Madrid | Santa Ana | Synth | CC# | Berlin | Brussels | Phoenix | Wolfsburg | Kiev | CC# | Chiang Mai | Fairbanks | Helsinki | Lisbon | Vancouver | CC# | Warszawa | Kingston | Kamata | Ebina | Lexington | CC# | Montpellier | Pompei | Memphis | Keyboard | Marseille | Salzburg | CC# | Montreal | Alexandria | Firenze | Glasgow | Darwin | CC# | Milpitas | Audio | Zurich | Rosario | Durban | MIDI | Taipei | CC# |
2 | バンクセレクトMSB | 0 | Slider - 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | |||||||||||||||||||||||||||||||||||||||||||||||||||
3 | モジュレーションMSB | 1 | Slider - 2 | Master Level | FX Edit 2 | FX Edit 2 | Master Level | FX Edit 2 | 1 | Master Level | Amb Mix | FX Edit 2 | Mod Wheel | FX Edit 2 | 1 | VCF Cutoff | Filter Cutoff | VCF Cutoff | Master Level | Modulation | 1 | Vibrato Amt | Filter | Vibrato Depth | Filter Cutoff | Filter Cutoff | 1 | Filter Freq | MIDI: ModWheel | Filter Freq | Vibrato Depth | 1 | OSC Position | Output Level | Mod Wheel | Modulation | Vibrato | 1 | Modulation | Modulation | Wheel | Output Level | Modulation Wheel | 1 | Modulation Wheel | Modulation Wheel | Modulation Wheel | Modulation Wheel | Modulation | 1 | Modulation | FX2 Edit2 | FX2 Edit2 | 1 | |||||||||
4 | ブレスコントロールMSB | 2 | Slider - 3 | 2 | 2 | 2 | 2 | 2 | 2 | Modulation 2 | 2 | 2 | 2 | ||||||||||||||||||||||||||||||||||||||||||||||||||
5 | 3 | Slider - 4 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | ||||||||||||||||||||||||||||||||||||||||||||||||||||
6 | フットコントロールMSB | 4 | Slider - 5 | 1 Level | 1:Repeat | 1:Start | 1:Attack | 4 | 1 Level | 1:AmbSend | 1:Start | 1:Attack | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | |||||||||||||||||||||||||||||||||||||||||||
7 | ポルタメントタイムMSB | 5 | Slider - 6 | 1 Pan | 1:Speed | 1:Hold | 1:Reverse | 5 | 1 Pan | 1:Hold | 1:Release | 5 | Glide | Glide | Portamento | 5 | Portamento | Glide | Portamento | Portamento | 5 | VCO Glide | Portamento | 5 | Glide | Portamento Time | Portamento | Portamento Time | 5 | Portamento Time | Portamento Time | 5 | 5 | 5 | |||||||||||||||||||||||||||||
8 | データエントリーMSB | 6 | Slider - 7 | 6 | 6 | Rhythm Variation | 6 | 6 | 6 | 6 | 6 | 6 | 6 | ||||||||||||||||||||||||||||||||||||||||||||||||||
9 | チャンネルヴォリュームMSB | 7 | Slider - 8 | Master Level | Master Level | 7 | Master Level | Master Level | Master Level | Master | 7 | Amp Level | Output Level | Master Level | Master Volume | 7 | Master Level | Output Level | Output Level | Output Level | Master Level | 7 | Output Level | Output Level | Master Level | Master Volume | 7 | Amp Level | Master Volume | Output Volume | Master Level | 7 | Master Volume | Output Volume | Volume | Inst Level | 7 | Inst Level | Inst Level | Inst Level | Inst Level | 7 | Master Volume | Output Level | Output Level | Output Level | 7 | ||||||||||||||||
10 | バランスMSB | 8 | 1 Mute | 1:Decay | 1:Decay | 1:Decay | 8 | 1:Decay | 1:Decay | 8 | 8 | 8 | 8 | 8 | 8 | OSC Balance | 8 | 8 | |||||||||||||||||||||||||||||||||||||||||||||
11 | 9 | 1 Tune | 1:Pitch | 1:Pitch | 1:Pitch | 9 | 1 Tune | 1:Tune | 1:Pitch | 9 | 9 | 9 | OSC1 Tune | 9 | 9 | 9 | 9 | 9 | |||||||||||||||||||||||||||||||||||||||||||||
12 | パンポットMSB | 10 | 1 Group | 1:Pan | 1:Pan | 1:Level | 10 | 1:Pan | 1:Pan | 10 | 10 | 10 | 10 | 10 | Panpot | 10 | 10 | 10 | |||||||||||||||||||||||||||||||||||||||||||||
13 | エクスプレッションMSB | 11 | 1 FX Send | 1:Level | 1:Level | 1:Pan | 11 | 1 FX Send | 1:DryLevel | 1:Level | 11 | 11 | 11 | Level | OSC1 Level | 11 | Drive Gain | 11 | Output Volume | VCA Attenuator | ESP Signal Level | 11 | 11 | 11 | |||||||||||||||||||||||||||||||||||||||
14 | エフェクトコントロール1MSB | 12 | FX Edit 1 | FX Edit 1 | FX Edit 1 | FX Edit 1 | FX Edit 1 | 12 | FX Edit 1 | FX Edit 1 | Loop 1 Level | FX Edit 1 | 12 | FX Edit 1 | Drive | Effect1 Edit 1 | Chorus Depth | 12 | Delay Time | Reverb Level | Delay Level | FX1 Edit 1 | Effect Edit 1 | 12 | Delay Level | Mod Fx Edit 1 | Lofi Freq | FX Time | 12 | IFX Edit 1 | FX Edit 1 | Delay Time | Effect Edit 1 | 12 | FX1 Dry/Web | Pitch MG/T.Ext | FX1 Edit 1 | Mod Fx Edit 1 | 12 | Mod Fx Edit 1 | Mod Fx Edit 1 | Mod Fx Edit 1 | Mod Fx Edit 1 | FX1 Dry/Wet | 12 | Joy X Value | FX1 Edit1 | FX1 Edit1 | FX1 Edit1 | KP Value X | 12 | ||||||||||||
15 | エフェクトコントロール2MSB | 13 | FX Edit 2 | FX Edit 2 | 13 | FX Edit 2 | Loop 2 Level | 13 | FX Edit 2 | Tone | Effect1 Edit 2 | Wah Switch | 13 | Delay Level | Reverb Tone | Delay Time | FX1 Edit 2 | Effect Edit 2 | 13 | Delay Time | Mod Fx Edit 2 | Lofi Mix | FX Depth | 13 | IFX Edit 2 | FX Edit 2 | Delay Level | Effect Edit 2 | 13 | FX1 Input Gain | FX1 Edit 2 | Mod Fx Edit 2 | 13 | Mod Fx Edit 2 | Mod Fx Edit 2 | Mod Fx Edit 2 | Mod Fx Edit 2 | FX2 Dry/Wet | 13 | Joy Y Value | FX1 Edit2 | FX1 Edit2 | FX1 Edit2 | KP Value Y | 13 | ||||||||||||||||||
16 | 14 | FX Type | FX Type | FX Type | FX Type | FX Type | 14 | FX Type | FX Type | Loop 3 Level | FX Type | 14 | FX Type | Effect1 Type | Wah Depth | 14 | Delay Spread | Delay Tone | FX1 Type | Effect Type | 14 | OSC1 Start | 14 | IFX Type | FX Type | Delay Count | Effect Type | Distortion | 14 | FX1 Output Gain | VCO PW/PWM | VCO1 PW | FX1 Type | 14 | 14 | Joy X Dest | FX1 Type | FX1 Type | FX1 Type | 14 | |||||||||||||||||||||||
17 | 15 | 1 EG Mode | 15 | 1 EG Mode | Loop 4 Level | 15 | Effect2 Type | Delay Depth | 15 | FX2 Type | 15 | Chorus Depth | Reverb Level | OSC1 Length | 15 | Reverb Time | Phaser | 15 | FX2 Dry/Web | VCO PWM Speed | VCO1 Scale | FX2 Type | 15 | 15 | Joy Y Dest | FX2 Type | FX2 Type | 15 | |||||||||||||||||||||||||||||||||||
18 | MMA/AMEI公開仕様、Y:YAMAHA、R:Roland、灰青:連続可変用途 | CC# | nanoKontrol2 デフォルト | Drums/SE | London | Recife | Bilbao | Abu Dhabi | Tokyo | CC# | Amsterdam | Gladstone | Otorii | Stockholm | Sydney | Bass/Guitar | CC# | Chicago | Miami | Dublin | Madrid | Santa Ana | Synth | CC# | Berlin | Brussels | Phoenix | Wolfsburg | Kiev | CC# | Chiang Mai | Fairbanks | Helsinki | Lisbon | Vancouver | CC# | Warszawa | Kingston | Kamata | Ebina | Lexington | CC# | Montpellier | Pompei | Memphis | Keyboard | Marseille | Salzburg | CC# | Montreal | Alexandria | Firenze | Glasgow | Darwin | CC# | Milpitas | Audio | Zurich | Rosario | Durban | MIDI | Taipei | CC# |
19 | 汎用操作子1MSB | 16 | Knob - 1 | 1 EG Time | 16 | 1 EG Time | Loop 5 Level | 16 | Effect2 Edit 1 | Delay Time | 16 | FX2 Edit 1 | 16 | Chorus Speed | Ambi Fx Edit 1 | Reverb Time | OSC1 Loop SW | 16 | Reverb Level | Chorus | 16 | Modulation 3 | FX2 Edit 1 | Ambi Fx Edit 1 | 16 | Ambi Fx Edit 1 | Ambi Fx Edit 1 | Ambi Fx Edit 1 | Ambi Fx Edit 1 | 16 | FX2 Edit1 | FX2 Edit1 | 16 | ||||||||||||||||||||||||||||||
20 | 汎用操作子2MSB | 17 | Knob - 2 | 1 Punch | 17 | Loop 6 Level | 17 | Effect2 Edit 2 | Reverb Depth | 17 | FX2 Edit 2 | 17 | Ambi Fx Edit 2 | OSC1 Loop Point | 17 | Mod Mode | EQ | 17 | Modulation 4 | FX2 Edit 2 | Ambi Fx Edit 2 | 17 | Ambi Fx Edit 2 | Ambi Fx Edit 2 | Ambi Fx Edit 2 | Ambi Fx Edit 2 | 17 | 17 | |||||||||||||||||||||||||||||||||||
21 | 汎用操作子3MSB | 18 | Knob - 3 | 1 Reverse | 2:Repeat | 2:Start | 2:Attack | 18 | 1 Reverse | 2:AmbSend | 2:Start | Loop 7 Level | 1:Level | 18 | Effect1 Pos | Widener Switch | 18 | 18 | OSC1 Reverse | 18 | P-Bend Range | Delay | 18 | FX2 Input Gain | Transpose | Master Tune | 18 | 18 | 18 | ||||||||||||||||||||||||||||||||||
22 | 汎用操作子4MSB | 19 | Knob - 4 | 1 Low Boost | 2:Speed | 2:Hold | 2:Reverse | 19 | 2:Hold | Loop 8 Level | 1:Pan | 19 | Effect2 Pos | 19 | 19 | 19 | Poly/Mono | Reverb | 19 | FX2 Output Gain | VCO2 Tune | 19 | 19 | 19 | |||||||||||||||||||||||||||||||||||||||
23 | 20 | Knob - 5 | 2 Level | 2:Decay | 2:Decay | 2:Decay | 20 | 2 Level | 2:Decay | 2:Decay | Loop 1 Trans | 20 | MG 1 Waveform | Amp Type | Amp Type | 20 | LFO Shape | LFO Waveform | LFO1 Waveform | 20 | Edit 1 | LFO1 Wave | 20 | MG1 Type | LFO1 Waveform | LFO Waveform | LFO Frequency | 20 | MG 1 Waveform | MG Desination | VCO1 Level | 20 | 20 | Amp Type | Amp Type | 20 | |||||||||||||||||||||||||||
24 | 21 | Knob - 6 | 2 Pan | 2:Pitch | 2:Pitch | 2:Pitch | 21 | 2 Pan | 2:Tune | 2:Pitch | Loop 2 Trans | 21 | MG 1 Frequency | Amp Gain | Amp Gain | 21 | LFO Freq | LFO Rate | LFO1 Speed | 21 | Edit 2 | LFO1 Frequency | Vibrato Speed | 21 | MG1 Speed | LFO1 Rate | LFO Sync Time | 21 | MG 1 Frequency | Arp Speed | VCO2 Level | 21 | 21 | Amp VR Gain | Knob 1 Value | 21 | |||||||||||||||||||||||||||
25 | 22 | Knob - 7 | 2 Mute | 2:Pan | 2:Pan | 2:Level | 22 | 2:DryLevel | 2:Pan | Loop 3 Trans | 22 | MG 1 Key Sync | Amp Drive | 22 | LFO Key Sync | LFO Key Sync | LFO1 Key Sync | 22 | Edit 3 | LFO1 Key Sync | 22 | LFO1 Depth | LFO Key Sync | LFO Key Sync | 22 | MG 1 Base Note | VCO Octave | 22 | 22 | Amp Gain | Amp Gain | Knob 2 Value | 22 | ||||||||||||||||||||||||||||||
26 | 23 | Knob - 8 | 2 Tune | 2:Level | 2:Level | 2:Pan | 23 | 2 Tune | 2:Pan | 2:Level | Loop 4 Trans | 23 | MG 1 BPM Sync | Amp Bass | 23 | LFO BPM Sync | LFO BPM Sync | LFO1 BPM Sync | 23 | Edit 4 | LFO1 BPM Sync | 23 | LFO1 Delay Time | LFO BPM Sync | LFO Tempo Sync | 23 | MG 1 Times | Arp Range | EG1 Attack | 23 | 23 | Cabinet Type | Cabinet Type | Knob 3 Value | 23 | ||||||||||||||||||||||||||||
27 | 24 | 2 Group | 3:Repeat | 3:Start | 3:Attack | 24 | 3:AmbSend | 3:Start | Loop 5 Trans | 2:Attack | 24 | MG 2 Waveform | Amp Middle | 24 | Vibrato Rate | LFO2 Waveform | 24 | Edit 5 | LFO2 Waveform | 24 | MG2 Type | LFO2 Waveform | S/H Src1 | 24 | MG 2 Waveform | MG Delay Time | EG1 Delay | 24 | 24 | Cabinet Blend | Cabinet Blend | Knob 4 Value | 24 | ||||||||||||||||||||||||||||||
28 | 25 | 2 FX Send | 3:Speed | 3:Hold | 3:Reverse | 25 | 2 FX Send | 3:Hold | Loop 6 Trans | 2:Release | 25 | MG 2 Frequency | Amp Treble | 25 | LFO2 Speed | 25 | Edit 6 | LFO2 Frequency | 25 | MG2 Speed | LFO2 Rate | S/H Src1 Level | 25 | MG 2 Frequency | EG2 Hold | 25 | 25 | NR Sens | NR Sens | Knob 5 Value | 25 | ||||||||||||||||||||||||||||||||
29 | 26 | 2 EG Mode | 3:Decay | 3:Decay | 3:Decay | 26 | 2 EG Mode | 3:Decay | 3:Decay | Loop 7 Trans | 26 | MG 2 Key Sync | 26 | LFO2 Key Sync | 26 | Edit 7 | LFO2 Key Sync | 26 | LFO2 Depth | S/H Src2 | 26 | MG 2 Base Note | Arp Mode | EG1 Release | 26 | 26 | Input Level | Input Level | Input Level | Knob 6 Value | 26 | ||||||||||||||||||||||||||||||||
30 | 27 | 2 EG Time | 3:Pitch | 3:Pitch | 3:Pitch | 27 | 2 EG Time | 3:Tune | 3:Pitch | Loop 8 Trans | 27 | MG 2 BPM Sync | 27 | LFO2 BPM Sync | 27 | Edit 8 | LFO2 BPM Sync | 27 | LFO2 Delay Time | S/H Src2 Level | 27 | MG 2 Times | MG Frequency | MG Frequency | 27 | 27 | Knob 7 Value | 27 | |||||||||||||||||||||||||||||||||||
31 | 28 | 2 Punch | 3:Pan | 3:Pan | 3:Level | 28 | 3:DryLevel | 3:Pan | OSC Env Amt | 28 | 28 | 28 | 28 | Noise/Ring SW | 28 | VCF EG Attack | MG Key Sync | HPF Cutoff | 28 | 28 | Knob 8 Value | 28 | |||||||||||||||||||||||||||||||||||||||||
32 | 29 | 2 Reverse | 3:Level | 3:Level | 3:Pan | 29 | 2 Reverse | 3:Pan | 3:Level | OSC Octave | 2:Level | 29 | 29 | VCF LFO Amt | Filter Type | Filter Type | 29 | Filter Type | VCF Type | 29 | Noise/Ring Lvl | 29 | VCF EG Decay | MG BPM Sync | HPF Peak | 29 | 29 | 29 | |||||||||||||||||||||||||||||||||||
33 | 30 | 2 Low Boost | 4:Repeat | 4:Start | 4:Attack | 30 | 4:AmbSend | 4:Start | OSC Fine Tune | 2:Pan | 30 | VCF Env Amt | 30 | VCF EG1 Amt | Filter Env Amt | Filter Env Amt | Filter Env Amt | 30 | Filter EG Amt | VCF Env1 Amt | 30 | Filter EQ Int | Filter EG Int | VCO1 Level | 30 | VCF EG Sustain | Arp Key Sync | HPF MG/T.Ext | 30 | 30 | 30 | ||||||||||||||||||||||||||||||||
34 | 31 | 3 Level | 4:Speed | 4:Hold | 4:Reverse | 31 | 3 Level | 4:Hold | Filter On/Off | 31 | VCF KBD Amt | 31 | VCF KBD Amt | Filter KBD Amt | 31 | Filter KBD Amt | VCF Kbd Amt | 31 | Filter LFO Depth | VCO2 Level | 31 | VCF EG Release | Arp BPM Sync | HPF EG2/Ext | 31 | 31 | 31 | ||||||||||||||||||||||||||||||||||||
35 | MMA/AMEI公開仕様、Y:YAMAHA、R:Roland、灰青:連続可変用途 | CC# | nanoKontrol2 デフォルト | Drums/SE | London | Recife | Bilbao | Abu Dhabi | Tokyo | CC# | Amsterdam | Gladstone | Otorii | Stockholm | Sydney | Bass/Guitar | CC# | Chicago | Miami | Dublin | Madrid | Santa Ana | Synth | CC# | Berlin | Brussels | Phoenix | Wolfsburg | Kiev | CC# | Chiang Mai | Fairbanks | Helsinki | Lisbon | Vancouver | CC# | Warszawa | Kingston | Kamata | Ebina | Lexington | CC# | Montpellier | Pompei | Memphis | Keyboard | Marseille | Salzburg | CC# | Montreal | Alexandria | Firenze | Glasgow | Darwin | CC# | Milpitas | Audio | Zurich | Rosario | Durban | MIDI | Taipei | CC# |
36 | バンクセレクトLSB | 32 | Solo - 1 | 32 | 32 | 32 | 32 | 32 | Filter Attack | 32 | FX Switch | 32 | 32 | 32 | |||||||||||||||||||||||||||||||||||||||||||||||||
37 | モジュレーションLSB | 33 | Solo - 2 | 3 Pan | 4:Decay | 4:Decay | 4:Decay | 33 | 3 Pan | 4:Decay | 4:Decay | F.Env Attack | 3:Attack | 33 | 33 | 33 | 33 | Wave Amp 1 | Filter Decay | Filter Mod1 Src | 33 | Unison Detune | FX Type | 33 | 33 | 33 | |||||||||||||||||||||||||||||||||||||
38 | ブレスコントロールLSB | 34 | Solo - 3 | 3 Mute | 4:Pitch | 4:Pitch | 4:Pitch | 34 | 4:Tune | 4:Pitch | F.Env Decay | 3:Release | 34 | 34 | 34 | 34 | Unison Detune | Wave Amp 2 | Filter Sustain | Filter Mod1 Lv1 | 34 | Unison Spread | FX Edit 1 | 34 | 34 | 34 | |||||||||||||||||||||||||||||||||||||
39 | 35 | Solo - 4 | 3 Tune | 4:Pan | 4:Pan | 4:Level | 35 | 3 Tune | 4:DryLevel | 4:Pan | F.Env Sustain | 35 | 35 | 35 | VCF LFO1 Amt | 35 | Unison Speed | Wave Amp 3 | Filter Release | VCO1 FM Source1 | 35 | Detune | FX Edit 2 | 35 | 35 | 35 | |||||||||||||||||||||||||||||||||||||
40 | フットコントロールLSB | 36 | Solo - 5 | 3 Group | 4:Level | 4:Level | 4:Pan | 36 | 4:Pan | 4:Level | F.Env Release | 36 | 36 | 36 | VCF LFO2 Amt | 36 | Transpose | Wave Amp 4 | VCO1 FM Depth1 | 36 | Transpose | 36 | 36 | 36 | |||||||||||||||||||||||||||||||||||||||
41 | ポルタメントタイムLSB | 37 | Solo - 6 | 3 FX Send | 5:Repeat | 5:Start | 5:Attack | 37 | 3 FX Send | 5:AmbSend | 5:Start | Filter Mode | 37 | 37 | 37 | 37 | Wave Amp 5 | VCO1 FM Source2 | 37 | Noise Level | 37 | 37 | 37 | ||||||||||||||||||||||||||||||||||||||||
42 | データエントリーLSB | 38 | Solo - 7 | 38 | Filter Env Amt | 38 | 38 | 38 | 38 | 38 | 38 | 38 | 38 | ||||||||||||||||||||||||||||||||||||||||||||||||||
43 | チャンネルヴォリュームLSB | 39 | Solo - 8 | 3 EG Mode | 5:Speed | 5:Hold | 5:Reverse | 39 | 3 EG Mode | 5:Hold | 3:Level | 39 | 39 | 39 | 39 | Wave Amp 6 | VCO1 FM Depth2 | 39 | 39 | 39 | 39 | ||||||||||||||||||||||||||||||||||||||||||
44 | バランスLSB | 40 | 3 EG Time | 5:Decay | 5:Decay | 5:Decay | 40 | 3 EG Time | 5:Decay | 5:Decay | 3:Pan | 40 | 40 | 40 | LFO1 Sync Time | 40 | Wave Amp 7 | VCO1 PW | 40 | VCO Mod X-Mod In | 40 | 40 | 40 | ||||||||||||||||||||||||||||||||||||||||
45 | 41 | > | 3 Punch | 5:Pitch | 5:Pitch | 5:Pitch | 41 | 5:Tune | 5:Pitch | 41 | 41 | 41 | LFO2 Sync Time | 41 | MG1 Shape | Wave Amp 8 | VCO1 PWM Source | 41 | VCO Mod Freq Mod | 41 | 41 | 41 | |||||||||||||||||||||||||||||||||||||||||
46 | パンポットLSB | 42 | [] | 3 Reverse | 5:Pan | 5:Pan | 5:Level | 42 | 3 Reverse | 5:DryLevel | 5:Pan | 4:Attack | 42 | 42 | 42 | Amp Level | 42 | MG2 Shape | Wave Amp 9 | VCO1 PWM Depth | 42 | PW Width | 42 | 42 | 42 | ||||||||||||||||||||||||||||||||||||||
47 | エクスプレッションLSB | 43 | << | 3 Low Boost | 5:Level | 5:Level | 5:Pan | 43 | 5:Pan | 5:Level | 4:Release | 43 | 43 | 43 | Amp LFO1 Amt | 43 | MG1 Depth | Wave Amp 10 | VCO2 FM Source1 | 43 | PWM Intensity | 43 | 43 | 43 | |||||||||||||||||||||||||||||||||||||||
48 | エフェクトコントロール1LSB | 44 | >> | 4 Level | 6:Repeat | 6:Start | 6:Attack | 44 | 4 Level | 6:AmbSend | 6:Start | 44 | 44 | 44 | Amp LFO2 Amt | 44 | MG2 Depth | Wave Amp 11 | VCO2 FM Depth1 | 44 | Master VCO Tune | 44 | 44 | 44 | |||||||||||||||||||||||||||||||||||||||
49 | エフェクトコントロール2LSB | 45 | o | 4 Pan | 6:Speed | 6:Hold | 6:Reverse | 45 | 4 Pan | 6:Hold | 45 | 45 | 45 | Arp SW | 45 | Arp SW | Wave Amp 12 | VCO2 FM Source2 | 45 | 45 | 45 | 45 | |||||||||||||||||||||||||||||||||||||||||
50 | 46 | CYCLE | 4 Mute | 6:Decay | 6:Decay | 6:Decay | 46 | 6:Decay | 6:Decay | 46 | 46 | 46 | Arp Speed | 46 | Arp Speed | Wave Amp 13 | VCO2 FM Depth2 | 46 | 46 | 46 | 46 | ||||||||||||||||||||||||||||||||||||||||||
51 | 47 | 4 Tune | 6:Pitch | 6:Pitch | 6:Pitch | 47 | 4 Tune | 6:Tune | 6:Pitch | 4:Level | 47 | 47 | 47 | Arp Mode | 47 | Arp Type | Wave Amp 14 | VCO2 PW | 47 | 47 | 47 | 47 | |||||||||||||||||||||||||||||||||||||||||
52 | MMA/AMEI公開仕様、Y:YAMAHA、R:Roland、灰青:連続可変用途 | CC# | nanoKontrol2 デフォルト | Drums/SE | London | Recife | Bilbao | Abu Dhabi | Tokyo | CC# | Amsterdam | Gladstone | Otorii | Stockholm | Sydney | Bass/Guitar | CC# | Chicago | Miami | Dublin | Madrid | Santa Ana | Synth | CC# | Berlin | Brussels | Phoenix | Wolfsburg | Kiev | CC# | Chiang Mai | Fairbanks | Helsinki | Lisbon | Vancouver | CC# | Warszawa | Kingston | Kamata | Ebina | Lexington | CC# | Montpellier | Pompei | Memphis | Keyboard | Marseille | Salzburg | CC# | Montreal | Alexandria | Firenze | Glasgow | Darwin | CC# | Milpitas | Audio | Zurich | Rosario | Durban | MIDI | Taipei | CC# |
53 | 汎用操作子1LSB | 48 | Mute - 1 | 4 Group | 6:Pan | 6:Pan | 6:Level | 48 | 6:DryLevel | 6:Pan | 4:Pan | 48 | 48 | 48 | Arp Gate | 48 | Arp Gate | Wave Amp 15 | VCO2 PWM Source | 48 | 48 | 48 | 48 | ||||||||||||||||||||||||||||||||||||||||
54 | 汎用操作子2LSB | 49 | Mute - 2 | 4 FX Send | 6:Level | 6:Level | 6:Pan | 49 | 6:Pan | 6:Level | 49 | 49 | 49 | Pitch LFO1 Amt | 49 | Wave Amp 16 | VCO2 PWM Depth | 49 | 49 | 49 | 49 | ||||||||||||||||||||||||||||||||||||||||||
55 | 汎用操作子3LSB | 50 | Mute - 3 | 4 EG Mode | 7:Repeat | 7:Start | 7:Attack | 50 | 4 EG Mode | 7:AmbSend | 7:Start | 5:Attack | 50 | 50 | 50 | 50 | Wave Amp 17 | Filter Mod2 Src | 50 | 50 | 50 | 50 | |||||||||||||||||||||||||||||||||||||||||
56 | 汎用操作子4LSB | 51 | Mute - 4 | 4 EG Time | 7:Speed | 7:Hold | 7:Reverse | 51 | 4 EG Time | 7:Hold | 5:Release | 51 | 51 | 51 | 51 | Wave Amp 18 | Filter Mod2 Lvl | 51 | 51 | 51 | 51 | ||||||||||||||||||||||||||||||||||||||||||
57 | 52 | Mute - 5 | 4 Punch | 7:Decay | 7:Decay | 7:Decay | 52 | 7:Decay | 7:Decay | 52 | 52 | 52 | 52 | Wave Amp 19 | Filter Mod3 Src | 52 | 52 | 52 | 52 | ||||||||||||||||||||||||||||||||||||||||||||
58 | 53 | Mute - 6 | 4 Reverse | 7:Pitch | 7:Pitch | 7:Pitch | 53 | 4 Reverse | 7:Tune | 7:Pitch | 53 | 53 | 53 | 53 | Wave Amp 20 | Filter Mod3 Lvl | 53 | 53 | 53 | 53 | |||||||||||||||||||||||||||||||||||||||||||
59 | 54 | Mute - 7 | 4 Low Boost | 7:Pan | 7:Pan | 7:Level | 54 | 7:DryLevel | 7:Pan | 54 | 54 | 54 | 54 | Wave Amp 21 | Velocity Dest | 54 | 54 | 54 | 54 | ||||||||||||||||||||||||||||||||||||||||||||
60 | 55 | Mute - 8 | 5 Level | 7:Level | 7:Level | 7:Pan | 55 | 7:Pan | 7:Level | 5:Level | 55 | 55 | 55 | 55 | Wave Amp 22 | Velocity Amount | 55 | 55 | 55 | 55 | |||||||||||||||||||||||||||||||||||||||||||
61 | 56 | 5 Pan | 8:Repeat | 8:Start | 8:Attack | 56 | 8:AmbSend | 8:Start | 5:Pan | 56 | 56 | 56 | 56 | Wave Amp 23 | VCA EG Source | 56 | 56 | 56 | 56 | ||||||||||||||||||||||||||||||||||||||||||||
62 | 57 | 5 Mute | 8:Speed | 8:Hold | 8:Reverse | 57 | 8:Hold | 57 | 57 | 57 | 57 | Wave Amp 24 | VCA EG Amount | 57 | 57 | 57 | 57 | ||||||||||||||||||||||||||||||||||||||||||||||
63 | 58 | Track < | 5 Tune | 8:Decay | 8:Decay | 8:Decay | 58 | 8:Decay | 8:Decay | 6:Attack | 58 | 58 | 58 | 58 | Wave Amp 25 | 58 | 58 | 58 | 58 | ||||||||||||||||||||||||||||||||||||||||||||
64 | 59 | Track > | 5 Group | 8:Pitch | 8:Pitch | 8:Pitch | 59 | 8:Tune | 8:Pitch | 6:Release | 59 | 59 | 59 | 59 | Wave Amp 26 | 59 | 59 | 59 | 59 | ||||||||||||||||||||||||||||||||||||||||||||
65 | 60 | Marker SET | 5 FX Send | 8:Pan | 8:Pan | 8:Level | 60 | 4 FX Send | 8:DryLevel | 8:Pan | 60 | 60 | 60 | 60 | Wave Amp 27 | Noise Color | 60 | 60 | 60 | 60 | |||||||||||||||||||||||||||||||||||||||||||
66 | 61 | Marker < | 5 EG Mode | 8:Level | 8:Level | 8:Pan | 61 | 8:Pan | 8:Group | 61 | 61 | 61 | 61 | Wave Amp 28 | HPF Cutoff | 61 | 61 | 61 | 61 | ||||||||||||||||||||||||||||||||||||||||||||
67 | 62 | Marker > | 5 EG Time | 9:Repeat | 9:Start | 9:Attack | 62 | 9:AmbSend | 9:Start | 62 | 62 | 62 | 62 | Wave Amp 29 | EQ2 Release | 62 | 62 | 62 | 62 | ||||||||||||||||||||||||||||||||||||||||||||
68 | 63 | 5 Punch | 9:Speed | 9:Hold | 9:Reverse | 63 | 9:Hold | 6:Level | 63 | 63 | 63 | 63 | Wave Amp 30 | EG2 Attack | 63 | 63 | 63 | 63 | |||||||||||||||||||||||||||||||||||||||||||||
69 | MMA/AMEI公開仕様、Y:YAMAHA、R:Roland、灰青:連続可変用途 | CC# | nanoKontrol2 デフォルト | Drums/SE | London | Recife | Bilbao | Abu Dhabi | Tokyo | CC# | Amsterdam | Gladstone | Otorii | Stockholm | Sydney | Bass/Guitar | CC# | Chicago | Miami | Dublin | Madrid | Santa Ana | Synth | CC# | Berlin | Brussels | Phoenix | Wolfsburg | Kiev | CC# | Chiang Mai | Fairbanks | Helsinki | Lisbon | Vancouver | CC# | Warszawa | Kingston | Kamata | Ebina | Lexington | CC# | Montpellier | Pompei | Memphis | Keyboard | Marseille | Salzburg | CC# | Montreal | Alexandria | Firenze | Glasgow | Darwin | CC# | Milpitas | Audio | Zurich | Rosario | Durban | MIDI | Taipei | CC# |
70 | ダンパーペダル(ホールド1) | 64 | Rec - 1 | 64 | Damper | 64 | Damper | Damper | Damper | Damper | Damper | 64 | Damper | Damper | Damper | Damper | Damper | 64 | Damper | MIDI: Damper | Damper | Damper | Damper | 64 | Damper | Damper | Damper | 64 | Damper | Damper | Damper | Damper | 64 | Damper | Damper | Damper | Damper | Damper | 64 | Damper | 64 | ||||||||||||||||||||||
71 | ポルタメント | 65 | Rec - 2 | 5 Reverse | 9:Decay | 9:Decay | 9:Decay | 65 | 9:Decay | 9:Decay | 65 | 65 | 65 | 65 | Wave Amp 31 | 65 | 65 | 65 | 65 | ||||||||||||||||||||||||||||||||||||||||||||
72 | ソステヌート(コードホールド) | 66 | Rec - 3 | 5 Low Boost | 9:Pitch | 9:Pitch | 9:Pitch | 66 | 9:Tune | 9:Pitch | 6:Pan | 66 | 66 | 66 | 66 | Wave Amp 32 | 66 | 66 | 66 | 66 | |||||||||||||||||||||||||||||||||||||||||||
73 | ソフトペダル | 67 | Rec - 4 | 6 Level | 9:Pan | 9:Pan | 9:Level | 67 | 9:DryLevel | 9:Pan | 67 | 67 | 67 | 67 | 67 | 67 | 67 | 67 | |||||||||||||||||||||||||||||||||||||||||||||
74 | レガートフットスイッチ | 68 | Rec - 5 | 6 Pan | 9:Level | 9:Level | 9:Pan | 68 | 9:Pan | 9:Level | 68 | 68 | 68 | 68 | 68 | 68 | 68 | 68 | |||||||||||||||||||||||||||||||||||||||||||||
75 | フリーズ(ホールド2) | 69 | Rec - 6 | 6 Mute | 10:Repeat | 10:Start | 10:Attack | 69 | 10:AmbSend | 10:Start | 69 | 69 | 69 | 69 | 69 | 69 | 69 | 69 | |||||||||||||||||||||||||||||||||||||||||||||
76 | サウンドコントロール1(default:サウンドバリエーション) | 70 | Rec - 7 | 6 Tune | 10:Speed | 10:Hold | 10:Reverse | 70 | 10:Hold | Amp Sustain | 70 | 70 | 70 | 70 | VCF Type | 70 | VCA EG Sustain | EG Sustain | EG2 Sustain | 70 | 70 | 70 | |||||||||||||||||||||||||||||||||||||||||
77 | サウンドコントロール2(default:ティンバー/ハーモニックインテンス) | 71 | Rec - 8 | 6 Group | 10:Decay | 10:Decay | 10:Decay | 71 | 10:Decay | 10:Decay | Filter Resonance | 71 | VCF Peak | Filter Crush | VCF Peak | 71 | VCF Resonance | Filter Reso | Filter Resonance | Filter Reso | 71 | Filter Reso | Filter Reso | VCF Peak | 71 | Filter Peak | Resonance | VCF Resonance | 71 | VCF Resonance | VCF Resonance | LPF Peak | 71 | Keyoff Noise | Keyoff Noise | Resonance | 71 | 71 | |||||||||||||||||||||||||
78 | サウンドコントロール3(default:リリースタイムY | 72 | 6 FX Send | 10:Pitch | 10:Pitch | 10:Pitch | 72 | 10:Tune | 10:Pitch | Amp Release | 72 | Env Release | VCA Release | Env Release | 72 | VCA Release | Amp Release | Amp Env R | Amp Release | 72 | Amp Release | Amp Release | EG2 Release | 72 | EG Release | Env Release | Amp Release | Amp Release | EG1 Release | 72 | VCA EG Release | EG Release | EG2 Release | Env Release | 72 | Release Time | Release | Release Time | 72 | 72 | |||||||||||||||||||||||
79 | サウンドコントロール4(default:アタックタイムY | 73 | 6 EG Mode | 10:Pan | 10:Pan | 10:Level | 73 | 10:DryLevel | 10:Pan | Amp Attack | 73 | Env Attack | VCA Attack | Env Attack | 73 | VCA Attack | Amp Attack | Amp Env A | Amp Attack | 73 | Amp Attack | Amp Attack | EG2 Attack | EG1 Atack | 73 | EG Attack | Env Attack | Amp Attack | Amp Attack | EG1 Attack | 73 | VCA EG Attack | EG Attack | EG2 Attack | Env Attack | 73 | Attack | Attack Time | 73 | 73 | |||||||||||||||||||||||
80 | サウンドコントロール5(default:ブライトネス(=カットオフ周波数)RY | 74 | 6 EG Time | 10:Level | 10:Level | 10:Pan | 74 | 10:Pan | 10:Level | Filter Frequency | 74 | 74 | VCF Frequency | Filter Freq | 74 | VCF Cutoff | 74 | Filter Cutoff | Cutoff | VCF Frequency | 74 | VCF Cutoff | VCF Cutoff | LPF Cutoff | 74 | Cutoff | 74 | 74 | |||||||||||||||||||||||||||||||||||
81 | サウンドコントロール6(default:ディケイタイムY | 75 | 6 Punch | 11:Repeat | 11:Start | 11:Attack | 75 | Comp Thresh | 11:Start | Amp Decay | 75 | Env Decay | VCA Decay | Env Decay | 75 | VCA Decay | Amp Decay | Amp Env D | Amp Decay | 75 | Amp Decay | Amp Decay | EG2 Decay | EG1 Release | 75 | EG Decay | Env Decay | Amp Decay | Amp Decay | EG1 Decay | 75 | VCA EG Decay | EG Decay | EG2 Decay | Env Decay | 75 | Decay Time | 75 | 75 | ||||||||||||||||||||||||
82 | サウンドコントロール7(default:ヴィブラートレイトY | 76 | 6 Reverse | 11:Speed | 11:Hold | 11:Reverse | 76 | Comp Ratio | 11:Hold | LFO Rate | 76 | MOD EG A | 76 | EG1 Atack | Filter Attack | Mod Env A | Filter Attack | 76 | Filter Attack | EG1 Atack | EG2 Attack | 76 | Pitch Attack | LFO Frequency | EG1 Trig Mode | 76 | MG Level | MG Waveform | 76 | 76 | 76 | ||||||||||||||||||||||||||||||||
83 | サウンドコントロール8(default:ヴィブラートデプスY | 77 | 6 Low Boost | 11:Decay | 11:Decay | 11:Decay | 77 | Comp Gain | 11:Decay | LFO Amount | 77 | MOD EG D | 77 | EG1 Decay | Filter Decay | Mod Env D | Filter Decay | 77 | Filter Decay | EG1 Decay | EG2 Release | 77 | Pitch Decay | Pitch LFO Depth | EG1 Repeat Mode | 77 | VCO Waveform | VCO1 Waveform | 77 | 77 | 77 | ||||||||||||||||||||||||||||||||
84 | サウンドコントロール9(default:ヴィブラートディレイY | 78 | 7 Level | 11:Pitch | 11:Pitch | 11:Pitch | 78 | Comp Drive | 11:Pitch | LFO Dest | 78 | MOD EG S | 78 | Filter Sustain | Mod Env S | Filter Sustain | 78 | Filter Sustain | EG1 Sustain | EG2 Sustain SW | 78 | Pitch Sustain Lv | LFO Fade In | EG2 Trig Mode | 78 | 78 | 78 | 78 | |||||||||||||||||||||||||||||||||||
85 | サウンドコントロール10(default:未定義) | 79 | 7 Pan | 11:Pan | 11:Pan | 11:Level | 79 | 11:Pan | LFO Waveform | 79 | MOD EG R | 79 | Filter Release | Mod Env R | Filter Release | 79 | Filter Release | EG1 Release | EG1 Sustain SW | 79 | Pitch Release | EG1 Release | 79 | VCF EG Intensity | VCF EG Intensity | LPF EQ2/Ext | 79 | EG Intensity | 79 | 79 | |||||||||||||||||||||||||||||||||
86 | MMA/AMEI公開仕様、Y:YAMAHA、R:Roland、灰青:連続可変用途 | CC# | nanoKontrol2 デフォルト | Drums/SE | London | Recife | Bilbao | Abu Dhabi | Tokyo | CC# | Amsterdam | Gladstone | Otorii | Stockholm | Sydney | Bass/Guitar | CC# | Chicago | Miami | Dublin | Madrid | Santa Ana | Synth | CC# | Berlin | Brussels | Phoenix | Wolfsburg | Kiev | CC# | Chiang Mai | Fairbanks | Helsinki | Lisbon | Vancouver | CC# | Warszawa | Kingston | Kamata | Ebina | Lexington | CC# | Montpellier | Pompei | Memphis | Keyboard | Marseille | Salzburg | CC# | Montreal | Alexandria | Firenze | Glasgow | Darwin | CC# | Milpitas | Audio | Zurich | Rosario | Durban | MIDI | Taipei | CC# |
87 | 汎用操作子5 | 80 | 7 Mute | 11:Level | 11:Level | 11:Pan | 80 | 11:Level | LFO Sync | 80 | Env Sustain | VCA Sustain | 80 | VCA Sustain | Amp Sustain | Amp Env S | Amp Sustain | 80 | Amp Sustain | EG2 Sustain | EG2 Sustain | 80 | Env Sustain | Amp Sustain Lv | Amp Sustain | EG1 Sustain | 80 | VCF KBD Track | Env Sustain | 80 | 80 | 80 | |||||||||||||||||||||||||||||||
88 | 汎用操作子6 | 81 | 7 Tune | 12:Repeat | 12:Start | 12:Attack | BD201 Wave | 81 | EQ Freq Lo | 12:Start | F.Freq MW Amt | 81 | OSC Waveform | Carrier Wave | OSC Waveform | 81 | VCO Pitch | Repeat | OSC1 Waveform | OSC1 Waveform | OSC A Pitch | 81 | OSC1 Level | Waveform | VCO Waveform | OSC2 Reverse SW | 81 | Waveform | Pitch Start Lv | VCO1 Waveform | 81 | VCO1 Waveform | 81 | 81 | 81 | ||||||||||||||||||||||||||||
89 | 汎用操作子7 | 82 | 7 Group | 12:Speed | 12:Hold | 12:Reverse | BD201 Tune | 82 | EQ Freq Mid | 12:Hold | F.Res MW Amt | 82 | VCF Bite | Carrier Level | VCO1 Waveform | 82 | VCO Waveform | Pump | OSC1 Pitch | OSC1 Pitch | OSC B Pitch | 82 | OSC1 Waveform | Low Level | VCO Transpose | OSC2 Length | 82 | Transpose | Pitch Attack Lv | CH1 Level | VCO1 Coarse | 82 | VCO1 Semitone | VCO Sub OSC | VCO2 Waveform | 82 | 82 | 82 | |||||||||||||||||||||||||
90 | 汎用操作子8 | 83 | 7 FX Send | 12:Decay | 12:Decay | 12:Decay | BD201 Decay | 83 | EQ Freq Hi | 12:Decay | F.Decay MW Amt | 83 | VCF Gnaw | Carrier Sub | VCO1 Shape | 83 | VCO Tone | Bottom | OSC Balance | OSC1 Level | OSC B Tune | 83 | OSC1 Pitch | High Level | OSC2 Loop SW | 83 | Jump Switch | Pitch Release Lv | CH2 Level | VCO1 Fine | 83 | VCO1 Level | 83 | 83 | 83 | ||||||||||||||||||||||||||||
91 | ポルタメントコントロール(ソースノート) | 84 | 7 EG Mode | 12:Pitch | 12:Pitch | 12:Pitch | BD201 Bend | 84 | EQ Gain Lo | 12:Pitch | F.Env Vel Amt | 84 | Amp Mode | Carrier Pitch | VCO1 Scale | 84 | VCO Balance | Diffuse | Pulse Width | OSC1 Detune | OSC C Pitch | 84 | OSC1 Harmonics | Higher Level | OSC2 Loop Point | 84 | Amp EG Type | Jump Height | Detune Type | CH3 Level | VCO1 Source | 84 | VCO2 Tune | 84 | 84 | 84 | |||||||||||||||||||||||||||
92 | 85 | 7 EG Time | 12:Pan | 12:Pan | 12:Level | BD201 Boost | 85 | EQ Gain Mid | 12:Pan | F.Decay Vel Amt | 85 | Arp Switch | XMod Level | VCO2 Waveform | Tone Bass | 85 | VCO Mod Amt | Twist | OSC2 Waveform | OSC2 Waveform | OSC C Tune | 85 | OSC1 Depth | Noise Level | Shaper SW | 85 | Run Switch | Octave | VCO2 Waveform | 85 | VCO2 Waveform | VCF KBD Track | LPF MG/T.Ext | 85 | 85 | Amp Bass | Amp Bass | ARP Switch | 85 | ||||||||||||||||||||||||
93 | 86 | 7 Punch | 12:Level | 12:Level | 12:Pan | BD201 Pan | 86 | EQ Gain Hi | 12:Level | Amp Vel Amt | 86 | Arp Mode | XMod Wave | VCO2 Shape | Tone Mid | 86 | VCO Mod Src | OSC2 Pitch | OSC2 Pitch | OSC D Pitch | 86 | OSC1 EG Amt | VCO Upper | OSC2 Tune | 86 | Run Type | Transpose | VCO2 Coarse | 86 | VCO2 Semitone | VCA Mode | 86 | 86 | Amp Middle | Amp Middle | 86 | |||||||||||||||||||||||||||
94 | 87 | 7 Reverse | 13:Repeat | 13:Start | 13:Attack | BD201 Level | 87 | Global Transpose | 87 | Arp Range | XMod Tune | VCO2 Scale | Tone Treble | 87 | Legato | OSC2 Detune | OSC2 Level | OSC D Tune | 87 | OSC2 Level | VCO Diffuse | OSC2 Start | 87 | Run Speed | Tune | VCO2 Fine | 87 | VCO2 Level | 87 | 87 | Amp Treble | Amp Treble | ARP Tempo Sync | 87 | |||||||||||||||||||||||||||||
95 | 高精度ベロシティプリフィックス | 88 | 7 Low Boost | 13:Speed | 13:Hold | 13:Reverse | SD302 Tune | 88 | Pitch Bend Range | 88 | Arp Speed | XMod Depth | VCO1 Level | 88 | P.Bend Range | OSC2 Detune | Morpher X Axis | 88 | OSC2 Waveform | Bend Range | 88 | OSC Detune | VCO2 Sync | 88 | VCO3 Tune | Arp Switch | ESP Low Cut | 88 | 88 | Amp Presence | Amp Presence | ARP Trigger Type | 88 | ||||||||||||||||||||||||||||||
96 | 89 | 8 Level | 13:Decay | 13:Decay | 13:Decay | SD302 Decay | 89 | Polyphony | 89 | Wobble Shape | VCO2 Level | 89 | Noise Level | Morpher Y Axis | 89 | OSC2 Pitch | Shaper Drive | OSC2 Level | 89 | Noise Mode | Delay BPM Sync | Dist Drive | 89 | VCO3 Waveform | ESP High Cut | 89 | 89 | ARP Speed | 89 | ||||||||||||||||||||||||||||||||||
97 | 90 | 8 Pan | 13:Pitch | 13:Pitch | 13:Pitch | SD302 Noise | 90 | Trig Next Loop | 90 | Wobble Depth | Noise Level | 90 | Voice Mode | 90 | OSC2 Harmonics | Shaper Tone | Sub Osc Wave | 90 | OSC Delay | Dist Tone | 90 | VCO3 Semitone | P.Bend Range | ESP CV Adjust | 90 | 90 | ARP Gate | 90 | |||||||||||||||||||||||||||||||||||
98 | 汎用エフェクト 1デプス (default:リバーブセンドレベル) | 91 | 8 Mute | 13:Pan | 13:Pan | 13:Level | SD302 Snappy | 91 | Note Dest Loop | 91 | Wobble Rate | 91 | 91 | OSC2 Depth | Reverb Mix | Sub Osc Tune | 91 | Reverb Mix | 91 | VCO3 Level | VCF Mode | ESP Threshold | 91 | 91 | 91 | ||||||||||||||||||||||||||||||||||||||
99 | 汎用エフェクト 2 (以前はトレモロ)デプス | 92 | 8 Tune | 13:Level | 13:Level | 13:Pan | SD302 Punch | 92 | 92 | Stereo | 92 | 92 | OSC2 EG Amt | VCO Grit | Sub Osc Level | 92 | 92 | VCO4 Tune | Unison Detune | 92 | 92 | 92 | |||||||||||||||||||||||||||||||||||||||||
100 | 汎用エフェクト 3 デプス (default:コーラスセンドレベル) | 93 | 8 Group | 14:Repeat | 14:Start | 14:Attack | SD302 Pan | 93 | 93 | 93 | 93 | Fx Mod Mix | 93 | Osc Pos EG Int | Pitch Bend Range | Chorus Mix | 93 | VCO4 Waveform | Unison Spread | Pitch Eg1/Ext | 93 | 93 | 93 |