6862 Jennylee

	A	B	C	D	E	F	G	H	K
1				All trot work may be ridden sitting or rising, unless specified. Halts may be through the walk. To be ridden in an ordinary snaffle with the reins in both hands.			RIDER #	6862
2							NAME:	Jennylee Ravary
3							JUDGE:	Robyn Nunnally
4							Max Pts:	270
5							Final Score:	65.741%
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8	CADORA TRAINING LEVEL TEST B
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10			TEST	DIRECTIVES	POINTS	*	TOTAL	REMARKS
11	1	A X	Enter working trot. Halt. Salute. Proceed working trot.	Straightness on centre line. Quality of transitions, & halt.	7		7	straight entry
12	2	C E	Track left. Circle left 20m. Proceed to F.	Quality of turn & of trot. Roundness of circle.	7		7	steady
13	3	FXH	Change rein, working trot.	Straightness on diagonal. Quality of trot.	6.5		6.5	could be softer in jaw
14	4	Btw C&M	Working canter, right lead. Proceed to B.	Quality of transition. Rhythm of canter.	7		7	prompt
15	5	B	Circle right 20m.	Roundness of circle. Quality of canter.	6.5	2	13	could be more relaxed in connection	k
16	6	Btw B&F	Working trot.	Smoothness of transition. Quality of trot.	7		7
17	7	Btw F&A	Medium walk to K.	Quality of transition & trot.	7		7
18	8	KXH	Loop, free walk.	Quality & rhythm of walk.	6	2	12	inconsistent stretch
19	9	HC	Medium walk.	Quality of transition & of walk.	7		7
20	10	CB B	Working trot. Circle right 20m allowing the horse to stretch forward & downward. Before B, shorten the reins	Forward / downward stretch over the back into light contact maintaining balance & quality of trot. Shape / size of circle, bend. Transitions	5.5	2	11	very little stretch shown, fussy with nose
21	11	BFAK KXM	Working trot. Change rein, working trot.	Quality of trot. Straightness on diagonal.	7		7
22	12	Btw C&H	Working canter, left lead. Proceed to E.	Quality of transition & canter.	7		7
23	13	E	Circle left 20m.	Roundness of circle. Quality of canter.	7	2	14
24	14	Btw E&K	Working trot.	Smoothness & balance of transition. Quality of trot.	7		7
25	15	KA A X	Working trot. Turn down centre line. Halt. Salute.	Quality of trot & turn at A. Straightness on centre line. Quality of transition & halt.	6		6	inattentive at halt
26	Leave arena in walk.
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28		COLLECTIVE MARKS			POINTS		TOTAL	REMARKS
29		1	Gaits	Freedom and regularity	7	2	14
30		2	Impulsion	Desire to move forward. Elasticity of the steps. Suppleness of the back and engagement of the hind quarters.	6.5	2	13	nicely forward but some tension in poll and neck sometimes
31		3	Submission	Attention, confidence, ease of the movements, acceptance of the bit, lightness of forehand	6.5	2	13	could be steadier to bit
32		4	Rider	Position and seat. Correctness and effect of the aids.	6	2	12	keep attention on you
33		Further Remarks: lovely pair with bright future!
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38		POINTS:	177.5
39		ERRORS:	0
40		SUBTOTAL:	177.5
41		SCORE:	65.741%
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43		EXTRA FEEDBACK: I really enjoyed watching you and your wonderful horse! You two are a great team! There is some tension in the canters. Work on maintaining the suppleness with circles of varying sizes and maybe some serpentines coming on and off the rail. When showing, you of course want to show inside bend, but at home practice some counter flexing (slight) too. Also work on some forward and back speed changes in the canter to help with responses to your aids. All of this is improve suppleness and bend. In both the walk and trot stretches, I’d like to see the horse more actively stretching with the entire body and maintaining that stretch longer. Just a couple strides isn’t long enough. The stretch needs to begin as you cross the first letter and end at the 2nd letter. The poll should lower, ideally to the point that the muzzle is midway down the cannon bone or the poll is lower than the withers (either is fine), and the nose should stretch well out in front of vertical. Both elements must be present to meet the requirements of a successful stretching movement. Practice that you are asking for it, and also doing some subtle reminders to keep the horse there until you pick the reins back up for the working gait. Likewise, keep the attention during the halts. The focus has to be on you and not what else is happening in the ring. I appreciated your aligned and centered position. A very elegant pair!
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