A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | All trot work may be ridden sitting or rising, unless specified. Halts may be through the walk. To be ridden in an ordinary snaffle with the reins in both hands. | RIDER # | 8010 | |||||||||||||||||||||||
2 | NAME: | Flavie St-Antoine | ||||||||||||||||||||||||
3 | JUDGE: | Ida Norris | ||||||||||||||||||||||||
4 | Max Pts: | 210 | ||||||||||||||||||||||||
5 | Final Score: | 66.429% | ||||||||||||||||||||||||
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8 | CADORA WALK TROT TEST D | |||||||||||||||||||||||||
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10 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
11 | 1 | A X | Enter working trot. Halt. Salute. Proceed working trot. | Straightness on centre line. Transitions. Quality of halt & trot. | 6.5 | 6.5 | lascks vidoe detail: no zoom . lacks 3 seconds of immobility. horse moving while saluting, halt to be more square, may or may not be on the line or straight | You may be eliminated from any competitive platform for aliure to hasve your video vidoe taped from behind "C'. "C" view is required on all judging platforms. | ||||||||||||||||||
12 | 2 | C | Track right. Proceed to B. | Quality of turn at C & of trot. | 6.5 | 6.5 | wide ahdns to be mnore ineopemndnet from seat, horse to be more freely forwrad | |||||||||||||||||||
13 | 3 | B E | Turn right. Turn left. Proceed to A. | Quality of turns. Rhythm of trot. | 6.5 | 6.5 | leans to turn, needs outside bending aids , needs to be clearly on the rail and close to the fence/barrier to be ion the track | |||||||||||||||||||
14 | 4 | A | Circle left 20 m in diameter. Proceed to F. | Roundness of circle. Rhythm of trot. | 6 | 6 | no video detail: no zoom. rider apperas to lack left/right blance, horse to be more activelyfowrwqard , circle to be rounder / was oval/large | |||||||||||||||||||
15 | 5 | F X | Proceed to X. Proceed on centre line to C. | Straightness on diagonal & on centre line. | 7 | 7 | wide hands moving with posting, hands to be closer together and more elastic to be indeopendnet / horse farily steady | |||||||||||||||||||
16 | 6 | Near C C | Medium walk. Track left. Proceed to H. | Transition. Quality of turn. Rhythm of walk. | 7 | 7 | need energy in walk | |||||||||||||||||||
17 | 7 | H - X - F F | Change rein, free walk. Medium walk to A. | Straightness on diagonal. Freedom of walk. Transition to medium walk. Quality of walk. | 8 | 2 | 16 | horse has some overtrack and stretch | ||||||||||||||||||
18 | 8 | A | Working trot and circle right 20 m in diameter. Proceed to K. | Transition. Quality of trot. Roundness of circle. | 6 | 6 | circle too leage/oval ; no zoom or detail | |||||||||||||||||||
19 | 9 | K X | Proceed to X. Proceed on centre line to C. | Straightness on diagonal & on centre line. | 6.5 | 6.5 | may not have gotten too line? hands to be more indeopendnt and hor5se more fwd | |||||||||||||||||||
20 | 10 | C | Track right. Proceed to M. | Quality of turn. | 6.5 | 6 | leans to turn, needs balance and bend , be clearly on the track | |||||||||||||||||||
21 | 11 | M - X - K | Change rein, working trot. | Straightness on diagonal. | 7 | 7 | looks active here | |||||||||||||||||||
22 | 12 | K A A X | Working trot. Turn down centre line. Halt. Salute. | Quality of trot & turn. Straightness on centre line & in halt. | 6.5 | 6.5 | probalby on line, halt needs to be clearly established and immobile THEN salute. | |||||||||||||||||||
23 | Leave arena in free walk. | |||||||||||||||||||||||||
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25 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
26 | 1 | Gaits | Freedom and regularity | 7 | 2 | 14 | ||||||||||||||||||||
27 | 2 | Impulsion | Desire to move forward. Elasticity of the steps. Suppleness of the back and engagement of the hind quarters. | 6.5 | 2 | 13 | ||||||||||||||||||||
28 | 3 | Submission | Attention, confidence, ease of the movements, acceptance of the bit, lightness of forehand | 6.5 | 2 | 13 | ||||||||||||||||||||
29 | 4 | Rider | Position and seat. Correctness and effect of the aids. | 6 | 2 | 12 | wide hands, posting slightly against motion , thighs to be more vertical and back and down | |||||||||||||||||||
30 | Lovely quiet horse. Lots of potential. focus on indeopendnt hands. | |||||||||||||||||||||||||
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35 | POINTS: | 139.5 | ||||||||||||||||||||||||
36 | ERRORS: | 0 | ||||||||||||||||||||||||
37 | SUBTOTAL: | 139.5 | ||||||||||||||||||||||||
38 | SCORE: | 66.429% | ||||||||||||||||||||||||
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40 | Directions for the camera person: | |||||||||||||||||||||||||
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42 | 1. In landscape orientation, Place the camera directly centered at/ behind “C” 3 to 6 feet from the rail (for competition this is not possible but they are right next to the judge) stand on a mounting block ( this is the same heigh as the judge viewing stand) | |||||||||||||||||||||||||
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44 | me height/ view as from of the stand the judges table is on). The horse must not be out of the camera frame at any time in the test. | |||||||||||||||||||||||||
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46 | 2. Keep the camera centered on the horse on the centerlines. | |||||||||||||||||||||||||
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48 | Keep the horse in the LAST one third of the viewing screen in Landscape view ( 2/3 of the viewscreen in front of moving horse). This will allow the “judge” to see approximately two letters in front of the horse which is necessary for depth peception and line evaluation. In general, keep the horse’s feet in the bottom 1/3 of the viewfinder. | |||||||||||||||||||||||||
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50 | 3. Zoom is ABSOLUTELY necessary. On a camera or iPhone/Droid (most have a capability of 10X) for the 20x60 ring zoom for the far end of the ring is generally 3.5 to 4 (horse to take up 1/3 of the view finder and must not exceed ½) . Try to zoom only once on a movement .( although it may be necessary to also reduce zoom in the same movement ) For the small ring 20x40 zoom for the upper half or the ring generally tends to be 2 or 2.5 . | |||||||||||||||||||||||||
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52 | 4. Reduce Zoom back to 1x as the horse comes past X towards / near the “C” end . You will naturally have a moment of two where the horse passes directly in front of / and near the camera. It is not always a whole horse view but keep the camera moving with the horse. If the horse is required to perform a movement directly at “C”,be sure to move the camera so the viewer sees the feet/steps and head/neck connection throughout the movement. This simulates what a judge actually sees when a horse is so close. | |||||||||||||||||||||||||
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