A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | |
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1 | Item | Ext Due Date | Internal Due Date | Requirements | Notes | |||||||||||||||||||||||
2 | Submit Application | February 7 | Jan 24 | |||||||||||||||||||||||||
3 | Identify Mentor | Feb 7 | asap | Amy | ||||||||||||||||||||||||
4 | Identify Support Group | Feb 7 | asap | Jacob, Krc, Ricky | ||||||||||||||||||||||||
5 | Portfolio | narrative | March 31 | 3/20/2020; thursday night | 10+ pages, dbl spaced, 3,600 words addresses (1) how you are meeting competency in the standards, (2) the ways the student operates as reflective practitioner, and (3) the skill level in and understadning of Arts Based Research and practice-led inquiry. 4 - overview of culminating study to be proposed | Options: combination of best papers performance reviews teaching citations descriptions of workshops led creative products | ||||||||||||||||||||||
6 | artifacts | March 31 | Jan 24 | Demonstrate: Creating – Conceiving and developing new artistic ideas and work Performing – Realizing artistic ideas and work through interpretation and presentation Responding – Understanding and evaluating how the arts convey meaning Connecting – Relating artistic ideas and work with personal meaning and external context And: Knowledge of how to apply theatreform to the students’ chosen culminating project Experience in Arts Based Research (ABR) and Practice-Led Inquiry | ||||||||||||||||||||||||
7 | anootated bibliography | March 31 | 3/13/2020; friday night | three sentences or less for each source. how it relates to or helped shape your intended Doctoral Project. | ||||||||||||||||||||||||
8 | arts dialogue | March 31 | March 13 | |||||||||||||||||||||||||
9 | annotated appendix | March 31 | February 7 | includes artifacts which provide evidence of competency around the standards explain each item and how it meets criteria | ||||||||||||||||||||||||
10 | cv | March 31 | Jan 24 | |||||||||||||||||||||||||
11 | table of contents | March 31 | March 27 | |||||||||||||||||||||||||
12 | Arts Dialogue | written presentation | March 31 | Mar 26 | demonstrate how the project is well suited to the candidates’ authority and interests on a particular subject. | |||||||||||||||||||||||
13 | support group feedback 2 weeks prior to presentation | March 12 | Mar 9 | include that written feedback with the written presentation, and indicate the extent to which it is being considered. | ||||||||||||||||||||||||
14 | oral presentation | March 31 | March 26 | include opportunities for feedback/interaction/dialogue | ***look these up: American Alliance for Theatre and Education, International Drama in Education Research Institute, Research in Drama Education Conference, the NYU Forum series. | |||||||||||||||||||||||
15 | writing on feedback from oral presentation (summative reflection) | March 31 | March 30 | incorporates feedback, discusses next steps on project | ||||||||||||||||||||||||
16 | idenitfy place to give place (ask Jonathan) | March 31 | done | |||||||||||||||||||||||||
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18 | Topic Review | |||||||||||||||||||||||||||
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22 | Collegium Date Friday, May 1 Deadline Friday, April 17 | |||||||||||||||||||||||||||
23 | Narrative | April 17 | April 12 | 6-10 pages long, double spaced; title page, 1 pg CV, bibliography 1. a title for your topic, a brief statement of the topic, 2. need for the study (why the proposed topic is important and significant for your field), 3. a discussion of the literature which supports your proposed topic, 4. a brief statement about the research design that will be employed and specific methods which may be of importance to your study. 5. a curriculum vitae which outlines your educational and professional background, including specific courses taken which will have import on your topic or possible method 6. Your Topic Proposal should make a convincing case concerning the contribution of your research or inquiry to your field. | ***Thoughts while reviewing the Handbook for this section: Maybe the question is more about actual change happening in the theater, and Im just using my project to investigate the possibilities. Verus theatre that encourgaes people to act after the fact. Maybe its about furthering the field and applications (uses) of participatory theatre...and even extending that into "political" acts. Discuss with AMY! | |||||||||||||||||||||||
24 | Dissertation Chair | ? | ? | |||||||||||||||||||||||||
25 | Presentation | April 30 | April 27 | 15 Minutes | ||||||||||||||||||||||||
26 | Review of Literature (other dissertations) | April 10 | ||||||||||||||||||||||||||
27 | Answer Jacob's Quesions | April 10 | ||||||||||||||||||||||||||
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29 | Diss Proposal | confirm Diss Chair | amy done | |||||||||||||||||||||||||
30 | confirm Diss Committee | |||||||||||||||||||||||||||
31 | Diss Committee meets once | sign proposal cover sheet | https://drive.google.com/file/d/1fH4ZjXe82eK8-CXHA4VpwdTw5YRdK8GT/view | |||||||||||||||||||||||||
32 | complete irb | http://www.nyu.edu/research/resources-and-support-offices/getting-started-withyourresearch/human-subjects-research.html | ||||||||||||||||||||||||||
33 | submit proposal | 40 pages, not including references and appendices | ||||||||||||||||||||||||||
34 | Summer: aim June 30 to have in fall submission dates: Submission Due Monday, September 7 – Submit via email to Dr. Jonathan Jones Reviewed Tuesday, September 29 – 12:30-4:30 p.m. | |||||||||||||||||||||||||||
35 | Title page (The same format as for the dissertation, which can be found on the Steinhardt | |||||||||||||||||||||||||||
36 | Dissertation Policies and Guidelines Website.) | |||||||||||||||||||||||||||
37 | Table of Contents | generall need to go in and fit to current moment in movement, current tech environment, and any additional details about it happening thru NYU mainstage | ||||||||||||||||||||||||||
38 | Title | |||||||||||||||||||||||||||
39 | Problem Statement | more description/analysis of DOI | ||||||||||||||||||||||||||
40 | Statement of Subproblems | how will evaluate questions and subquestions | ||||||||||||||||||||||||||
41 | Definitions | |||||||||||||||||||||||||||
42 | Delimitations/Limitations | monday | more specific about why chicago | |||||||||||||||||||||||||
43 | Need for Study | how the research hopes to be significant for other comuniteis | ||||||||||||||||||||||||||
44 | Discussion of Related Literature | wednesday | historical and contemporary context and critique of the Declaration of Independence education, sociology, grassroots organizing, and African-American history queer theory | |||||||||||||||||||||||||
45 | Discussion of Method as related to each sub-problem | tuesday | more on sampling strategy; who and why, both of in person and survey timelines for all phases maybe don't analyze audience responses? mechanism for audience survey dissemination | |||||||||||||||||||||||||
46 | A sample of method applied to a portion of data (i.e., sample analysis, pilot study, etc.), or a deep | sunday | ||||||||||||||||||||||||||
47 | discussion of theory or other factors if a sample analysis is not appropriate to the study | |||||||||||||||||||||||||||
48 | Bibliography | |||||||||||||||||||||||||||
49 | Appendices | |||||||||||||||||||||||||||
50 | The candidate’s Curriculum Vitae | |||||||||||||||||||||||||||
51 | A completed copy of the Dissertation Proposal Cover Sheet, signed by all three diss comm members | |||||||||||||||||||||||||||
52 | A completed copy of an IRB form, whenever applicable | |||||||||||||||||||||||||||
53 | A completed copy of an IRB form, whenever applicable | |||||||||||||||||||||||||||
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