People (artists) - Completed


1	id	prefLabel_en	editor_id	definition_en	region	related_artist	start	end	role1	role2	organization	References	Getty URI	BM URI	Wikidata URI	type	original (don't edit)

2	antimenes_painter	Antimenes Painter		The Antimenes Painter is an Athenian black-figure painter active ca. 530-510 BCE. The name derives from the inscription “kalos Antimenes” (“Antimenes is beautiful”) appearing on a hydria from Vulci (Leiden, (Rijksmuseum II167 [PC63]; BAPD 320011) showing men washing in a fountain-house. Shapes are mostly the hydria and neck amphora. The painter has a wide range of mythological scenes, including Herakles, Dionysos, Amazons, Theseus and the Minotaur, and the Gigantomachy, as well as everyday scenes of the fountain-house and olive picking. Most examples have been discovered in Vulci and Tarquinia.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500003458	https://www.britishmuseum.org/collection/term/BIOG57196	http://www.wikidata.org/entity/Q577906	person	ANTIMENES P
3	athens_1826_painter	Painter of Athens 1826		An Athenian white ground vase painter active around 460 B.C.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500015692	https://www.britishmuseum.org/collection/term/BIOG59872	http://www.wikidata.org/entity/Q37632834	person	ATHENS 1826, P OF
4	chaire_painter	Chaire Painter		A red-figure vase painter active in the early Archaic period; he specialized in the decoration of cups.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500070878			person	CHAIRE P
5	shuvalov_painter	Shuvalov Painter		The Shuvalov Painter was an Attic vase painter of the red-figure style, active between 440 and 410 BC, i.e. in the High Classical period (Parthenon period). The Shuvalov painter's conventional name was allocated by John Beazley, who chose for a name vase an amphora that is now at the Hermitage Museum, St. Petersburg.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500004128	https://www.britishmuseum.org/collection/term/BIOG60525	http://www.wikidata.org/entity/Q968196	person	SHUVALOV P
6	berlin_a_34_painter	Painter of Berlin A 34		The Painter of Berlin A 34 (formerly known as the Woman Painter) is an Athenian black-figure painter active ca. 630-620 BCE. The name derives from a fragmentary krater found on Aegina (Berlin, Antikensammlung A 34; BAPD 218722) with a procession of women. The painter is among the first attributed artists of Attic black-figure vase-painting. The main shape is the krater. This painter uses a mix of techniques (outline and black-figure) and a variety of motifs, such as zigzags, dot rosettes, black-and-white patterned rays, and animals on a large scale. Findspots include Athens (Kerameikos, Agora), Aegina, and Vourva.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500082849		http://www.wikidata.org/entity/Q1776510	person	BERLIN A 34, P OF
7	nettos_painter	Nettos Painter		The Nessos Painter (also called the Nettos Painter) is an Athenian black-figure painter active from ca. 620-600 BCE. The name derives from an amphora found in Athens (Athens, National Museum 1002; BAPD 300025) showing a scene of Herakles fighting the centaur Nessos on the neck. Shapes include large vessels, such as the neck amphora, belly amphora, and skyphos-krater. The painter prefers mythological scenes, large figures, and Corinthian-style filling ornamentation. Findspots include Athens and Attica, Samos, Cyrene, Naukratis, and Cerveteri.					http://kerameikos.org/id/painter						http://www.wikidata.org/entity/Q1362491	person	NETTOS P
8	piraeus_painter	Piraeus Painter		The Piraeus Painter is an Athenian black-figure painter active ca. 620-600 BCE, who painted the amphora. The name derives from a neck amphora found in Piraeus (Athens, National Museum 353; BAPD 300012) showing chariots. Findspots include Athens and Piraeus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500102655		http://www.wikidata.org/entity/Q1461501	person	PIRAEUS P
9	bellerophon_painter	Bellerophon Painter		The Bellerophon Painter is an Athenian black-figure painter active ca. 630-600 BCE. On two examples of the neck amphora, Bellerophon and the chimera are shown, giving the painter its name. Findspots include Vari and Etruria.					http://kerameikos.org/id/painter			ABV 2	http://vocab.getty.edu/ulan/500091587		http://www.wikidata.org/entity/Q815917	person	BELLEROPHON P
10	lion_painter	Lion Painter		The Lion Painter is an Athenian black-figure painter active ca. 630-600 BCE. On examples of the neck amphora, there are lions, boars, birds, and hybrid creatures. The major findspot is Vari.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500082850	https://www.britishmuseum.org/collection/term/BIOG59213	http://www.wikidata.org/entity/Q1879879	person	LION P
11	gorgon_painter	Gorgon Painter		The Gorgon Painter is an Athenian black-figure painter who was active ca. 600-580 BCE. The name derives from a dinos (Paris, Louvre E874; BAPD 300055) showing Perseus and Gorgons. Other shapes include the oinochoe, lekythos, amphora, and the olpe. In addition to large animals, there are scenes of myth (Herakles, Hermes, centaurs). Findspots are Athens (Agora, Acropolis), Naukratis, Heraion, Vari, and Cortona (Italy).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500030016	https://www.britishmuseum.org/collection/term/BIOG58495	http://www.wikidata.org/entity/Q256026	person	GORGON P
12	cerameicus_painter	Cerameicus Painter		The Cerameicus Painter is an Athenian black-figure painter active ca. 600-570 BCE. The name derives from vases found in the Athenian Kerameikos. Shapes include the lekanis, oinochoe, skyphos, and loutrophoros. The decoration focuses on animals with the occasional human. Findspots include Athens, Attica, Samos, Naukratis, and Cumae (Italy).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500108194	https://www.britishmuseum.org/collection/term/BIOG214178	http://www.wikidata.org/entity/Q1281162	person	CERAMEICUS P
13	kx_painter	Kx Painter		The KX Painter (Komast X) is an Athenian black-figure painter affiliated with the Komast Group and dated to the 570’s BCE. Shapes are the lekanis, kantharos, and skyphos, but exclude the Komast cup. Subjects include male revelers ("komasts"), animals, and hybrid creatures. Major findspots are Samos (Heraion), Athens (Agora, Kerameikos, Acropolis), and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500097588	https://www.britishmuseum.org/collection/term/BIOG58999	http://www.wikidata.org/entity/Q1719221	person	KX P
14	ky_painter	Ky Painter		The KY Painter (Komast Y) is an Athenian black-figure painter affiliated with the Komast Group and dated to the 570’s and 560’s BCE. Shapes include the Komast cup, skyphos, lekanis, and column krater. The main subject is male revelers ("komasts"). Komast cups attributed to the painter have been discovered in the Greek mainland and were widely distributed around the Mediterranean and the Black Sea.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500092496	https://www.britishmuseum.org/collection/term/BIOG59000	http://www.wikidata.org/entity/Q1719225	person	KY P
15	falmouth_painter	Falmouth Painter		The Falmouth Painter is an Athenian black-figure painter affiliated with the Komast Group and dated to the 560’s BCE or later. The name derives from a cup formerly in Falmouth, England (BAPD 305012). Shapes include Komast cups depicting male revelers ("komasts"). Most of the findspots are outside of Greece.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500079866	https://www.britishmuseum.org/collection/term/BIOG58279		person	FALMOUTH P
16	palazzolo_painter	Palazzolo Painter		The Palazzolo Painter is an Athenian black-figure painter of Komast cups affiliated with the Komast Group and dated to the 560’s BCE or later. The name derives from a cup found at Akrai, Sicily (Palazzolo; BAPD 305020). Shapes include the Komast cup, Siana cup, and skyphos. The main subject is male revelers ("komasts") dancing alongside females. Findspots include Athens, Sicily, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500079867	https://www.britishmuseum.org/collection/term/BIOG59995		person	PALAZZOLO P
17	prometheus_painter	Prometheus Painter		The Prometheus Painter is an Athenian black-figure painter of the Tyrrhenian Group active ca. 570-555 BCE. The name derives from an amphora (Florence, Archaeological Museum 76359; BAPD 310028) showing Herakles freeing Prometheus. Shapes are the neck amphora, hydria, and column krater. Subjects include Herakles/Amazons, Trojan War, and Birth of Athena. Findspots include Etruria, Clazomenae, Cyrene, and the Athenian Agora.					http://kerameikos.org/id/painter							person	PROMETHEUS P
18	timiades_painter	Timiades Painter		The Timiades Painter is an Athenian black-figure painter of the Tyrrhenian Group active ca. 565-550 BCE and prolific painter of the ovoid neck amphora. The name derives from an amphora discovered in Vulci (Boston 98.916; BAPD 310045) showing a Greek warrior, whose name is inscribed “Timiades,” fighting Amazons. Scenes include male revelers ("komasts"), satyrs, erotic scenes, Trojan War, and Herakles/Amazons. Findspots include Etruria, Clazomenae, and Tharros (Sardinia).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500098317	https://www.britishmuseum.org/collection/term/BIOG60818	http://www.wikidata.org/entity/Q2434679	person	TIMIADES P
19	goltyr_painter	Goltyr Painter		The Goltyr Painter is an Athenian black-figure painter of the Tyrrhenian Group dated ca. 565-550 BCE. The name derives from an amphora (Poland, Warsaw Archaeological Museum 142445; BAPD 310103) showing a komos. It is a contraction of two words: “Goluchow”, the former collection in Poland, and “Tyrrhenian”.The primary shape is the ovoid neck amphora. Scenes depict centaurs, Amazons, warriors, hunting, and male revelers ("komasts"). Findspots include Vulci and Cerveteri.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500101078		http://www.wikidata.org/entity/Q1536709	person	GOLTYR P
20	kyllenios_painter	Kyllenios Painter		The Kyllenios Painter is an Athenian black-figure painter of the Tyrrhenian Group dated ca. 560-550 BCE and a painter of the ovoid neck amphora. The name derives from a vase found in Cerveteri (Berlin, Antikensammlung F1704; BAPD 310014) featuring the Birth of Athena and the inscription: “I am Hermes of Kyllene.” Other subjects are Herakles, centaurs, Amazons, the Kalydonian Boar Hunt, athletes, and the Gigantomachy. The main findspot is Cerveteri.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500009598		http://www.wikidata.org/entity/Q1795091	person	KYLLENIOS P
21	castellani_painter	Castellani Painter		The Castellani Painter is an Athenian black-figure painter of the Tyrrhenian Group active ca. 560-550/45 BCE. The name derives from an amphora formerly in the Castellani collection (Rome, Villa Giulia 50652; BAPD 310041) showing Amazons on one side and centaurs on the other. The primary shape is the ovoid neck amphora. Vases portray the symposion, Herakles/Amazons, weddings, male revelers ("komasts"), satyrs and maenads, erotic scences, and fights. Findspots include sites in Etruria (Cerveteri, Vulci, Tarquinia).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500000947		http://www.wikidata.org/entity/Q1048725	person	CASTELLANI P
22	guglielmi_painter_black-figure	Guglielmi Painter		The Guglielmi Painter is an Athenian black-figure painter, or group of painters (Guglielmi Group) associated with the Tyrrhenian Group, active ca. 560-545/50 BCE. The name derives from an amphora formerly in the Guglielmi collection (Rome, Vatican 34526; BAPD 310055) showing Amazons and warriors. Shapes include the ovoid neck amphora and the hydria. Subjects include male revelers ("komasts"), Trojan War battles, Amazons, and centaurs. Vulci is the primary findspot.					http://kerameikos.org/id/painter						http://www.wikidata.org/entity/Q1553373	person	GUGLIELMI P
23	fallow_deer_painter	Fallow Deer Painter		The Fallow Deer Painter is an Athenian black-figure painter of the Tyrrhenian Group active ca. 560-545/50 BCE. The name derives from the appearance of deer with white spots on their backs on several examples. The primary shape is the ovoid neck amphora. Subjects are Amazons, Gigantomachy, Herakles, Trojan War, and hunting. Findspots are Vulci and Tarquinia.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500065348			person	FALLOW DEER P
24	sophilos	Sophilos		Sophilos is an Athenian black-figure painter active ca. 580-570 BCE, who signs vases as both painter (“egrapsen”) and potter (“epoiesen”). The name derives from a signed dinos (London, British Museum 1971.1101.1; BAPD 350099) showing the Marriage of Peleus and Thetis. Shapes include the dinos (or lebes), column krater, lekanis, and amphora. Other subjects include the Kalydonian Boar Hunt, Funeral Games of Patroklos, Helen and Menelaus, Herakles, and centaurs. Findspots include Athens (Acropolis, Agora, Kerameikos), Aegina, Naukratis, Smyrna, Sardis, and Sicily.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500090657	https://www.britishmuseum.org/collection/term/BIOG60577	http://www.wikidata.org/entity/Q930448	person	SOPHILOS
25	panther_painter	Panther Painter		The Panther Painter is an Athenian black-figure painter active ca. 620-600 BCE. A painter mainly of the lekanis with animal friezes, Vari (Attica) is the primary findspot.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500011444		http://www.wikidata.org/entity/Q2049948	person	PANTHER P
26	anagyrus_painter	Anagyrus Painter		The Anagyrus Painter is an Athenian black-figure painter dated to the first quarter of the 6th c. BCE. The name derives from the ancient name for Vari (Attica), where many vases have been found. Shapes include the amphora, oinochoe, chalice, and plate. Other findspots include Spata (Attica) and the Athenian Agora.					http://kerameikos.org/id/painter			ABV 20 - 21	http://vocab.getty.edu/ulan/500102175		http://www.wikidata.org/entity/Q484073	person	ANAGYRUS P
27	eleusis_767_painter	Painter of Eleusis 767		The Painter of Eleusis 767 is an Athenian black-figure painter who worked in the first quarter of the 6th c. BCE. The name derives from a tall neck amphora found at Eleusis (Eleusis, Archaeological Museum 767; BAPD 300247) decorated with animals and women. Other findspots are in Athens (Acropolis, Agora).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500079859			person	ELEUSIS 767, P OF
28	polos_painter	Polos Painter		The Polos Painter is an Athenian black-figure painter active ca. 575-565 BCE. The name derives from the cross-hatched crown (“polos”) worn by his female and hybrid figures. Shapes include the lekanis, pyxis, hydria, skyphos, and plate. Findspots include Athens (Agora, Acropolis), Cyrene, Tocra (Libya), Naukratis, and Samos (Heraion).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500111344	https://www.britishmuseum.org/collection/term/BIOG60128	http://www.wikidata.org/entity/Q2102610	person	POLOS P
29	python	Python		Greek potter, active ca. 500-480 BCE in Athens, Greece.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500115246	https://www.britishmuseum.org/collection/term/BIOG142341	http://www.wikidata.org/entity/Q18691580	person	PYTHON POTTER
30	athens_533_painter	Painter of Athens 533		The Painter of Athens 533 is an Athenian black-figure painter active ca. 575-555 BCE. The name derives from a cup found in Athens (Athens, National Museum 533; BAPD 300611) showing males and animals. Shapes include the cup, lekythos, and Siana cup. The painter may be the first to decorate the inside tondo of the cup. Subjects are dancers, warriors, and animals. Findspots include Turkey (Miletus, Pitane, Gordion), Sicily, Marseilles, and Rhitsona.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500046554	https://www.britishmuseum.org/collection/term/BIOG59873	http://www.wikidata.org/entity/Q1887179	person	ATHENS 533, P OF
31	c_painter	C Painter		The C Painter is an Athenian black-figure painter active ca. 570-560 BCE. The name derives from the “Corinthianizing” style of painting. Shapes are the Siana cup, lekanis, tripod kothon (or pyxis), skyphos, and lekythos. Subjects include dueling warriors, horsemen, the symposion, male revelers ("komasts"), and mythological scenes. Findspots include Athens, Eleusis, Perachora, Corinth, southern Italy, Rhodes, Kavala, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500076865	https://www.britishmuseum.org/collection/term/BIOG57575	http://www.wikidata.org/entity/Q1022300	person	C P
32	heidelberg_painter	Heidelberg Painter		The Heidelberg Painter is an Athenian black-figure painter active ca. 560-540 BCE. The name derives from a cup found near Phaleron (Heidelberg, University vi.29; BAPD 300545) showing gods. The main shape is the Siana cup. Subjects include warriors, youths, the symposion, athletes, Herakles, and mythological scenes. Findspots include Thasos (Artemision), Sicily, Miletus, Taranto, Berezan, and Corinth.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500032752	https://www.britishmuseum.org/collection/term/BIOG58756	http://www.wikidata.org/entity/Q628012	person	HEIDELBERG P
33	boston_ca_painter	Painter of Boston CA		The Painter of Boston CA is a black-figure painter active ca. 575-555 BCE. The name derives from a Siana cup from Thebes (Boston, Museum of Fine Arts 99.519; BAPD 300620) showing Circe and Acheloos. The main shape is the Siana cup, but a Panathenaic amphora fragment with a runner is also attributed to this artist. Findspots include the Athenian Acropolis, Kavala, Rhodes, southern Italy, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500055373	https://www.britishmuseum.org/collection/term/BIOG213832	http://www.wikidata.org/entity/Q1887206	person	BOSTON CA, P OF
34	sandal_painter	Sandal Painter		The Sandal Painter (also known as the Rhitsona Painter) is an Athenian black-figure painter active ca. 575-555 BCE. The name derives from a lekythos found in Etruria (Bologna, Museo Civico Archeologico PU 204; BAPD 300643) showing one boy hitting another with a sandal. Shapes include the Siana cup, lekythos, and Little Master cup. Subjects are athletes, satyrs, and warriors. Findspots include Attica, the Athenian Agora, Ampurias, Etruria, Rhitsona, Naukratis, and the Black Sea.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500110927			person	SANDAL P
35	civico_painter	Civico Painter		The Civico Painter is an Athenian black-figure Siana cup painter active ca. 575-555 BCE. The name derives from a cup fragment from Orvieto (Museo Civico 597; BAPD 300647) with male figures. Subjects include warriors, Theseus and the Minotaur, and athletes. Findspots include Tocra (Libya), Taranto, Orvieto, and Thebes.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500060134		http://www.wikidata.org/entity/Q1094454	person	CIVICO P
36	griffin-bird_painter	Griffin-bird Painter		The Griffin-Bird Painter is an Athenian black-figure painter ca. 575-555 BC who decorated the Siana cup. The name derives from the griffin-birds appearing on several examples. Subjects include animals, youths, and revelers ("komasts"). Findspots include Taranto, Berezan, Corinth, the Athenian Acropolis, Miletus, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500090005	https://www.britishmuseum.org/collection/term/BIOG58528	http://www.wikidata.org/entity/Q1527965	person	GRIFFIN-BIRD P
37	kleitias	Kleitias		Kleitias is an Athenian black-figure painter active ca. 575-550 BCE who signs his name as painter (“egrapsen”). His best-known work is a volute-krater known as the François Vase, which was found in Chuisi (Etruria) and is now in Florence (Archaeological Museum 4209; BAPD 300000).It displays a series of mythological scenes and a large number of inscriptions. Other vases attributed to the painter portray Odysseus, warriors, Amazons, dancing youths, and maidens. Other shapes include the Siana cup, Little Master cup, skyphos, and hydria. Findspots include Athens (Acropolis, Agora), Samos (Heraion), Naukratis, Etruria, and Cyrene.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500089125	https://www.britishmuseum.org/collection/term/BIOG59048	http://www.wikidata.org/entity/Q722963	person	KLEITIAS
38	acropolis_606_painter	Painter of Acropolis 606		The Painter of Acropolis 606 is an Athenian black-figure painter active ca. 570-560 BCE. The name derives from a dinos found on the Athenian Acropolis (Athens, National Museum Acr. 606 [15116]; BAPD 300754) that displays warriors and battle. Shapes include the column krater, neck amphora, amphora, dinos (lebes), and hydria. Findspots are in Athens and Attica, as well as Odessa (Black Sea), Sicily, and Cyprus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500020730		http://www.wikidata.org/entity/Q1887189	person	ACROPOLIS 606, P OF
39	nearchos	Nearchos		Nearchos is an Athenian black-figure painter active ca. 570-555 BCE who signed as both potter (“epoiesen”) and painter (“egrapsen”). Painting in a miniature style, the artist decorated the kantharos, Little Master cup, plaque (pinax), column krater, and aryballos. Subjects include Herakles, Trojan War, Gigantomachy, Pygmies versus cranes, and Amazons. Findspots include the Athenian Acropolis, Etruria (Cerveteri, Vulci, Vetulonia), Naukratis, Berezan, and Samos (Heraion).					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500045949	https://www.britishmuseum.org/collection/term/BIOG213542	http://www.wikidata.org/entity/Q330410	person	NEARCHOS
40	ptoon_painter	Ptoon Painter		The Ptoon Painter is an Athenian black-figure painter active ca. 565-555 BCE. The name derives from the column krater discovered in Boeotia (Mt. Ptoon) (Athens, National Museum 1001; BAPD 300776) decorated with animals. Other shapes include the ovoid neck amphora, hydria, and Siana cup. Subjects are warriors, the symposion, draped, males, mythological scenes, and animals. Findspots include Rhodes, Vulci, Sicily, and Tocra.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500082197		http://www.wikidata.org/entity/Q2116263	person	PTOON P
41	camtar_painter	Camtar Painter		The Camtar Painter is an Athenian black-figure painter dated to the mid-6th c. BCE. The name derives from vases in Cambridge (“Cam”) and Tarquinia (“Tar”). The main shape is the ovoid neck amphora. Subjects include Herakles/Amazons and the Arming of Achilles. Findspots include Etruria (Cerveteri, Vulci, Tarquinia), Marseilles, Sardis, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500082200		http://www.wikidata.org/entity/Q1031732	person	CAMTAR P
42	london_b_76_painter	Painter of London B 76		The Painter of London B76 is an Athenian black-figure painter active ca. 580-550 BCE. The name derives from hydria found at Camiros, Rhodes (London, British Museum B76; BAPD 300790) showing Hector (inscribed) next to a frontal chariot. Other shapes include the neck amphora, dinos (lebes), loutrophoros, belly amphora, and column krater. Subjects are Theseus and the Minotaur, Trojan War, and the Kalydonian Boar Hunt. Findspots include Athens (Agora, Acropolis), Eleusis, Cyrene, Taranto, and Vulci.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500107584	https://www.britishmuseum.org/collection/term/BIOG59903	http://www.wikidata.org/entity/Q1887196	person	LONDON B 76, P OF
43	lydos	Lydos		Lydos is an Athenian black-figure painter active ca. 560-540 BCE. The name derives from vases signed as “ho Lydos” (“the Lydian”), such as a dinos from the Athenian Acropolis (Athens, National Museum Acr. 607; BAPD 310147) where he is signed as painter ("egrapsen"). Lydos painted a variety of large and small shapes, including the column krater, amphora, hydria, Siana cup, cups of other types, and plates. Scenes include Herakles, Dionysos, Theseus, draped men, and the Trojan War. The vases have been found primarily in Athens (Acropolis, Agora, Kerameikos), southern Italy, Etruscan sites, and Sicily.					http://kerameikos.org/id/painter		Lydos Group		http://vocab.getty.edu/ulan/500004732	https://www.britishmuseum.org/collection/term/BIOG59254	http://www.wikidata.org/entity/Q946281	person	LYDOS
44	vatican_309_painter	Painter of Vatican 309		The Painter of Vatican 309 is an Athenian black-figure painter active in the mid-6th c. BCE and is classified as a “companion” to Lydos. The name derives from a neck amphora found in Cerveteri (Rome, Vatican 309; BAPD 300873) featuring animal friezes and a duel. Primarily a painter of the neck amphora, other shapes are plates and column kraters. Subjects include animals, duels, riders, and a few scenes of Herakles and Theseus. Known findspots are Athens, Delos, Etruria, Naukratis, and Histria (Romania).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500106956	https://www.britishmuseum.org/collection/term/BIOG59958	http://www.wikidata.org/entity/Q50360535	person	VATICAN 309, P OF
45	xenokles_potter	Xenokles		Attic potter, active 560-530 BCE.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500009688	https://www.britishmuseum.org/collection/term/BIOG61127	http://www.wikidata.org/entity/Q1383614	person	XENOKLES POTTER
46	louvre_f6_painter	Painter of Louvre F6		The Painter of the Louvre F6 is an Athenian black-figure painter active in the mid-6th c. BCE and is classified as a “companion” to Lydos. The name derives from a hydria (Pairs, Louvre F6; BAPD 300899) showing Dionysos with maenads and satyrs on the shoulder and a duel on the body. Shapes include the column krater, belly amphora (Type B), and the shouldered hydria. Subjects are gods, warriors, Herakles, centaurs, Theseus, and athletes. Known findspots are in Greece and Italy, as well as Berezan and Cyrene.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500064994	https://www.britishmuseum.org/collection/term/BIOG59936	http://www.wikidata.org/entity/Q1887202	person	LOUVRE F 6, P OF
47	amasis	Amasis		Amasis was an ancient Attic potter, active in Athens between 560/550 and 530/520 BC. Amasis’s pottery workshop also employed a well-known painter, who is conventionally named the Amasis Painter after the potter, and generally considered as one of the best Archaic vase painters.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500116400	https://www.britishmuseum.org/collection/term/BIOG57163	http://www.wikidata.org/entity/Q455429	person	AMASIS
48	amasis_painter	Amasis Painter		The Amasis Painter is an Athenian black-figure painter active ca. 560-515 BCE. The name derives from the potter ("epoiesen") who signs as Amasis. Scholars debate if the painter and potter are one in the same. The painter sometimes combines the full black-figure technique with outline and at times employs a minituristic style. Shapes include different amphora types, lekythos, oinochoe, and alabastron. Subjects are Dionysos and his followers, other gods, draped figures, warriors, and revelers ("komasts"). Main findspots are Vulci and other sites in Etruria, Athens (Acropolis, Agora, Kerameikos), and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500116399	https://www.britishmuseum.org/collection/term/BIOG57164	http://www.wikidata.org/entity/Q707682	person	AMASIS P
49	exekias	Exekias		Exekias is an Athenian potter ("epoiesen") and painter ("egrapsen") active from ca. 545-530 BCE. The painter’s work is generally considered to represent the apex of the black-figure technique, characterized by elegant draughtsmanship and intricately detailed ornamentation. Closely associated with Group E, Exekias mainly decorates the amphora, but also the pinax (plaque) and cups. Among his best known works are Ajax and Achilles, Achilles and Penthesilea, the Suicide of Ajax, and Dionysos reclining in a boat in possible reference to a Homeric Hymn. The plaques depict scenes connected to the funeral and perhaps lined the inside of the tomb. Main findspots are Athens (Acropolis, Agora), Italy (mostly Etruria), as well as Samos, Miletos, Berezan, and Cyrene.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500027430	https://www.britishmuseum.org/collection/term/BIOG58234	http://www.wikidata.org/entity/Q358541	person	EXEKIAS
50	tleson_painter	Tleson Painter		The Tleson Painter is an Athenian black-figure painter of Little Master cups active from ca. 555 to 535 BCE. The name derives from vases signed by the potter “Tleson, son of Nearchos” (“Tleson ho Nearcho epoiesen”), and it is possible that painter and potter are one in the same. Decorated shapes are band-cups and lip-cups, and subjects include animals, Herakles, and Theseus. Findspots are in Vulci and elsewhere in Italy, Sicily, Berezan, Naukratis, and the Athenian Acropolis.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500023750	https://www.britishmuseum.org/collection/term/BIOG60825	http://www.wikidata.org/entity/Q2437484	person	TLESON P
51	tleson_potter	Tleson		Tleson (active around 555-535 BC) was an Attic potter and perhaps also a vase painter in the black-figure style. He was the son of the famous potter Nearchos and brother of Ergoteles. His workshop apparently produced mostly Little-master cups.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500116420		http://www.wikidata.org/entity/Q2437495	person	TLESON POTTER
52	xenokles_painter	Xenokles Painter		The Xenokles Painter is an Athenian black-figure painter of Little Master cups active in the mid-6th c. BCE. The name derives from vases signed as potter ("epoiesen") by Xenokles. Shapes include more lip-cups than band-cups and at least one oinochoe. Subjects include the gods, animals, youths, and Herakles. Findspots are in Etruria and southern Italy, Berezan, Miletos, and the Athenian Acropolis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500005551	https://www.britishmuseum.org/collection/term/BIOG172093	http://www.wikidata.org/entity/Q16965910	person	XENOKLES P
53	hermogenes	Hermogenes		Hermogenes is an Athenian black-figure potter of Little Master cups active ca. 560-540 BCE. The name derives from vases signed as potter ("epoiesen") by Hermogenes, and it is possible the potter and painter may be one in the same. The potter specialized in lip-cups, many of which depict female heads in outline. Some band-cups are decorated with a warrior on a chariot and may be the work of a seperate painter. Findspots include Italy, Sicily, the Athenian Agora, and Miletos.					http://kerameikos.org/id/potter	http://kerameikos.org/id/painter			http://vocab.getty.edu/ulan/500025623	https://www.britishmuseum.org/collection/term/BIOG58773	http://www.wikidata.org/entity/Q1613645	person	HERMOGENES POTTER
54	hermogenes_painter	Hermogenes Painter		The Hermogenes Painter is an Athenian black-figure painter associated with the potter, Hermogenes.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500007240			person	HERMOGENES P
55	sakonides	Sakonides		Sakonides is an Athenian black-figure painter of Little Master cups active ca. 560-520 BCE. The signature as painter ("egrapsen") appears on several cups, including one cup of Type A from the Athenian Acropolis (Athens, National Museum Acr.; BAPD 301108). Subjects are mostly female heads, but also Herakles, youths, and riders. Other findspots include Etruria, Sicily, Thrace, and Olbia.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500068328	https://www.britishmuseum.org/collection/term/BIOG60427	http://www.wikidata.org/entity/Q1331545	person	SAKONIDES
56	archikles_potter	Archikles		Archikles is an Athenian black-figure potter of Little Master cups active in the mid-6th c. BCE. The name derives from the signature on cups signed as potter ("epoiesen") by Archikles. A band-cup signed as potter by Archikles and Glaukytes shows the Kalydonian Boar Hunt on one side and Theseus fighting the Minotaur on the other. The main findspot is Vulci.					http://kerameikos.org/id/potter			ABV 160	http://vocab.getty.edu/ulan/500062710	https://www.britishmuseum.org/collection/term/BIOG57215		person	ARCHIKLES POTTER
57	centaur_painter	Centaur Painter		The Centaur Painter is an Athenian black-figure painter of Little Master cups active in the second quarter of the 6th c. BCE. The name derives from a preference for painting centaurs and other equids. Known findspots include the Athenian Agora, Vulci, Berezan, and Cyprus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500091154	https://www.britishmuseum.org/collection/term/BIOG57733		person	CENTAUR P
58	oakeshott_painter	Oakeshott Painter		The Oakeshott Painter is an Athenian black-figure painter of Little Master cups active in the second quarter of the 6th c. BCE. The name derives from a cup, formerly in the Oakeshott collection (Oxford, Ashmolean Museum 1972.162; BAPD 350750), showing animals. Shapes are band-cups and some lip-cups. One lip-cup (Boston, Museum of Fine Arts (69.1052; BAPD 210) features figure decoration on the interior. Subjects are Dionysian, and findspots include Samos, Etruria, and Cyrene.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500097806		http://www.wikidata.org/entity/Q42149779	person	OAKESHOTT P
59	neandros_potter	Neandros		Neandros is an Athenian black-figure potter of Little Master cups active in the mid-6th c. BCE. The name derives from the signature on cups signed as potter ("epoiesen") by Neandros. Decorating both band-cups and lip-cups, scenes include chariots, men, and Herakles. Findspots are Vulci and Corinth.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500073034			person	NEANDROS POTTER
60	sokles_painter	Sokles Painter		Sokles is an Athenian black-figure painter of Little Master cups active in the mid-6th c. BCE. The name derives from vases signed as potter ("epoiesen") by Sokles, and it is possible the potter and painter may be one in the same. Shapes are lip-cups, band-cups, and the kantharos. Subjects include Herakles fighting centaurs, youths, and Trojan War subjects. Findspots include Etruria, Berezan, Daskyleion (Turkey), and Greece.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500116414		http://www.wikidata.org/entity/Q2298054	person	SOKLES P
61	phrynos_painter	Phrynos Painter		The Phrynos Painter is an Athenian black-figure painter of Little Master cups active ca. 560-540 BCE. The name derives from vases signed as potter ("epoiesen") by Phrynos, and it is uncertain if the painter and potter are the same person. Subjects include the Birth of Athena, Herakles, Bellerophon, Pegasos, and warriors. Findspots are Italy, Egypt, and the Athenian Agora.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500055330	https://www.britishmuseum.org/collection/term/BIOG60094	http://www.wikidata.org/entity/Q2089130	person	PHRYNOS P
62	taleides_painter	Taleides Painter		The Taleides Painter is an Athenian black-figure painter of Little Master cups active in the second quarter of the 6th c. BCE. The name derives from vases signed as potter (“epoiesen”) by Taleides. Shapes include the lekythos, oinochoe, and hydria. Subjects are youths, warriors, riders, Theseus and the Minotaur, and Herakles. Known findspots are Italy and Sicily, Berezan, and Greece.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500016234	https://www.britishmuseum.org/collection/term/BIOG214180	http://www.wikidata.org/entity/Q2390140	person	TALEIDES P
63	epitimos_painter	Epitimos Painter		The Epitimos Painter is an Athenian black-figure painter of Little Master cups active in mid-6th c. BCE. The name derives from vases signed as potter ("epoiesen") by Epitimos. Subjects include youths, warriors, and erotic scenes. The main findspot is Vulci.					http://kerameikos.org/id/painter							person	EPITIMOS P
64	epitimos_potter	Epitimos		Attic potter, active 6th century BCE.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500022596		http://www.wikidata.org/entity/Q1248562	person	EPITIMOS POTTER
65	antidoros	Antidoros		Antidoros in an Athenian black-figure potter of Little Master cups active beginning in the mid-6th c. BCE. The name derives from vases signed as potter ("epoiesen") by Antidoros. Andidoros may have worked with more than one painter. Subjects include Pygmies and cranes, hunting, and chariots. Examples have been found in Taranto.					http://kerameikos.org/id/potter			ABV 159 - 160	http://vocab.getty.edu/ulan/500031842		http://www.wikidata.org/entity/Q575070	person	ANTIDOROS POTTER
66	klitomenes	Klitomenes		Klitomenes is an Athenian black-figure potter of Little Master cups active in the mid-6th c. BCE. The signature of potter (“epoiesen”) appears on a skyphos found at Sardis (Princeton, University Art Museum 29.180; BAPD 310585), showing a swan in the tondo.					http://kerameikos.org/id/potter							person	KLITOMENES POTTER
67	the_vatican_mourner_painter	Painter of The Vatican Mourner		The Painter of the Vatican Mourner is an Athenian black-figure painter active ca. 560-540 BCE, who has been associated with Group E. The name derives from an amphora from Vulci (Rome, Vatican 350; BAPD 310352) featuring a woman mourning over a deceased warrior (perhaps Eos and Memnon). Shapes are mostly the amphora and other large vessels. Scenes are of the Trojan War along with wedding and funerary iconography. Known findspots include Italy, Sicily, Naukratis, and Athens.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500001294		http://www.wikidata.org/entity/Q1887173	person	VATICAN MOURNER, P OF THE
68	berlin_1686_painter	Painter of Berlin 1686		The Painter of Berlin 1686 is an Athenian black-figure painter active ca. 550-530 BCE. The name derives from an amphora (Berlin, Antikensammlung F1686; BAPD 320383) portraying a sacrifice to Athena. Other scenes include courting, choral performance, Herakles, and warriors. Findspots are Etruria, Sicily, sites in Greece, Cyrene, and Kerch (Black Sea).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500031002	https://www.britishmuseum.org/collection/term/BIOG59885	http://www.wikidata.org/entity/Q1407525	person	BERLIN 1686, P OF
69	princeton_painter	Princeton Painter		The Princeton Painter is an Athenian black-figure painter active ca. 545-530 BCE and a member of the Princeton Group. The name derives from an amphora with a Panathenaic body found at Nola (Princeton, University Art Museum 169; BAPD 320405) showing a man and a woman in a chariot. Shapes include the belly and neck amphora. Scenes include stock motifs (warriors, draped men) and depictions of Herakles, Theseus, Trojan War scenes, and the Gigantomachy. Large numbers of vases have been found in Vulci, while others come from Greece, Egypt, Cyrene, and Susa (Persia).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500031253	https://www.britishmuseum.org/collection/term/BIOG60171	http://www.wikidata.org/entity/Q583674	person	PRINCETON P
70	munich_1410_painter	Painter of Munich 1410		The Painter of Munich 1410 is an Athenian black-figure painter active in the third quarter of the 6th c. BCE. The name derives from an amphora from Vulci (Munich, Antikensammlungen 1410; BAPD 301593) showing a duel over a fallen warrior. Shapes include several amphora types and the hydria. Scenes include warriors, Amazons, and possibly the wedding of Peleus and Thetis. Known findspots are the Athenian Agora, Vulci, and Orvieto.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500103128	https://www.britishmuseum.org/collection/term/BIOG59939	http://www.wikidata.org/entity/Q1887211	person	MUNICH 1410, P OF
71	vatican_365_painter	Painter of Vatican 365		The Painter of Vatican 365 is an Athenian black-figure painter active in the third quarter of the 6th c. BCE. The name derives from a vase found in Cerveteri (Rome, Vatican A365; BAPD 301601) depicting the Battle of Gods and Giants. Other subjects are chariots, warriors, and Herakles. Mainly a painter of the amphora, findspots for these vases are in Etruria and Cyprus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500067069			person	VATICAN 365, P OF
72	swing_painter	Swing Painter		The Swing Painter is an Athenian black-figure painter active ca. 540-520 BCE. The name derives from an amphora (Boston, Museum of Fine Arts 98.918; BAPD 301521) showing a woman on a swing. Shapes are different amphora types, including the Panathenaic amphora. Scenes include both myth and everyday life: Herakles, Gigantomachy, centaurs, Amazons, Dionysos, warriors, riders, athletes, and revelers ("komasts"). Many vases have been found in Etruria, as well as Greece, Sicily, Cyrene, and Miletos.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500025918	https://www.britishmuseum.org/collection/term/BIOG60665	http://www.wikidata.org/entity/Q1322881	person	SWING P
73	pharos_painter	Pharos Painter		The Pharos Painter is an Athenian black-figure painter active ca. 540-520 BCE. The name derives from vases with scenes of two women sharing a cloak (“pharos”). Frequently painting the lekythos, compositions consist of a central panel on the body of the vase. Findspots include Locri (south Italy), Rhodes, and the Athenian Kerameikos.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500090029	https://www.britishmuseum.org/collection/term/BIOG214338	http://www.wikidata.org/entity/Q2085171	person	PHAROS P
74	nikosthenes	Nikosthenes		Nikosthenes is an Athenian potter active ca. 540-510 BCE. Signing a large number of vases as potter ("epoiesen"), Nikosthenes is associated with Painter N and several other painters. Shapes include the Nikosthenic amphora (based on an Etruscan shape), Nikosthenic pyxis, kyathos-dipper, skyphos, and psykter. Subjects include satyrs, Dionysos, warriors, revelers ("komasts"), athletes, riders, and scenes with Athena. Most examples have been discovered in Etruria.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500115427	https://www.britishmuseum.org/collection/term/BIOG59623	http://www.wikidata.org/entity/Q275165	person	NIKOSTHENES POTTER
75	bmn_painter	Bmn Painter		The BMN Painter is an Athenian black-figure painter active ca. 550-510 BCE, who worked with the potter Nikosthenes. The acronym derives from “British Museum Nikosthenes” and refers to a neck amphora from Agrigento with Nikosthenes signed as potter ("epoiesen") (London, British Museum B295; BAPD 302838). The painter decorated the amphora and Little Master cups, as well the hydria and oinochoe. Subjects are youths, athletes, warriors, Theseus and the Minotaur, and Herakles. Known findspots are in Etruria, Sicily, and Greece.					http://kerameikos.org/id/painter			ABV 226 - 8	http://vocab.getty.edu/ulan/500001886	https://www.britishmuseum.org/collection/term/BIOG57290	http://www.wikidata.org/entity/Q796342	person	BMN P
76	painter_n	Painter N		Painter N is an Athenian black-figure painter connected to the workshop of the potter Nikosthenes and active ca. 540-520 BCE. The Nikosthenic amphora was probably decorated by Painter N as well as the kyathos, cups, and psykter. Decorative subjects include satyrs, Dionysos, warriors, revelers ("komasts"), athletes, riders, and scenes with Athena. Most have been discovered in Etruria.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500072396	https://www.britishmuseum.org/collection/term/BIOG59867	http://www.wikidata.org/entity/Q1622156	person	N,P
77	affecter	Affecter		The Affecter is an Athenian black-figure painter (and possibly potter) active ca. 540-520 BCE. The name derives from the mannerist (i.e. affected) style of the figures. Shapes are various amphora types, including ovoid and Type C, as well as smaller shapes. Subjects include stock iconography (draped, men, warriors, riders, dancers) and myth (Herakles, Theseus). Findspots include Etruria, southern Italy, Naukratis, and Greece.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter		ABV 238-248	http://vocab.getty.edu/ulan/500029118	https://www.britishmuseum.org/collection/term/BIOG57122	http://www.wikidata.org/entity/Q382206	person	AFFECTER
78	elbows_out	Elbows Out		Elbows Out is an Athenian black-figure painter active ca. 550-530 BCE. The name derives from the exaggerated arm gestures of the figures. Like the Affecter, Elbows Out is classified as a mannerist painter. Shapes include band-cups, lip-cups, the skyphos, lekythos, and amphora. Subjects are animals, youths, women, and erotic scenes. Examples have been discovered in the Black Sea, Etruria, Naukratis, and Greece.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500030612	https://www.britishmuseum.org/collection/term/BIOG208460	http://www.wikidata.org/entity/Q1325382	person	ELBOWS OUT
79	andokides	Andokides		Andokides is an Athenian potter active ca. 530 BCE. Signing as potter ("epoiesen") on a number of vases, the potter is associated with several painters: the Andokides Painter, Psiax, and Epiktetos. Shapes are mainly cups, the amphora, and hydria. Subjects include Dionysos, Herakles, and Athena as well as athletes, warriors, and the symposion. Examples have been discovered in Etruria.					http://kerameikos.org/id/potter					https://www.britishmuseum.org/collection/term/BIOG57176	http://www.wikidata.org/entity/Q391671	person	ANDOKIDES
80	lysippides_painter	Lysippides Painter		The Lysippides Painter is the conventional name Sir John Beazley (1885-1970) applied to the individual who he believed painted the black-figure work of the red-figure painter known as the Andokides Painter (see Andokides Painter [Black-figure]; see Andokides Painter [Red-figure]; see Andokides potter [Black-figure]) (ca. 530-515 BCE). It is still debated as to whether they are two artists with identical style or the same artist working in two techniques. Scholars believe the painter to be a student of Exekias.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500012587	https://www.britishmuseum.org/collection/term/BIOG59261	http://www.wikidata.org/entity/Q1878978	person	LYSIPPIDES P
81	mastos_painter	Mastos Painter		The Mastos Painter is an Athenian black-figure painter active ca. 530 BCE. The name derives from a mastos (breast-shaped cup) (Würzburg, Martin von Wagner Museum 391; BAPD 302277). Other shapes are the amphora and hydria. Subjects include Dionysos, Herakles, warriors, and the symposion. Findspots are the Athenian Acropolis and Etruria.					http://kerameikos.org/id/painter						http://www.wikidata.org/entity/Q6785604	person	MASTOS P
82	wraith_painter	Wraith Painter		The Wraith Painter is an Athenian black-figure painter active in the third quarter of the 6th c. BCE. The name derives from the ghost-like style of the figures on the vases. Shapes are cups and the lekythos, and subjects include warriors, riders, Dionysos and followers, and Amazons. Findspots are the Athenian Acropolis, Thasos, Italy, Sicily, and France.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500005582		http://www.wikidata.org/entity/Q1498965	person	WRAITH P
83	the_nicosia_olpe_painter	Painter of The Nicosia Olpe		The Painter of the Nicosia Olpe is an Athenian black-figure painter active ca. 500 BCE. The name derives from a vase (Nicosia, Cyprus Museum C 809; BAPD 330183) showing a man, woman, and youth. Other shapes are cups, the lekythos, and small amphora. Scenes include chariots, arming, men with spears, riders, Herakles, Theseus and the Minotaur, Birth of Athena, and Ajax and Cassandra. Findspots are Italy, Sicily, Cyrene, Naukratis, and Greece.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500029401	https://www.britishmuseum.org/collection/term/BIOG59980	http://www.wikidata.org/entity/Q1347300	person	NICOSIA OLPE, P OF THE
84	chalcidising_cup	Chalcidising Cup		The Chalcidising Cup is a type of cup produced in Athens ca. 520 BCE that copies a shape made in southern Italy. Most feature eyes on the exterior, some with figures (satyrs, Dionysos, warriors), and a gorgoneion in the interior. Their painters are not named. Findspots are in Etruria, the Black Sea, and Attica.												shape	CHALCIDISING CUP
85	bucci_painter	Bucci Painter		The Bucci Painter is an Athenian black-figure painter active in the late 6th c. BCE. The name derives from an amphora formerly in a private collection (now New Orleans, Isaac Delgado Museum of Art 2033 [16.38]; 301635) showing Herakles and Hermes between columns. Mainly a painter of the amphora, subjects include chariots, youths, departures, and Herakles. Findspots are Vulci, Taranto, and Kamiros (Rhodes).					http://kerameikos.org/id/painter			ABV 315 - 16	http://vocab.getty.edu/ulan/500079954		http://www.wikidata.org/entity/Q997639	person	BUCCI P
86	acheloos_painter	Acheloos Painter		The Acheloos Painter is an Athenian black-figure painter active from the end of the 6th c. BCE who is associated with the Leagros Group. The name derives from an amphora found at Vulci (Berlin, Antikensammlung F1851; BAPD 302396) depicting Herakles and Acheloos. Shapes include the neck amphora, lekythos, and hydria. Subjects are mythological with many featuring Herakles. Findspots include Vulci, Cerveteri, and sites in southern Italy and Sicily.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500055828	https://www.britishmuseum.org/collection/term/BIOG57105	http://www.wikidata.org/entity/Q943594	person	ACHELOOS P
87	chiusi_painter	Chiusi Painter		The Chiusi Painter is an Athenian black-figure painter active in the last quarter of the 6th c. BCE who is associated with the Leagros Group. The name derives from an amphora found at Chiusi (Chiusi, National Archaeological Museum 1812; BAPD 302092) showing Ajax and Achilles. Shapes are mainly large vessels, including the amphora, hydria, and column krater. Scenes feature Herakles and Dionysos with followers. Findspots are Etruria, southern Italy, and Athens.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500055830		http://www.wikidata.org/entity/Q1075025	person	CHIUSI P
88	euphiletos_painter	Euphiletos Painter		The Euphiletos Painter is an Athenian black-figure painter active in the last quarter of the 6th c. BCE. The name derives from an inscription “Euphiletos kalos” (“Euphiletos is beautiful”) on a Panathenaic amphora from Vulci (London, British Museum B134; BAPD 301687) showing a pentathlon. Other shapes include the neck amphora, hydria, belly amphora (Type B), oinochoe, and plaques. Scenes include athletes, chariots, Herakles, Dionysos, and weddings. Findspots are many sites in Etruria, the Athenian Acropolis, and Cyprus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500116404	https://www.britishmuseum.org/collection/term/BIOG58216	http://www.wikidata.org/entity/Q1374087	person	EUPHILETOS P
89	madrid_painter	Madrid Painter		The Madrid Painter is an Athenian black-figure painter active in the last quarter of the 6th c. BCE. The name derives from a hydria in Madrid (Madrid, Archaeological Museum 10913; BAPD 301766) showing the Struggle for the Delphic Tripod. Shapes are the hydria, neck amphora, and column krater. Scenes include Ajax and Achilles, Dionysos, and Herakles. Findspots are Vulci and other sites in Etruria, Nola, Syracuse, and Athens.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500080333	https://www.britishmuseum.org/collection/term/BIOG59360	http://www.wikidata.org/entity/Q1883459	person	MADRID P
90	priam_painter	Priam Painter		The Priam Painter is an Athenian black-figure painter active in the last quarter of the 6th c. BCE. The name derives from a hydria discovered in Etruria (Madrid, Archaeological Museum 10920; BAPD 301795) showing Priam beside a chariot. Shapes are the amphora in different forms and the hydria. Scenes include chariots, Herakles, Dionysos, battles, and hoplites. Findspots are sites in Etruria and Sicily.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500059768	https://www.britishmuseum.org/collection/term/BIOG60166	http://www.wikidata.org/entity/Q1438541	person	PRIAM P
91	rycroft_painter	Rycroft Painter		The Rycroft Painter is an Athenian black-figure painter active in the last quarter of the 6th c. BCE. The name derives from an amphora (Type A) discovered in Vulci, formerly in the Rycroft collection (Oxford, Ashmolean Museum 1965.118; BAPD 301824), showing Leto on one side and Apollo and Artemis on the other. The painter is thought to be related to the Priam Painter and to Psiax. Shapes include the amphora in different forms, kraters, and the hydria. Scenes are of chariots, Herakles, Dionysos, and the Ransom of Hector. Findspots are sites in Etruria, Sicily, Athens (Agora, Acropolis), and Cyrene.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500007296	https://www.britishmuseum.org/collection/term/BIOG60347	http://www.wikidata.org/entity/Q2178176	person	RYCROFT P
92	nikoxenos_painter_black_figure	Nikoxenos Painter		The Nikoxenos Painter is an Athenian black-figure painter, affiliated with the Leagros Group, active late 6th and early 5th c. BCE. The painter also produced red-figure and bilingual vases (see Nikoxenos Painter [red-figure]). The name derives from a Panathenaic amphora from Capua, Italy (Oxford, Mississippi University Museum 1977.3.115; BAPD 202964) with “Nikoxenos kalos” (“Nikoxenos is beautiful”) inscribed on Athena’s shield. Black-figure shapes include the neck amphora, hydria, and pelike. Scenes are of Dionysos, Athena, Herakles and Amazons, soldiers arming, the fountain-house, Perseus and Medusa, and the Judgment of Paris. Findspots are Etruria, southern Italy, Athens, Marathon, and northern Greece.		http://kerameikos.org/id/nikoxenos_painter_red_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500024484	https://www.britishmuseum.org/collection/term/BIOG59625	http://www.wikidata.org/entity/Q1992069	person	NIKOXENOS P
93	nikoxenos_painter_red_figure	Nikoxenos Painter		The Nikoxenos Painter is an Athenian red-figure painter active late 6th to early 5th c. BCE and affiliated with the Leagros Group. The painter also produced black-figure and bilingual vases (see Nikoxenos Painter [black-figure]). The name derives from a Panathenaic amphora from Capua, Italy (Oxford, Mississippi University Museum 1977.3.115; BAPD 202964) with “Nikoxenos kalos” (“Nikoxenos is beautiful”) inscribed on Athena’s shield. Other shapes are the amphora, hydria, and pelike. Subjects include the Death of Priam, Perseus and Medusa, and religion. Findspots are sites in Etruria (Vulci, Tarquinia, Cerveteri), the Athenian Acropolis, Aegina, and Naukratis.		http://kerameikos.org/id/nikoxenos_painter_black_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500024484	https://www.britishmuseum.org/collection/term/BIOG59625	http://www.wikidata.org/entity/Q1992069	person	NIKOXENOS P
94	athena_painter	Athena Painter		The Athena Painter is an Athenian black-figure painter active ca. 490-460 BCE. The name derives from a preference for showing scenes of Athena. A few red-figure vases have been connected to this painter, who is perhaps the same artist as the Bowdoin Painter (see Bowdoin Painter [red-figure]). White-ground vases by the painter or from the painter’s workshop are attributed to the Sèvres Class. The main shapes are the lekythos and oinochoe. Findspots are Eretria, Athens, Olympia, Delphi, Rhodes, Etruria, southern Italy, and Sicily.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500084591	https://www.britishmuseum.org/collection/term/BIOG57253	http://www.wikidata.org/entity/Q755187	person	ATHENA P
95	daybreak_painter	Daybreak Painter		The Daybreak Painter is an Athenian black-figure painter associated with the Leagros Group, active ca. 520 to 500 BCE. The name derives from a lekythos from Eretria (Athens, National Museum 513; BAPD 302371) showing Helios rising from the sea. Shapes are the lekythos, oinochoe, olpe, and hydria. Other scenes include Odysseus and Circe, Herakles, warriors, the symposion, and Dionysos. Findspots are Rhodes, Etruria, southern Italy, and Sicily.					http://kerameikos.org/id/painter					https://www.britishmuseum.org/collection/term/BIOG57991	http://www.wikidata.org/entity/Q5243098	person	DAYBREAK P
96	cactus_painter	Cactus Painter		The Cactus Painter is an Athenian black-figure painter ca. 510-500 BCE. Named for a distinct style of palmette tendrils, this is mainly a painter of the lekythos. Scenes include Herakles, Ajax and Achilles, horsemen, and youths. Findspots are Eretria and Thebes.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500094204		http://www.wikidata.org/entity/Q1721898	person	CACTUS P
97	gela_painter	Gela Painter		The Gela Painter is an Athenian black-figure painter active during the late 6th and early 5th c. BCE, who sometimes applies black-figure to white-ground. The name derives from vases discovered at Gela in southern Sicily. Shapes are the lekythos, olpe, and oinochoe. Scenes are Dionysian, Herakles, the symposion, warriors, and athletes. Many vases have been discovered in the western Greek colonies.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500021739	https://www.britishmuseum.org/collection/term/BIOG58443	http://www.wikidata.org/entity/Q1499196	person	GELA P
98	edinburgh_painter	Edinburgh Painter		The Edinburgh Painter is an Athenian black-figure painter active ca. 500 BCE, who sometimes applies white-ground to black-figure. The name derives from a lekythos (Edinburgh, Royal Scottish Museum L224.379; BAPD 380848) showing the Ransom of Hector. The painter has been connected to the Leagros Group and the Dot-Band Class. The lekythos is the main shape, as well as the amphora and small hydria. Scenes include myths, chariots, warriors, Herakles, Athena, and Dionysos. Findspots are Gela and other sites in Sicily, Athens (Kerameikos, Agora, Acropolis), Etruria and southern Italy, Cyrene, and Xanthos (Turkey).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500069287	https://www.britishmuseum.org/collection/term/BIOG58160	http://www.wikidata.org/entity/Q1284686	person	EDINBURGH P
99	theseus_painter	Theseus Painter		The Theseus Painter is an Athenian black-figure painter active late 6th and early 5th c. BCE who sometimes uses white-ground and Six’s technique. The name derives from the painter’s fondness for the hero Theseus. Primarily a painter of the skyphos and lekythos, other shapes are the oinochoe, loutrophoros, alabastron, and pelike. Scenes include Dionysos, Herakles, warriors, revelers ("komasts"), youths, athletes, and prothesis (laying out the body of the deceased). Findspots are Athens (Acropolis, Agora), Thasos, Taranto, Rhodes, Delos, and Corinth.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500031574	https://www.britishmuseum.org/collection/term/BIOG60801	http://www.wikidata.org/entity/Q2420238	person	THESEUS P
100	marathon_painter	Marathon Painter		The Marathon Painter is an Athenian black-figure painter connected with the Class of Athens 581 and active in the early 5th c. BCE. A lekythos painter, the name derives from vessels deposited with the Athenian dead after the Battle of Marathon. Scenes are chariots, Dionysos, Herakles, and Athena. Findspots other than Marathon are Sicily, Thebes, Olympia, Rhodes, and southern Italy.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500103952	https://www.britishmuseum.org/collection/term/BIOG59386	http://www.wikidata.org/entity/Q1285536	person	MARATHON P
101	sappho_painter	Sappho Painter		The Sappho Painter is an Athenian black-figure painter active in the late 6th and early 5th c. BCE who uses white-ground with black-figure. The name derives from a hydria (Warsaw, National Museum 142333; BAPD 510) in Six’s technique depicting Sappho (inscribed) playing the lyre. Other shapes are the lekythos, column krater, loutrophoros, epinetron, alabastron, mastos, and plaque. Scenes include chariots, Herakles, Athena, and funerary themes. Findspots are Athens (Agora, Kerameikos, Acropolis), Eleusis, Corinth, Vari, Phaleron, and sites in Italy.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500019329	https://www.britishmuseum.org/collection/term/BIOG60455	http://www.wikidata.org/entity/Q1354018	person	SAPPHO P
102	diosphos_painter	Diosphos Painter		The Diosphos Painter is an Athenian black-figure painter active in the first half of the 5th c. BCE. The name derives from the inscription “kalos Diosphos” (“Diosphos is beautiful”) on a small neck amphora (Paris, Cabinet des Médailles 219; BAPD 305526) showing the Birth of Dionysos. The Diosphos Painter also worked in white-ground and Six’s technique. Mainly a lekythos painter, other shapes are the neck amphora, alabastron, kyathos, and epinetron. Scenes include representations of myths (Amazons, Herakles, Memnon), chariots, warriors, and Dionysos. Findspots are Athens (Acropolis, Kerameikos, Agora), Corinth, Perachora, sites in Italy and Sicily, and Rhodes.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500058361	https://www.britishmuseum.org/collection/term/BIOG58037	http://www.wikidata.org/entity/Q1227082	person	DIOSPHOS P
103	haimon_painter	Haimon Painter		The Haimon Painter is an Athenian black-figure painter active ca. 490-460 BCE. The name derives from several scenes showing the Sphinx and her victim (Haimon, son of Creon and Eurydice). Many vases apply white-ground or silhouette techniques. The main shape is the lekythos, including the “chimney lekythos,” as well as the skyphos, mastoid cup, oinochoe, hydria, and pyxis. Scenes include chariots, Dionysos and followers, Athena, and Herakles. Findspots are widespread: Athens (Kerameikos, Agora, Acropolis), sites across Greece, Italy and Sicily, Ampurias (Spain), Miletus, Al Mina (north Syria), Cyrene, and the Black Sea.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500100358	https://www.britishmuseum.org/collection/term/BIOG58682	http://www.wikidata.org/entity/Q1321820	person	HAIMON P
104	beldam_painter	Beldam Painter		The Beldam Painter is an Athenian black-figure painter active in the second quarter of the 5th c. BCE, who also uses added white and white-ground. The name derives from a lekythos found in Eretria (Athens, National Museum 1129; BAPD 352144) showing satyrs torturing a woman described by Emilie Haspels (1894-1980) as a “beldam.” The main shape is the lekythos of different types, including the “chimney lekythos” and pattern lekythos, the skyphos, alabastron, kantharos, and bell krater. Scenes include Amazons, centaurs, satyrs, and maenads. Findspots are Athens (Kerameikos, Agora) and Attica, Corinth, Eretria, Perachora, Boeotia, Argos, Olympia, sites in Italy and Sicily, Ampurias (Spain), the Black Sea, and Pitane (modern Turkey).					http://kerameikos.org/id/painter			ABV 571, 586 - 7	http://vocab.getty.edu/ulan/500070931	https://www.britishmuseum.org/collection/term/BIOG57375	http://www.wikidata.org/entity/Q815322	person	BELDAM P
105	red-line_painter	Red-line Painter		The Red-Line Painter is an Athenian black-figure painter active late 6th to early 5th c. BCE. The name derives from the red bands painted below the main composition. Shapes are the neck amphora, oinochoe, hydria, olpe, and pelike. Scenes include Dionysos and followers, Herakles, chariots, the symposion, and warriors. Findspots are Vulci, Spina, Sicily (Morgantina, Gela, Agrigento, Selinus), the Athenian Agora, Cyrene, and Cyprus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500073607	https://www.britishmuseum.org/collection/term/BIOG60249	http://www.wikidata.org/entity/Q1459078	person	RED-LINE P
106	camel_painter	Camel Painter		The Camel Painter is a black-figure painter active in the mid-6th c. BCE. There is debate about whether the painter is Athenian or Boeotian. The name derives from a skyphos (Munich, Antikensammlungen 2008; BAPD 310291) showing youths with a camel. Other scenes are athletes and Ajax with the body of Achilles. Shapes are the skyphos and cups. Findspots include sites in Boeotia and Miletus.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500024145			person	CAMEL P
107	phintias	Phintias		Phintias is an Athenian red-figure painter active ca. 525-510 BCE, who signed as both painter (“egrapsen”) and potter (“epoiesen”). Along with Euthymides, Euphronios, and other vase-painters, Phintias is considered a member of the Pioneer Group. Shapes connected to the painter include both cups and large vessels, like the hydria, amphora (Type A), and krater. Smaller shapes connected to the potter are the cup and the cockle-shell aryballos. Scenes include the symposion, fountain-house, and athletes. Some findspots are Etruria (Vulci, Populonia, Orvieto, Tarquinia), the Athenian Acropolis, and Thasos.					http://kerameikos.org/id/potter	http://kerameikos.org/id/painter			http://vocab.getty.edu/ulan/500013636	https://www.britishmuseum.org/collection/term/BIOG60088	http://www.wikidata.org/entity/Q1387977	person	PHINTIAS POTTER
108	euthymides	Euthymides		Euthymides is an Athenian red-figure painter active ca. 515-500 BCE, who signed as both painter (“egrapsen”) and potter (“epoiesen”). Euthymides is considered a member of the Pioneer Group, along with Euphronios, Phintias, and other vase-painters. One of the best known works is an amphora (Munich, Antikensammlungen 2307; BAPD 200160) featuring revelers (“komasts”) and the inscription “as never Euphronios.” Shapes include different amphora types, the hydria, and cups. Scenes are Dionysos and followers, other gods, athletes, Theseus, Herakles, and the symposion. Some findspots are Vulci and other sites in Etruria, Athens (Acropolis, Agora), sites in Sicily and southern Italy, and Vix (France).					http://kerameikos.org/id/potter	http://kerameikos.org/id/painter			http://vocab.getty.edu/ulan/500115442		http://www.wikidata.org/entity/Q560260	person	EUTHYMIDES POTTER
109	euphronios	Euphronios		Euphronios is an Athenian red-figure painter active ca. 520-505 BCE, who signed as both painter (“egrapsen”) and potter (“epoiesen”). Euphronios is considered a member of the Pioneer Group, along with Euthymides, Phintias, and other vase-painters. Shapes connected to the painter are cups, the calyx krater, stamnos, psykter, and pelike. The cup is the main shape connected to the potter. Scenes include Herakles and Antaios, athletes, the symposion, and Amazons. One of the best known works is a krater formerly in the Metropolitan Museum of Art (1972.11.10; BAPD 187) showing the personifications of Sleep (“Hypnos”) and Death (“Thanatos”) carrying Sarpedon from the battlefield at Troy. Some findspots are sites in Etruria (Vulci, Cerveteri, Orvieto, Tarquinia), Athens (Agora, Acropolis), Thasos, and Olbia (Black Sea).					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter	Pioneer Group		http://vocab.getty.edu/ulan/500116286	https://www.britishmuseum.org/collection/term/BIOG58219	http://www.wikidata.org/entity/Q358508	person	EUPHRONIOS
110	andokides_painter_black_figure	Andokides Painter		The Andokides Painter (sometimes referred to as the Lysippides Painter [Red-figure]) is an Athenian black-figure painter active during the second half of the 6th c. BCE. The name derives from vases signed by Andokides as potter ("epoiesen"). Though known for using the black-figure technique, the painter is also considered the first to regularly work in the red-figure technique after its invention ca. 530-520 BCE (see Andokides Painter [Red-figure]). As a black-figure vase-painter, the artist is best known for bilingual vases (decorated with the same scene on both sides, one in red-figure and the other in black-figure). It remains unclear whether the bilingual vases were painted by a single artist or by two. Shapes are mainly the amphora and cups, and scenes are mythological (Ajax and Achilles, Herakles, Dionysos). Findspots are Vulci, Orvieto, other sites in Italy, and the Athenian Acropolis.		http://kerameikos.org/id/andokides_painter_red_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500030596	https://www.britishmuseum.org/collection/term/BIOG57177	http://www.wikidata.org/entity/Q492239	person	ANDOKIDES P
111	andokides_painter_red_figure	Andokides Painter		The Andokides Painter (sometimes referred to as the Lysippides Painter) is an Athenian red-figure painter active during the second half of the 6th c. BCE. The name derives from vases signed by Andokides as potter ("epoiesen"). Though known for using the black-figure technique, the painter is also considered the first to work regularly in the red-figure technique after its invention ca. 530-520 BCE (see Andokides Painter [Black-figure]; for the potter, see Andokides [Black-figure]; see Lysippides Painter [Black-figure]). As a red-figure vase-painter, the artist is best known for bilingual vases (decorated with the same scene on both sides: one in red-figure and the other in black-figure). It remains unclear whether the bilingual vases were painted by a single artist or by two. Shapes are mainly the amphora and cups, and scenes are mythological (Ajax and Achilles, Herakles, Dionysos). Findspots include Vulci, Orvieto, other sites in Italy, Athens (Acropolis, Agora), and Perachora.		http://kerameikos.org/id/andokides_painter_black_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500030596	https://www.britishmuseum.org/collection/term/BIOG57177	http://www.wikidata.org/entity/Q492239	person	ANDOKIDES P
112	psiax_black_figure	Psiax		Psiax is an Athenian black-figure painter active ca. 525-500 BCE. The painter also works in the red-figure technique (see Psiax [red-figure]) and sometimes paints on white-ground. Formerly known as the Menon Painter, the name Psiax appears alone on black-figure examples, and as painter ("egrapsen") on some red-figure vases. Shapes include the kyathos, amphora, hydria, plates, and the alabastron. Scenes derive from both stock (youths, warriors, women dancing) and myth (Herakles, Dionysos, Amazons). Findspots are sites in Etruria, Xanthos (Turkey), Sicily, and Greece.		http://kerameikos.org/id/psiax_red_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500010155	https://www.britishmuseum.org/collection/term/BIOG60181	http://www.wikidata.org/entity/Q1387942	person	PSIAX
113	psiax_red_figure	Psiax		Psiax is an Athenian red-figure painter active ca. 525-500 BCE, who also worked in the black-figure technique (see Psiax [Black-figure]) and sometimes painted on white-ground. Formerly known as the Menon Painter, Psiax signs as painter ("egrapsen") on some red-figure vases or simply as “Psiax” in black-figure. Shapes include cups, the amphora, alabastron, and mastoid. Scenes derive from both stock (youths, warriors, women dancing) and myth (Herakles, Dionysos, Amazons). Findspots include the Athenian Acropolis, sites in Etruria, and Kerch.		http://kerameikos.org/id/psiax_black_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500010155	https://www.britishmuseum.org/collection/term/BIOG60181	http://www.wikidata.org/entity/Q1387942	person	PSIAX
114	paseas_black_figure	Paseas		Paseas (sometimes known as the Cerberus Painter) is an Athenian black-figure painter active ca. 525-510 BCE. The painter also painted in red-figure (see Paseas [Red-figure]) and usually painted on white-ground. The name derives from a black-figure pinax (plaque) dedicated on the Athenian Acropolis (Athens, National Museum Acr. 2583; BAPD 301992), inscribed: “one of the paintings of Paseas.” It belongs to a series dedicated to Athena that feature the goddess, in one instance alongside Herakles. Other findspots are the Athenian Agora, Chiusi, Taranto, Vulci, and Cerveteri.		http://kerameikos.org/id/paseas_red_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500104470	https://www.britishmuseum.org/collection/term/BIOG60024	http://www.wikidata.org/entity/Q2055520	person	PASEAS
115	paseas_red_figure	Paseas		Paseas (sometimes known as the Cerberus Painter) is an Athenian red-figure vase-painter active ca. 525-510 BCE, who also painted in black-figure (see Paseas [Black-figure]) and usually painted on white-ground. The name derives from a black-figure pinax (plaque) dedicated on the Athenian Acropolis (Athens, Akr. National Museum 1.2583; BAPD 301992), inscribed: “one of the paintings of Paseas.” It belongs to a series of plaques dedicated to Athena that features the goddess. The painter’s red-figure work consists mostly of cups and plates. Other red-figure shapes are the lekythos and alabastron. Findspots include sites in Etruria and the Athenian Acropolis.		http://kerameikos.org/id/paseas_black_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500104470	https://www.britishmuseum.org/collection/term/BIOG60024	http://www.wikidata.org/entity/Q2055520	person	PASEAS
116	goluchow_painter	Goluchow Painter		The Goluchow Painter is an Athenian red-figure painter active in the late 6th c. BCE. The name derives from an olpe from Cerveteri (Warsaw, National Museum 142463, ex Goluchow; BAPD 200045) showing a discus thrower. The other shape is the oinochoe, and scenes are of athletes, a satyr, and musicians. Other findspots are Vulci and Athens.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500078112			person	GOLUCHOW P
117	smikros	Smikros		Smikros is an Athenian red-figure painter and part of the Pioneer Group active ca. 510-500 BCE. The name is inscribed as painter (“egrapsen”) on several vases. Shapes include the stamnos, pelike, and psykter. Subjects are the symposion, musicians, Dionysos and satyrs, and the Abduction of Thetis by Peleus. Findspots include Etruria (Todi, Cerveteri, Elea) and Athens (Kerameikos).					http://kerameikos.org/id/painter					https://www.britishmuseum.org/collection/term/BIOG60550	http://www.wikidata.org/entity/Q510558	person	SMIKROS
118	hypsis	Hypsis		Hypsis is an Athenian red-figure painter and part of the Pioneer Group active ca. 510 BCE. The name is inscribed as painter (“egrapsen”) on a hydria from Vulci (Munich, Antikensammlungen 2423; BAPD 200170) showing Amazons. The preferred shape is the hydria. Another subject includes women at a fountain house. The vases have been found at Vulci.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500089902		http://www.wikidata.org/entity/Q1641522	person	HYPSIS
119	dikaios_painter	Dikaios Painter		The Dikaios Painter is an Athenian red-figure painter and part of the Pioneer Group active in the late 6th c. BCE. A few Athenian black-figure vases have also been attributed to this painter. The name derives from the inscription “Dikaios kalos” (“Dikaios is beautiful”) on an amphora decorated with youths and warriors (Paris, Louvre G45; BAPD 200167). Shapes are the hydria, amphora, and krater. Other scenes include the Struggle for the Delphic Tripod, erotic scenes, and dance. Findspots are Etruria (Vulci, Orvieto, Tarquinia, Bologna), the Athenian Acropolis, Xanthos (Turkey), and Agrigento.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500105892	https://www.britishmuseum.org/collection/term/BIOG58024		person	DIKAIOS P
120	sosias_painter	Sosias Painter		The Sosias Painter is an Athenian red-figure painter and part of the Pioneer Group active ca. 510-500 BCE. The name derives from the potter ("epoiesen") who signs as Sosias on a cup from Vulci (Berlin, Antikensammlung F2278; BAPD 200108) showing Achilles and Patroklos on the interior and the introduction of Herakles to Olympus on the exterior. Shapes are stands, plates, and cups. Other scenes include a winged female and a satyr. Another findspot is the Athenian Acropolis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500001203		http://www.wikidata.org/entity/Q2303671	person	SOSIAS P
121	oltos	Oltos		Oltos is an Athenian red-figure painter active ca. 525-500 BCE that painted bilingual cups (black-figure interior, red-figure exterior). The name is inscribed on vases as both potter (“epoiesen”) and painter (“egrapsen”). The painter is thought to have collaborated with several potters, including Euxitheos and Kachrylion. Shapes are mainly cups, but also the Nikosthenic amphora, stamnos, and psykter. Subjects include gods, Herakles, the Trojan War, Theseus, Dionysos and followers, and warriors riding dolphins. Some findspots are Etruria (Vulci, Cerveteri, Orvieto, Chiusi), Athens (Acropolis, Agora), and Naukratis.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500011211	https://www.britishmuseum.org/collection/term/BIOG59695	http://www.wikidata.org/entity/Q1360826	person	OLTOS
122	epiktetos	Epiktetos		Epiktetos is an Athenian red-figure painter active ca. 520-490 BCE who painted bilingual cups (black-figure interior, red-figure exterior). The name is inscribed on vases as both potter (“epoiesen”) and painter (“egrapsen”). The painter is thought to have decorated vases for the potters Hischylos, Python, Pistoxenos, and the Nikosthenes-Pamphaios workshop. Other shapes are plates, kraters, the askos, oinochoe, and pelike. Scenes include satyrs, centaurs, Herakles and Busiris, the symposion, erotic scenes, athletes, and male revelers (“komasts”). Some findspots are Athens (Acropolis, Agora), Etruscan sites (Vulci, Gravisca, Cerveteri, Adria), and a shipwreck off the coast of Gela (Sicily).					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500118919	https://www.britishmuseum.org/collection/term/BIOG58192	http://www.wikidata.org/entity/Q938972	person	EPIKTETOS
123	pheidippos	Pheidippos		Pheidippos is an Athenian red-figure painter active ca. 525-515 BCE who mainly painted bilingual cups (black-figure interior, red-figure exterior). The name is inscribed as painter (“egrapsen”) on an eye-cup from Vulci (London, British Museum E6; BAPD 200378) showing athletes. The painter collaborated with the potter Hischylos (see Hischylos Painter [Red-figure]). Other subjects are warriors, riders, Dionysos, and revelers (“komasts”). The only known findspot is Vulci.					http://kerameikos.org/id/painter					https://www.britishmuseum.org/collection/term/BIOG60078	http://www.wikidata.org/entity/Q1648841	person	PHEIDIPPOS
124	thaliarchos_painter	Thaliarchos Painter		The Thaliarchos Painter is an Athenian red-figure painter active in the late 6th c. BCE. The name derives from the inscription “Thaliarchos kalos” (“Thaliarchos is beautiful”) on a pyxis lid from Athens (Paris, Petit Palais 382; BAPD 200657) showing a helmet-maker. The pyxis lid is the preferred shape. Other subjects include satyrs, Athena’s head, and a dwarf. Findspots are Athens (Acropolis, unspecified sites), Megara, and Monte Lato (Sicily).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500098333			person	THALIARCHOS P
125	bowdoin-eye_painter	Bowdoin-eye Painter		The Bowdoin-Eye Painter is an Athenian red-figure cup painter active ca. 520-500 BCE who painted bilingual cups (black-figure interior, red-figure exterior). The name derives from a cup from Cerveteri (Brunswick, Maine, Bowdoin College 1913.2; BAPD 200369) showing athletes on the exterior and interior. Other subjects are warriors, satyrs and maenads, and revelers (“komasts”). Findspots include sites in Etruria (Vulci, Roselle), the Athenian Acropolis, and Olbia (Black Sea).					http://kerameikos.org/id/painter			ARV2 39, 45, 166 - 8	http://vocab.getty.edu/ulan/500060110	https://www.britishmuseum.org/collection/term/BIOG57472		person	BOWDOIN-EYE P
126	scheurleer_painter	Scheurleer Painter		The Scheurleer Painter is an Athenian red-figure cup painter active in the late 6th c. BCE, who also painted bilingual cups (black-figure interior, red-figure exterior). The name derives from a cup in the Scheurleer Collection (Amsterdam, Allard Pierson Museum 997; BAPD 200319) showing athletes. Other subjects include warriors, satyrs, and revelers (“komasts”). Findspots are Vulci, Gravisca, and Olbia (Black Sea).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500065833			person	SCHEURLEER P
127	delos_painter	Delos Painter		The Delos Painter is an Athenian red-figure cup painter active ca. 520-500 BCE. The name derives from a cup found in Delos (Delos, Archaeological Museum 652; BAPD 201559) showing a satyr and maenad on one side and a fight on the other. Other subjects include Dionysos and Herakles. Other findspots are the Athenian Agora and Gravisca.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500046676			person	DELOS P
128	winchester_painter	Winchester Painter		The Winchester Painter is an Athenian red-figure cup painter active ca. 520-500 BCE. The name derives from an eye-cup (Winchester, UK, Winchester College 42; BAPD 200403) showing jumpers on the exterior and a satyr on the interior. Satyrs and athletes appear on other cups. Findspots are Greece and Vulci.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500096799	https://www.britishmuseum.org/collection/term/BIOG61098		person	WINCHESTER P
129	hischylos_painter	Hischylos Painter		The Hischylos Painter is an Athenian red-figure cup painter active ca. 525-500 BCE. The name derives from the potter ("epoiesen") who signs as Hischylos on several examples. Other than the cup, shapes include the column krater and bell krater. Subjects are warriors and athletes. Findspots are Vulci, Taranto, and the Athenian Acropolis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500076905			person	HISCHYLOS P
130	hischylos_potter	Hischylos		Hischylos was a black-figure Athenian potter, active ca. 530 BCE.					http://kerameikos.org/id/potter				http://vocab.getty.edu/ulan/500023993	https://www.britishmuseum.org/collection/term/BIOG58798	http://www.wikidata.org/entity/Q1620648	person	HISCHYLOS POTTER
131	skythes	Skythes		Skythes is an Athenian red-figure cup painter active ca. 520-505 BCE who painted bilingual cups (black-figure with coral red exterior, red-figure interior). The name Skythes (“the Scythian”) is inscribed as painter (“egrapsen”) on several vases. Subjects include Herakles, Theseus, athletes, revelers (“komasts”), Dionysos and followers, and warriors. Findspots are Athens (Acropolis, Agora), Boeotia, Aegina, and sites in Etruria (Vulci, Cerveteri, Chiusi, Gravisca).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500128015	https://www.britishmuseum.org/collection/term/BIOG60539	http://www.wikidata.org/entity/Q1297344	person	SKYTHES
132	pedieus_painter	Pedieus Painter		The Pedieus Painter is an Athenian red-figure cup painter active in the late 6th c. BCE. The name derives from the inscription “Pedieus kalos” (“Pedieus is beautiful”) on several examples. Subjects include Amazons, horsemen, warriors, and women. Findspots are Thebes, Athens, Camiros (Rhodes), and sites in Etruria (Cerveteri, Tarquinia, Gravisca).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500102648	https://www.britishmuseum.org/collection/term/BIOG60049	http://www.wikidata.org/entity/Q18511626	person	PEDIEUS P
133	nikosthenes_painter_red_figure	Nikosthenes Painter		The Nikosthenes Painter (also known as the Painter of Sleep and Death) is an Athenian red-figure painter active ca. 510-500 BCE. The name derives from the potter ("epoiesen") who signs as Nikosthenes on several examples (see Nikosthenes [Black-figure]). Shapes are cups, the skyphos, kantharos, pyxis, and neck amphora. Subjects include athletes, satyrs and maenads, revelers (“komasts”), warriors, Herakles, Hermes and cattle, and Odysseus under the ram. Some findspots are Etruria (Cerveteri, Vulci, Gravisca, Orvieto, Tarquinia), Athens (Acropolis, Agora), Naukratis, Clazomenae, Marseille, and Leuke (Black Sea).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500116381	https://www.britishmuseum.org/collection/term/BIOG59624	http://www.wikidata.org/entity/Q18508558	person	NIKOSTHENES P
134	euergides_painter	Euergides Painter		The Euergides Painter is an Athenian red-figure cup painter active ca. 515-500 BCE. The name derives from the potter ("epoiesen") who signs as Euergides on several examples. Shapes are cups and the alabastron. Subjects include warriors, women, athletes, satyrs and maenads, hunting, Theseus and the Minotaur, Achilles and Ajax, and revelers (“komasts”). The painter also places sphinxes, griffins, and winged horses near the cup handles. A notable example is the cup dedicated on the Athenian Acropolis (Athens, National Museum Akr. 2.166; BAPD 200761) showing Athena watching metalworkers. Other findspots are the Athenian Agora, Thasos, Eretria, Etruria (Vulci, Cerveteri, Gravisca), Kerch, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500023417	https://www.britishmuseum.org/collection/term/BIOG58212		person	EUERGIDES P
135	epeleios_painter	Epeleios Painter		The Epeleios Painter is an Athenian red-figure cup painter active ca. 515-500 BCE. The name derives from the appellation “Epeleios” inscribed on several vases. Subjects include revelers (“komasts”), sacrifice, satyrs and maenads, athletes, and youths with horses. Some findspots are Etruria (Vulci, Gravisca, Chiusi, Roselle), Athens (Acropolis, Agora), Selinus, and Olbia.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500028105	https://www.britishmuseum.org/collection/term/BIOG58189	http://www.wikidata.org/entity/Q26214499	person	EPELEIOS P
136	pasiades	Pasiades		The Pasiades Painter is an Athenian red-figure painter active ca. 520-500 BCE, associated with the Group of the Paidikos Alabastra. The name derives from the potter (“epoiesen”) who signs as Pasiades on several examples. The name Pasiades inscribed as painter (“egrapsen”) on a white lekythos from the Athenian Agora (Athens, Agora Museum AP 422; BAPD 200898) is not considered to be the same artist as the Pasiades Painter. Subjects include Penthesilea, women, and maenads. Known findspots are Attica, Delphi, and Marion (Cyprus).					http://kerameikos.org/id/painter					https://www.britishmuseum.org/collection/term/BIOG60026	http://www.wikidata.org/entity/Q2055577	person	PASIADES
137	hermaios_painter	Hermaios Painter		The Hermaios Painter is an Athenian red-figure cup painter active ca. 520-510 BCE, formerly said to be related to the Severeano Group. The name derives from the potter (“epoiesen”) who signs as Hermaios on several examples. Subjects appearing on the cup interior include Dionysos, revelers (“komasts”), the symposion, athletes, warriors, riders, and Amazons. Findspots are Athens (Agora, unspecified sites), Marion (Cyprus), Etruria (Vulci, Chiusi, Cerveteri), and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500025622	https://www.britishmuseum.org/collection/term/BIOG58771		person	HERMAIOS P
138	chelis_painter	Chelis Painter		The Chelis Painter is an Athenian red-figure cup painter active ca. 515-500 BCE. The name derives from the potter (“epoiesen”) who signs as Chelis. Subjects are Dionysos and followers, and the known findspots are in Etruria.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500108366			person	CHELIS P
139	thalia_painter	Thalia Painter		The Thalia Painter is an Athenian red-figure cup painter active ca. 520-500 BCE that painted a bilingual cup (black-figure interior, red-figure exterior). The name derives from the appellation “Thalia” inscribed on a cup from Vulci (Berlin, Antikensammlung 3251; Florence, Archaeological Museum, 1B49; BAPD 200964) showing an erotic scene. Other subjects include Dionysos and followers, athletes, warriors, and revelers (“komasts”). Findspots are Chiusi and the Athenian Acropolis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500059074			person	THALIA P
140	epidromos_painter	Epidromos Painter		The Epidromos Painter is an Athenian red-figure cup painter active ca. 510-500 BCE. The name derives from the inscription “Epidromos kalos” (“Epidromos is beautiful”) on several cups. Subjects include the symposion, sacrifice, Dionysos and followers, athletes, warriors, and Herakles. Findspots are sites in Etruria (Cerveteri, Vulci, Chiusi) and Spina.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500074856	https://www.britishmuseum.org/collection/term/BIOG58191	http://www.wikidata.org/entity/Q43665900	person	EPIDROMOS P
141	apollodoros	Apollodoros		Apollodoros is an Athenian red-figure cup painter active in the late 6th c. BCE. The name derives from the painter (“egrapsen”) who signs as Apollodoros on a fragmentary cup (Rome, Villa Giulia, ex Castle Ashby; BAPD 201006) showing warriors. Other scenes include Dionysos and followers, the symposion, revelers (“komasts”), religion, and Theseus and the Minotaur. Some findspots are sites in Etruria (Cerveteri, Orvieto, Gravisca, Tarquinia, Vulci) and the Athenian Acropolis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500118921	https://www.britishmuseum.org/collection/term/BIOG56994	http://www.wikidata.org/entity/Q4780367	person	APOLLODOROS
142	elpinikos_painter	Elpinikos Painter		The Elpinikos Painter is an Athenian red-figure cup painter active in the early 5th c. BCE. The name derives from the inscription “Elpinikos kalos” (“Elpinikos is beautiful”) on several examples. Subjects include Menelaus and Helen, the symposion, and youths. Findspots are sites in Etruria (Orvieto, Vulci, Cerveteri).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500038143			person	ELPINIKOS P
143	ambrosios_painter	Ambrosios Painter		The Ambrosios Painter is an Athenian red-figure cup painter active ca. 510-500 BCE. The name derives from the appellation “Ambrosios'' inscribed on the interior of a cup (Orvieto, Museo Civico, Faina 62; BAPD 201580) showing warriors and athletes on the exterior and a reveler (“komast”) on the interior. Subjects include Dionysos and followers, Nessos and Deianira, the symposion, Herakles, athletes, fishing, and hunting. Findspots include sites in Etruria (Orvieto, Cerveteri, Vulci, Gravisca), Athens (Acropolis, Agora), and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500024800	https://www.britishmuseum.org/collection/term/BIOG57165	http://www.wikidata.org/entity/Q37632093	person	AMBROSIOS P
144	kiss_painter	Kiss Painter		The Kiss Painter is an Athenian red-figure cup painter active ca. 510-500 BCE. The name derives from scenes of a youth and girl embracing. Other subjects are athletes and revelers (“komasts”). Findspots are sites in Etruria (Chiusi, Arezzo).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500072680		http://www.wikidata.org/entity/Q1794581	person	KISS P
145	salting_painter	Salting Painter		The Salting Painter is an Athenian red-figure cup painter active ca. 510-500 BCE. The name derives from the previous owner (Walter Salting) of a cup (London, Victoria and Albert Museum C2 496.1910; BAPD 201631) showing an athlete with a discus on the interior. Other scenes include warriors and revelers (“komasts”). Findspots are mainland Greece (Corinth, Atalanti), Etruria, Rome, and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500061490			person	SALTING P
146	carpenter_painter	Carpenter Painter		The Carpenter Painter is an Athenian red-figure painter active ca. 515-500 BCE. The name derives from a cup found in Chuisi (London, British Museum E23; BAPD 201642) showing a carpenter on its interior. Though primarily a cup painter, a hydria has been attributed to the same painter. Subjects include revelers (“komasts”), the symposion, youths, Herakles, satyrs, and hunting. Findspots are sites in Etruria (Orvieto, Vulci), and a cup “near” the painter stylistically was found in Corinth.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500020359		http://www.wikidata.org/entity/Q12857910	person	CARPENTER P
147	hegesiboulos_painter	Hegesiboulos Painter		The Hegesiboulos Painter is an Athenian red-figure cup painter active ca. 510-500 BCE. The name derives from the potter (“epoisen”) who signs as Hegesiboulos on a cup (New York, Metropolitan Museum of Art 07.286.47; BAPD 201603) showing a man and his dog (surrounded by coral-red) on the interior and a symposion and komos on the exterior. A fragment of an unidentified shape from the Athenian Acropolis (Athens, National Museum 2.538; BAPD 201604) showing a symposion has been connected to the painter.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500060619			person	HEGESIBOULOS P
148	pithos_painter	Pithos Painter		The Pithos Painter is an Athenian red-figure cup painter active at the end of the 6th c. BCE. The name derives from the storage vessel (pithos) represented in several scenes. Subjects include youths, satyrs, warriors, archers, athletes, and the symposion. Findspots are Athens (Agora, Acropolis), Camiros (Rhodes), Chios, Rhitsona, Perachora, Delos, Olynthos, Adria, Gela, Naukratis, Al Mina, sites in Israel, Olbia, and the River Thames (Reading, UK).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500026897	https://www.britishmuseum.org/collection/term/BIOG60114	http://www.wikidata.org/entity/Q1311104	person	PITHOS P
149	eucharides_painter_black_figure	Eucharides Painter		The Eucharides Painter is an Athenian black-figure painter active ca. 500-470 BCE, who also painted in red-figure (see Eucharides Painter [Red-figure]). The name derives from the inscription “Eucharides kalos” (“Eucharides is beautiful”) on a red-figure stamnos (Copenhagen, National Museum 124 BAPD 202230) showing youths, women, and Eros. Shapes are the Panathenaic amphora, hydria, pelike, and neck amphora. Subjects include music, horse races, warriors, Ajax and Achilles, and daily life. Findspots are Athens (Acropolis, Agora, Kerameikos), Vulci, Nola, Cumae, Samos, Corinth, Kerch, Locris (Greece), and Al Mina.		http://kerameikos.org/id/eucharides_painter_red_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500027030	https://www.britishmuseum.org/collection/term/BIOG58208	http://www.wikidata.org/entity/Q1372152	person	EUCHARIDES P
150	eucharides_painter_red_figure	Eucharides Painter		The Eucharides Painter is an Athenian red-figure painter active ca. 500-470 BCE who painted in black-figure (see Eucharides Painter [Black-figure]). The name derives from the inscription “Eucharides kalos” (“Eucharides is beautiful”) on a red-figure stamnos (Copenhagen, National Museum 124 BAPD 202230) showing youths, women, and Eros. Shapes are cups, the column krater, calyx krater, hydria, and lekythos. Subjects include youths, Dionysos and satyrs, Danae and Perseus, the symposion, warriors, and religion. Findspots are Eleusis, Athens (Acropolis, Agora), Vulci, Spina, Cerveteri, Locri (south Italy), Pompeii, sites in Sicily, Patera (Lycia, Turkey), and Naukratis.		http://kerameikos.org/id/eucharides_painter_black_figure			http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500027030	https://www.britishmuseum.org/collection/term/BIOG58208	http://www.wikidata.org/entity/Q1372152	person	EUCHARIDES P
151	myson	Myson		Myson is an Athenian red-figure painter active ca. 500-475 BCE. The name derives from signatures as painter (“egrapsen”) and potter (“epoiesen”) on a column krater from the Athenian Acropolis (Athens, National Museum Akr. 806; BAPD 202359) showing Athena. Other shapes are the pelike, calyx krater, psykter, and oinochoe. Scenes include revelers (“komasts”), the symposion, athletes, Dionysos and satyrs, Croesus seated on a pyre, Amazons, the Struggle for the Delphic Tripod, and other scenes with Herakles. Some findspots are Athens (Acropolis, Agora, Kerameikos), Etruria (Vulci, Cerveteri), Orvieto, Falerii, Locri (south Italy), and Kerch.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500004080	https://www.britishmuseum.org/collection/term/BIOG59543	http://www.wikidata.org/entity/Q3859036	person	MYSON
152	harrow_painter	Harrow Painter		The Harrow Painter is an Athenian red-figure painter active ca. 480-460 BCE. The name derives from an oinochoe (Harrow, UK, Harrow School Museum 56; BAPD 202673) showing a boy with a hoop. Other shapes include a wide range of pots: the neck amphora, pelike, stamnos, column krater, and hydria. Subjects include generic scenes (youths, men, women), Dionysos and followers, gods and goddesses, Theseus, Herakles, centaurs, the symposion, and Capture of Silenos. Some findspots are Athens (Acropolis, Agora), Etruria (Vulci, Cerveteri), Nola, Falerii, sites in Sicily, Gordion, Kerch, and Bourges (France).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500004186		http://www.wikidata.org/entity/Q5666575	person	HARROW P
153	flying-angel_painter	Flying-angel Painter		The Flying-Angel Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from an amphora found in Capua (Boston, Museum of Fine Arts 98.882; BAPD 202711) showing a satyr supporting a child-satyr on his shoulders with outstretched arms (“flying-angel”). Shapes include the amphora (Type C), kraters, pelike, lekythos, and a Panathenaic amphora with revelers (“komasts”). Other subjects are athletes, the symposion, Dionysos and followers, warriors, and Herakles. Some findspots are Cerveteri, Chiusi, Gela, Athens (Acropolis, Agora), Rheneia (Delos), Cyrene, and Kerch.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500038140	https://www.britishmuseum.org/collection/term/BIOG58327		person	FLYING-ANGEL P
154	geras_painter	Geras Painter		The Geras Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a pelike (Paris, Louvre G234; BAPD 202622) showing Herakles and Geras (“old age”). Other shapes are the neck amphora, kraters, hydria, and stamnos. Subjects include Dionysos and followers, Ganymede, Theseus, Europa, Aktaion, Triptolemos and Demeter, and Herakles. Findspots are Vulci, Nola, sites in Sicily, and Locris (Greece).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500024334			person	GERAS P
155	matsch_painter	Matsch Painter		The Matsch Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from the former collector of a pelike (Pennsylvania, Private Collection; BAPD 202568) showing a man with a staff and a woman with a basket. Other shapes are the neck amphora and column krater. Subjects include Herakles and Geras (“old age”), Dionysos and followers, and warriors. Findspots are Padula (southern Italy) and Cerveteri.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500043043			person	MATSCH P
156	argos_painter	Argos Painter		The Argos Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a stamnos from Cerveteri (Vienna, Kunsthistoriches Museum 3729; BAPD 202608) showing the Death of Argos. Shapes are the pelike and stamnos. Subjects include Dionysos and followers, Triptolemos and Demeter, centaurs, athletes and musicians, and a man leading a camel. Other findspots are Veii and Falerii.					http://kerameikos.org/id/painter			ARV2 288 - 289	http://vocab.getty.edu/ulan/500029221			person	ARGOS P
157	siren_painter	Siren Painter		The Siren Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a stamnos from Vulci (London, British Museum E440; BAPD 202628) showing Odysseus and the Sirens. Shapes are the pelike and stamnos. Subjects include Herakles and Deianira, Perseus and a Gorgon, and the Struggle for the Delphic Tripod. Findspots are Vulci and perhaps Cerveteri.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500046683	https://www.britishmuseum.org/collection/term/BIOG60534	http://www.wikidata.org/entity/Q7530113	person	SIREN P
158	tyszkiewicz_painter	Tyszkiewicz Painter		The Tyszkiewicz Painter is an Athenian red-figure painter active ca. 490-470 BCE. The name derives from a calyx krater from Vulci formerly in the Tyszkiewicz Collection (Boston, Museum of Fine Arts 97.368; BAPD 202631) showing Achilles and Memnon on one side and Diomedes and Aeneas on the other. Shapes are kraters in different forms, the amphora in different forms, the pelike, stamnos, and hydria. Subjects include the Trojan War, Dionysos and followers, the symposion, revelers (“komasts”), Amazons, Theseus, and the Gigantomachy. Some findspots are Etruria (Cerveteri, Vulci, Tarquinia), Spina, Falerii, sites in Sicily, Athens (Acropolis, Agora), Histria (Romania), and Kerch.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500031727	https://www.britishmuseum.org/collection/term/BIOG60879	http://www.wikidata.org/entity/Q26250784	person	TYSZKIEWICZ P
159	troilos_painter	Troilos Painter		The Troilos Painter is an Athenian red-figure painter active ca. 470-460 BCE who painted using black-figure. The name derives from a hydria from Vulci (London, British Museum 99.7-21.4; BAPD 203082) showing Troilos and Polyxena. Shapes are the amphora, stamnos, pelike, calyx krater, hydria, and lekythos. Subjects include the Struggle for the Delphic Tripod, gods and goddesses, Herakles and Busiris, the Death of Orpheus, the Gigantomachy, and athletes. Some findspots are Etruria (Vulci, Cerveteri), Orvieto, Nola, and Duvanlij (Thrace).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500079328	https://www.britishmuseum.org/collection/term/BIOG60855		person	TROILOS P
160	copenhagen_painter	Copenhagen Painter		The Copenhagen Painter is an Athenian red-figure painter connected to the Syriskos Group, active ca. 470’s BCE and earlier. The name derives from an amphora (Type B) from Vulci (Copenhagen, National Museum 125 [320]; BAPD 202920) showing an African youth with a basket. The Copenhagen Painter’s style is closely related to that of the Syriskos Painter and the two painters are sometimes hard to distinguish. Shapes are the stamnos, pelike, hydria, and krater. Subjects include the Tyrannicides, the Struggle for the Delphic Tripod, Herakles, Theseus and the Minotaur, Medea and Jason, and the symposion. Some findspots are Vulci, Nola, Athens (Acropolis, Agora), and Eleusis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500098337	https://www.britishmuseum.org/collection/term/BIOG57879		person	COPENHAGEN P
161	syriskos	Syriskos		The Syriskos Painter is an Athenian red-figure painter connected to the Syriskos Group, active ca. 470’s BCE and earlier, who uses white-ground. The name (meaning “Little Syrian”) derives from the signature as potter (“epoiesen”) on an astragalos (knucklebone-shaped vase) (Rome, Villa Giulia 866; BAPD 202749), showing Nike, Eros, and a lion. Shapes are the pelike, rhyton in the shape of a ram’s head, kantharos in the shape of a woman’s head, amphora, krater, alabastron, psykter, hydria, and lekythos. Subjects include Dionysos and followers, the symposion, warriors, athletes, and Theseus and the Minotaur. Some findspots are the Athenian Acropolis, Tanagra, sites in Etruria (Vulci, Tarquinia, Cerveteri, Orvieto), southern Italy, Sicily, Naukratis, and Ampurias (Spain).					http://kerameikos.org/id/painter							person	SYRISKOS
162	ps_painter	PS Painter		The P.S. Painter is an Athenian red-figure painter connected to the Syriskos Group, active ca. 470’s BCE and earlier. The name derives from the signature as potter (“Pistoxenos Syriskos epoiesen”) on two vessels (the skyphos) belonging to a private collection in England (Whitby, UK, Mulgrave Castle). Subjects on both sides of one skyphos are women at a fruit tree (BAPD 352513), and on the other skyphos are Theseus and Prokrustes and Theseus and Sinis (BAPD 352514). Findspots are unknown.					http://kerameikos.org/id/painter							person	PS P
163	gales_painter	Gales Painter		The Gales Painter is an Athenian red-figure painter active ca. 520-500 BCE. The name derives from the signature as potter (“epoiesen”) on several vessels. Shapes are the lekythos and cup. Scenes include the symposion, revelers (“komasts”), a maenad, and a religious procession. Findspots are Gela and Vulci.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500086079			person	GALES P
164	dutuit_painter	Dutuit Painter		The Dutuit Painter is an Athenian red-figure painter active ca. 500-480 BCE. The name denotes the former owner of an oinochoe from Nola (Paris, Petit Palais 315; BAPD 203153) showing Artemis with a fawn. Shapes are the amphora, oinochoe, lekythos, and hydria. Scenes include Dionysos and followers, winged goddesses, Herakles, and Hephaistos and Thetis (Arms of Achilles). Findspots are Vulci, Cerveteri, Nola, Sicily, and Olbia.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500101341	https://www.britishmuseum.org/collection/term/BIOG58090		person	DUTUIT P
165	tithonos_painter	Tithonos Painter		The Tithonos Painter is an Athenian red-figure painter active ca. 500-480 BCE. The name derives from a neck amphora from Suessula (Boston, Museum of Fine Arts 03.816; BAPD 203171) showing Eos and Tithonos. Other shapes are the lekythos and stamnos. Subjects include Dionysos and followers, revelers (“komasts”), warriors, religion, and athletes. Findspots are Eretria, Kydonia (Crete), Adria, Vulci, Nola, Gela, and Syracuse.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500083068		http://www.wikidata.org/entity/Q7809958	person	TITHONOS P
166	onesimos	Onesimos		Onesimos is an Athenian red-figure painter active ca. 505-480 BCE, and associated with the Proto-Panaitian Group. The name derives from a cup found at Vulci signed as painter (“egrapsen”) by Onesimos and as potter (“epoiesen”) by Euphronios (Paris, Louvre G105; BAPD 203218) showing horsemen. The primary shape is the cup (kylix). Other shapes are the skyphos, plate, and pyxis. Subjects include Theseus, Herakles, the Trojan War, the symposion, revelers (“komasts”), athletes, and nude females. Some findspots are Etruria (Vulci, Cerveteri, Tarquinia, Chiusi, Orvieto), sites in southern Italy and Sicily, Athens (Acropolis, Agora), and Naukratis.					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500115465	https://www.britishmuseum.org/collection/term/BIOG59700	http://www.wikidata.org/entity/Q475054	person	ONESIMOS
167	bonn_painter	Bonn Painter		The Bonn Painter is an Athenian red-figure painter active ca. 505-480 BCE. The name derives from a cup (Bonn, Akademisches Kunstmuseum 1644; BAPD 203666) showing centaurs on the exterior and an archer on the interior. The primary shape is the cup. Subjects include the symposion, warriors, Theseus, hunting, and satyrs. Findspots are Vulci, Taranto, Spina, Orvieto, and possibly Chiusi.					http://kerameikos.org/id/painter			ARV2 351 - 2	http://vocab.getty.edu/ulan/500004229			person	BONN P
168	colmar_painter	Colmar Painter		The Colmar Painter is an Athenian red-figure cup painter active ca. 505-480 BCE. The name derives from a cup (Colmar, Musée d’Unterlinden 48; BAPD 203691) showing athletes. The painter also decorated a rhyton in the shape of a donkey’s head. Subjects include athletes, warriors, Herakles, Theseus, the symposion, satyrs, and male revelers (“komasts”). Findspots are Athens (Acropolis, Agora), sites in Etruria (Vulci, Orvieto, Tarquinia, Chuisi), and Ampurias (Spain).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500097485	https://www.britishmuseum.org/collection/term/BIOG57858	http://www.wikidata.org/entity/Q18508104	person	COLMAR P
169	antiphon_painter	Antiphon Painter		The Antiphon Painter is an Athenian red-figure painter active ca. 490-470 BCE. The name derives from the inscription “Antiphon kalos” (“Antiphon is beautiful”) on a stand from Pomarico (southern Italy) (Berlin, Antikensammlung F2325; BAPD 203436) showing athletes. The cup is the main shape, and subjects include warriors, hunting, Herakles, Theseus, the symposion, and revelers (“komasts”). Findspots are the Athenian Acropolis, Etruria (Orvieto, Vulci, Tarquinia, Cerveteri, Chiusi), and sites in southern Italy.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500000073	https://www.britishmuseum.org/collection/term/BIOG144394	http://www.wikidata.org/entity/Q116616	person	ANTIPHON P
170	cage_painter	Cage Painter		The Cage Painter is an Athenian red-figure painter active ca. 490-480 BCE. The name derives from a cup from Orvieto (London, British Museum 1901.5-14.1; BAPD 203642) showing a boy holding a bird-cage. Shapes are the cup and pyxis. Subjects include athletes, the symposion, men, and youths. Findspots are Orvieto, Tarquinia, and Chiusi.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500060275	https://www.britishmuseum.org/collection/term/BIOG57664	http://www.wikidata.org/entity/Q44199115	person	CAGE P
171	brygos	Brygos		Brygos was an ancient Greek potter, active in Athens between 490 and 470 BC. He is known as a producer of excellent drinking cups.								ARV2 398 - 9	http://vocab.getty.edu/ulan/500011785	https://www.britishmuseum.org/collection/term/BIOG57530	http://www.wikidata.org/entity/Q14523700	person	BRYGOS
172	brygos_painter	Brygos Painter		The Brygos Painter is an Athenian red-figure painter active ca. 490-470 BCE who painted in white-ground. The name derives from the potter ("epoiesen") who signs as Brygos and collaborated with the Brygos Painter and other painters. Shapes are the cup (kylix), skyphos, lekythos, kyathos, kantharos in the shape of female heads, rhyton in the shape of animal heads, and kalathos. Subjects include revelers (“komasts”), the symposion, Dionysos and followers, warriors, athletes, Herakles, Zeus and Ganymede, and the Trojan War. Some findspots are Etruria (Vulci, Orvieto, Chiusi, Tarquinia, Cerveteri), sites in southern Italy and Sicily, Athens (Acropolis, Agora), sites in Attica (Brauron, Eleusis, Menidi), Thebes, Marseilles, and Olbia.					http://kerameikos.org/id/painter			ARV2 368 - 98	http://vocab.getty.edu/ulan/500025426	https://www.britishmuseum.org/collection/term/BIOG57531	http://www.wikidata.org/entity/Q322192	person	BRYGOS P
173	foundry_painter	Foundry Painter		The Foundry Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a cup (Berlin, Antikensammlung F2294; BAPD 204340) showing sculptors on the exterior and Hephaistos and Thetis on the interior (Arming of Achilles). The cup is the main shape, and other shapes are the oinochoe and skyphos. Subjects include the symposion, athletes, horsemen, centaurs, Theseus, and the Trojan War. Some findspots are Etruria (Cerveteri, Vulci, Tarquinia, Orvieto, Todi), Adria, sites in southern Italy, and Tanagra.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500002535	https://www.britishmuseum.org/collection/term/BIOG58350	http://www.wikidata.org/entity/Q1366158	person	FOUNDRY P
174	briseis_painter	Briseis Painter		The Briseis Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from a cup found at Vulci (London, British Museum E76; BAPD 204400) showing Achilles and Briseis. The main shape is the cup, but other shapes are the neck amphora, Panathenaic amphora, column krater, lekythos, alabastron, pyxis, and plate. Subjects include warriors, athletes, Herakles, Dionysos and followers, revelers (“komasts”), and religion. Some findspots are Adria, Etruria (Vulci, Tarquinia, Cerveteri), sites in southern Italy and Sicily, Athens, and Naukratis.					http://kerameikos.org/id/painter			ARV2 406 - 12	http://vocab.getty.edu/ulan/500011832	https://www.britishmuseum.org/collection/term/BIOG57496	http://www.wikidata.org/entity/Q18511839	person	BRISEIS P
175	dokimasia_painter	Dokimasia Painter		The Dokimasia Painter is an Athenian red-figure painter active ca. 480-460 BCE. The name derives from a cup found at Orvieto (Berlin, Antikensammlung 2296; BAPD 204483) showing youths with horses in possible reference to their citizen status (“dokimasia”). Shapes are mainly the cup, but also the krater, stamnos, and skyphos. Scenes include revelers (“komasts”), athletes, warriors, Theseus, hunting, and Dionysos and followers. Some findspots are Adria, Etruria (Vulci, Orvieto, Cerveteri, Tarquinia, Chiusi), Capua, the Athenian Acropolis, and Delos.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500026076	https://www.britishmuseum.org/collection/term/BIOG58050	http://www.wikidata.org/entity/Q14906560	person	DOKIMASIA P
176	louvre_g265_painter	Painter of Louvre G 265		The Painter of Louvre G265 is an Athenian red-figure cup painter active ca. 470-460 BCE. The name derives from a cup found at Vulci (Paris, Louvre G265; BAPD 204532) showing the Deeds of Theseus. Other subjects include religion, warriors, athletes, Dionysos and followers, revelers (“komasts”), and the Death of Orpheus. Findspots are Vulci, Orvieto, and Nola.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500057978			person	LOUVRE G 265, P OF
177	the_paris_gigantomachy_painter	Painter of The Paris Gigantomachy		The Painter of the Paris Gigantomachy is an Athenian red-figure painter active ca. 480-460 BCE. The name derives from a cup found at Vulci (Paris, Cabinet de Médailles 573; BAPD 204546) showing the Gigantomachy on the interior and exterior. Shapes are primarily the cup, but also the lekythos, oinochoe, and neck amphora. Subjects include athletes, revelers (“komasts”), centaurs, satyrs, the symposion, and religion. Some findspots include Adria, Etruria (Vulci, Orvieto, Tarquinia, Cerveteri, Chiusi), Nola, Gela, the Athenian Agora, Tanagra, and Ampurias (Spain).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500060835	https://www.britishmuseum.org/collection/term/BIOG59983	http://www.wikidata.org/entity/Q1887164	person	PARIS GIGANTOMACHY, P OF THE
178	douris	Douris		Douris is an Athenian red-figure painter and potter active ca. 500-460 BCE. The name derives from the signature of Douris as painter (“egrapsen”) on many vases. Shapes are primarily the cup, but also the lekythos, pyxis, neck amphora, psykter, and rhyton in the shape of an animal. Scenes include the symposion, revelers (“komasts”), musicians, warriors, athletes, Dionysos and followers, Herakles, Theseus, Zeus and Ganymede, and the Trojan War. Some findspots are Etruria (Vulci, Orvieto, Chiusi, Cerveteri, Tarquinia), Adria, sites in southern Italy and Sicily, Athens (Agora, Acropolis, Kerameikos), Ampurias (Spain), and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500116285	https://www.britishmuseum.org/collection/term/BIOG58062	http://www.wikidata.org/entity/Q965272	person	DOURIS
179	triptolemos_painter	Triptolemos Painter		The Triptolemos Painter is an Athenian red-figure painter (and perhaps potter) active ca. 480-470 BCE. The name derives from a stamnos found at Vulci (Paris, Louvre G187; BAPD 203793) showing Triptolemos, Demeter, and Persephone on one side. Shapes are kraters, the stamnos, amphora, oinochoe, pelike, hydria, alabastron, skyphos, and cup (kylix). Subjects include athletes, warriors, revelers (“komasts”), the symposion, erotic scenes, religion, Dionysos and followers, musicians, Herakles, and Theseus. Some findspots are Adria, Etruria (Cerveteri, Orvieto, Tarquinia, Vulci), sites in southern Italy and Sicily, Athens (Agora, Acropolis), Rheneia (Delos), and Berezan.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500025534	https://www.britishmuseum.org/collection/term/BIOG164935	http://www.wikidata.org/entity/Q713053	person	TRIPTOLEMOS P
180	makron	Makron		Makron is an Athenian red-figure painter active ca. 495-475 BCE. The name derives from a skyphos from Suessula with the signature of Makron as painter (“egrapsen”) and Hieron as potter (“epoiesen”) (Boston, Museum of Fine Arts 13.186; BAPD 204681) showing Paris and Helen on one side and Menelaus and Helen on the other. The main shape is the cup, but also the aryballos, askos, stamnos, oinochoe, plate, and pyxis. Subjects include musicians, revelers (“komasts”), courting, the symposion, Dionysos and followers, a satyr-play, athletes, warriors, centaurs, Herakles, Demeter and Triptolemos, and the Trojan War. Some findspots are Athens (Acropolis, Agora), Etruria (Vulci, Orvieto, Cerveteri, Chiusi, Tarquinia), Adria, sites in southern Italy, and Ampurias (Spain).					http://kerameikos.org/id/painter	http://kerameikos.org/id/potter			http://vocab.getty.edu/ulan/500008500	https://www.britishmuseum.org/collection/term/BIOG59366	http://www.wikidata.org/entity/Q427706	person	MAKRON
181	pig_painter	Pig Painter		The Pig Painter is an Athenian red-figure painter active ca. 470-450 BCE and a member of the Mannerist Group. The name derives from a pelike (Cambridge, Fitzwilliam Museum 9.17; BAPD 206456) showing men and pigs. Other shapes are the column-krater, hydria, and neck amphora. Subjects include Dionysos and followers, the symposion, revelers (“komasts”), athletes, and Theseus. Some findspots are the Athenian Agora, Corinth, Olympia, Camiros (Rhodes), sites in southern Italy and Sicily, Naukratis, and Kerch.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500076662	https://www.britishmuseum.org/collection/term/BIOG60101		person	PIG P
182	leningrad_painter	Leningrad Painter		The Leningrad Painter is an Athenian red-figure painter active ca. 470-450 BCE and a member of the Mannerist Group. The name derives from an amphora (Type B) discovered in south Russia (St. Petersburg, State Hermitage Museum B2228; BAPD 206561) showing a musician (kitharode) with listeners. Shapes are kraters, the pelike, the amphora in different forms, and hydria. Scenes include Dionysos and followers, worship of Dionysos, a satyr-play, the symposion, revelers (“komasts”), musicians, athletes, warriors, Herakles, centaurs, and Helios. A rare scene of vases being decorated is shown on a hydria from Ruvo (Vicenza, Banca Intesa 2; BAPD 206564). Some findspots are Bologna, Etruria (Vulci, Cerveteri), sites in southern Italy and Sicily, Corinth, the Athenian Agora, Rheneia (Delos), Camiros (Rhodes), Al Mina, Aspendos (Turkey), and Naukratis.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500103382	https://www.britishmuseum.org/collection/term/BIOG59179		person	LENINGRAD P
183	agrigento_painter	Agrigento Painter		The Agrigento Painter is an Athenian red-figure painter active ca. 470-440 BCE and a member of the Mannerist Group. The name derives from a calyx krater from Agrigento (Agrigento, Archaeological Museum; BAPD 206657) showing Herakles and Nessos. Other shapes are the column-krater, bell krater, stamnos, pelike, dinos, amphora, and hydria. Scenes include Herakles, Theseus, Dionysos and followers, Amazons, the symposion, revelers (“komasts”), musicians, warriors, and generic males (youths, boys, men). Some findspots are Bologna, Spina, Tarquinia, sites in southern Italy and Sicily, the Athenian Agora, Corinth, Rheneia (Delos), Ampurias (Spain), and Naukratis.			-475	-450	http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500017517	https://www.britishmuseum.org/collection/term/BIOG191602	http://www.wikidata.org/entity/Q18511587	person	AGRIGENTO P
184	oinanthe_painter	Oinanthe Painter		The Oinanthe Painter is an Athenian red-figure painter active ca. 470-450 BCE and a member of the Mannerist Group. The name derives from the inscription “Oinanthe kale” (“Oinanthe is beautiful”) on a hydria found at Vulci (London, British Museum E182; BAPD 206695) showing the Birth of Erichthonios. Other shapes are the column krater, pelike, and hydria. Scenes include Theseus and gods and goddesses. Findspots are Norcia (southern Italy) and Vulci.					http://kerameikos.org/id/painter					https://www.britishmuseum.org/collection/term/BIOG59687		person	OINANTHE P
185	perseus_painter	Perseus Painter		The Perseus Painter is an Athenian red-figure painter active ca. 470-450 BCE, and a member of the Mannerist Group. The name derives from a hydria found at Vulci (Berlin, Antikensammlung F2377; BAPD 206718) showing Athena and Perseus. Other shapes are the pelike, neck amphora, loutrophoros, lebes gamikos, and krater. Scenes include Dionysos and satyrs, other gods and goddesses, herms, and funerary scenes. Findspots are the Athenian Agora, Camiros (Rhodes), Cyrenaica (Libya), sites southern Italy, and Etruria (Vulci, Cortona).					http://kerameikos.org/id/painter					https://www.britishmuseum.org/collection/term/BIOG60063		person	PERSEUS P
186	pan_painter	Pan Painter		The Pan Painter is an Athenian red-figure vase-painter active ca. 490/80-450 BCE and a member of the Mannerist Group. The name derives from a bell krater discovered in Cumae (Boston, Museum of Fine Arts 10.185; BAPD 206276 ) showing Pan and a shepherd on one side and the Death of Aktaion on the other. Other shapes are kraters of different types, the amphora in different forms, the pelike, stamnos, lebes gamikos, loutrophoros, hydria, lekythos, alabastron, skyphos, and cups. Scenes include Nike, Dionysos and followers, gods and goddesses, Herakles and Busiris, Eos and Kephalos, Achilles, warriors, revelers (“komasts”), hunting, fishing, and funerary scenes. Some findspots are Athens (Acropolis, Agora, Kerameikos), Etruria (Cerveteri, Vulci), and sites in southern Italy and Sicily.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500010803	https://www.britishmuseum.org/collection/term/BIOG60001	http://www.wikidata.org/entity/Q1280275	person	PAN P
187	hermonax	Hermonax		Hermonax is an Athenian red-figure painter active ca. 475-450 BCE. The name derives from the signature as painter (“egrapsen”) on several vases. Shapes are the stamnos, pelike, neck amphora, loutrophoros, oinochoe, lekythos, lekanis, and cups. Subjects include Dionysos and followers, revelers (“komasts”), weddings, warriors, the Death of Orpheus, Zeus and Ganymede, Boreas and Oreithyia, Eros and lovers, and youths and young women. Some findspots are sites in southern Italy and Sicily, Cerveteri, Ampurias (Spain), Athens (Agora, Acropolis), Argos, Brauron, Camiros (Rhodes), and Xanthos (Turkey).			-470	-440	http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500073243	https://www.britishmuseum.org/collection/term/BIOG58775	http://www.wikidata.org/entity/Q328215	person	HERMONAX
188	munich_2413_painter	Painter of Munich 2413		The Painter of Munich 2413 is an Athenian red-figure painter active ca. 460 BCE. The name derives from a stamnos found at Vulci (Munich, Staatliche Antikensammlungen 2413; BAPD 205571) showing the Birth of Erichthonios. An oinochoe from the Athenian Agora (P11810; BAPD 205573) shows actors dressing.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500067950			person	MUNICH 2413, P OF
189	the_birth_of_athena_painter	Painter of The Birth of Athena		The Painter of the Birth of Athena is an Athenian red-figure painter active in the first half of the 5th c. BCE. The name derives from a pelike found at Vulci (London, British Museum E410; BAPD 205560) showing the Birth of Athena. Shapes are the pelike and the stamnos. Subjects include Dionysos and followers, gods and goddesses, and funerary scenes. Other findspots are Cerveteri and the Athenian Agora.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500102915	https://www.britishmuseum.org/collection/term/BIOG59970	http://www.wikidata.org/entity/Q1887155	person	BIRTH OF ATHENA, P OF THE
190	providence_painter	Providence Painter		The Providence Painter is an Athenian red-figure painter active ca. 475-450 BCE. The name derives from a neck amphora (Providence, Rhode Island School of Design 15.005; BAPD 207352) showing Apollo with a kithara. Other shapes are the Panathenaic amphora, hydria, lebes gamikos, stamnos, lekythos, oinochoe, column krater, and cups. Subjects include Dionysos and followers, other gods and goddesses, the Apotheosis of Herakles, women (domestic activities, pursuit scenes), athletes, warriors, revelers (“komasts”), and a wedding. Some findspots are Etruria (Cerveteri, Vulci), sites in southern Italy and Sicily, Athens (Acropolis, Agora), Eretria, Thebes, Ampurias (Spain), and Al Mina.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500028844	https://www.britishmuseum.org/collection/term/BIOG60178	http://www.wikidata.org/entity/Q921867	person	PROVIDENCE P
191	oionokles_painter	Oionokles Painter		The Oionokles Painter is an Athenian red-figure painter active ca. 480-470 BCE. The name derives from the inscription “Oionokles kalos” (“Oionokles is beautiful”) on several examples. Shapes are the neck amphora, lekythos, loutrophoros, and column krater. Subjects include Dionysos and followers, revelers (“komasts”), warriors, Eos and Tithonos, the Death of Orpheus, Theseus, and musicians. Findspots are Vulci, sites in southern Italy and Sicily, Rheneia (Delos), Anavysos (Attica), and Athens.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500005475	https://www.britishmuseum.org/collection/term/BIOG59689	http://www.wikidata.org/entity/Q17422953	person	OIONOKLES P
192	nikon_painter	Nikon Painter		The Nikon Painter is an Athenian red-figure painter active ca. 470-450 BCE. The name derives from the inscription “Nikon kalos” or “kalos Nikon” (“Nikon is beautiful”) on several examples. Also attributed to the painter is a white-ground lekythos from Eretria (Brussels, Musées Royaux A1019; BAPD 207607) showing a mistress and maid.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500103279	https://www.britishmuseum.org/collection/term/BIOG59622		person	NIKON P
193	charmides_painter	Charmides Painter		The Charmides Painter is an Athenian red-figure painter active ca. 480-460 BCE. The name derives from the inscription “Charmides kalos'' or “kalos Charmides” (“Charmides is beautiful”) on several vases. Shapes include the neck amphora (Nolan amphora) and lekythos. Subjects are Eros, warriors, the Judgement of Paris, Eos and Tithonos, Nike, and satyrs. Findspots are sites in southern Italy and Sicily and the Athenian Agora.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500066924	https://www.britishmuseum.org/collection/term/BIOG57754		person	CHARMIDES P
194	akestorides_painter	Akestorides Painter		The Akestorides Painter is an Athenian red-figure painter active ca. 470-450 BCE. The name (“Akestorides”) is inscribed on a cup from Aegina (New York, Metropolitan Museum of Art 22.139.72; BAPD 209611) showing a boy playing the lyre. The main shape is the cup. Subjects include satyrs and maenads, revelers (“komasts”), athletes, musicians, and draped figures. Findspots are Vulci, Orvieto, Koropi (Attica), Athens, Aegina, and Kerch.					http://kerameikos.org/id/painter			ARV2 781 - 782	http://vocab.getty.edu/ulan/500018669			person	AKESTORIDES P
195	euaichme_painter	Euaichme Painter		The Euaichme Painter is an Athenian red-figure painter active ca. 480-460 BCE. The name derives from a cup from Vico Equense (Naples) (Boston, Museum of Fine Arts 01.8097; BAPD 209665) showing Nestor and Euaichme. The main shapes are cups and the skyphos. Subjects include men, women, youths and boys, athletes, the symposion, and the Marriage of Peleus and Thetis. Findspots are Etruria (Vulci, Cerveteri, Chiusi), Bologna, sites in southern Italy and Sicily, Ampurias (Spain), and Kerch.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500112920			person	EUAICHME P
196	dish_painter	Dish Painter		The Dish Painter is an Athenian red-figure painter active ca. 470-460 BCE. The name derives from the preference for decorating stemmed dishes. Subjects are youths with lyres, a dancing girl, and a maenad. Findspots are Nola and Santa Maria di Capua.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500073353	https://www.britishmuseum.org/collection/term/BIOG58041		person	DISH P
197	euaion_painter	Euaion Painter		The Euaion Painter is an Athenian red-figure painter active ca. 460-440 BCE. The name derives from the inscription “Euaion kalos” (“Euaion is beautiful”) on a cup (Paris, Louvre G401; BAPD 209713) showing satyrs and maenads. The main shape is the cup. Other shapes are the skyphos, oinochoe, pyxis, hydria, and calyx krater. Other subjects include the symposion, revelers (“komasts”), athletes, warriors, Boreas and Oreithyia, Atalanta, and Theseus. Some findspots are Etruria (Vulci, Cerveteri, Orvieto), sites in southern Italy and Sicily, Aleria (Corsica), Athens (Agora, Acropolis, Kerameikos), Le Cayla (France), and Kerch.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500021665	https://www.britishmuseum.org/collection/term/BIOG58206	http://www.wikidata.org/entity/Q37630169	person	EUAION P
198	clinic_painter	Clinic Painter		The Clinic Painter is an Athenian red-figure painter active ca. 470-460 BCE. The name derives from an aryballos (Paris, Louvre CA2183; BAPD 210078) showing a medical scene. Shapes are mainly cups, but also the askos, aryballos, stamnos, and oinochoe. Subjects include Dionysos and followers, revelers (“komasts”), Eros, warriors, youths, men, women, Herakles, and the Embassy to Achilles. Findspots are Adria, Spina, Etruria (Vulci, Chiusi, Orvieto), and Nola.					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500110339	https://www.britishmuseum.org/collection/term/BIOG57825		person	CLINIC P
199	telephos_painter	Telephos Painter		The Telephos Painter is an Athenian red figure painter active ca. 470-460 BCE. The name derives from a cup found in eastern Etruria (Boston, Museum of Fine Arts 98.931; BAPD 205037) showing Telephos at the palace of Agamemnon. The main shape is the cup, but also the phiale, neck amphora, lekythos, and rhyton in the shape of a donkey head. Subjects include the symposion, revelers (“komasts”), satyrs, athletes, warriors, Eos and Tithonos, and the Ilioupersis. Some findspots are Orvieto, Etruria (Vulci, Tarquinia), sites in southern Italy and Sicily, Eretria, Athens (Acropolis, unspecified sites), and Camiros (Rhodes).					http://kerameikos.org/id/painter				http://vocab.getty.edu/ulan/500080953	https://www.britishmuseum.org/collection/term/BIOG214167		person	TELEPHOS P
200	boot_painter	Boot Painter		The Boot Painter is an Athenian red figure painter active ca. 470-460 BCE. The name derives from several cups depicting naked women putting on or holding boots. The main shape is the cup, but also the oinochoe. Subjects include men, women, boys, athletes, satyrs, Theseus, and a pyrrhic dancer. Findspots are Etruria (Vulci, Tarquinia, Chiusi), sites in southern Italy, and Ampurias (Spain).					http://kerameikos.org/id/painter			ARV2 821 - 3	http://vocab.getty.edu/ulan/500018512			person	BOOT P