A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | Note 1: Only snaffle bridle is allowed for CCI 2* level (no double bridle).
Note 2: All trot work must be executed “sitting” unless the term “rising” is used in the test. | RIDER # | 6942 | |||||||||||||||||||||||
2 | NAME: | Josey Thompson | ||||||||||||||||||||||||
3 | Max Pts: | 220 | ||||||||||||||||||||||||
4 | Final Score: | 0.60 | ||||||||||||||||||||||||
5 | JUDGE: | Ida Norris | ||||||||||||||||||||||||
6 | ||||||||||||||||||||||||||
7 | FEI 2* Test A | judged 4/9/21 | ||||||||||||||||||||||||
8 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
9 | 1 | A C | Enter working trot Track left | Regularity, rhythm and
straightness. Bend and balance in the turn. | 7.5 | 7.5 | Horses shoulders slightly rotaled right throughout centerline/ ( ie needs linear straightness through neck shoulders until G ) rider to be more upright through core | |||||||||||||||||||
10 | 2 | S R P V | Turn left towards R Turn right Turn right towards V Turn left | Regularity and rhythm.
Bend and balance in the turns. | 6.5 | 6.5 | needs energy/impulsion- bend farily steady- unsure about geometry from lack of markers | |||||||||||||||||||
11 | 3 | P-I I-C C | Leg yield to the left
Working Trot Track right | Regularity and clarity of
trot, alignment, balance and flow. | 6.5 | 6.5 | needs to be on left seatbone( rider collapse over rt side and weight on the right), horse needs more crosssing and balance | |||||||||||||||||||
12 | 4 | R-L L-A A | Leg yield to the right
Working trot Track left | Regularity and clarity of
trot, alignment, balance and flow. | 6.5 | 6.5 | lacks weight on right seatbone and lacks right leg/ horwse needs balance and improved crossing | |||||||||||||||||||
13 | 5 | F-X-H H | Medium trot (sitting or rising) Working trot | The regularity and rhythm; the development of the lengthened strides; the transitions. | 4 | 4 | this is a very very conservastive lenghtehening but not a medium, additionally poll low and neck short | |||||||||||||||||||
14 | 6 | C | Medium walk | Transition to walk;
regularity of the steps. | 6.5 | 6.5 | active but only tracks up | |||||||||||||||||||
15 | 7 | M-V | Free walk on a long rein | Regularity, activity,
suppleness over the back, over-track, allowing complete freedom to stretch the neck forward and downward. | 6.5 | 6.5 | appreciated the stretch but appears to have no overtrack | |||||||||||||||||||
16 | 8 | V-K-D | Medium walk | Transition to medium
walk; regularity of the steps, rhythm, outline, acceptance of the contact. | 6 | 6 | some tension in rhythm while picking up the reins / neck slightly short and poll appears at times braced | |||||||||||||||||||
17 | 9 | D | Halt | The transition to halt,
immobility, the balance and engagement of the hind leg. | 5.5 | 5.5 | poll low and unbalanced halt.. horse lowering neck constantly i.e. poll low ( no immobi9lity) | |||||||||||||||||||
18 | 10 | D F | Rein-back 3-4 steps and proceed working trot
Turn left | The balance and regularity of the steps; the acceptance of the contact. Transition to trot, quality of the trot, balance in the turn. | 4 | 4 | poll and shoulders low and dragging feet in the rein back, 3-4 stesp of walk prior to trot.. should move in a diagonal backwards and forwqard immediately to trot | |||||||||||||||||||
19 | 11 | P-V V-K-A-F | 20-meter half circle, with a transition to working canter left lead over center line. Working canter | Balance and acceptance
of the aids in the transition; accuracy of transition; quality of canter. | 6.5 | 6.5 | needs baLANCE AND CONNECTION THROUGH DEPART , needs jump" impulsion" | |||||||||||||||||||
20 | 12 | F-R Between R-M | Show some Medium canter strides
Develop working canter | The balance and lengthening of the strides and the transitions. | 5.5 | 5.5 | extrem ely small/ conservative / you did show an energy change.. this uphill at the shoulders balanced and increased engagment is the blance for a very good working canter for you.. | |||||||||||||||||||
21 | 13 | H-B Over I | Change rein
Give and retake the reins for 3-4 strides | Clear release of reins;
maintaining balance and engagement. | 5 | 5 | poll verry low... unable to see any significant rtelease ??? reins were near soft or slack that I can see and shoulder sand poll llow | |||||||||||||||||||
22 | 14 | B-F | Counter canter | Balance and quality of
canter. | 6.5 | 6.5 | needs impulsion | |||||||||||||||||||
23 | 15 | F-A-K-V | Working trot | Transition to trot;
regularity and rhythm and balance in corners. | 6.5 | 6.5 | p[oll and shoulders dropping / rider soft and curving tghrough core | |||||||||||||||||||
24 | 16 | V-P P-F-A-K | 20-meter half circle, with a transition to working canter right lead over center line. Working canter | Balance and acceptance of
the aids in the transition; accuracy of transition; quality of canter. Balance and bend in corners. | 6.5 | 6.5 | Needs more impulsion and engament | |||||||||||||||||||
25 | 17 | K-S Between S-H | Show some Medium canter strides
Develop working canter | The balance and
lengthening of the strides and the transitions. | 5 | 5 | marginal.. truly a very small energy change / this really is just the imnpulsion for a good working canter | |||||||||||||||||||
26 | 18 | M-E Over I | Change rein Give and retake the reins for 3-4 strides | Clear release of reins,
maintaining balance and engagement. | 5 | 5 | horse shows a clear disturbance in connection so that may be the "retaking" of the reins.. but the camera does not show a CLEAR RELEASE | |||||||||||||||||||
27 | 19 | E-K K | Counter canter Working trot | Balance and quality of
canter; transition to trot; regularity, rhythm and balance in corner. | 7 | 7 | could be more uphill | |||||||||||||||||||
28 | 20 | A L | Down center line Halt, salute | Straightness on center
line; transition to halt; immobility. | 8 | 8 | ||||||||||||||||||||
29 | Leave arena in free walk. | |||||||||||||||||||||||||
30 | ||||||||||||||||||||||||||
31 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
32 | 1 | Harmony of Athlete and Horse | A confident partnership
created by adhering to the scale of training. | 6 | 2 | 12 | rider needs core stretghth and correct blanced aaids for impulsion to produce changes for medium gaits and understaing of clear realse with up0hill blance fore the horse | |||||||||||||||||||
33 | Th is is an attractive horse and rider with lots of potential. rider to focus on correct core alignment and clear centered weight ( in the fdirection horse is moveing). work to establish clear uphioll balance as horse was often poll low and marginally short in the neck. medium gaits require alot of imupsion and uphill balance through the shoulders. | |||||||||||||||||||||||||
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37 | PLEASE : WE NEED A CLEAR LETTER MARKER FOR EACH LETTER.. SMALL ORANGE CONES FROM THE DOLLAR STORE WILL DO. BUT IT NEEDS TO BE UNIFORM AND MORE RECOGNIZABLE. WITHOUT CLEAR UNIFORM LETTER MARKERS IT IS DIFFICULT TO ASSESS YOUR GEOMETRY/ACCURACY WHICH IS APPROX %33 PERCENT OF THE SCORE. | |||||||||||||||||||||||||
38 | POINTS: | 133 | ||||||||||||||||||||||||
39 | ERRORS: | 0 | ||||||||||||||||||||||||
40 | SUBTOTAL: | 133 | ||||||||||||||||||||||||
41 | SCORE: | 60.45% | ||||||||||||||||||||||||
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