A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Title | Authors and year | Type of the study | Type of art/aesthetic experience | Field/domain of application | Study-design | Number of participants | Method/Instrument used to detect transformation | Comparison | Facilitating conditions | Phisiological responses | Affective responses | Cognitive responses | Final Outcome | After-effects | |||||||||||
2 | Synchronization, Attention and Transformation: Multidimensional Exploration of the Aesthetic Experience of Contemporary Dance Spectators | Joufflineau et al., 2018 | Research article | Dance performance | Art performance | Controlled before and after design | 12 | Two cognitive tasks, self-report measures | A dance performance not based on contemplative practice | Design of the experience following the principles of dance-spectator synchronization | Slower breathing rate, spontaneous motor-tempo, general arousal | Feelings of fascination, boredom | More attention and vigilance, Higher absorption, direction of the attention and meta-cognitive attention | Artwork-spectator synchronization, Interpersonal resonance, Liking the performance correlated with the slowing down of the Breathing Rate | N.A. | |||||||||||
3 | Tears and transformation: feeling like crying as an indicator of insightful or "aesthetic" experience with art. | Pelowski, 2015 | Research article | Visual arts | Art exhibition | Uncontrolled before and after design | 79 | Self-report measures | N.A. | Pre-expectations | Feel like crying | Tension, Confusion, Relief, Happiness | Cognitive discrepancy | Insight, Meaning/Undesrstanding, Epiphany | Schema/Self-change | |||||||||||
4 | Aesthetic experience models human learning | Starr, 2023 | Hypothesis and theory article | Visual arts, Poetry, Music | Human Learning | N.A. | N.A. | N.A. | N.A. | Subjective tastes, Social Interaction, Vivid Perception, Expectations about the percept | N.A. | Aesthetic Pleasure, Awe, Sublime | Enhanced Imagery, Mind-wandering | Successful identification of the percept (adeherent to prior expectations), Peak-shift phenomenon, Insight | Enhanced learning capacity, Creative inspiration, Disinhibition | |||||||||||
5 | What Is Art Good For? The Socio-Epistemic Value of Art | Sherman & Morrisey, 2017 | Review | Visual arts, Poetry, Music | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | Chills, tears, arousal | Negative, positive, mixed-emotions | Memory integration, Directed attention, Meta-cognitive awareness | Aesthetic decision, evaluation; Insight and/or epiphany, Attention directed on the self | Self-understanding (e.g., belief/schema revision), Pro-social effects (e.g., developing empathy, perspective-taking, “practice” mentalizing), Well-being/flourishing/health, Perceptual skills (e.g., visual discrimination) Cognitive skills (e.g., creativity) | |||||||||||
6 | Empathy and the aesthetic: Why does art still move us? | Stamatoupolou, 2018 | Review | Visual arts | N.A. | N.A. | N.A. | N.A. | N.A. | Disposition to empathy, Value Systems and Morality | N.A. | Emotional appraisal, Both positive and negative affect, Commotion | Reflexive Awareness, Focal attention, Focus on self- Flow | Aesthetic evaluation, Re-centering of the self | Empathic Skills | |||||||||||
7 | Transformative art: art as means for long-term neurocognitive change. | Preminger, 2015 | Hypothesis and theory article | Visual arts, Theater, Music, Video-games | N.A. | N.A. | N.A. | N.A. | N.A. | Immersive nature of art content | N.A. | Sense of unity, wholeness, awe | Use of imagery, imagination | N.A. | Neuro-cognitive changes: enhanced brain plasticity, enhanced braina ctivity in parahippocampal area, changes in cognitive functions | |||||||||||
8 | Transformative experiences at art museums to support flourishing in medicine. | Tackett et al., 2023 | Research article | Visual arts | Education | Uncontrolled before and after design | 5 | 4-week course with different activities (Visual Thinking Strategies, Back-to-back sketching, Group Poems, Jazz Seminar, Reflective Writing). Reflective writings, Interviews and Self-report measures were used to evaluate the intervention. | N.A. | Creationf of an unfamiliar context | N.A. | Wonder, awe | Quiet reflection, perspective-taking | Insight, Ambiguity tolerance | Human flourishing in terms of personal and professional growth, Renowed sense of purpose, Honesty, Re-connection with inner self and others, | |||||||||||
9 | Reflection, refraction, resilience: the transformative potential of art | Gaetani et al., 2022 | Reflection | Music, visual arts | Education | Thematic groups, workshops | N.A. | Supportive environment, openneness to art and reflection | N.A. | N.A. | Reflection, Insight, Self-awareness | N.A. | New behaviours, new knowledge, understanding attitudes, endeavours, deeper appreciation of life, resilience | |||||||||||||
10 | Cutting Deep: The Transformative Power of Art in the Anatomy Lab | Grogan & Ferguson, 2018 | Research article | Visual arts | Education | Action research | N.A. | Interviews, Reflective Writing | N.A. | N.A. | N.A. | Relief, Satisfaction | Self-Reflection, Observation, Attentional Focus | Epiphany, Cathartic Effect | Long-lasting learning, Enhanced Resilience | |||||||||||
11 | Designing and Evaluation of an Artistic Experience for the Development of Empathic Capacity: "Stepping into Others' Shoes". | Lopez de Castro et al., 2022 | Research article | Visual arts | Education | Etnographic research | 71 | Reflective Writing, Focus groups | N.A. | N.A. | N.A. | Satisfaction, Surprise, Concern | Self-Reflection, Dishinibition | New meaning, Breaking Boundaries | Meaning construction, Emphatic Skills, Improved Social skills, Creativity and Self-Esteem | |||||||||||
12 | Art, Emotion, and Existential Well-Being | Funch, 2021 | Review | Visual arts, Music, Movies | N.A. | N.A. | N.A. | N.A. | N.A. | Aesthetic sensitivity/Disposition | N.A. | Intense and overwhelming feelings, Pleasure, Tension, Anxiety and Fascination | Deep reasoning, Heightened Awareness, Stream of Thoughts | Aesthetic catharsis, Sense of wholeness, Being-moved | Existential well-being, Emotional Stability, Life satisfaction | |||||||||||
13 | Teaching and Learning Science for Transformative, Aesthetic Experience | Girod et al., 2017 | Research article | Visual arts | Education | Quasi-experimental | N.A. | Self-report measures, Interviews | A traditional teaching method based on cognitive, rational framework | N.A. | N.A. | Satisfaction | Cognitive dissonance, Higher interest | Aesthetic appreciation | Self-change, Broadened Perspective, Shift of Attitude, Long-lasting Learning | |||||||||||
14 | Experience design and the dimensions of transformative festival experiences | Neunhofer et al., 2020 | Research article | Visual arts, Music, Dance | Art performance | Constructivist research design | 31 | Semi-structured interviews | N.A. | Temporal and spatial liminality | N.A. | Positive emotions (awe, happiness, fullfillment) | Engagement, Flow | Epiphany, Quantum change, epistemic expansion | Cultural Identity, Sense of Community, Spiritual Growth, Meaning-making | |||||||||||
15 | Transnational Refugees: The Transformative Role of Art? | O'Neill, 2008 | Review | Visual arts, Poetry | Social | N.A. | N.A. | Interviews, Reflective Writing | N.A. | Commitment, Potential and Dialogic Space | N.A. | N.A. | Awareness, Focus on the present moment, Reflection | Insight, Mutual Recognition | New knowledge, New understanding, Personal identity | |||||||||||
16 | Transformative Learning in the Art Museum: A Methods Review | Chisolm et al., 2020 | Review | Visual arts | Education | N.A. | N.A. | N.A. | N.A. | New and creative environment, Social Interaction | N.A. | Surprise, Fullfillment | Introspection, Critical Reflection, Cognitive challenge | Insight | Critical Thinking ability, Mindset Growht, Transformational Learning | |||||||||||
17 | Transformative Learning and the Arts: A Literature Review | Blackburn Miller, 2020 | Review | Visual arts, Poetry, Storytelling, Movies | Education | N.A. | N.A. | N.A. | N.A. | In person facilitators | N.A. | Appreciation, Positive emotions | Imagination, disorienting dilemma, Reflection | Extra-rational knowledge, Insight | Long-lasting learning, Self/Others Awareness, Creativity skills, Empathy skills, Connection, Purposeful Chance | |||||||||||
18 | ART FOR CHANGE: Transformative learning and youth empowerment in a changing climate | Bentz & O'Brien, 2019 | Research article | Visual arts, Storytelling | Social/Education | Uncontrolled before and after design | 24 | Survey, Group discussion | N.A. | Creation of dialogic space | N.A. | Hope, Responsibility, Care, Solidarity, Serendipity, Uncertainty | Focus of attention on the self, Cognitive Dissonance, Complex dilemma | Creative Insight | Critical Thinking ability, Awareness, Sense of Empowerment, New Understanding, Values/Knowledge Riorientation | |||||||||||
19 | The Restorative and Transformative Power of the Arts in Conflict Resolution | Bang et al., 2016 | Review | Visual arts, Music, Dance | Social | N.A. | N.A. | N.A. | Design of the experience following the principles of artist-audience synchronization | N.A. | Empathetic concern, Anxiety Reduction | Critical Reflection, Engagement, Meta-cognitive alertness | Innovation, Reflection | Long-lasting learning, Adoption of new perspective, Cooperative Relationship, Social Bounding | ||||||||||||
20 | 5x5x5=Creativity: Art as a Transformative Practice | Paris & Hay, 2019 | Research article | Visual arts, Poetry | Education | Action research | N.A. | Open interviews, Reflective Journals | N.A. | Social interaction | N.A. | N.A. | Imagination, Focus on the self | N.A. | Creativity Skills, Intellectual development, Emotional Development, Social development | |||||||||||
21 | Art projects as transformative services to integrate refugees | Gross et al., 2021 | Research article | Visual arts, Music | Social | Mixed-method approach | 770 | Survey, Semi-structured interviews | N.A. | Oppenness, Social interaction | N.A. | Empathetic concern, Uncertainty, Social and Positive Emotions | N.A. | Creative Insight | New understanding/Meaning, Acceptance of Diversity, Social Bounding | |||||||||||
22 | What is literature for? The role of transformative reading | Fialho, 2019 | Review | Literature | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | Pleasure, Amusement, Engagement, Empathetic concern, Sympathy, Compassion | Flow, Reconceptualization, Perspective-taking | Insight into the Self/Into the Others | New sense of self, Modification of Personal Meaning | |||||||||||
23 | Effects of Literature on Empathy and Self-Reflection: A Theoretical-Empirical Framework | Koopman & Hakemulder, 2015 | Review | Literature | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | Focus on the present moment, Reflection | Insight, New Meaning, Epistemic Expansion | Empathy, Self-Reflection | |||||||||||
24 | Patterns of receptive and creative cultural activities and their association with perceived health, anxiety, depression and satisfaction with life among adults: the HUNT study, Norway | Cuypers et al., 2012 | Research report | Visual arts, Poetry, Music, Dance, Theater | Social | Population-based study | 50,797 | Survey | N.A. | N.A. | N.A. | N.A. | N.A. | N.A. | Growth, new meaning, perceived health and well-being | |||||||||||
25 | ||||||||||||||||||||||||||
26 | ||||||||||||||||||||||||||
27 | ||||||||||||||||||||||||||
28 | ||||||||||||||||||||||||||
29 | ||||||||||||||||||||||||||
30 | ||||||||||||||||||||||||||
31 | ||||||||||||||||||||||||||
32 | ||||||||||||||||||||||||||
33 | ||||||||||||||||||||||||||
34 | ||||||||||||||||||||||||||
35 | ||||||||||||||||||||||||||
36 | ||||||||||||||||||||||||||
37 | ||||||||||||||||||||||||||
38 | ||||||||||||||||||||||||||
39 | ||||||||||||||||||||||||||
40 | ||||||||||||||||||||||||||
41 | ||||||||||||||||||||||||||
42 | ||||||||||||||||||||||||||
43 | ||||||||||||||||||||||||||
44 | ||||||||||||||||||||||||||
45 | ||||||||||||||||||||||||||
46 | ||||||||||||||||||||||||||
47 | ||||||||||||||||||||||||||
48 | ||||||||||||||||||||||||||
49 | ||||||||||||||||||||||||||
50 | ||||||||||||||||||||||||||
51 | ||||||||||||||||||||||||||
52 | ||||||||||||||||||||||||||
53 | ||||||||||||||||||||||||||
54 | ||||||||||||||||||||||||||
55 | ||||||||||||||||||||||||||
56 | ||||||||||||||||||||||||||
57 | ||||||||||||||||||||||||||
58 | ||||||||||||||||||||||||||
59 | ||||||||||||||||||||||||||
60 | ||||||||||||||||||||||||||
61 | ||||||||||||||||||||||||||
62 | ||||||||||||||||||||||||||
63 | ||||||||||||||||||||||||||
64 | ||||||||||||||||||||||||||
65 | ||||||||||||||||||||||||||
66 | ||||||||||||||||||||||||||
67 | ||||||||||||||||||||||||||
68 | ||||||||||||||||||||||||||
69 | ||||||||||||||||||||||||||
70 | ||||||||||||||||||||||||||
71 | ||||||||||||||||||||||||||
72 | ||||||||||||||||||||||||||
73 | ||||||||||||||||||||||||||
74 | ||||||||||||||||||||||||||
75 | ||||||||||||||||||||||||||
76 | ||||||||||||||||||||||||||
77 | ||||||||||||||||||||||||||
78 | ||||||||||||||||||||||||||
79 | ||||||||||||||||||||||||||
80 | ||||||||||||||||||||||||||
81 | ||||||||||||||||||||||||||
82 | ||||||||||||||||||||||||||
83 | ||||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||
85 | ||||||||||||||||||||||||||
86 | ||||||||||||||||||||||||||
87 | ||||||||||||||||||||||||||
88 | ||||||||||||||||||||||||||
89 | ||||||||||||||||||||||||||
90 | ||||||||||||||||||||||||||
91 | ||||||||||||||||||||||||||
92 | ||||||||||||||||||||||||||
93 | ||||||||||||||||||||||||||
94 | ||||||||||||||||||||||||||
95 | ||||||||||||||||||||||||||
96 | ||||||||||||||||||||||||||
97 | ||||||||||||||||||||||||||
98 | ||||||||||||||||||||||||||
99 | ||||||||||||||||||||||||||
100 |