A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | JUDGE | Ida Norris | ||||||||||||||||||||||||
2 | RIDER # | 8044 | ||||||||||||||||||||||||
3 | NAME: | Madison Lareau | ||||||||||||||||||||||||
4 | Max Pts: | 340 | ||||||||||||||||||||||||
5 | Final Score: | 60.294% | ||||||||||||||||||||||||
6 | ||||||||||||||||||||||||||
7 | ||||||||||||||||||||||||||
8 | FEI PRIX ST. GEORGE | |||||||||||||||||||||||||
9 | ||||||||||||||||||||||||||
10 | TEST | MARK | CORRECTION | * | TOTAL | DIRECTIVES | REMARKS | |||||||||||||||||||
11 | 1 | A X XC | Enter in collected canter Halt - immobility - salute Proceed in collected trot Collected trot | 6 | 6 | Quality of paces, halt, and transitions. Straightness. Contact and poll. | rider left shoulder and seat bone up and forward, chest of rider and horse not clearly parallel to short side of the ring: hence not straight . falling left slightly into abrupt halt , riders weight and core moving left/right throughout the centerline | |||||||||||||||||||
12 | 2 | C MXK K KAF | Track to the right
Medium trot Collected trot Collected trot | 6 | 6 | Regularity, elasticity, balance, engagement of hindquarters, lengthening of steps and frame. Both transitions. Collection. | horse not quite level or even through front legs and shoulders at the med trot? may be a straightness problem: hard to see with the dust. riders weight again not centered: this is often a factor in med gait irregularities | |||||||||||||||||||
13 | 3 | FB | Shoulder-in left | 6 | 6 | Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. | appeared to turn into the sh-0in abruptly and the angle and bend changed ( it did improve) however the goal is to have an incredibly smooth seamless turn/bend into it and have no changes | |||||||||||||||||||
14 | 4 | B | Volte left (8 m Ø) | 5.5 | 5.5 | Regularity and quality of trot, collection, and balance. Bend; size and shape of volte | rider leans in=horse falls out thru shoulders and hind legs cross and fall out.. the goal is almost no neck bend and an upright horse ridden off the OUTSIDE aids ie ride the circle in don't push it out / lost engagement and uphill | |||||||||||||||||||
15 | 5 | BG G C | Half-pass to the left
On centre line Track to the left | 6 | 2 | 12 | Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs. | began with adequate bend but lost it as you approach the cline.. keep it longer. additionally the engagement and balance was more like 3rd level than PSG .. | ||||||||||||||||||
16 | 6 | HXF F | Extended trot
Collected trot | 6 | 6 | Regularity, elasticity, balance, energy of hindquarters, overtrack. Lengthening of frame. Differentiation from medium trot. | tempo and balance change and hocks out behind.. You need to establish the power in the corner so that as you leave the rail.. you are already in the power and tempo the EXt will be: | |||||||||||||||||||
17 | 7 | FAK | Transitions at H and F
The collected trot | 5 | 5 | Maintenance of rhythm, fluency, precise and smooth execution of transitions. Change of frame. Collection. | almost no transition at the end.. ( develop power and cadence in corners and short sides). | |||||||||||||||||||
18 | 8 | KE | Shoulder-in right | 4 | 4 | Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. | abrupt too wide turn and totally lost the shoulder-in.. ( over rode) . Need to come around the corner developing the bend in the apex of the corner and then smoothly and carefully presenting it as the letter with confidence and balance . rider MUST not lean IN. you recovered the shoulder in but at this level it is too late.... not enough uphill and engaged | |||||||||||||||||||
19 | 9 | E | Volte right (8 m Ø) | 6 | 6 | Regularity and quality of trot, collection, and balance. Bend; size and shape of volte. | again leaned in and pushed the horse OUT thru shoulder and haunch around the circle / losing engagement, uphill and collection | |||||||||||||||||||
20 | 10 | EG G | Half-pass to the right
On centre line | 6.5 | 2 | 13 | Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs. | correct angle and bend but rider not smooth or confident riding to straightness at the centerline .. what was a good half pass is marred by the inability to smoothly straighten without losing collection and balance | ||||||||||||||||||
21 | 11 | Before C C H Between G & M | [Collected walk]
[Track to the left] [Turn left] Half pirouette to the left | 6.5 | 6.5 | Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of four beat. | correct 5 foot fall behind, horse somewhat bracing in connection | |||||||||||||||||||
22 | 12 | Between G & H GM | Half pirouette to the right
[Collected walk] | 4 | 4 | Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of four beat. | two footed pivot , riders behind vertical and inside seat bone in the way.. caused a restriction | |||||||||||||||||||
23 | 13 | The collected walk C-H-G-(M)-G-
(H)-G-M | 6 | 2 | 12 | Regularity, suppleness of back, activity, shortening and heightening of steps, self-carriage. Transition into walk. | could be more uphill at the shoulders and poll with slightly clearer rhythm | |||||||||||||||||||
24 | 14 | MRXV(K) | Extended walk | 6 | 2 | 12 | Regularity, suppleness of back, activity, overtrack, freedom of shoulder, stretching to the bit. | steps appear very short and stretch is inconsistent and appears to be more like free walk ; need some overtrack with consistent "reach" to the bridle with poll slightly below wither | ||||||||||||||||||
25 | 15 | Before K K KAF | Collected walk
Proceed in collected canter left Collected canter | 6.5 | 6.5 | Precise execution and fluency of transition. Quality of canter. | sl. haunches in, canter needs more jump and engagement in short side | |||||||||||||||||||
26 | 16 | FX X | Half-pass to the left
Flying change of leg | 7 | 7 | Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change. | could be more uphill and engaged | |||||||||||||||||||
27 | 17 | XM M MCH | Half-pass to the right
Flying change of leg Collected canter | 5 | 5 | Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change. | virtually no bend change clean but flat | |||||||||||||||||||
28 | 18 | H Between H & X | Proceed towards X in collected
canter Half pirouette to the left | 5.5 | 2 | 11 | Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after. | not correctly on the diagonal line leaving H ( drifting right) , and slightly stepping against aids | ||||||||||||||||||
29 | 19 | HC C | Counter canter
Flying change of leg | 7 | 7 | Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change. | cc looks more engaged and uphill, change ok | |||||||||||||||||||
30 | 20 | M Between M & X | Proceed towards X in collected
canter Half pirouette to the right | 6 | 2 | 12 | Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after. | did not stay correctly on diagonal line( drifts left) poll to be more to right | ||||||||||||||||||
31 | 21 | MC C | Counter canter
Flying change of leg | 7 | 7 | Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change. | cc shows more engagement and uphill change ok | |||||||||||||||||||
32 | 22 | HXF FAK | On the diagonal 5 flying changes of leg every 4th stride
Collected canter | 7 | 7 | Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after. | changes were ok.. try to be more centered .. start a bit sooner, they can be straightwer and show more quality and be more confident / short side balance and engagement looks more like third level | |||||||||||||||||||
33 | 23 | KXM MCH | On the diagonal 5 flying changes
of leg every 3rd stride Collected canter | 7 | 7 | Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after. | clean, can be straighter.. rider to be sl. quieter for elegance / short side management and collection to be clearer | |||||||||||||||||||
34 | 24 | HXF | Extended canter | 6.5 | 6.5 | Quality of canter, impulsion, lengthening of strides and frame. Balance, uphill tendency, straightness. | horse not very uphill on short side so when rider asks it to go,,, hocks went out behind , tempo change... use the short side to collect and power up, ask for the extended depart sooner so that he is over his hocks as he goes into the diagon... | |||||||||||||||||||
35 | 25 | F FA | Collected canter and flying
change of leg Collected canter | 6.5 | 6.5 | Quality of flying change on diagonal. Precise, smooth execution of transition. Collection. | needs to clearly collect and be straight before and during the change | |||||||||||||||||||
36 | 26 | A X | Down the centre line
Halt - immobility - salute | 6.5 | 6.5 | Quality of pace, halt, and transition. Straightness. Contact and poll. | hocks went wide behind during the moment before halt.. ( ie abrupt) | |||||||||||||||||||
37 | Leave arena at A in walk on a long rein | |||||||||||||||||||||||||
38 | ||||||||||||||||||||||||||
39 | COLLECTIVE MARKS | MARK | CORRECTION | * | TOTAL | REMARKS | ||||||||||||||||||||
40 | Rider’s Position and Seat; Correctness and Effect of the Aids | 6 | 2 | 12 | legs to be more correctly down and at times core not functioning correctly as there is momentary upper body slumping , elbow to be more elastic and hands lower and closer together, need to effect more uphill balance and collection | |||||||||||||||||||||
41 | This is a lovely team with lots of potential. there needs to be more jump in the canter and imnpulsion in the trrot to improve the quality of the collection and quality of the canter for this horse. Use the short side to collect and position uphill for cadence. this horse does everything but the balance and profile often looks more like a lovely third level ride. More power will help. | |||||||||||||||||||||||||
42 | ||||||||||||||||||||||||||
43 | ||||||||||||||||||||||||||
44 | ||||||||||||||||||||||||||
45 | ||||||||||||||||||||||||||
46 | POINTS: | 205 | ||||||||||||||||||||||||
47 | ERRORS: | 0 | ||||||||||||||||||||||||
48 | SUBTOTAL: | 205 | ||||||||||||||||||||||||
49 | SCORE: | 60.294% | ||||||||||||||||||||||||
50 | ||||||||||||||||||||||||||
51 | ||||||||||||||||||||||||||
52 | ||||||||||||||||||||||||||
53 | ||||||||||||||||||||||||||
54 | ||||||||||||||||||||||||||
55 | ||||||||||||||||||||||||||
56 | ||||||||||||||||||||||||||
57 | ||||||||||||||||||||||||||
58 | ||||||||||||||||||||||||||
59 | ||||||||||||||||||||||||||
60 | ||||||||||||||||||||||||||
61 | ||||||||||||||||||||||||||
62 | ||||||||||||||||||||||||||
63 | ||||||||||||||||||||||||||
64 | ||||||||||||||||||||||||||
65 | ||||||||||||||||||||||||||
66 | ||||||||||||||||||||||||||
67 | ||||||||||||||||||||||||||
68 | ||||||||||||||||||||||||||
69 | ||||||||||||||||||||||||||
70 | ||||||||||||||||||||||||||
71 | ||||||||||||||||||||||||||
72 | ||||||||||||||||||||||||||
73 | ||||||||||||||||||||||||||
74 | ||||||||||||||||||||||||||
75 | ||||||||||||||||||||||||||
76 | ||||||||||||||||||||||||||
77 | ||||||||||||||||||||||||||
78 | ||||||||||||||||||||||||||
79 | ||||||||||||||||||||||||||
80 | ||||||||||||||||||||||||||
81 | ||||||||||||||||||||||||||
82 | ||||||||||||||||||||||||||
83 | ||||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||
85 | ||||||||||||||||||||||||||
86 | ||||||||||||||||||||||||||
87 | ||||||||||||||||||||||||||
88 | ||||||||||||||||||||||||||
89 | ||||||||||||||||||||||||||
90 | ||||||||||||||||||||||||||
91 | ||||||||||||||||||||||||||
92 | ||||||||||||||||||||||||||
93 | ||||||||||||||||||||||||||
94 | ||||||||||||||||||||||||||
95 | ||||||||||||||||||||||||||
96 | ||||||||||||||||||||||||||
97 | ||||||||||||||||||||||||||
98 | ||||||||||||||||||||||||||
99 | ||||||||||||||||||||||||||
100 |