A | B | C | D | E | F | G | H | M | N | O | P | Q | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | № | Votes | TITLE | YEAR | DIRECTOR | C | D | Country | DVD BEAV | US DVD | US Blu-ray | other DVD | other Blu-ray | |
2 | 1 | 261 | Jeanne Dielman, 23 quai du Commerce 1080 Buxelles | 1975 | Akerman, Chantal | 215 | 46 | Belgium | REVIEW | Criterion | Criterion | |||
3 | 2 | 246 | Vertigo | 1958 | Hitchcock, Alfred | 208 | 38 | USA | REVIEW | Universal | Universal / 4K | UK Universal | UK Universal / 4K | |
4 | 3 | 215 | Citizen Kane | 1941 | Welles, Orson | 163 | 52 | USA | REVIEW | Warner | Criterion / 4K | UK Universal | UK Warner / 4K | |
5 | 4 | 192 | 2001: A Space Odyssey | 1968 | Kubrick, Stanley | 130 | 62 | USA | REVIEW | Warner | Warner/ 4K | UK Warner | UK Warner / 4K | |
6 | 5 | 191 | Tokyo Story | 1953 | Ozu, Yasujiro | 145 | 46 | Japan | REVIEW | Criterion | Criterion | UK BFI | UK BFI / Japan | |
7 | 6 | 174 | In the Mood for Love | 2000 | Wong, Kar-Wai | 141 | 33 | Hong Kong | REVIEW | Criterion | Criterion / 4K | UK Tartan | UK Criterion | |
8 | 7 | 142 | Godfather, The | 1972 | Coppola, Francis Ford | 94 | 48 | USA | REVIEW | Paramount | Paramount / 4K | UK Paramount | UK Paramount / 4K | |
9 | 8 | 134 | Beau travail | 1998 | Denis, Claire | 106 | 28 | France | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Criterion | |
10 | 9 | 128 | Mulholland Dr. | 2001 | Lynch, David | 105 | 23 | USA | REVIEW | Criterion | Criterion / 4K | UK StudioCanal | UK StudioCanal / 4K | |
11 | 10 | 119 | Man With a Movie Camera | 1929 | Vertov, Dziga | 100 | 19 | USSR | REVIEW | Kino, Image | Flicker Alley, Kino | UK BFI | UK Eureka / UK BFI | |
12 | 11 | 116 | Sunrise: A Song of Two Humans | 1927 | Murnau, F.W. | 98 | 18 | USA | REVIEW | Fox X | Fox | UK Eureka | UK Eureka | |
13 | 12 | 111 | Singin' in the Rain | 1951 | Donen, Stanley | 99 | 12 | USA | REVIEW | Warner | Warner / 4K | UK Warner | UK Warner / 4K | |
14 | 12 | 111 | Close-Up | 1989 | Kiarostami, Abbas | 78 | 33 | Iran | REVIEW | Criterion | Criterion | |||
15 | 14 | 109 | Persona | 1966 | Bergman, Ingmar | 76 | 33 | Sweden | REVIEW | Criterion | Criterion | UK Tartan | UK BFI | |
16 | 15 | 102 | Rules of the Game, The | 1939 | Renoir, Jean | 87 | 15 | France | REVIEW | Criterion | Criterion / 4K | UK BFI | UK BFI | |
17 | 16 | 99 | Apocalypse Now | 1979 | Coppola, Francis Ford | 72 | 27 | USA | REVIEW | Lionsgate | Lionsgate / 4K | UK StudioCanal | UK StudioCanal / 4K | |
18 | 16 | 99 | Seven Samurai | 1954 | Kurosawa, Akira | 71 | 28 | Japan | REVIEW | Criterion | Criterion | UK BFI | UK BFI / 4K Jap (no subs) | |
19 | 18 | 96 | 8 ½ | 1963 | Fellini, Federico | 59 | 37 | Italy | REVIEW | Criterion | Criterion | UK Argent Films | UK Argent Films | |
20 | 19 | 93 | Cleo from 5 to 7 | 1962 | Varda, Agnès | 81 | 12 | France, Italy | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Artificial Eye | |
21 | 19 | 93 | Mirror | 1974 | Tarkovsky, Andrei | 59 | 34 | USSR | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Criterion | |
22 | 21 | 91 | Searchers, The | 1956 | Ford, John | 80 | 11 | USA | REVIEW | Warner | Warner | UK Warner | UK Warner | |
23 | 21 | 91 | Taxi Driver | 1976 | Scorsese, Martin | 62 | 29 | USA | REVIEW | Sony | Sony / 4K | UK Sony | UK Sony / 4K | |
24 | 23 | 90 | Meshes of the Afternoon | 1943 | Deren, Maya | 79 | 11 | USA | REVIEW | Microcinema | Kino; Flicker Alley | |||
25 | 23 | 90 | Passion of Joan of Arc, The | 1927 | Dreyer, Carl Theodor | 71 | 19 | France | REVIEW | Criterion | Criterion | UK BFI | UK Eureka | |
26 | 25 | 88 | Do the Right Thing | 1989 | Lee, Spike | 67 | 21 | USA | REVIEW | Criterion | Criterion / Uni 4K | UK Universal | UK Criterion / Uni 4K | |
27 | 26 | 83 | Pather Panchali | 1955 | Ray, Satyajit | 57 | 26 | India | REVIEW | Criterion | Criterion / 4K | UK Artificial Eye | UK Criterion | |
28 | 27 | 82 | Playtime | 1967 | Tati, Jacques | 68 | 14 | France | REVIEW | Criterion | Criterion | UK BFI | UK StudioCanal | |
29 | 27 | 82 | Au Hasard Balthazar | 1966 | Bresson, Robert | 66 | 16 | France, Sweden | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Criterion | |
30 | 29 | 81 | Late Spring | 1949 | Ozu, Yasujiro | 70 | 11 | Japan | REVIEW | Criterion | Criterion | UK BFI | UK BFI / Japan | |
31 | 29 | 81 | Breathless | 1960 | Godard, Jean Luc | 53 | 28 | France | REVIEW | Criterion | Criterion / 4K | UK StudioCanal | UK StudioCanal / 4K | |
32 | 31 | 80 | Night of the Hunter, The | 1955 | Laughton, Charles | 66 | 14 | USA | REVIEW | Criterion | Criterion / 4K Kino | UK MGM | UK Criterion | |
33 | 32 | 79 | Stalker | 1979 | Tarkovsky, Andrei | 51 | 28 | USSR | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Criterion | |
34 | 33 | 78 | Barry Lyndon | 1975 | Kubrick, Stanley | 49 | 29 | UK, USA | REVIEW | Criterion | Criterion | UK Warner | UK Warner | |
35 | 34 | 76 | Bicycle Thieves | 1948 | De Sica, Vittorio | 52 | 24 | Italy | REVIEW | Criterion | Criterion | UK Arrow | ||
36 | 34 | 76 | Rashomon | 1950 | Kurosawa, Akira | 52 | 24 | Japan | REVIEW | Criterion | Criterion | UK BFI | UK BFI | |
37 | 36 | 74 | Shoah | 1985 | Lanzmann, Claude | 64 | 10 | France | REVIEW | Criterion | Criterion | UK Eureka | UK Eureka | |
38 | 37 | 72 | Psycho | 1960 | Hitchcock, Alfred | 59 | 13 | USA | REVIEW | Universal | Universal / 4K | UK Universal | UK Universal / 4K | |
39 | 37 | 72 | Battle of Algiers, The | 1966 | Pontecorvo, Gillo | 49 | 23 | Algeria, Italy | REVIEW | Criterion | Criterion | UK Argent Films | UK Cult Films | |
40 | 39 | 71 | Atalante, L' | 1934 | Vigo, Jean | 58 | 13 | France | REVIEW | Criterion | Criterion | UK Artificial Eye | ||
41 | 40 | 68 | City Lights | 1931 | Chaplin, Charles | 55 | 13 | USA | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Criterion | |
42 | 41 | 67 | Ordet | 1955 | Dreyer, Carl Theodor | 48 | 19 | Denmark | REVIEW | Criterion | UK BFI | %UK BFI | ||
43 | 42 | 66 | Daisies | 1966 | Chytilová, Věra | 63 | 3 | Czechoslovakia | REVIEW | Criterion | Criterion | UK Second Run | UK Second Run | |
44 | 43 | 65 | Portrait of a Lady on Fire | 2019 | Sciamma, Céline | 60 | 5 | France | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Artificial Eye | |
45 | 44 | 64 | Some Like it Hot | 1959 | Wilder, Billy | 53 | 11 | USA | REVIEW | Criterion | Criterion / 4K Kino | UK MGM | UK MGM | |
46 | 44 | 64 | 400 Blows, The | 1959 | Truffaut, Francois | 46 | 18 | France | REVIEW | Criterion | Criterion | UK Artificial Eye | UK BFI | |
47 | 46 | 61 | Goodfellas | 1990 | Scorsese, Martin | 40 | 21 | USA | REVIEW | Warner | Warner / 4K | UK Warner | UK Warner / 4K | |
48 | 47 | 60 | M | 1931 | Lang, Fritz | 55 | 5 | Germany | REVIEW | Criterion | Criterion | UK Eureka | UK Eureka | |
49 | 47 | 60 | Andrei Rublev | 1966 | Tarkovsky, Andrei | 38 | 22 | USSR | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Artificial Eye | |
50 | 49 | 59 | Dolce Vita, La | 1960 | Fellini, Federico | 42 | 17 | Italy, France | REVIEW | Criterion | Criterion / Paramount | UK Nouveaux Pictures | UK Criterion | |
51 | 50 | 58 | Rear Window | 1954 | Hitchcock, Alfred | 53 | 5 | USA | REVIEW | Universal | Universal / 4K | UK Universal | UK Universal / 4K | |
52 | 50 | 58 | Piano, The | 1993 | Campion, Jane | 46 | 12 | Australia, NZ, Fr | REVIEW | Lionsgate | Criterion / 4K | UK Optimum | UK StudioCanal / 4K | |
53 | 52 | 57 | Killer of Sheep | 1977 | Burnett, Charles | 51 | 6 | USA | REVIEW | Milestone | UK BFI | |||
54 | 52 | 57 | North by Northwest | 1959 | Hitchcock, Alfred | 49 | 8 | USA | REVIEW | Warner | Warner | UK Warner | UK Warner / #4K | |
55 | 52 | 57 | Wanda | 1970 | Loden, Barbara | 48 | 9 | USA | REVIEW | Criterion | Criterion | France mk2 | UK Criterion | |
56 | 52 | 57 | Ali: Fear Eats the Soul | 1974 | Fassbinder, Rainer Werner | 45 | 12 | Germany | REVIEW | Criterion | Criterion | UK Arrow | UK Arrow | |
57 | 52 | 57 | Contempt | 1963 | Godard, Jean Luc | 44 | 13 | France, Italy | REVIEW | Criterion X | Lionsgate / 4K | UK StudioCanal | UK StudioCanal / 4K | |
58 | 57 | 55 | News from Home | 1976 | Akerman, Chantal | 45 | 10 | France, Bel, Ger | REVIEW | Criterion | Criterion | |||
59 | 57 | 55 | Blade Runner | 1982 | Scott, Ridley | 44 | 11 | Hong Kong, USA | REVIEW | Warner | Warner / 4K | UK Warner | UK Warner / 4K | |
60 | 57 | 55 | Jetée, La | 1962 | Marker, Chris | 38 | 17 | France | REVIEW | Criterion | Criterion | UK Criterion | ||
61 | 60 | 53 | Battleship Potemkin | 1925 | Eisenstein, Sergei | 44 | 9 | USSR | REVIEW | Kino | Kino | UK BFI | ||
62 | 60 | 53 | Sans Soleil | 1982 | Marker, Chris | 43 | 10 | France | REVIEW | Criterion | Criterion | UK Criterion | ||
63 | 60 | 53 | Woman Under the Influence, A | 1974 | Cassavetes, John | 27 | 26 | USA | REVIEW | Criterion | Criterion | UK BFI | ||
64 | 63 | 52 | Avventura, L' | 1960 | Antonioni, Michelangelo | 37 | 15 | France, Italy | REVIEW | Criterion | Criterion | UK Mr. Bongo | UK Criterion | |
65 | 63 | 52 | Godfather Part II, The | 1974 | Coppola, Francis Ford | 29 | 23 | USA | REVIEW | Paramount | Paramount / 4K | UK Paramount | UK Paramount / 4K | |
66 | 65 | 51 | Moonlight | 2016 | Jenkins, Barry | 42 | 9 | USA | Lionsgate | Lionsgate / 4K | UK Altitude | UK Altitude | ||
67 | 66 | 50 | Apartment, The | 1960 | Wilder, Billy | 44 | 6 | USA | REVIEW | MGM | Arrow X / 4K Kino | UK MGM | UK Arrow | |
68 | 67 | 49 | Sherlock Jr. | 1924 | Keaton, Buster | 44 | 5 | USA | REVIEW | Cohen Media | Cohen Media | UK Eureka | ||
69 | 67 | 49 | Touki Bouki | 1973 | Mambéty, Djibril Diop | 39 | 10 | Senegal | REVIEW | Criterion | Criterion | |||
70 | 69 | 48 | Red Shoes, The | 1948 | Powell, Michael & Pressburger, E | 38 | 10 | UK | REVIEW | Criterion | Criterion / 4K | UK ITV | UK ITV | |
71 | 70 | 46 | Daughters of the Dust | 1991 | Dash, Julie | 42 | 4 | USA | Cohen Media | Cohen Media | UK BFI | |||
72 | 70 | 46 | Modern Times | 1936 | Chaplin, Charles | 35 | 11 | USA | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Criterion | |
73 | 70 | 46 | Sátántangó | 1994 | Tarr, Béla | 35 | 11 | Hungary | REVIEW | Arbelos | Arbelos | UK Artificial Eye | UK Artificial Eye | |
74 | 70 | 46 | Sunset Blvd. | 1950 | Wilder, Billy | 35 | 11 | USA | REVIEW | Paramount | Paramount | UK Paramount | UK Paramount | |
75 | 70 | 46 | Raging Bull | 1980 | Scorsese, Martin | 23 | 23 | USA | REVIEW | MGM | Criterion / 4K | UK MGM | UK MGM | |
76 | 75 | 45 | Third Man, The | 1949 | Reed, Carol | 40 | 5 | UK, USA | REVIEW | Criterion X | Lionsgate | UK StudioCanal | UK StudioCanal | |
77 | 75 | 45 | Brighter Summer Day, A | 1991 | Yang, Edward | 35 | 10 | Taiwan | REVIEW | Criterion | Criterion | UK Criterion | ||
78 | 75 | 45 | Man Escaped, A | 1956 | Bresson, Robert | 31 | 14 | France | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Artificial Eye | |
79 | 78 | 44 | Casablanca | 1942 | Curtiz, Michael | 40 | 4 | USA | REVIEW | Warner | Warner / 4K | UK Warner | UK Warner / 4K | |
80 | 78 | 44 | Gleaners & I, The | 2000 | Varda, Agnès | 38 | 6 | France | REVIEW | Zeitgeist | Criterion | UK Artificial Eye | UK Artificial Eye | |
81 | 78 | 44 | Blue Velvet | 1986 | Lynch, David | 34 | 10 | USA | REVIEW | Criterion | Criterion / #4K | UK Universal | UK Universal | |
82 | 78 | 44 | Spirit of the Beehive, The | 1973 | Erice, Victor | 34 | 10 | Spain | REVIEW | Criterion | UK Optimum | %Spain Manga | ||
83 | 78 | 44 | Once Upon a Time in the West | 1968 | Leone, Sergio | 31 | 13 | Italy | REVIEW | Paramount | Paramount / #4K | UK Paramount | UK Paramount | |
84 | 78 | 44 | Vagabond | 1985 | Varda, Agnès | 30 | 14 | France, UK | REVIEW | Criterion | Criterion | UK Artificial Eye | UK Artificial Eye | |
85 | 84 | 43 | Journey to Italy | 1954 | Rossellini, Roberto | 37 | 6 | Italy | REVIEW | Criterion | Criterion | UK BFI | UK BFI | |
86 | 84 | 43 | Imitation of Life | 1959 | Sirk, Douglas | 36 | 7 | USA | REVIEW | Universal | Universal | UK Universal | Ger / France | |
87 | 84 | 43 | Spirited Away | 2001 | Miyazaki, Hayao | 36 | 7 | Japan | REVIEW | GKids | GKids | UK StudioCanal | UK StudioCanal | |
88 | 84 | 43 | Come and See | 1985 | Klimov, Elem | 29 | 14 | USSR | REVIEW | Criterion | Criterion | UK Artificial Eye | ||
89 | 88 | 42 | Metropolis | 1927 | Lang, Fritz | 38 | 4 | Germany | REVIEW | Kino | Kino | UK Eureka | UK Eureka | |
90 | 88 | 42 | My Neighbor Totoro | 1988 | Miyazaki, Hayao | 37 | 5 | Japan | REVIEW | GKids | GKids | UK StudioCanal | UK StudioCanal | |
91 | 88 | 42 | Matter of Life and Death, A | 1946 | Powell, Michael & Pressburger, E | 35 | 7 | UK | REVIEW | Criterion | Criterion | UK ITV | UK ITV | |
92 | 88 | 42 | Ugetsu monogatari | 1953 | Mizoguchi, Kenji | 32 | 10 | Japan | REVIEW | Criterion | Criterion | UK Eureka | UK Criterion | |
93 | 88 | 42 | Tropical Malady | 2004 | Weerasethakul, Apichatpong | 31 | 11 | Thailand, etc. | REVIEW | Strand | UK Second Run | |||
94 | 93 | 41 | Shining, The | 1980 | Kubrick, Stanley | 33 | 8 | UK, USA | REVIEW | Warner | Warner / 4K | UK Warner | UK Warner / 4K | |
95 | 93 | 41 | Parasite | 2019 | Bong, Joon-ho | 32 | 9 | South Korea | REVIEW | Criterion | Criterion / Uni 4K | UK Artificial Eye | UK Artificial Eye / 4K | |
96 | 93 | 41 | Yi Yi | 2000 | Yang, Edward | 32 | 9 | Taiwan | REVIEW | Criterion | Criterion | UK Criterion | ||
97 | 93 | 41 | Mother and the Whore, The | 1973 | Eustache, Jean | 29 | 12 | France | #Criterion | |||||
98 | 97 | 40 | Celine and Julie Go Boating | 1974 | Rivette, Jacques | 35 | 5 | France | REVIEW | Criterion | Criterion | UK BFI | UK BFI | |
99 | 97 | 40 | Histoire(s) du cinéma | 1998 | Godard, Jean Luc | 35 | 5 | France | REVIEW | Olive Films X | UK Artificial Eye | |||
100 | 97 | 40 | Jaws | 1975 | Spielberg, Steven | 29 | 11 | USA | REVIEW | Universal | Universal / 4K | UK Universal | UK Universal / 4K |