A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | |
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1 | Song | Chant or Action? | Important Lyrics? | Instructions | History/Details | ||||||||||||||||||||
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3 | Act I - Lover | Miss Americana & the Heartbreak Prince | |||||||||||||||||||||||
4 | Cruel Summer | Sing the bridge as loudly as you can upon direction. | Fans widely consider the bridge of Cruel Summer to be one of the best in Swift's discography. The song itself was considered underrated by many fans and developed a cult following. It was not released as a single until the 20th of June 2023, where it peaked within the top ten in many countries, including the Philippines and Singapore, where it peaked at number one. It is fitting then, that during the show, the very first 'bridge' that fans will 'cross' is that of Cruel Summer, a point that Swift herself highlights during a musical interlude during the show. | ||||||||||||||||||||||
5 | The Man | ||||||||||||||||||||||||
6 | You Need to Calm Down | Sing "'Cause shade never made anybody less gay!" as loudly as you can. | This song contains a pro-queer message and illustrates Swift's support for the LGBTQIA+ community. It is the second song to explicitly display Swift's support for queer communities, the first being her lead track on 1989, 'Welcome to New York'. The song itself during the tour is shortened significantly, however Swift chooses to perform the second verse containing this lyric. Many people believe this is deliberate, to affirm Swift's support for her queer audience given the current global political climate that lends itself to be more hostile to members of the LGBTQIA+ community. | ||||||||||||||||||||||
7 | Lover | ||||||||||||||||||||||||
8 | The Archer | ||||||||||||||||||||||||
9 | Act II - Fearless | Fearless | At the end of the bridge, place your hands in a heart shape above your head. | This action is one of the oldest and arguably most iconic symbols to Swift's audience, with many using a corresponding emoji to symbolise the album on social media. Swift has been recorded doing the heart-in-hands sign since her very first headlining tour, the Fearless tour. In a poignant, full circle moment, Swift does the same heart over her head at the Eras Tour, as a nod to how far the artist has come. . | |||||||||||||||||||||
10 | You Belong with Me | Two claps in the middle of the bridge, after the lyrics "When you know you're 'bout to cry" | Swift has been recorded doing these two claps since the Fearless tour, making it one of the oldest fan interactions. The claps are meant to mimic two hits on a drum in the original song. | ||||||||||||||||||||||
11 | Love Story | ||||||||||||||||||||||||
12 | Act III - Evermore | tis the damn season | |||||||||||||||||||||||
13 | willow | Shout 'Summon the demons bitch!' during the musical interlude after the bridge.' | |||||||||||||||||||||||
14 | marjorie | Turn on your phone's flashlight and hold it up. | According to audiences on TikTok, this action was a completely spontaneous event that spread across the entire stadium during Swift's performance of 'marjorie' on the second night of shows in Atlanta, Georgia. | ||||||||||||||||||||||
15 | champagne problems | Sing "What a shame she's fucked in the head they said" with vigour | Swift has sung this verse during the Eras Tour with intensity. Her facial expressions have been the subject of fans' adoration and amusement and as such, many have taken to singing it with the same intensity. | ||||||||||||||||||||||
16 | tolerate it | ||||||||||||||||||||||||
17 | Act IV - Reputation | ...Ready for It? | |||||||||||||||||||||||
18 | Delicate | After the intro and before the first verse, shout "1, 2, 3. Let's go bitch!" | This chant is one of the most popular, widely known, and widely practiced of all the fan chants. Swift herself even references the chant, and her dancers even have choreography for it, briefly pausing for the chant before they return to the back end of the stage. | ||||||||||||||||||||||
19 | Don't Blame Me | At the end of the bridge but before the breakdown, shout 'Take us to church!'. | This chant is a typical call and response chant and references the next lyric in a tongue-in-cheek manner, being 'Oh Lord save me..." | ||||||||||||||||||||||
20 | Look What You Made Me Do | ||||||||||||||||||||||||
21 | Act V - Speak Now | Enchanted | |||||||||||||||||||||||
22 | Long Live | ||||||||||||||||||||||||
23 | Act VI - Red | 22 | |||||||||||||||||||||||
24 | We Are Never Ever Getting Back Together | Sing the bridge loudly. | During the bridge, Taylor points the mic at one of her dancers to say the next lyric. Specifically 'We are never ever getting back together," where the dancer responds "Like ever". During her shows in Mexico, the dancer instead responds "Like nunca". | ||||||||||||||||||||||
25 | I Knew You Were Trouble | ||||||||||||||||||||||||
26 | All Too Well (10 Minute Version) | All of it. Sing it loudly. If you're going to lose your voice, do it singing this song. Also, shout 'How did that make you feel?' just before the lyrics 'And that made me want to die'. | This chant is another typical call and response chant. | ||||||||||||||||||||||
27 | Act VII - Folklore | the 1 | |||||||||||||||||||||||
28 | betty | ||||||||||||||||||||||||
29 | the last great american dynasty | Shout the lyric 'There goes the loudest woman this town has ever seen!' | Swift performs this lyric in a metatextual fashion, shouting it instead of singing it as a reference to the lyrics. | ||||||||||||||||||||||
30 | august | ||||||||||||||||||||||||
31 | illicit affairs | Sing the entire bridge loudly (And like your life depends on it). | |||||||||||||||||||||||
32 | my tears ricochet | ||||||||||||||||||||||||
33 | cardigan | ||||||||||||||||||||||||
34 | Act VIII - 1989 | Style | Just before the first lyric of the song, shout "What time is it, Taylor?" | This chant is another typical call and response chant. | |||||||||||||||||||||
35 | Blank Space | Say the name of your city in between each line of the bridge. | This chant originates from the 1989 World Tour, where Swift layered vocals of her saying the name of the city and her own harmonies of the bridge on stage. The most widely viewed recording of this is the Sydney show, and is therefore referenced the most. | ||||||||||||||||||||||
36 | Shake It Off | ||||||||||||||||||||||||
37 | Wildest Dreams | ||||||||||||||||||||||||
38 | Bad Blood | After the first two lines of the bridge, shout "You forgive, you forget, but you never let it go!" | This chant originates from the music video of Bad Blood featuring Kendrick Lamarr, where he says those words after the first two lines of the bridge. | ||||||||||||||||||||||
39 | Before the first chorus begins, shout 'She's fine!'. After the first 'Bad blood', shout 'She's wasn't doing anything!'. After 'Mad love', shout 'Hey stop!'. After the final 'Bad blood', shout 'Hey stop!' quickly. | This chant originates from a widely circulated recording of Taylor Swift telling off a security guard for harassing a fan. The chant is shouted as a tongue-in-cheek reference the occassion, and as a reminder to all concert security officers to be reasonable. | |||||||||||||||||||||||
40 | Act IX - Surprise Songs | Guitar surprise song | |||||||||||||||||||||||
41 | Piano surprise song | ||||||||||||||||||||||||
42 | Act X - Midnights | Lavender Haze | |||||||||||||||||||||||
43 | Anti-Hero | After the lyric 'I disguise as altruism', sing 'Taylor, you'll be fine!' loudly. | This line originates from Jack Antonoff's remix of Anti-Hero. | ||||||||||||||||||||||
44 | Midnight Rain | ||||||||||||||||||||||||
45 | Vigilante Shit | After the first chorus, shout 'Fuck it up blondie!' | This shout originates from a viral TikTok video where a fan was recorded screaming this line just after the first chorus. | ||||||||||||||||||||||
46 | Bejeweled | Just after the lyric 'And by the way', shout 'Where are you going Taylor?' | This chant is a typical call and response chant. | ||||||||||||||||||||||
47 | Mastermind | ||||||||||||||||||||||||
48 | Karma | After the lyric 'Karma takes all my friends to the summit', shout 'Facts!' | This shout originates from Ice Spice's feature on Karma released with the Midnights Til Dawn Edition. The line quickly became an internet meme, before being rejoiced as iconic and used as a chant. | ||||||||||||||||||||||
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