| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | ||
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1 | Name | Type | Coding? | Paid? | What's it Look Like? | Designer/Author | Foundry | License | home page | other | code repository | wikipedia | googleFonts | listed in | freely (libre) available | available at no cost | available at a cost | Description | Notes | Tags | Other Data | |
2 | 1403 Vintage Mono | LINE PRINTER | $ | https://1403.slantedhall.com/ | Jeff Kellem | https://1403.slantedhall.com/ | https://1403.slantedhall.com/ | A practical monospaced typeface, inspired by the IBM 1403 mainframe line printer from the 1960s. | small caps, no lower case | classic line printer font, ibm line printer | ||||||||||||
3 | 3270font | BITMAP | https://github.com/rbanffy/3270font | Ricardo Bánffy | similar to 3-clause BSD | https://github.com/rbanffy/3270font | This font is derived from the x3270 font, which, in turn, was translated from the one in Georgia Tech's 3270tool, which was itself hand-copied from a 3270 series terminal. I built it because I felt terminals deserve to be pretty. | ibm 3270, mainframe, terminal, coding-focused, vectorized terminal font | ||||||||||||||
4 | 64-SRC | $ | https://www.myfonts.com/collections/64-src-font-ilott-type | Andrew Bellamy | ILOTT TYPE | https://www.myfonts.com/fonts/ilott-type/64-src/ | 64-SRC is a condensed monospace font inspired by 1960s IBM Selectric type seen on HAL’s telemetric displays in 2001: A Space Odyssey. It is characterized by unique \double-space\" alternates for the widest characters such as “w” and “m”. These alternates maximize legibility, improve the rhythm of readability and keep typographic color even. As a result 64-SRC is as well suited for extensive copy as it is display type. | ibm, selectric, classic typewriter font | {"similar to":"orator","listed in":["http://luc.devroye.org/fonts-87939.html"]} | |||||||||||||
5 | Adobe Courier Bitmap Fonts | BITMAP | https://gitlab.freedesktop.org/xorg/font/adobe-75dpi/blob/master/COPYING | https://gitlab.freedesktop.org/xorg/font/adobe-75dpi https://gitlab.freedesktop.org/xorg/font/adobe-100dpi | bitmap, implementation of Courier | |||||||||||||||||
6 | Adore Mono | https://www.fontshop.com/families/adore-mono | GarageFonts | https://www.fontshop.com/families/adore-mono | ||||||||||||||||||
7 | Agave | https://github.com/blobject/agave | Type Agaric | MIT | https://github.com/agarick/agave | Agave was an attempt at making a small, monospace, outline font that would be geometrically regular and simple. The endeavor was motivated by a deep adoration of old-school console bitmap fonts, of Consolas, of Pragmata Pro, as well as a novice curiosity for typographical design. | coding-focused | |||||||||||||||
8 | Ahamono Monospaced | $ | https://www.behance.net/gallery/19532783/AhamonoMonospaced | Alfredo Marco Pradil | Hanken Design Co. | https://www.behance.net/gallery/19532783/AhamonoMonospaced | https://desket.co/blogs/news/50-free-fonts-for-minimalist-design | http://www.myfonts.com/fonts/hanken-designco/ahamono/ | Ahamono™ is a rounded monospaced typeface | |||||||||||||
9 | Akkurat Mono | $ | https://lineto.com/typefaces/akkurat-mono | Lineto | https://lineto.com/typefaces/akkurat-mono/ | https://lineto.com/typefaces/akkurat-mono/ | Fifteen years after its first release, Laurenz Brunner’s now famous LL Akkurat (2004) appears almost humble. With its static construction, it has proven that combining the qualities of classic sans-serif craft with a new contemporaneity can be a sustainable endeavour. Never attempting to be trendy, elegant or fashionable, LL Akkurat aspired to embody qualities such as technical precision, down-to-earth robustness, reliability and neutrality, reflecting certain values generally associated with Switzerland. | |||||||||||||||
10 | Alto Mono (bitmap, damieng) | BITMAP | CODING | https://damieng.com/blog/2008/08/25/the-xerox-alto-mono-spaced-font-rises-again/ | https://damieng.com/blog/2008/08/25/the-xerox-alto-mono-spaced-font-rises-again | |||||||||||||||||
11 | Alto Mono (outline, Thiemich) | $ | https://www.typeby.com/fonts/alto-mono | Thiemich | https://www.typeby.com/fonts/alto-mono | |||||||||||||||||
12 | Amiri Typewriter | https://github.com/aliftype/amiri-typewriter | Khaled Hosny | Alif Type | SIL OFL 1.1 | https://github.com/alif-type/amiri-typewriter | Amiri Typewriter is a typewriter companion to Amiri font family. The design is inspired inspired by old Arabic typewriters, and features a very simplified Arabic design with most letters using the one shape for both isolated and final forms, and one shape for initial and medial forms (with few exceptions). | {"language/script":"Arabic"} | ||||||||||||||
13 | Andalé Mono | $ | Steve Matteson | Monotype | ["https://www.fonts.com/content/microsoft-typography","bundled with Windows"] | https://docs.microsoft.com/en-us/typography/font-list/andale-mono | https://en.wikipedia.org/wiki/Andal%C3%A9_Mono | https://www.myfonts.com/fonts/mti/andale-mono/ | Andale Mono is a highly legible monospaced font designed with the needs of terminal emulation and software development environments. | Has a non-monospace sibling called Andalé Sans. Originally distributed with Internet Explorer 4.0 as Monotype.com; renamed Andale Mono for IE 5 and 6. Included in Core fonts for the Web. Bundled with macOS. Sold by the Ascender Corporation with bold and italic variants supporting WGL. Also sold by Monotype. | ||||||||||||
14 | Andale Teletext | $ | https://www.myfonts.com/collections/andale-teletext-font-monotype-imaging | |||||||||||||||||||
15 | Angelus III | $ | David Nalle | Scriptorium | https://www.myfonts.com/fonts/scriptorium/angelus-iii/ | Angelus is a rather different monospaced font. Unlike an earlier version this one has full upper and lowercase characters. | novelty | {"listed in":["http://www.cfcl.com/vlb/h/fontmono.html"]} | ||||||||||||||
16 | Anka/Coder | https://usemodify.com/fonts/anka-coder/ | Adolfo Jayme-Barrientos | SIL OFL 1.1 | https://code.google.com/p/anka-coder-fonts/ | https://github.com/fitojb/anka-coder-fonts | https://fontlibrary.org/en/font/anka-coder | The Anka/Coder family is a monospaced, courier-width (60% of height; em size 2048x1229) font that contains characters from 437, 866, 1251, 1252 and some other code pages and can be used for source code, terminal windows etc. | coding-focused | |||||||||||||
17 | Anka/Coder Condensed | Adolfo Jayme-Barrientos | SIL OFL 1.1 | https://code.google.com/p/anka-coder-fonts/ | https://github.com/fitojb/anka-coder-fonts | https://fontlibrary.org/en/font/anka-coder-condensed | The Anka/Coder family is a monospaced, courier-width (60% of height; em size 2048x1229) font that contains characters from 437, 866, 1251, 1252 and some other code pages and can be used for source code, terminal windows etc. | coding-focused | ||||||||||||||
18 | Anka/Coder Narrow | Adolfo Jayme-Barrientos | SIL OFL 1.1 | https://code.google.com/p/anka-coder-fonts/ | https://github.com/fitojb/anka-coder-fonts | https://fontlibrary.org/en/font/anka-coder-narrow | The Anka/Coder family is a monospaced, courier-width (60% of height; em size 2048x1229) font that contains characters from 437, 866, 1251, 1252 and some other code pages and can be used for source code, terminal windows etc. | coding-focused | ||||||||||||||
19 | Anomaly Mono | https://github.com/benbusby/anomaly-mono | Ben Busby | SIL OFL 1.1 | https://github.com/benbusby/anomaly-mono | |||||||||||||||||
20 | Anonymous Pro | https://www.marksimonson.com/fonts/view/anonymous-pro | Mark Simonson | SIL OFL 1.1 | https://www.marksimonson.com/fonts/view/anonymous-pro | https://fonts.google.com/specimen/Anonymous+Pro | http://www.fontsquirrel.com/fonts/Anonymous-Pro | Anonymous Pro (2009) is a family of four fixed-width fonts designed with coding in mind. | Alternate version Anonymous Pro Minus does not contain embedded bitmaps at smaller sizes. | coding-focused | ||||||||||||
21 | Another Man's Treasure | https://www.kreativekorp.com/software/fonts/trs80/ | Rebecca Bettencourt | TBD | http://www.kreativekorp.com/software/fonts/trs80.shtml | The world's most complete TRS-80 text font set, in TrueType format. | bitmap font | free | ||||||||||||||
22 | Aperçu Mono | $ | https://www.colophon-foundry.org/typefaces/apercu/ | Colophon | https://www.colophon-foundry.org/typefaces/apercu/ | https://www.colophon-foundry.org/typefaces/apercu/ | Aperçu was started in December 2009, and was trialled & tested throughout a number of design commissions into 2010. The conceit behind Aperçu was to create a synopsis or amalgamation of classic realist typefaces: Johnston, Gill Sans, Neuzeit & Franklin Gothic. Becoming, a sum of parts, building upon its initial reference points to create an extensive and usable family. | |||||||||||||||
23 | APL2741 | https://abrudz.github.io/APL2741/ | Adrian Smith | PUBLIC DOMAIN | http://apl385.com/fonts/ | http://www.dyalog.com/apl-font-keyboard.htm | Historic interest only. This was hand digitised as a PostScript Type-3 font from an original 2741 golf-ball salvaged from an IBM selectric typewriter. Looks good on paper, but poor on screen as it is lightweight and italic. The hinting is rudimentary and even with ClearType it is hard to read! | |||||||||||||||
24 | APL385 Unicode | COMIC SANS | Adrian Smith | PUBLIC DOMAIN | http://apl385.com/fonts/ | Developed with all APL software vendors in the late 1980s and enhanced as required with new characters to meet interpreter updates. | This is Adrian Smith\'s Unicode APL font, a de facto industry standard. Also available in a proportional version called APL333. | coding-focused, quirky | ||||||||||||||
25 | APL386 Unicode | https://abrudz.github.io/APL386/ | THE UNLICENSE | https://abrudz.github.io/APL386/ | https://github.com/abrudz/APL386 | |||||||||||||||||
26 | APLX Upright | TBD | https://www.dyalog.com/aplx.htm | http://www.microapl.co.uk/download/aplx_unicode.ttf | TBD | Distributed with end-of-lifed product APLX. | ||||||||||||||||
27 | Archive Mono | $ | https://www.colophon-foundry.org/typefaces/archive/ | Colphon | https://www.colophon-foundry.org/typefaces/archive/ | https://www.colophon-foundry.org/typefaces/archive/ | ||||||||||||||||
28 | Arial Monospaced | $ | https://www.fonts.com/font/monotype/arial/monospaced | ["Robin Nicholas","Patricia Saunders"] | Monotype | https://www.myfonts.com/fonts/mti/arial-monospaced-mt/ | monospace variant of a proportional font | |||||||||||||||
29 | Ascender Sans Mono | $ | Steve Matteson | Ascender | https://www.myfonts.com/fonts/ascender/ascender-sans-mono/ | The Ascender Sans Mono font family was designed by Steve Matteson as an innovative, refreshing sans serif design that is metrically compatible with Courier New. Ascender Sans Mono offers improved on-screen readability characteristics and the pan-European WGL character set. | ||||||||||||||||
30 | ASM | $ | https://extratype.com/fonts/asm | Extratype f/k/a Textaxis | https://www.myfonts.com/fonts/textaxis/asm/ | paid | ||||||||||||||||
31 | Atari ST | BITMAP | BSD 3-CLAUSE REV | https://github.com/ntwk/atarist-font | based on http://www.modelb.bbcmicro.com/retro-fonts.html | |||||||||||||||||
32 | Atlas Typewriter | $ | https://commercialtype.com/catalog/atlas_typewriter | Commercial Type | https://commercialtype.com/catalog/atlas/atlas_typewriter | https://commercialtype.com/catalog/atlas/atlas_typewriter | Atlas Typewriter is a distinctive monospaced sans, well suited for a wide range of uses, from art catalogues to personal correspondence, through to data visualization. Rather than hewing closely to the model of existing monospaced typefaces, Atlas Typewriter aims for an even, readable texture with the same clean and effortless tone as the Grotesk. | |||||||||||||||
33 | Audimat Mono | https://www.fontsquirrel.com/fonts/audimat-mono | Jack Usine | SMeltery | https://www.smeltery.net/en/fonts/dead | https://www.fontsquirrel.com/fonts/audimat-mono | no longer available from the official site | |||||||||||||||
34 | Aurulent Sans Mono | Stephen G. Hartke, designer of Verily Serif Mono | https://www.fontsquirrel.com/fonts/aurulent-sans-mono; https://www.dafont.com/aurulent-sans-mono.font | coding focused | ||||||||||||||||||
35 | Autocode | $ | https://www.fontspring.com/fonts/aviation-partners/autocode | AVP | https://www.myfonts.com/fonts/aviation/autocode/ | |||||||||||||||||
36 | Autoscape | $ | https://lineto.com/typefaces/autoscape | Lineto | https://lineto.com/typefaces/autoscape | https://lineto.com/typefaces/autoscape | ||||||||||||||||
37 | Average Mono | https://fontlibrary.org/en/font/average-mono | Richard Alexander Hall | Bitstream Vera License | https://fontlibrary.org/en/font/average-mono | Average Mono is an average of thirteen different fonts which are all derivatives of the public domain “Courier” typeface. | open source, implementation of Courier | {"clone of":"Courier"} | ||||||||||||||
38 | Azaret Mono | https://fonts.google.com/specimen/Azeret+Mono | ||||||||||||||||||||
39 | B612 Mono | https://b612-font.com/ | Nicolas Chauveau, Thomas Paillot, Jonathan Favre-Lamarine | intactile DESIGN on behalf of Airbus | Eclipse Public License v2.0, Eclipse Distribution License v1.0, and SIL Open Font License v1.1 | http://b612-font.com/ | https://github.com/polarsys/b612 | B612 is an highly legible open source font family designed and tested to be used on aircraft cockpit screens. | ||||||||||||||
40 | Base Monospace Narrow and Wide | n | $ | https://www.emigre.com/Fonts/Base-Monospace | Zuzana Licko | Emigre | https://www.emigre.com/Fonts/Base-Monospace | $39 for each weight; packages from $115 to $170 | ||||||||||||||
41 | Basier Mono | https://www.atipofoundry.com/fonts/basier-mono | Atipo | http://atipofoundry.com/fonts/basier-mono | https://github.com/example/xyzmono | regular weight free; pay what you want for complete family | ||||||||||||||||
42 | Basis Grotesque Mono | $ | https://www.colophon-foundry.org/typefaces/basis-grotesque/ | Colophon | https://www.colophon-foundry.org/typefaces/basis-grotesque/ | GBP 340 for complete mono family | ||||||||||||||||
43 | Bedstead | https://bjh21.me.uk/bedstead/ | Ben Harris | public domain | https://bjh21.me.uk/bedstead/ | Bedstead is a family of outline fonts based on the characters produced by the Mullard SAA5050 series of Teletext Character Generators. The SAA5050 is familiar to those of a certain age as the chip that produced the MODE 7 display on the BBC Microcomputer. It generates characters from a 5 × 9 pixel matrix, smoothing diagonal lines to produce an interlaced 10 × 18 matrix for each character. Bedstead extends that algorithm to continuity, converting a 5 × 9 pixel grid into an outline with smooth diagonals. | ||||||||||||||||
44 | BigBlue Terminal | https://int10h.org/blog/2015/12/bigblue-terminal-oldschool-fixed-width-font/ | CC Attribution-ShareAlike 4.0 license | https://int10h.org/blog/2015/12/bigblue-terminal-oldschool-fixed-width-font/ | BigBlue Terminal is a monospaced pixel font, designed for use in fixed-width textual environments (consoles/terminals, text/code/hex editors and so on). It follows the metrics and dimensions of Windows' old Terminal font (at the 9pt/12px size), but the appearance is closer to the classic IBM PC text mode character sets. | {"author":"VileR"} | ||||||||||||||||
45 | Bino Mono | Neal Fletcher | https://www.behance.net/gallery/2120022/Bino-Typeface | Bino is a monospaced typeface consisting of uppercase, lowercase, numerals, punctuation and diacritic characters. With a combination of curves and slanted cuts I wanted the typeface to be both a regimented monospaced font with that slightly decorative feel. | display | |||||||||||||||||
46 | Bitstream Courier Type 1 | COURIER | https://gitlab.freedesktop.org/xorg/font/bitstream-type1/-/blob/master/Copyright | https://gitlab.freedesktop.org/xorg/font/bitstream-type1 | https://gitlab.freedesktop.org/xorg/font/bitstream-type1 | |||||||||||||||||
47 | Bitstream Pica 10 Pitch | CLASSIC | $ | Bitstream | http://www.myfonts.com/fonts/bitstream/pica-10-pitch/ | classic traditional typewriter font | ||||||||||||||||
48 | Bitstream Vera Sans Mono | DEJA VU | CODING | Bitstream | https://download.gnome.org/sources/ttf-bitstream-vera/1.10/ | Bitstream Vera Sans Mono is the basis of numerous open source fonts, the first and most popular of which is Deja Vu Sans Mono. | monospace variant of a proportional font, coding-focused | |||||||||||||||
49 | Bizcat | https://robey.lag.net/2020/02/09/bizcat-bitmap-font.html | Robey Pointer | https://creativecommons.org/licenses/by/4.0/ | https://robey.lag.net/2020/02/09/bizcat-bitmap-font.html | Bizcat is a retro 8x16 bitmap font, intended for hobby computers or terminals that use a 640x480 graphics mode, like the Linux VGA console. It supports most of Latin-9 and box-drawing glyphs. | bitmap | |||||||||||||||
50 | Bmono | https://github.com/NNBnh/bmono | NNBnh | OFL | https://github.com/NNBnh/bmono | custom build of Iosevka | ||||||||||||||||
51 | Borg Sans Mono | https://github.com/marnen/borg-sans-mono | Marnen Laibow-Koser | Apache License 2.0 https://github.com/marnen/borg-sans-mono/blob/master/LICENSE | https://github.com/marnen/borg-sans-mono | Borg Sans Mono is a fork of Droid Sans Mono, adding a slashed zero and ligatures à la Hasklig. | fork of Droid Sans Mono, ligatures, coding-focused | |||||||||||||||
52 | BPMono | https://backpacker.gr/fonts/5 | Backpacker | https://backpacker.gr/fonts/5 | https://www.fontsquirrel.com/fonts/BPmono | A monospaced typeface suitable for technical texts and/or programming. BPmono and BPmono Bold are manually hinted from 9px to 16px making it appropriate for use in various advanced text and programming editors (eg. Visual Studio .net, Visual Web Developer, MS Word etc). All three fonts are available in TTF format. | coding-focused | |||||||||||||||
53 | BPtypewrite | https://backpacker.gr/fonts/10 | Backpacker | https://backpacker.gr/fonts/10 | Didn't you just love BPmono italics? Well, it has undergone through a transformation process and has eventually been reformed into an actual typewriter font. BPtypewrite is in fact BPmono italics standing up, with new soft edges, and a whole system of supporting fonts including underscored, strikethrough and slashed. The italics version remains in all variations, while a rough alternate complements the whole set (BPtypewriteDamaged). | |||||||||||||||||
54 | Bradford Mono | $ | https://lineto.com/typefaces/bradford-mono | Lineto | https://lineto.com/typefaces/bradford-mono | y | ||||||||||||||||
55 | Brass Mono | https://github.com/fonsecapeter/brass_mono | Peter Fonseca | OFL | https://github.com/fonsecapeter/brass_mono | |||||||||||||||||
56 | Bront (font tweaks) | Chris Wendt | ["https://github.com/chrismwendt/bront/blob/master/DejaVuSansMono-LICENSE.txt","https://github.com/chrismwendt/bront/blob/master/UbuntuMono-LICENSE.txt"] | https://github.com/chrismwendt/bront | Programming-oriented forks of Deja Vu Sans Mono and Ubuntu Mono | open source, coding-focused | ||||||||||||||||
57 | Brutalist Mono | DEJA VU | https://github.com/BRUTALISM/Brutalist | Vladimir Mitrovi{'c} aka BRUTALISM | Bitstream Vera license | https://github.com/BRUTALISM/Brutalist | A tweaked version of Deja Vu Sans Mono | |||||||||||||||
58 | BSU Kermit | http://www.lowing.org/fonts/ | {"old URLs":["http://nova.bsuvc.bsu.edu/prn/monofont/bsuk.html","http://home.datacomm.ch/privmsg/havoc/mircscript.htm"]} | |||||||||||||||||||
59 | Calling Code | $ | https://dharmatype.com/calling-code | Dharma Type | https://dharmatype.com/calling-code | https://catalog.monotype.com/family/dharma-type/calling-code; https://fonts.adobe.com/fonts/calling-code | ||||||||||||||||
60 | Camingo Code | $ | Jan Fromm | http://www.janfromm.de/typefaces/camingomono/camingocode/ | https://www.myfonts.com/fonts/jan-fromm/camingo-code/ | coding-focused | ||||||||||||||||
61 | Cascadia Code | CODING | https://github.com/microsoft/cascadia-code | SIL OFL 1.1 | https://github.com/microsoft/cascadia-code | This is a fun, new monospaced font that includes programming ligatures and is designed to enhance the modern look and feel of the Windows Terminal. | ligatures, coding-focused | |||||||||||||||
62 | Centima Mono | $ | Ramiz Guseynov | TipografiaRamis | http://www.tipografiaramis.com/centima-mono.html | https://www.myfonts.com/fonts/tipografiaramis/centima-mono/ | {"see also":["Decima Mono"]} | |||||||||||||||
63 | Century Schoolbook Monospace | https://catalog.monotype.com/font/bitstream/century-schoolbook/monospaced | https://github.com/zhenruyan/codefont/tree/master/lib/centschbook-mono | http://www.lowing.org/fonts/ | monospace variant of a proportional font | |||||||||||||||||
64 | Circular Mono | Lineto | https://lineto.com/typefaces/circular-mono | paid | ||||||||||||||||||
65 | CMU Typewriter | CLASSIC-LIKE | Donald Knuth | https://cm-unicode.sourceforge.io/ | https://fontlibrary.org/en/font/cmu-typewriter | free, implementation of Computer Modern Typewriter Text | {"see also":["Latin Modern Mono"]} | |||||||||||||||
66 | Code New Roman | imsamhj (Sam) | https://sourceforge.net/projects/codenewroman/ | open source, fork of Ubuntu Mono, coding-focused | {"fork of":"Ubuntu Mono"} | |||||||||||||||||
67 | Code Saver | Dharma Type | https://catalog.monotype.com/family/dharma-type/code-saver | |||||||||||||||||||
68 | Codename Coder 4F | $ | https://www.myfonts.com/fonts/4thfebruary/codename-coder-4f/ | |||||||||||||||||||
69 | Coding Font Tobi | Tobias Werner | https://proggyfonts.net/coding-font-tobi/ | https://github.com/chrissimpkins/codeface/tree/master/fonts/coding-font-tobi | free, coding-focused | |||||||||||||||||
70 | Codo Mono | $ | Colt Type Co | https://creativemarket.com/wearecolt/6324664-Codo-Mono-Modern-Monospace-Typeface?u=wearecolt&utm_source=Link&utm_medium=CM+Social+Share&utm_campaign=Product+Social+Share&utm_content=Codo+Mono+Modern+Monospace+Typeface&ts=202107 | ||||||||||||||||||
71 | Colón Mono | $ | TipografiaRamis | http://www.youworkforthem.com/font/T4920/colon-mono | http://www.youworkforthem.com/font/T4920/colon-mono | paid | ||||||||||||||||
72 | Comic Mono | COMIC SANS | CODING | https://dtinth.github.io/comic-mono-font/ | https://dtinth.github.io/comic-mono-font/ | https://github.com/dtinth/comic-mono-font | ||||||||||||||||
73 | Comic Shaans | COMIC SANS | CODING | Shannon Miwa | https://github.com/shannpersand/comic-shanns | |||||||||||||||||
74 | Compagnon | OFL | https://fontsarena.com/compagnon-by-velvetyne-type-foundry/ | free | ||||||||||||||||||
75 | Compagnon Medium | OFL | https://fontsarena.com/compagnon-by-velvetyne-type-foundry/ | |||||||||||||||||||
76 | Computer Modern Typewriter | CLASSIC-LIKE | Donald Knuth | https://en.wikipedia.org/wiki/Computer_Modern | Computer Modern was Donald Knuth\'s original name for his family of typefaces, including this monospace variant. As a condition of his license, derivative works can not be called \"Computer Modern\". Popular modern implementations of Computer Modern include: - the CMU distribution (for Computer Modern Unicode); - the PostScript Type 1 versions generated by Blue Sky, Inc. and donated to the American Mathematical Society; and - Latin Modern. | |||||||||||||||||
77 | Concursico Mono BTN | $ | Stuart Sandler | Breaking the Norm | https://www.myfonts.com/fonts/btn/concursico-mono-btn/ | paid | ||||||||||||||||
78 | ConsolaMono | wmk69 (wmk69@o2.pl) | https://fontlibrary.org/en/font/consolamono | open source, coding-focused | ||||||||||||||||||
79 | Consolas | CODING | Luc(as) de Groot | Microsoft | https://www.microsoft.com/typography/fonts/family.aspx?FID=300 | https://en.wikipedia.org/wiki/Consolas | paid, coding-focused | Luc(as) de Groot, designer of TheSansTypewriter and TheSansMono | ||||||||||||||
80 | Corbi Mono | https://fontlibrary.org/en/font/corbi-mono-s | https://fontlibrary.org/en/font/corbi-mono-s | Libertinus Mono with a slashed zero by default. | ||||||||||||||||||
81 | Cosmic Sans Neue Mono | https://github.com/gregkh/cosmic-sans-neue | open source, coding-focused | {"now known as":"Fantasque Sans Mono"} | ||||||||||||||||||
82 | Courier | COURIER | Howard "Bud" Kettler | https://en.wikipedia.org/wiki/Courier_(typeface) | Courier was commissioned by IBM to become a standard typewriter font for the typewriter industry. As such, IBM deliberately did not seek intellectual property protection for it; it is royalty free. Implementations not specifically listed here include: - Adobe\'s bitmap version for X11 - Microsoft\'s bitmap version for Windows - Linotype\'s square terminal version - Monotype\'s square terminal version - Adobe\'s square terminal version Since its release in 1956, Courier has become favored for screenplays and business correspondence, and a version of Courier is bundled with virtually all modern computer operating systems. | royalty free | ||||||||||||||||
83 | Courier | COURIER | Paratype | |||||||||||||||||||
84 | Courier 10 Pitch BT | COURIER | Bitstream | http://www.rolandstroud.com/Fonts-1.html | thicker; rounded terminals | free, implementation of Courier | ||||||||||||||||
85 | EF Courier B | COURIER | Elsner + Flake | |||||||||||||||||||
86 | Courier Code | COURIER | CODING | Bitstream | http://openfontlibrary.org/en/font/courier-code | coding-focused | ||||||||||||||||
87 | Courier Final Draft | COURIER | https://finaldraft.app.box.com/s/8c5nx8bkyxpfxl9jsv41bsqif9rt5b58 | free, implementation of Courier | {"software":"from Final Draft"} | |||||||||||||||||
88 | Courier Line Draw | COURIER | Monotype | |||||||||||||||||||
89 | Courier M | COURIER | http://www.youworkforthem.com/font/T1491/courier-m | |||||||||||||||||||
90 | Courier MM Screenwriter | COURIER | implementation of Courier | {"software":"from Movie Magic Screenwriter"} | ||||||||||||||||||
91 | Courier New | COURIER | Monotype | https://docs.microsoft.com/en-us/typography/font-list/courier-new | paid, implementation of Courier | |||||||||||||||||
92 | Courier Prime | COURIER | https://quoteunquoteapps.com/courierprime/ | https://quoteunquoteapps.com/courierprime/ | open source, implementation of Courier | |||||||||||||||||
93 | Courier Prime Code | COURIER | CODING | https://quoteunquoteapps.com/courierprime/ | https://quoteunquoteapps.com/courierprime/ | open source, implementation of Courier, sort of, coding-focused | ||||||||||||||||
94 | Courier Prime Sans | COURIER | https://quoteunquoteapps.com/courierprime/ | https://quoteunquoteapps.com/courierprime/ | open source, implementation of Courier, sort of | |||||||||||||||||
95 | Courier PS | COURIER | Monotype | |||||||||||||||||||
96 | Courier Sans Mono | COURIER | https://lineto.com/typefaces/courier-sans-mono | Lineto | https://lineto.com/typefaces/courier-sans-mono | paid | ||||||||||||||||
97 | Courier SB | COURIER | $ | Scangraphic | https://www.myfonts.com/fonts/efscangraphic/courier-sb/ | rounded terminals | paid | |||||||||||||||
98 | Courier Screenplay | COURIER | www.rolandstroudacom/Fonts-1.html | free, implementation of Courier | {"software":"from FadeIn"} | |||||||||||||||||
99 | Courier Standard | COURIER | implementation of Courier | {"bundled with":"Adobe Reader 6"} | ||||||||||||||||||
100 | Cousine | Steve Matteson | http://www.google.com/fonts/specimen/Cousine | http://openfontlibrary.org/en/font/cousine | http://www.fontsquirrel.com/fonts/cousine | Cousine is part of the collection of fonts known as the Chrome OS core fonts, or Croscore fonts. Cousine is also included in Google\'s noto-fonts repository on GitHub. | open source, coding-focused |