Starlite Campbell Band Technical Specification - FLYING
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Band SuppliedBackline RequiredQntyAlternativesRequested Microphones / DI’sNotes
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SUZY STARLITE: Bass and Vocals
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Vocal microphone1Shure SM58 / Shure Beta58
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Vintage (or 2018) HiWatt DR201 200W tube bass head1HiWatt DR401 (2018) / Orange AD200B / Ampeg SVT VR
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Bergantino NV610 (6x10) speaker cabinet1HiWatt SE810F / Orange OBC810 / Ampeg SVT-810E Sennheiser MD421 / Beyer M88Suzy's 'sound' comes from the amp and therefore we only use microphones and hence no DI
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SIMON CAMPBELL: Guitars and Vocals
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Vocal microphone1Shure SM58 / Shure Beta58
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Amp #1: Marshall JTM45 & Marshall 4x12 (Celestion G12M)1Amp #2: Vintage (or 2018) HiWatt DR504/DG504 & HiWatt 4x12 (Celestion G12M)Sennheiser E906 / Shure SM58
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Amp #2: Vintage Fender 2x12 BlackFace Pro Reverb (40W)1Fender 'Brown' 2x12 Bandmaster with Tremolo (40W)Sennheiser E906 / Shure SM57
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ULTRACASE guitar rack (4 way) or equivalent1
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JONNY HENDERSON: Keyboards
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Hammond B3/C3/A1001Hammond Suzuki Portable B3 (B3mk2) / Nord C2D/C2/C1 / Hammond SK2 Hammond Suzuki New B3mk2 /
Key-B Duo / Crumar Mojo
With appropriate power supply, cables, stand, stool, expression pedal, and if possible, a foot operated leslie speed control
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Drum throne / stool
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Leslie 122 (horn L)1
145, 147 or Hammond Suzuki model 3300
Shure SM57 / Sennheiser MD 421
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Leslie 122 (horn R)Shure SM57 / Sennheiser MD 421
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Leslie 122 (bass)EV RE20 / Sennheiser MD 423
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Wurlitzer EP200A1NORD Stage 2 (SW-73 version), NORD Electro 3, 4 or 5 or KORG SV1BSS AR133The piano must have an appropriate sustain pedal
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Fender Deluxe Reverb1Fender Twin ReverbShure SM57 / Sennheiser MD 421
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STEVE GIBSON: Drums
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Full Crash #1 18” Paiste SignatureDouble braced boom stand1or equivalent (please send alternative to artists@supertonerecords.com)Drum mics are tt the engineer's discretion but should be of high quality with a selection such as: AKG 414 Right/Left O/H, Shure SM81, Shure Beta 91A / AKG D112 (kick), AKG D112, Shure SM57, Sennheiser E904 (toms).
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Full Crash #2 16” Paiste SignatureDouble braced boom stand1
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Full Crash #3 22” Paiste SignatureDouble braced boom stand1
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Custom Ride: 20” Paiste SignatureDouble braced boom stand1
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Hi-Hat: 14” Paiste SignatureDW Hi-Hat stand1
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DW Kick Drum Pedal1
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SAKAE Drum Throne1
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#1 Kick: SAKAE Trilogy 22x141
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#2 Snare: SAKAE Trilogy 14x6.5Double braced snare stand1
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#3 Rack: SAKAE Trilogy 12x81
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#4 Floor: SAKAE Trilogy 14x141
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#5 Floor: SAKAE Trilogy 16x161
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Non slip mat / carpet for the riser1
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NOTES
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See drawing starlite-campbell-band.pdf for monitor details and positioning: https://drive.google.com/file/d/0Bz9rWhBoU5EZVHlHV1EzZjZGaGc/view
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All gear must have been recently serviced with good non microphonic tubes and everything working. No solid state guitar/bass amps are acceptable (this seems very obvious doesn't it :)
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Steve Gibson endorses SAKAE Drums and may be able to have a kit delivered by the local distributor. Contact artists@supertonerecords.com to enquire.
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Suzy & Simon are HiWatt endorsees and may be able to have backline delivered by the local distributor. Contact artists@supertonerecords.com to enquire.
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Please specify in advance any alternatives to specified equipment
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Drum riser required to accomodate all the kit, monitors and Steve's small monitor mixing console
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PA & MONITORS
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Steve Gibson has his own in ear monitoring system and needs a stereo feed from the monitor console
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PA and Monitor systems should be of premium quality (d&b audiotechnik, EM Acoustics, Meyer Sound, L Acoustics, Martin Audio et al) with even coverage across the venue / festival field
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Consoles should be high end digital Midas / Soundcraft / Digidesign / Allen & Heath
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A monitor engineer and console is required
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We prefer to provide our own FOH engineer but if not a highly experienced person is required. A resume would be good to check in advance
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The band prefer a touch of reverb to the vocals and other than that a dry sound as you would expect in the mid/late 60's
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The band require clean 240/220V power which is properly grounded / earthed with ELCB
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SOUNDCHECK & PERFORMANCE
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Monitor/FOH settings should be saved digitally following the sound check
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We will need to equalise the temperature / humidity of instruments one hour prior to the performance in a secure location adjacent to the stage
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Recording of the performance is strictly prohibited unless agreed in advance with the band
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The band will require a soundcheck for monitors and line check for FOH of 30/45 minutes
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Stage should be level, stable and if metal, properly earthed / grounded
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