Korg PS-3100/PS-3200/PS-3300: World's first full polyphonic patchable synthesizers

MS-10/MS-20/MS-50/SQ-10: MS series semi-modular synthesizer system

Korg Poly-61: The successor of the Polysix with digitally controlled analog oscillators

Shortly before it was discontinued, a MIDI version known as the Poly-61M was released.

Six-voice polyphonic, user selected two digital waveforms out of 8 total. Used an analog filter.

Korg DW-6000: Six-voice polyphonic, user selected two digital waveforms out of 8 total. Used an analog filter.

Eight-voice polyphonic, user selected two digital waveforms out of 16 total. Used an analog filter. Was also released in a rack-mount version, the EX-8000.

Korg DW-8000: Eight-voice polyphonic, user selected two digital waveforms out of 16 total. Used an analog filter. Was also released in a rack-mount version, the EX-8000.

Korg's first sampling keyboard with two oscillators per voice (eight voices) and superb filters. Offered additive synthesis, waveform drawing and effects, with superb analog filters.

Korg DSS-1: Korg's first sampling keyboard with two oscillators per voice (eight voices) and superb filters. Offered additive synthesis, waveform drawing and effects, with superb analog filters.

Vocoder, Pitch Shifter, Harmonizer, and Digital Synth Sound Module. Three-space rack unit.

Korg DVP-1: Vocoder, Pitch Shifter, Harmonizer, and Digital Synth Sound Module. Three-space rack unit.

FM Yamaha OPL4?

Expandable FM synthesizer. This synthesizer were powered by Yamaha's second-generation 4-operator FM engine

Korg DS-8: Expandable FM synthesizer. This synthesizer were powered by Yamaha's second-generation 4-operator FM engine

 is the rack module of DSS-1. Offered additive synthesis, waveform drawing and effects.

Korg DSM-1 is the rack module of DSS-1. Offered additive synthesis, waveform drawing and effects.

FM Yamaha OPL4?

Expandable FM synthesizer. This synthesizer were powered by Yamaha's second-generation 4-operator FM engine

Korg 707: Expandable FM synthesizer. This synthesizer were powered by Yamaha's second-generation 4-operator FM engine

 PCM sample based dual oscillator synth engine, with built-in effects, sequencer and drum machine, 

Korg M1: PCM sample based dual oscillator synth engine, with built-in effects, sequencer and drum machine, 

Korg T series (T1/T2/T3): Some improvements over the M1 with added features.

 Vector synthesis and advanced Wave sequencing. Co-designed by Sequential Circuits founder Dave Smith.

Korg Wavestation: Vector synthesis and advanced Wave sequencing. Co-designed by Sequential Circuits founder Dave Smith.

 PCM rompler with more waveforms and effects than the M1. The 01-series was the first Korg workstation to employ their new Ai2 Synthesis engine

Korg 01/W: PCM rompler with more waveforms and effects than the M1. The 01-series was the first Korg workstation to employ their new Ai2 Synthesis engine

 Upgraded Wavestation with additional waves (samples) and effect programs.

Korg Wavestation EX Upgraded Wavestation with additional waves (samples) and effect programs.

 A rack version of the Wavestation EX with analog audio inputs that can be incorporated in wave sequences.

Korg Wavestation A/D A rack version of the Wavestation EX with analog audio inputs that can be incorporated in wave sequences.

 A 1 unit rack version of the Wavestation, emphasizing the preset sound library.

Korg Wavestation SR A 1 unit rack version of the Wavestation, emphasizing the preset sound library.

Korg X5: 61-key, 32-voice AI2, 16-part multitimbral with General MIDI[25]

32-voice AI2 half-rack synth module with General Midi. Rack version of the X5.

Korg 05R/W: 32-voice AI2 half-rack synth module with General Midi. Rack version of the X5.

Korg introduced the i2, an improved i3 with a 76-note keyboard and a new piano sound.

Korg i2: Korg introduced the i2, an improved i3 with a 76-note keyboard and a new piano sound.

In 1995 a further improved version of i3 was introduced: the Korg i1, that included an 88-note weighted keyboard, a larger piano sample, and built-in speakers.

Korg i1: In 1995 a further improved version of i3 was introduced: the Korg i1, that included an 88-note weighted keyboard, a larger piano sample, and built-in speakers.

The i4S (where "S" stays for "Speakers"). An i3-type keyboard with a slightly reduced feature set, but with built-in speakers.

Korg i4S: The i4S (where "S" stays for "Speakers"). An i3-type keyboard with a slightly reduced feature set, but with built-in speakers.

The i5S was a scaled-down version of the i4S, with a plastic chassis and a reduced set of features. Some new sounds and styles were added.

Korg i5S: The i5S was a scaled-down version of the i4S, with a plastic chassis and a reduced set of features. Some new sounds and styles were added.

One of the first physical modeling as well as virtual analog synthesizers. The Prophecy was monophonic and featured a unique cylindrical modulation wheel with integrated ribbon controller.

Korg Prophecy: One of the first physical modeling as well as virtual analog synthesizers. The Prophecy was monophonic and featured a unique cylindrical modulation wheel with integrated ribbon controller.

This very successful workstation was the first to feature a large touch-screen as part of the front panel user interface, a feature that continued on Korg's flagship pro synth and arranger lines, and even on some of their digital multitrack recorders.

Korg Trinity: This very successful workstation was the first to feature a large touch-screen as part of the front panel user interface, a feature that continued on Korg's flagship pro synth and arranger lines, and even on some of their digital multitrack recorders.

Korg N364/264: Introduced RPPR (Realtime Pattern Play/Recording)

The Z1 carried concepts first heard on the Prophecy further, introducing Korg's Multi-Oscillator Synthesis System (MOSS), which produced sounds via dozens of different synthesis methods, including analog modeling and physical modeling.

Korg Z1: The Z1 carried concepts first heard on the Prophecy further, introducing Korg's Multi-Oscillator Synthesis System (MOSS), which produced sounds via dozens of different synthesis methods, including analog modeling and physical modeling.

The D8 was a Korg's first retail model of integrated digital recording studio package, with 16 bit @ 44.1 kHz, 8 track, and stereo digital effects. Following products were: D16 (1999), D12 (2000), D1600 (2000), D1200 (2002), D32XD/D16XD (2003), D3200 (2005), and compact D4 (2005), etc.[30]

Korg D8: The D8 was a Korg's first retail model of integrated digital recording studio package, with 16 bit @ 44.1 kHz, 8 track, and stereo digital effects. Following products were: D16 (1999), D12 (2000), D1600 (2000), D1200 (2002), D32XD/D16XD (2003), D3200 (2005), and compact D4 (2005), etc.[30]

The iX300 Interactive Music Workstation was introduced with new sounds and more than 100 styles. This model did not have built-in speakers.

Korg iX300: The iX300 Interactive Music Workstation was introduced with new sounds and more than 100 styles. This model did not have built-in speakers.

A half-rack AI2 module with 64-note polyphony and a large LCD display. Similar to the N364, but lacking RPPR or a sequencer.

Korg NS5R: A half-rack AI2 module with 64-note polyphony and a large LCD display. Similar to the N364, but lacking RPPR or a sequencer.

iS40 included new sounds (among them, a new stereo piano sample), new styles (128), and several new features. Keyboard Sets allowed for immediate recalling of keyboard track settings.

Korg iS40: iS40 included new sounds (among them, a new stereo piano sample), new styles (128), and several new features. Keyboard Sets allowed for immediate recalling of keyboard track settings.

iS50 was the low cost version of iS40, with a slightly reduced feature set.

Korg iS50: iS50 was the low cost version of iS40, with a slightly reduced feature set.

The i30 Interactive Music Workstation was introduced, claiming to be the first arranger featuring a Touch Screen Displa

Korg i30: The i30 Interactive Music Workstation was introduced, claiming to be the first arranger featuring a Touch Screen Displa

The TR-Rack is a 1U rack module version of the Korg Trinity. It lacks any expansion slots, but has a larger internal sample ROM than the original Trinity.

Korg TR-Rack: The TR-Rack is a 1U rack module version of the Korg Trinity. It lacks any expansion slots, but has a larger internal sample ROM than the original Trinity.

The N5 was introduced as a keyboard version of the Korg NS5R sound module[31] without expansion slot.

Korg N5: The N5 was introduced as a keyboard version of the Korg NS5R sound module[31] without expansion slot.

The N1 is an 88-key (piano-action) synthesizer. It is the expanded version of the N5 with a larger sample ROM[32] for more AI2 voices and drum kits. 

Korg N1/N1R: The N1 is an 88-key (piano-action) synthesizer. It is the expanded version of the N5 with a larger sample ROM[32] for more AI2 voices and drum kits. 

Successor to the Korg Trinity, Korg's first keyboard to offer sampling since the DSS-1 from 1986. As a series Triton (Classic, Studio, Le, Extreme, TR, Karma, X50 and MicroX, all sharing common synth engine and features) sold over 300,000 units.

Korg Triton: Successor to the Korg Trinity, Korg's first keyboard to offer sampling since the DSS-1 from 1986. As a series Triton (Classic, Studio, Le, Extreme, TR, Karma, X50 and MicroX, all sharing common synth engine and features) sold over 300,000 units.

Korg's groove machines consist of acid machine, rhythm machine, and sampler, etc.

Korg Electribe: Korg's groove machines consist of acid machine, rhythm machine, and sampler, etc.

Korg introduced a successor to the i5M: the i40M module. Specifications were similar to the iS40 (obviously, with no keyboard or joystick), but included the Vocal Harmony feature as standard. Furthermore, the module included 3 different pre-programmed MIDI setups, to make connection with various instruments even easier.

Korg i40M: Korg introduced a successor to the i5M: the i40M module. Specifications were similar to the iS40 (obviously, with no keyboard or joystick), but included the Vocal Harmony feature as standard. Furthermore, the module included 3 different pre-programmed MIDI setups, to make connection with various instruments even easier.

iS35 was a new version of the iS40, featuring the same specifications, and adding the Vocal Harmony feature as standard.

Korg iS35: iS35 was a new version of the iS40, featuring the same specifications, and adding the Vocal Harmony feature as standard.

Korg iS50B: iS50B boasted the same specs as the iS50, but in a Dark Blue chassis.

Successor to the NS5R half-rack model. Similar, but with an additional set of XG compatible sounds added through a daughterboard.

Korg NX5R – Successor to the NS5R half-rack model. Similar, but with an additional set of XG compatible sounds added through a daughterboard.

a DSP card that offered powerful and flexible audio synthesis, effects and audio.

Korg OASYS PCI – a DSP card that offered powerful and flexible audio synthesis, effects and audio.

A new range of arranger from Korg was introduced in year 2000: the Pa Series

Korg Pa80: A new range of arranger from Korg was introduced in year 2000: the Pa Series

 Kay Algorithmic Realtime Music Architecture, developed by Stephen Kay, a kind of arpeggiator that was more dynamic, organic, elastic and musical than previous forms.

Korg KARMA Kay Algorithmic Realtime Music Architecture, developed by Stephen Kay, a kind of arpeggiator that was more dynamic, organic, elastic and musical than previous forms.

Similar to the Pa80, but with a reduced feature set (lacking sampling and Harmony Board compatibility).

Korg Pa60: Similar to the Pa80, but with a reduced feature set (lacking sampling and Harmony Board compatibility).

MMT (Multi Modeling Technology)

Korg MicroKorg: A compact analog modeling synthesizer with built-in vocoder.

The flagship arranger of a new pro arranger line, which marked Korg's return to professional arrangers without built-in speakers. It also marked the beginning of a factive cooperation with the studio DSP manufacturer TC-Electronic.

Korg Pa1X Pro: The flagship arranger of a new pro arranger line, which marked Korg's return to professional arrangers without built-in speakers. It also marked the beginning of a factive cooperation with the studio DSP manufacturer TC-Electronic.

Korg MS2000B: new version of the MS2000 synthesizer with updated sound set, 

A Collection of VST Software which originally Included emulations of three famous Korg synthesizers: the MS-20,[37] Polysix,[38] and the Wavestation,[39] eventually expanding to add other well known synthesizers from KORG's history.

Korg Collection: A Collection of VST Software which originally Included emulations of three famous Korg synthesizers: the MS-20,[37] Polysix,[38] and the Wavestation,[39] eventually expanding to add other well known synthesizers from KORG's history.

Korg Pa1X: A shorter-scale version of the Pa1X PRO, but with built-in speakers.

An affordable professional arranger synth with most of the features of the more expensive Pa60.

Korg Pa50: An affordable professional arranger synth with most of the features of the more expensive Pa60.

Korg Kaoss Pad KP2, an improved re-release of the original Kaoss Pad.

Korg Kaoss Pad Entrancer, an audio & visual processor version of Kaoss Pad.[40]

The successor to the Triton, which added "Valve Force" circuitry, a real vacuum tube circuit. Nicknamed "Russian Bullet," these tubes are rumored to last a minimum of 10 years. The Triton Extreme also featured a dramatically increased ROM size: 160 MB, featuring 32 MB of all new acoustic samples.

Korg Triton Extreme: The successor to the Triton, which added "Valve Force" circuitry, a real vacuum tube circuit. Nicknamed "Russian Bullet," these tubes are rumored to last a minimum of 10 years. The Triton Extreme also featured a dramatically increased ROM size: 160 MB, featuring 32 MB of all new acoustic samples.

MMT (Multi Modeling Technology)

compact X50,[42] half sounds from the TR, half new, with the X50's software capability

Korg MicroX compact X50,[42] half sounds from the TR, half new, with the X50's software capability

 A stripped-down Korg TR with no sequencer but a software-linking editor librarian

Korg X50 A stripped-down Korg TR with no sequencer but a software-linking editor librarian

 Successor of the award-winning Pa 80, but boosted with features like in the Pa1X Pro

Korg Pa 800 Successor of the award-winning Pa 80, but boosted with features like in the Pa1X Pro

 newest flagship workstation, diverging from the famous Korg Triton line, often called a "mini-Korg OASYS"

Korg M3 newest flagship workstation, diverging from the famous Korg Triton line, often called a "mini-Korg OASYS"

MMT (Multi Modeling Technology)

Compact, handheld dynamic phrase synthesizer that features 100 programs including acoustic, percussion, and electronic sounds, a gate arpeggiator, 31 scale types ranging from Chromatic and Blues to Egyptian and Gypsy, and an 8 layer 8-step sequencer for producing loop-based music. Following in the footsteps of Korg's KP technology, it features a touch pad where the horizontal axis varies in pitch and the vertical in tone. Released January 2008 in the US.

Korg Kaossilator – Compact, handheld dynamic phrase synthesizer that features 100 programs including acoustic, percussion, and electronic sounds, a gate arpeggiator, 31 scale types ranging from Chromatic and Blues to Egyptian and Gypsy, and an 8 layer 8-step sequencer for producing loop-based music. Following in the footsteps of Korg's KP technology, it features a touch pad where the horizontal axis varies in pitch and the vertical in tone. Released January 2008 in the US.

Successor to Korg's previous flagship professional arranger keyboard, the Pa2X Pro featured the Double MP3 Player/Recorder, the ability to slow down and transpose MP3 files, improved 76-key keybed, a tiltable touch screen, phantom power, balanced in/out, digital audio output, and internal clock.

Korg Pa2X Pro – Successor to Korg's previous flagship professional arranger keyboard, the Pa2X Pro featured the Double MP3 Player/Recorder, the ability to slow down and transpose MP3 files, improved 76-key keybed, a tiltable touch screen, phantom power, balanced in/out, digital audio output, and internal clock.

After the success of Pa50, the Pa500 was introduced, with a completely redesigned user interface. considerably improving in the interface design.

Korg Pa500 – After the success of Pa50, the Pa500 was introduced, with a completely redesigned user interface. considerably improving in the interface design.

During year 2008, Korg introduced Pa588, a cross-over of an arranger (the acclaimed Pa500) and a digital stage piano, with the 88-note graded-weighted RH3 keyboard, built-in speakers, and a piano sample. It came with piano stand included, and featured Pa-Series compatibility

Korg Pa588 – During year 2008, Korg introduced Pa588, a cross-over of an arranger (the acclaimed Pa500) and a digital stage piano, with the 88-note graded-weighted RH3 keyboard, built-in speakers, and a piano sample. It came with piano stand included, and featured Pa-Series compatibility