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1 | app no | applying | Work type | ALIAS | pronouns | web | collaborator's web | country | BIO | work title | process description | (ART) tools used / (CODE) programming languages | license | year | work origin | source | method | medium | treatment | colour | texture | theme docu | theme urban | theme digital | theme sound | xtra tags |
2 | 0094 | ART | web | Atsushi Tanaka | https://www.velvet-number.com/ | JP | I am a digital artist based in Osaka, Japan. I create my works using Processing and p5.js. | Chroma Complex | Simple and colorful circles gradually collapse, becoming unrecognizable from their original form. However, we attempt to reconstruct a new image by recycling the fragmented resources born from this collapse. The specific techniques include separating the image into red and blue components and shifting them, or cropping a portion of the image and processing it for duplication. The duplicated image, depending on the situation, may have its blend mode changed, or it may become an object that independently repeats its own duplication. | p5.js | CC BY 4.0 | 2023 | DIGITAL | Created | Generative | Experimental | - | Colourful | Smooth | - | - | Abstract | - | |||
3 | 0188 | ART | web | Dimitris Gkikas | https://folder-one.eu | DE | Dimitris Gkikas (b. Athens, Greece) is a new media artist and designer. By blending original content with found materials from the internet, he creates narratives across various mediums including video, net art and video games. | I Will Be Waiting | I will be waiting is a browser-based work that uses Street View technology to capture the frozen timeless shores of the remote north. Incorporating real-world imagery, Gkikas recontextualizes a glitch within Street View, to create a dreamlike atmosphere that no matter which direction you go, you always end up in the same place. | Google Street View, Javascript, HTML, CSS | CC BY | 2017 | DIGITAL | Found | - | Experimental | Narrative | Colourful | Smooth | Nature | - | - | - | |||
4 | 0162 | ART | web | Tansy Xiao | http://tansyxiao.com | US | Tansy Xiao is an artist, curator and writer based in New York. Xiao creates theatrical installations with non-linear narratives that often extend beyond the fourth wall. Her work explores the immense power and inherent inadequacy of language through the assemblage of stochastic audio and recontextualized objects. She finds solace in the unknown, ludicrousness in the authorities, and absurdity in the geopolitical demarcations that separate and differentiate people. Xiao’s work has been shown at Queens Museum, New Media Caucus, Piksel Festival, Sound Scene at Hirshhorn Museum, NARS Foundation, HASTAC Conference, UKAI Projects, The American Society for Theatre Research, University of Porto, Osaka University of Art, New Adventures in Sound Art, Pelham Art Center, The Immigrant Artist Biennial, among others. She has received grants and support from NYSCA Electronic Media & Film | Wave Farm, Brooklyn Arts Council, Foundation for Contemporary Arts and Harvestworks Digital Media Arts Center. | Circumlocution Chamber | The Circumlocution Chamber is an interactive chatroom where user input sentences have nouns automatically replaced by their dictionary definitions and read by random synthetic voices. Certain keywords trigger sonic visual events in the virtual space, allowing performers and the audience to create a web-based experimental film. It exposes linguistic strategies used by politicians to avoid addressing core issues. The floating objects include a totalitarian monument, space structure, royal seat, military vehicle, and rubber tree seeds linked to global colonialism. Colliding power objects emit shushing sounds, prompting silence. Clicking "Control" grants viewers 15s of object control, generating more rubber tree seeds. Some keywords reveal conflict minerals, mined in Central Africa amidst armed conflict and human rights abuses, widely used in today's electronics. *Try these keywords: voyage, fire, dream, memory, ruin etc. | JavaScript, socket.io | CC BY-NC | 2023 | ELECTRONIC | Found | Editing | Interactive | Synesthetic | Monochrome | Interpolated | - | - | - | Spoken | |||
5 | 0118 | ART | web | White Lights | He/Him | https://whitelights.co | US | Johnny Shankman, renowned as White Lights, is a Brooklyn-based generative artist and music producer. His work, steeped in glitch aesthetics and gothic undertones, resonates with the chronically-online and overly-anxious. Since transitioning to cryptoart from recorded music in 2021, White Lights has made significant strides. In 2023, his audiovisual works "a quantum entanglement" and "a gift for you #1" achieved record-breaking career sales, defining a new high in his blossoming career. Meanwhile, his music discography has amassed over 2M streams worldwide. Blending his technical expertise in computer science with a passion for creative expression, White Lights continually expands the boundaries of digital and computer-generated art, challenging its perceived limitations and imbuing it with a uniquely dark human touch. | a quantum entanglement | The work's data and renderer are stored entirely on chain using a proprietary system of smart contracts I have developed and deployed to the Ethereum mainnet. The smart contract itself control two tokens as aliases to two generative pieces which behave as entangled particles, where mining a block on the Ethereum blockchain causes their wave functions to collapse. After each collapse, the two on-chain artworks reveal themselves as spin up or down (the text reads "I am sad" or "I am okay"), but always opposites to one another. During the interim, their state is an enigma. The visual piece of each artwork is rendered as an HTML document. Inside this document is an improperly chained series of WebGL shaders, causing the artwork to strobe in a glitching fashion when clicked on, revealing the companion piece's state momentarily. | Blockchain, Javascript Canvas API, CSS | MIT | 2023 | On chain cryptoart, digital but blockchain native. | Created | Generative | Experimental | Speculative | Black&white | Noise | Performance | - | Abstract | - | ||
6 | 0142 | THEORY | txt | Malcolm Fernandes | He/HIm | http://www.malcolmfernandes.art | IN | Malcolm (born 1980) is an Indian designer and artist who works with painting, drawing, mixed media, digital imagery, animation, sound, sculpture and video. Deeply influenced by design, illustration, 90s conceptualism as well as experimental practices in theather, literature and music he employs a multi-disciplinary practice to challenge convention and weave imagery, forms, spaces and narratives that mainly center around questions of perception, human psychology and the reflections on the human condition. He also writes, and theorizes on the subject of art on his personal blog and Medium page. | Investigating the Psychology of the Glitch Aesthetic and Looking at how the “Error” has Become Most Desirable (IMHO) | OBJECTIVE OF THIS PAPER: (Glitch (Noun) —a small problem or fault tha t stops something working successfully. —a small problem or fault that prevents something from being successf ul or working as well as it should.) The above outlines the Oxford and Cambridge Dictionary definitions of the word glitch in the English language, respectively. If a glitch is a “problem” or “fault”, what is it that has enabled the emergence of a whole genre of artistic expression that not only makes these “problems” central to its aesthetic, but in fact seems to celebrate it? And more importantly, what is it that has driven the wide-spread, mass acceptance of glitch art and its component aesthetics over the last few decades? This document seeks to propose ideas that hope to answer the above questions, and trace the evolving psychology of the viewer of, not just glitch art and art in general, but the general public on the street as well. | - | Standard Copyright | 2023 | Glitch theory, Glitch Psychology, Glitch Text, Glitch Art, Glitch, Art, Art History, | ||||||||||||
7 | 0145 | THEORY | txt | YEN YI LEE | she/her | http://www.hagaihuakai.co | TW | Yen Yi Lee is a curator based in Taipei, Taiwan. Her ongoing curatorial research focuses on failure and risk management. She is the founder of the contemporary art zine, HAGAI HUAKAI and co-founder of SYNERGY festival. With a focus on art and technology, she curated exhibitions at the National Taiwan Museum of Fine Arts, Taiwan; Taipei Digital Art Festival, Digital Art Center, Taiwan; and Open Space Bae, South Korea, among others. She is the winner of New York curatorial residency at ISCP which was sponsored by the Ministry of Culture, Taiwan. | On Failure and Automation: What if we glitch... | Lee created a presentation to reflect on automation, economic structures, and how they impact society. She asks, “Can art and culture navigate obstacles by glitching the system? Through examine the trust relationship between machine and human, Lee proposes that glitch as a strategy for the artists to act on, or draw attention to our machine human relationship, meanwhile proposes best artistic practices for discussing technology within this structure. | - | Presentation by YEN YI LEE | 2023 | automation, hyperstition, immersive experience | ||||||||||||
8 | 0030 | ART | app | Daniel Tuomey | He/him | https://danieltuomey.info/ | NL | Daniel Tuomey was born in Dublin in 1989. He received his BA from NCAD, Dublin in 2012 and his MFA from the Piet Zwart Institute, Rotterdam in 2017. He is currently based between Rotterdam and Dublin, teaching, collaborating and making work which explores the construction of the gendered political subject within the virtual and actual built environments of late capitalism. | Is Registration Possible | Is Registration Possible? was made using misappropriated publicly available models of the neighbourhood, mashed together bits of other people's code, trash I found on the street, stitched together drawings, jpgs and pngs, and lots and lots of loopy, recursive, glitchy writing. The resulting work is a weird publication, a broken machine in the shape of a classic computer roleplaying game. The player controls a digitally fossilised goblin wandering through a virtual iteration of Charlois, the Rotterdam neighbourhood where I have lived for the past eight years. This is a Charlois reassembled from publicly available datasets and populated by glitching and twitching pieces of detritus. Like the residents of the real Charlois, they are worried about gentrification, surveillance, and how to assemble a linguistic subject position in the wasteland of neoliberalism. This project was kindly supported by a research and development grant from CBK Rotterdam | Unity, blender, photoshop, visual studio, pages, pencils, garageband | This work is licensed under a CC BY-NC license 4.0. | 2022 | DIGITAL | Created | - | Interactive | Narrative | Colourful | - | - | Video game | Textual | - | ||
9 | 0093 | CODE | code | Benjamin Berg and José Garza | he/him | http://animalswithinanimals.com | https://github.com/minutetominute | US | Benjamin Berg is a new media artist based in Indianapolis, USA. In the late 1990s, he started making glitch music after discovering sonification. By the mid-2000s he was applying similar techniques to the visual arts, and became well-known in the glitch art community for his influential early writings and tutorials. He regularly releases music under the name stAllio! and with his band, Animals Within Animals. José Garza is a web developer from NYC, USA. | Hueswap | Hueswap is a web app for editing GIF color tables. Upload your favorite GIF, change the colors around, and then download the result! GIF (Graphic Interchange Format) stores color information in indexed color mode. Each GIF (with rare exceptions) contains a list of all the colors used in the image, called a color table. Hueswap hacks directly into a GIF's color table and lets you change the color values, leaving everything else unchanged. The arrangement of the pixels remains the same — only the colors change. The concept behind Hueswap was originally presented in the 2016 workshop, Hacking the GIF: http://animalswithinanimals.com/workshop/ Hueswap is written in "plain vanilla" JavaScript and runs in a web browser. | JavaScript | GPL 3.0 | 2020-2023 | gif, color tables, databending, web app, javascript | |||||||||||
10 | 0146 | CODE | code | emptyflash | he/him | https://emptyfla.sh | US | Cameron Alexander is an artist, programmer, and scientist based in New York. His work explores the relationship between math and nature (especially in fractals, feedback, and non-linear systems), altered and esoteric states of consciousness, and the essence of reality through generative art, livecoded performances, and photography. Cameron received his B.S. in Computer Science from the University of Houston in 2015. He has been creating generative art since 2011, and his work has been exhibited, installed, and performed in galleries, theaters, clubs, and venues across the U.S. Cameron is a member of the New York-based collective livecode.nyc, where he organizes events, gives livecoding workshops, and performs livecoded visuals and music at algoraves. | Bitfolly | Because these bits are acting unwise. Bitfolly is a tool for livecoding visuals using bitwise operations, inspired by bytebeats and bitfield patterns. Both bytebeats and bitfield patterns are critical tools in the demoscene. They allow terse expression of complex patterns, which is valuable to keep sizes of programs small. The livecoding scene shares many values with the demoscene, especially in terms of program size, but we have different requirements in terms of being able to run and update our programs in real time. Bitfolly programs are essentially a javascript shader that is compiled to run on the GPU by a library called gpu.js. It provides both a livecoding interface, and a library interface in order to integrate with other livecoding tools such as Hydra. | JavaScript | ANTI-CAPITALIST SOFTWARE LICENSE (v 1.4) | 2022 | bytebeat, bitfield, pattern, livecode, livecoding, algorave | ||||||||||||
11 | 0038 | CODE | code | Jared Bruni | He/Him/His | https://lostsidedead.biz | US | Open source computer programmer | Acid Cam | Program to produce art | C++/Objective-C++ | BSD 2 Clause | 2011-2023 | glitchart cplusplus webcam | ||||||||||||
12 | 0279 | CODE | code | Ramiro Polla | https://github.com/ramiropolla | BE | Likes hacking things. He was an FFmpeg developer for 5 years. “I’m not bad as a software developer, but I’m quite shitty as an artist.” | FFglitch | FFglitch is a multimedia bitstream editor, based on the open-source project FFmpeg. FFglitch allows you to very precisely edit multimedia files. FFglitch generates files with a valid bitstream. This means that VLC and Facebook won’t choke with your files. FFglitch is the Prime Editing of glitching. FFglitch is so precise, it can barely be considered glitching at all. | a collection of libraries and tools (Python, C, asm, bash) | LGPL | 2014-2023 | ||||||||||||||
13 | 0278 | CODE | code | Tomasz Sulej | https://github.com/tsulej/GenerateMe | PL | Born in the seventies, with math in mind, is constantly looking for broken patterns. Doesn’t consider himself as artist, wants to be treated as researcher. | GLIC | GLIC is an image codec designed especially for artistic databending purposes. It includes steps and techniques used in most modern codecs like h264/h265(hevc) or VP9. Therefore all of known glitch artifacts are easy to reveal plus plenty of others. Codec is designed to give more control during databending and a possibility to easily turn on and off features and encoding steps. | Processing + ControlP5 library | MIT | 2017 | ||||||||||||||
14 | 0230 | CODE | code | Vidya Giri | she/her | http://vidyagiri.com | US | VIDYA GIRI is an artist, designer, and engineer from Houston, TX. Her art is reflective of her background: balanced between cultures, environments, and disciplines. Her work has spanned between online spaces, printed media, projection, and painting on physical and digital canvases. Her current explorations revolve around collecting from one's surroundings as a form of reflection and the parallels between natural and human-made identities and the environments they encompass. | morphglitter | morphglitter is an interactive 3d clicker game that shimmers with glitches and granulated pixels. resources used: react three.js react-three-fiber drei blender nomad sculpt beep sounds from freesound by inspectorj wave sound from freesound by metaepitome | react (+ javascript, html, css) | unlicense | 2023 | clicker, 3d, interactive | ||||||||||||
15 | 0002 | ART | gif | Empress Trash | she/her | http://beacons.ai/empresstrash | US/MX | Empress Trash (Drea Jay) is a multi versatile visual artist currently residing in Mexico City with her rottweiler Glitch. A lifelong artist, she earned her BFA in Painting, Drawing, and Animation/Design from the University of Iowa in 2014. Shortly after, she moved to the Bay Area which she assisted and worked alongside a multitude of local and international artists and shows including Ai Wei Wei’s show on Alcatraz, being a member of the Firehouse Art Collective run by Tom Franco, and running her own underground shows from her house. She started in crypto art in 2021 and since has been exhibited internationally including Sotheby's, NYC, Paris, Palm Springs, Miami Art Basel, LA, SXSW, Mexico City, Melbourne and Ted Talks Conference in Vancouver. | Human Rights//Down Bad | This artwork, named "Human Rights//Down Bad," is a mesmerizing animated collage that seamlessly blends AI and video editing software to produce a unique Vintage Glitch aesthetic Empress Trash has developed through synthesis of multiple different digital processes. The core theme of all works in Vintage Glitch style is a commentary on the impact of early mass media and technology on our perception of society and revisits the past to recode and contextualize its implications in modern times. Empress Trash utilized a photo of three Pussy Riot members in chains as the primary source image, paying homage to the renowned Feminist Art Activists, and applied AI processing combined with her visual work to generate various striking compositions. The artist skillfully combined these elements to create the final composition which she then processed through Photomosh and Adobe After Effects to achieve the half-tone, psychedelic loop. | AI + Photomosh + After Effects Created and minted for the Sotheby's historic Glitch: Beyond Binary show. | CC0 | 2023 | DIGITAL | Synthesized | Editing | Experimental | Narrative | Colourful | Noise | Portrait | - | - | - | ||
16 | 0003 | ART | gif | Ernesto Asch | he/him | http://linktr.ee/ernestoasch | PA | ERNESTO ASCH Analog / Digital Painter (Costa Rica, MARCH061976) "His work is characterized by a strong and forceful expressionist vision of the human figure, imbued in abstract contexts of great chromatic power." | SAY WHAT?! | Self portrait video of me painting an abstract processed and glitched | iphone, photomosh | no license | 2023 | DIGITAL | Created | Editing | Experimental | Narrative | Colourful | - | Pseudofiguration | - | Abstract | - | ANTIPOP, CryptoARTnarchy, ASCH | |
17 | 0005 | ART | gif | Andrew Reys | https://twitter.com/andrewreysph | TR | I'm a photographer and a glitch artist. I create my works from photographs taken on 120mm Kodak film. My main inspiration is horror and mystical films. | Ghost Roads | This work was created from photographs taken on 120mm Kodak film. | Kodak 120mm film, Pentax 645, Photoshop | Copyright | 2023 | Analog and digital | Created | Editing | Experimental | Classical | Colourful | Noise | - | - | Abstract | - | |||
18 | 0007 | ART | gif | FtrSaroth | https://linktr.ee/FtrSaroth | MX | FtrSaroth is a Mexican artist passionate about the symbolic level of comprehension. His profound studies of occultism have influenced his artworks. He met the crypto world in 2017 and started in Cryptoart in 2019. Since then, he's collaborated with art collectives, selling his works on multiple platforms and blockchains. | k̷̹̈̎̌̓̈́o̶̞̣͐͊͐͗r̶̼̥̈́̉̌̕ủ̷̧̲p̷̨̯̱͓̘̓͑̚t̷̹̮̮̍i̶̹̥̥͆ț̶̬̬̹̔̃̀̏́a̴̻̺̘̥͐́͆̂ͅ ̷̧̨͉̤̦̽̆ď̸̡̙͔̒̾̚͝ͅį̴̯̬̬̎ą̵̗̉͋b̷̧͍̪̈́̓̒̏͝ĺ̶̘̻̦̱̿̊ö̵̻̱̤̒̍̚ | On this piece i generated a picture using AI, then i make multiple copies and distorted each, then i modified the type of blend of each image, after that i exported one image, then i copy that image and modified some of the colors to make a two frame gif | Stable Diffusion, Gimp | CC0 | 2023 | DIGITAL | Created | Editing | Experimental | - | Contrast | - | - | - | - | - | |||
19 | 0015 | ART | gif | Y Griega | He* | https://www.artinnovationgallery.com/artist.php?id=6426999a6aee4 | MX | Y Griega is a Mexican native digital artist and crypto artist who explores a variety of experimental techniques in their work. With a background in engineering, design, and music production, Y Griega uses a mixture of glitch art, artificial intelligence, code, and other experimental techniques to create works that challenge the boundaries of artistic expression in the current era. With a strong interest in digital psychedelia and the bold use of colors, Y Griega produces works that explore various formats and themes, from gifs and pngs to emerging technologies that are transforming tech culture. | ROPER0_MEXICAN0 | This composition was made through an AE montage of some glitched collage processed animations of AI images. Glitch was made some by distortion scripts made in java, also degradation via several freeware like photomosh, corel distortion, vintage freeware software. It includes some coded color animation mixed up and glitched into the whole composition. This is a representation of a Mexican wardrobe, very familiar in Mexican culture. | Java scripts, AE plugins, Corel Draw, Photomosh, old freeware distortion, MS-Paint, Midjourney, P5js. | CC (BY) | 2022 | DIGITAL | Synthesized | Collaborating | Experimental | Synesthetic | Colourful | Interpolated | - | - | - | - | ||
20 | 0021 | ART | gif | Cruel | he/him | http://cruelcoppinger.tumblr.com | UK | Biography: Born with an inherent curiosity for the intricacies of technology, Cruel embarked on a creative journey within the realm of glitch art. From the year 2016 Cruel began sharing their public works, captivating online audiences with their ability to transform digital imperfections into breathtaking visual masterpieces. With an active presence on platforms such as Tumblr and Reddit's r/glitch_art community, their unique artistic vision quickly gained recognition and a devoted following. Fascinated by the endless possibilities of glitch art, Cruel delved into the realm of 3D animations. Utilizing powerful software like Blender, they explored the interplay between technology, form, and glitch aesthetics, resulting in mind-bending animations that immerse viewers in a surreal digital realm. | Tate | Using blender3D I created a 3D model of the Tate Modern Gallery in London. The mesh for which is heavily decimated using a animated noise map. Colours are introduced via materails that exploit refraction and light and full raytracing. Additional layers are added during the post process to create pixelated, inverted and difference layers adding to the effect. | Blender3D, Post VSDC Video editor | CC BY 4.0 | 2023 | DIGITAL | Created | - | - | - | Colourful | Smooth | - | Architecture | 3D | - | ||
21 | 0025 | ART | gif | Somfay | they/them | http://www.somfay.ca | CA | Somfay is a Canadian music producer, DJ and visual artist creating expressive psychedelic amalgams of past, present and future through the lens of lucid dreams and synesthesia. | A Portrait Of The Artist At Work | The scene was composed in Blender, and individual elements were then rendered separately. Many of the elements were then processed via analog video equipment (modified and unmodified). The individual elements were then composited together to form the complete scene, and filmed from CRT. | Blender, Adobe Premiere Pro, Adobe After Effects, Canopus ADVC-110, ADC V-500X, ADC V-300X, Panasonic WJ-MX50A, Tachyons+ Psychenizer, For.A FA-370, Panasonic AG-7350, Sony KV-13FM12, Sony A7RII, Asahi Super-Multi-Coated Macro-Takumar 1:4/50 | All rights reserved. | 2023 | Digital & Electronic | Created | Editing | Object | Narrative | Colourful | Smooth | Portrait | - | 3D | - | ||
22 | 0027 | ART | gif | Wessel | He/him | https://www.iamwessel.com/ | US | When did it start? Where will it end? Where’s it going? A brief succinct narrative of my creativity…landscape photography, self narrative writing, portraiture and street photography, article writing and food photography, fashion photography, drawing, abstract painting, digital art…and probably a lot missing in there and all that was started is still spinning and being woven together. Published in magazines, books, seen and owned around the world but…never really shown. The battery for many projects big and small on the front end and in the back. | Wings of my pain take me to a brighter day | This piece sits in the middle of a dark glitch vibe that’s been coursing through and out of me for awhile in an ever-evolving fashion as I attempt to understand, overcome, and move forward in my understandings and abilities within myself. A slow tempering of ideas and building of a world. Sketched out and built up in Procreate in an improvised manner from the briefest of glimpses from my imagination then brought into Glitch Studio pro where I lens the emotion fully into focus. | Procreate and Glitch Studio Pro | No license, all rights reserved | 2023 | DIGITAL | Created | Editing | Object | - | Colourful | - | Portrait | - | Abstract | - | ||
23 | 0036 | ART | gif | metashape | he/him | https://linktr.ee/metashape | ID | Indonesian based artist, Metashape work is ispired by "shapes" whatever is that. Through .gif im focused on creating glitch, dig me on https://linktr.ee/metashape | Dazzle | i have drawn in brain then executed it in photoshop then final video editor. | photoshop,resolume,movavi | - | 2022 | DIGITAL | Found | Editing | Experimental | Classical | Colourful | Noise | Pseudofiguration | Video game | Abstract | - | monster, metashape, shapes | |
24 | 0075 | ART | gif | EDOUARD | https://edouard.art | FR | Artist, collector, curator. Solo exhibited at NFT Factory Paris. | WATERFALL 2 | To represent a dream waterfall, I use the pixels of a video, including its chromatic noise, as a malleable material. I mix their texture at all scales, from blocks to grains of sand, sculpt the colors, then use the limitations of the GIF format as magical properties. It's all handmade, no AI, no glitch app. | Photoshop | All rights reserved. | 2023 | DIGITAL | Recorded | Modulation | Experimental | - | Colourful | Noise | Nature | - | - | - | blocks, aquatic | ||
25 | 0081 | ART | gif | Riitta Oittinen | she/her | http://riittaoittinen.net | FI | I live in Brussels and share my time between research, science journalism, and projects that combine research and art. I run my own micro publishing house Low-Stress Press. I am also a phototherapy trainer (studies at Muurlan opisto with University of Turku and Suomen valokuvaterapiayhdistys 2019-2020), and a member of Finnish Bioart Society. | Be careful | I like to document absurd objects when I see them. I spotted these plastic mushrooms in a park in Brussels. I took a photo, and later removed the background, and started to manipulate the material. As a forager of wild herbs and food I know that being careful is essential. - I made this gif for fun, and to test how the various effects work together. I could have continued the modifications forever. | mobile phone, computer (Remove.bg; ImageGlitcher (by Airtightinteractive)r; Pixelmator, ezgif.com-gif-maker | CC BY 4.0 | 2023 | DIGITAL | Created | Modulation | Object | Classical | Colourful | - | Performance | - | - | - | #plastic, #mushroom, #fake nature, #advice | |
26 | 0091 | ART | gif | Mazin | He | http://mazin.tez.page | TR | Mazin is experimental multimedia artist works on databending, ROM corruption, creative coding, analog glitch, generative art, 3D design, vintage softwares, style transfer. | Harsh_Process | Landscape footage recolored in After Effects, extracted into PNGs and frame by frame glitched in Processing script (Glic). | After Effects, Processing | CC0 (Public Domain) | 2023 | DIGITAL | Created | Generative | Experimental | - | Contrast | Noise | - | - | Abstract | - | ||
27 | 0101 | ART | gif | Rangga Purnama Aji | He/Him | https://linktr.ee/ranggapuraji | ID | Rangga Purnama Aji is a multi-disciplinary artist, composer, live coder, generative artist, and video artist from Indonesia. The various works that He created involve generative visual artwork, video art, animation, sound art, live coding art/music, and electronic/acoustic music composition. In his artistic perception, he often discusses empirical references, contemplation of life, human relations, the idea of transient, conceptual frames in essence, absurdity, freedom of thought, automation, and mysticism. | Power Pull and Release | The whole glitched animation was coded and created using the Hydra live coding visual library involving linear horizontal motion then implemented a feedback loop using its screen view for the modulation source. Later, the finished animation is recorded using the Camtasia video editor then resized and added a glow effect before being exported as a video file. After that, Adobe Premiere is used to cut some portion of the video to create a nice loop, added some effects (speed-up frames, sharpen, posterize), and then finally export it as the final GIF. | Hydra Live Coding Visual Library, Camtasia, Adobe Premiere | CC BY-SA | 2023 | DIGITAL | Synthesized | Editing | Fiction | Mimetic | Black&white | Interpolated | Nature | Video game | Geometry | - | collision, wave, rough, flashy | |
28 | 0116 | ART | gif | xkprx | http://instagram.com/xkprx | PL | multidisciplinary artist who deals with both Glitched and abstract works of a figurative and non-figurative nature | chasing the dot | multimedia animation displays a lone cat in the midst of chasing a dot as the retro RGB display combines with the intense energy of the Glitch Art aesthetic. | Blender | CC BY-NC-ND | 2023 | DIGITAL | Found | Editing | Experimental | - | Colourful | Noise | - | - | - | - | |||
29 | 0126 | ART | gif | Hollow | he/him | https://www.instagram.com/inthenameofthehollow/ | BR | My name is Rafael Bicalho and I have multiple art personalities, I am a multidisciplinary artist working in the motion design scene as well as the games industry and ever since 2023 I have been splitting myself and dedicating my time into the styles and genres of art which I love everything to pixel art to glitchart and anime. And to organize and showcase everything I started a small one man studio called theconstruct.xyz which is the main alias I started using to manifest my personalities into the world. | SOFT | the process started using c4d, posing a character mesh I that I think comes from DAZ if I recall, I use this base character a lot to make statue shots as I call them, I rendered a frontal shot of the character with his arms close to his legs as he looked up, to me it looked like the character was taking in air, picked up the rendered and dropped it in touchdesigner to make the first pass of effects to distort the image, the set up created was to displace it randomly across time and to shift the lighting in a synthetic way post render as I only had a png, took the results into after effects, and colored the black and white footage, and used a custom setup in after effects to create the glitch effect using various default effects from after effects, inside AE only one plugin is used which is ominos diffusion for a small modulation effect which is applyed on top of my own modulation effect using venetian blinds and displacement to create a very textured grainy feeling to the piece. | cinema4d, DAZ, touchdesigner, after effects | it isn't licensed, but it is free display anywhere | 2023 | DIGITAL | Created | Emulation | Experimental | - | Monochrome | Noise | - | - | Abstract | - | aesthetic | |
30 | 0130 | ART | gif | Matty Furious | N/A | http://www.Matty.cc | UK | I am an Multi-award-winning OG Crypto Artist and video editor from the UK who has been messing with glitch art/Analog stuff for a long time. | Game Of Life (Redux) | I use old GIF assets from defunct geocities websites and mash them together using image manipulation, Photoshop and vegas pro are used to magic everything together into one glitchy mess. | Adobe photoshop / Vegas pro | I own it | 2023 | DIGITAL | Collaged | Editing | Experimental | Synesthetic | Colourful | Smooth | Home video | Video game | Abstract | - | ||
31 | 0138 | ART | gif | scwfilms | https://www.instagram.com/scwfilms/ | US | Steve is an artist / filmmaker from San Francisco, California, Proud to be a past participant in /'fu:bar/ expo. | IMMUTABLE GAZE | This work was created digitally. With various generative and intent driving methods. | I used AI to generate the face. A spectral mesh from Waaaves Pool, Visions of Chaos, Touchdesigner, TerraGen for the terrain, and After Effects with displacement maps. The fractals in the background were created with a Sleepy Circuits Hypno video synth. | Rights reserved | 2022 | DIGITAL | Created | Modulation | Experimental | Synesthetic | Colourful | Noise | Pseudofiguration | Constructions | Abstract | - | |||
32 | 0152 | ART | gif | Mathias Jansson | Mr | http://mathiasjansson72.blogspot.com/ | SE | Mathias Jansson is a Swedish poet and visual artist. He has contributed with visual poetry to different magazines and anthologies as Maintenant: A Journal of Contemporary Dada. He also creates glitch art, animation and digital collages. | The glitch of Nosferatu | Video clip from the movie Nosferatu (1922) by F. W. Murnau and video from a Turbo Loader program from C64. The clips was then manipultated in PowerPoint with different effects and saved as gif. Thw pieces is a meeting between the early moving pictures with an iconic scen from Nosferatu and the also iconic Turbo loader with is glitching screen, melting together in a new piece of art work celebration the popular culture of horror movies and video games. | PowePoint | Copyright Mathias Jansson | 2023 | DIGITAL | Found | Editing | Object | Classical | Monochrome | Interpolated | Portrait | Video game | - | - | horror movie, video game, c64, | |
33 | 0174 | ART | gif | Max Capacity | He/They | https://maxcapa.city | US | Max Capacity is a digital artist exploring the intersection of analog and digital media and the fetishization of obsolete tech. Working with glitch, AI, pixels, GIFs, text, sound, and video, the common theme throughout the work is finding beauty in decay, entropy and disintegration. Max Capacity first appeared on the internet in 2008 on Tumblr and Twitter. His work with glitch art and analog video art GIFs lead to features in publications including VICE, The Verge, and WIRED, and work exhibited on six continents, including in The Museum of the Moving Image in New York and the Art Gallery of Ontario in Toronto. Since 2021, Max Capacity has been working in cryptoart, minting on Ethereum, Tezos, and Bitcoin blockchains. Since 2021 his work has been featured at NFT and crypto events and galleries in Paris, CDMX, Riyadh, Rome, Berlin, Melbourne, Seoul, and Lisbon. | SOLAR WIND | Analog VHS video glitch. Created with analog video hardware and digitally post processed. | Found footage, analog video dirty mixer, analog capture card. Post processing with VirtualDub and GiftedMotion. | Public Domain/CC0 | 2023 | ELECTRONIC | Created | Modulation | Experimental | Synesthetic | Colourful | Noise | Portrait | - | - | - | ||
34 | 0178 | ART | gif | Noah Travis Philips | he/they | http://noahtravisphillips.com | US | Noah Travis Phillips is an artist, educator, and scholar (BA, Naropa University, Fine Art and Environmental Studies; MFA, University of Denver, Emergent Digital Practices). They create adaptable and multicentered artworks about a mythic anthropocene and posthuman world by activating appropriation and digital/analog remix and collage strategies, and working with both a personal media archive and open algorithmic systems. Their work incorporates 2D / 3D digital fabrication, videos, installation, performance, and the internet. Phillips is Assistant Professor & FabLab Coordinator at Rocky Mountain College of Art + Design. They have exhibited extensively locally, nationally, internationally, and virtually. They live and work in Boulder, Colorado and can be found online at noahtravisphillips.com. | Glitch Earth | The Earths in Glitch Earth are depictions of glitch, rather than glitch itself, with a transparent background to make the Earths an actor + event, within multiple contexts (outer space by default). We glitch the world, disturb its rhythms and forms, the glitches in the images look like storms, extreme weather, a planet in crisis. The Earth seems to invert, disintegrate, recompose, as the same prompt is recycled over and over again, through this iteration, the Earth changes scale, regards itself. It explodes into rainbows, color-shifts, chromatic aberration, witnesses its own shadow cast (thrown, glanced) upon the backdrop of glitching dark matter, cosmic static, and the influence of cosmic forces. Glitch has helped us understand our experience of a technological and mediated environment; these Earths have eyes, a self-awareness, to reflect on the situation, to view it from within and without. Glitch is a way for us to synthesize or metabolize our experience of error and disruption. | various free, publicly available, online, GAN and GIF tools | CC BY-NC-SA | 2023 | DIGITAL | Created | Generative | Fiction | Speculative | Colourful | Noise | - | - | Abstract | - | ||
35 | 0186 | ART | gif | Denzo | https://linktr.ee/DenizIzadi | IR | Deniz Izadi makes artworks full of contrast. Moving, neon lights set against a black background to create imagery that exhibits the paradoxes she encounters in her life. Painting has consistently been Deniz's primary medium, She has graduated from the Art University of Tehran, but over time she felt that she needed more tools, as an artist, to express feelings and concerns. That’s why she was eager to explore other genres like conceptual, video, and digital art.” She grew up in a country full of paradoxes that she wants to exhibit to the world. “I see it as my necessity as an artist to narrate hidden pain and create awareness with your audience. My mentor once told me that a smart artist is someone who can show the darkest concepts in the sharpest possible way. That is exactly what I aim for.” By making colorful pixels that dance in the darkness, Deniz amplifies the contradictions between what is seen and what is reality. | Insomnia | Influenced by a period of insomnia in my life, creating and destroying and suddenly just creating...Like a light in the darkness. | sketches on ipad procreate app, motion and effect on photoshop and after effects | a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width:0" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. | 2023 | DIGITAL | Created | Generative | Experimental | - | Contrast | Noise | Portrait | - | Textual | Contemporary | |||
36 | 0204 | ART | gif | Danyrus | He | https://twitter.com/TDanyrus | CO | Daniel Rodríguez AKA Danyrus is a new media artist from Colombia, whose style is represented by glitch, post internet and videogames. He's been developing his art for two years since the beginning of Hic Et Nunc marketplace finding himself as an artist through the vanguard crypto art movement. He's been making art that sells through NFTs at the Tezos, Solana and Ethereum blockchain. | [o] | This piece is part of 'S0l0m0n' a sollection of 1080x1080 GIF. I'd like to call this minimal glitch and it was made in honor and memory of Sol LeWitt. The techniques used are a recreation of analog distortion made with After Effects plugins, nothing fancy at all. | After Effects | No License / All Rights Reserved | 2022 | DIGITAL | Created | Editing | Object | Classical | - | Smooth | - | - | Geometry | - | minimalglitch | |
37 | 0207 | ART | gif | 1KSIDES | she/her | https://www.youtube.com/channel/UCVl_Urb7ZbHJw0gZE2FfL7A | TW | 恁老師 Professor Ei Jane Janet Lin loves cats, tattoos, and cyberpunk Glitch Art. | I'm not white (Transparency) | Don't need to be no ghost to glitch. | Selfie, Phones, Photoshop | CC BY-SA | 2023 | DIGITAL | Created | Editing | Experimental | Synesthetic | Contrast | Interpolated | Portrait | - | - | - | ||
38 | 0208 | ART | gif | platinum Jim Jam | He/They | http://instagram.com/platinumjimjam | US | Jim Jam is Jim Brodie, a Chicago based glitch artist and photographer. He has been working with new media and glitch workflows since 2014. Jim has co-hosted 2 glitch art based group exhibitions, and hopes to continue learning and growing alongside his peers. His appreciation for the wisdom and inspiration the international community has provided has driven his efforts for almost 10 years now. | postCentX knownRogue 08 | This .gif process starts with prompting surreal and highly textured AI portraits using midJourney. When a portrait seems acceptable, the Make Variations tool in midJourney is then used to make up to 40 variants of the original portrait. These variants all have subtle differences, and when arranged as a .gif or video, provide a unique and vibrating effect. The final 40 frame .gif is then processed through analog video equipment, including a Tachyons+ Psychenizer and a Panasonic mx-50. Luma Keying is utilized to key in mx-50 video feedback, allowing each frame to react to the feedback. The difference in variant frames causes the feedback to jump and deviate from its usual liquid path. The .gif is recaptured with a DSLR pointing at a Sony PVM CRT monitor, in order to retain the scanlines and analog textures from the screen. The final process involves slowing the frame rate down slightly, in order to control the chaos of the video feedback, allowing a smoother result. | midJourney / Panasonic mx-50 / Tachyons+ Psychenizer / Photoshop | Attribution CC | 2023 | Digital/Analog hybrid process | Synthesized | Generative | Experimental | Synesthetic | Colourful | Smooth | Portrait | - | Abstract | - | ||
39 | 0218 | ART | gif | ddrtst | https://linktr.ee/ddrtst | Worldwide | another dead artist | GLITCH IS DEAD | My motivation was to introduce me as an artist at your festival. I created a fairly simple effect but with my own unique touch. Main effect is reached by load/updatePixels function in p5js. I rendered animation from p5js to single frames and then morph them into final gif with ffmpeg. | p5js | CC0 | 2023 | DIGITAL | Created | - | - | - | Colourful | - | - | - | Textual | - | glitch is dead, art is dead, ddrtst | ||
40 | 0224 | ART | gif | Dx.trz | He/she/they | https://instagram.com/dx.trz?utm_source=qr&igshid=MzNlNGNkZWQ4Mg%3D%3D | CO | Expresionist and animist, all beggin with pareidollia pics as exploration on imagen. Then totemism came to strenght the imagen and make a new stage on mind accros reality and the sounds appears. Audiovisual field as body and with music and color as soul has build de spirit of Dx.trz who research trough ego abput beauty and true. Destroy your ego to know the esscence of distorted reality gives the name of Dx.trz that is a word's game: DEXTROIZ your ego with imagine and noise. | Destroy your ego | This gift was made to express the strengh of mind inside our brains when you figth with yourself to release your spirit beyoind the social one who's arise in rules and the must be. | Gifmaker.com paint and twistedbrush | Creative commons | 2022 | DIGITAL | Created | Generative | Documentary | - | Colourful | Noise | Pseudofiguration | - | Abstract | - | #humantroubles | |
41 | 0231 | ART | gif | INA VARE | she/her | http://www.inavare.xyz | LV | INA VARE, a Latvian glitch and analog video artist, fuses her innate technological curiosity with analog and digital realms. Her style is shaped by her understanding of digital, VHS, and circuit-bending techniques, recreates nostalgic visuals, delving into noise and glitch. From abstraction to parody, her works balance sentimentality and the grotesque. With a history dating back to the early 2000s, INA has contributed as a video artist, animator, motion designer, and real-time performer. Her pieces have graced global festivals and exhibitions, and she joined the CryptoArt scene in 2021, showcasing collections and engaging with movements like #TRASHART. Notably, her work was featured in a 2023 Sotheby's auction. Holding degrees from the Art Academy of Latvia, INA VARE has a strong presence in both traditional and CryptoArt domains. | QUOTES | QUOTES is ongoing series of conceptual work inspired by influential texts by world known personas. Series consist of numerous animated gifs displaying a single word that is connected to a certain quote found on the internet. The source material is created using Adobe Photoshop and After Effects, composited on Modul8 and fed into analog/digital video processing hardware. Via hardware video processing the final aesthetics gets reached, capturing video back to computer via Blackmagic Intensity shuttle device. The artworks gets finalised via Adobe Photoshop gif processing tools. | Software - Adobe Photoshop, After Effects, Modul8. Hardware - Edirol V4, Tachyons+, Blackmagic Intensity Shuttle | Creative Commons | 2022 | ELECTRONIC | Created | Editing | Experimental | - | Contrast | Indexed | - | - | - | - | glitch, analog, digital, videoart, quotes, conceptual, series | |
42 | 0236 | ART | gif | moosher_pixels | he/him | https://linktr.ee/moosher_pixels | FR | I am Adam, (aka moosher_pixels) a VFX Compositor, Cinematic Artist and glitch addict. I think GlitchArt is the perfect style to describe and adapt this chaotic world's situation. In my cultist collections, ("The Highlanders" and "Activists of GREED") I tried to draw inspiration from the environment around me to create a coherent story. | The Visitor | In order to have a basis for my picture, I always start with drawing. I draw more abstract or non-figurative forms and photograph them to use for post-production. I import these photos into Photoshop or After Effects, where I cut them into multiple pieces to create the final shapes that I use for my artwork. In the last section, I digitally damage the different parts with overlays and/or plugins to get the final color and the final look of the image. | Lumix G7 camera, Adobe Photoshop, Adobe After Effects | CC BY-NC-ND 4.0 | 2022 | DIGITAL | Created | Editing | Fiction | Narrative | Colourful | Noise | - | - | Abstract | - | ||
43 | 0239 | ART | gif | hOrO mO X | http://horomox.com | FR | hOrO mO X is an artist who works on the intersection of eastern contemplative philosophies, quantum randomness and contemporary digital technologies. Some 20 years ago he began to use the data from quantum random generators and developed the concept of AIproof art or Machineproof art which main idea consisted in the deliberate introduction of true randomness into artworks in order to get rid of patterns and make these works non-reproducible by machine learning algorithms. This concept later evolved into the OArt paradigm which aims to conceive digital, physical and mind-bound AIproof defence devices to withstand the upcoming singularity upheaval. hOrO mO X’s current work based on OArt tenets takes the form of animated self-destructing GIFs with figurative elements, conceptual minimalist digital objects and short poems. Some of them were minted mainly on Tezos blockchain since the HicEtNunc inception. | Red Dog Revolver | A work semi-generated with QRNG/QRBG quantum true random numbers materialized with custom stochastic procedural and non-procedural methods (similar to an undertrained neural network with a lot of synaptic momentum). True randomness is intended to get rid of patterns and bias and make this work not replicable by current state of machine learning algorithms, to make it AIproof. The spatiotemporal rotational complexity is added to reinforce it. Following the OArt Code tenets, this is also an object that is made to be seen differently by every viewer and to take the final shape at the moment of visualisation regardless if the viewer founds himself in simulation or not. It is a device allowing for the testing of the nature of reality. | QRNG/QRBG quantum true random numbers generators. Custom neural network. | CC0 | 2023 | Digital based on capturing of quantum random numbers with QRNG systems | Synthesized | Generative | Experimental | Speculative | Contrast | Interpolated | Pseudofiguration | - | - | Contemporary | AIproofArt, MachineproofArt, OArt OArtCode, QuantumArt, quantum, quantumcomputing, quantumphysics, truerandomness, purerandomness, wavefunction, wavefunctioncollapse, einselection, eigenstate, decoherence, superposition, QRNG, QRBG, QuantumAI, revolvingGIF, animatedGIF, generativeAI, generativeart, genart | ||
44 | 0245 | ART | gif | elbi | he/him | https://elbi.xyz/ | BR | nalog video artist from Brasil / piloting 90s hardware through web3 | Don't Wake Me Up This Time | analog video art edirol v4 + panasonic wj-mx30 recorded with capture card | edirol v4, panasonic wj-mx30 and capture card | All rights reserved | 2023 | ANALOG | Synthesized | Modulation | Experimental | Synesthetic | Colourful | Noise | Pseudofiguration | - | Abstract | - | ||
45 | 0247 | ART | gif | Tehno_Miking | He | https://linktr.ee/Techno_Miking | RS | Tehno_Miking based his art on his love for collecting and playing pinball machines, which are for him a perfect artistic creation because they combine the art of visuals, sound, and interaction with the artwork. He experiments with collage, digital glitch, animation, and trash art. He has been involved in crypto art for three years. | 9 sec VHS Pinball video clip | Digital glitch+VHS effect on image. 9 seconds of my main inspiration. | Pinball image made in Graphionica, Glitch - EZ Glitch, VHS effect - Tapee | No license | 2023 | DIGITAL | - | - | - | Synesthetic | - | - | - | - | Abstract | - | digital glitch, vhs, pinball, | |
46 | 0251 | ART | gif | Pit Of Despair | he/him | https://objkt.com/profile/tz1d7uk6dK2FdXNgwTgtuZbBojhaZ8TVY5rg/created | BR | Brazilian Glitch Artist working with mixed Glitch techniques, often using both analogue and digital warfare to corrupt media files. Themes range from post-modern romantism to kinky horror. | affection:// | This piece is from the "Corrupted Memory Shelf" collection, where I portrait human memories as remembered by a broken machine. "You used to store your memories inside of a computer. This is how the machine evokes your past." Analog video feedback + Heavy digital media corruption. Glitch Art Video rescanned from a CRT monitor, 800x800 animated .GIF | Hex Editor, Videonics analog videofeedback, rescanned from my CRT monitor with a handycam and post-processed through Adobe AE. | All Rights Reserved | 2023 | All three of them apply. | Synthesized | Modulation | Experimental | Narrative | Colourful | Noise | - | - | Abstract | - | glitch, analog, digital, gif, affection, databend, feedback | |
47 | 0274 | ART | gif | BERNIZECK/GLITCHACHU | he/him | http://bias.wtf | BR | Bernardo Izecksohn, born 1995, is a visual artist and post-production generalist from Rio de Janeiro, Brazil. He graduated in Film&Media Studies from Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio) in 2017. His documentary debut was selected to be exhibited in the LatAm Film Fest - São Paulo, in 2017. Bernardo would go on to focus his commercial presence in the post-production sector. He opened his own post-production homestudio in 2018 to have more control over his work. Now with notable clients and more proficient with the tech, Berni can revisit his pursuit for artistic expression. Shortly after opening his posthouse, he dove back into researching glitch techniques, theories and aesthetics. Glitching was also a way to battle the overly-technical, "pixel-perfect" demands from his day to day a/v work, but his interest in glitch originally arose during his teenage years, after he was diagnosed with an autoimmune chronic illness and found out he was glitched to the guts. | That which emanates from the Sun | The work is a remixed output from an algorithm that attempts to organize chaos, by using Lorenz Attractor parameters to inform 3d vectors in a WebGL environment, which then place geometric shapes throughout the canvas, resulting in a messy looking maximalist composition. Rarely, I'd get some order from these chaotic attractor's results, such as this abstraction of a landscape. The excitement of discovering an organized output that also resembled a real scene made me few more connected to the project & to coding in general, because I felt that if I played the right "notes", I'd be able to "play any symphony" w/ the tools. The static img looked like a sun wrapped around rubber bands, but the orderly hue shift the bands produced in sequence (which I had coded) sparked my attention: a 360º hue shift animation (something quite common in glitch aesthetics) revealed a dance of energy flowing through the "rubberband" sky, like it was emanating from the Sun-like imagery I had just generated. | Javascript (web p5js editor); Adobe Premiere | CC BY-NC-SA | 2022 | DIGITAL | Synthesized | Generative | Experimental | Mimetic | Colourful | - | Nature | - | Geometry | - | generative, creative coding, programming, javascript, p5js, sun, hypnotic, trance, contemplation | |
48 | 0011 | ART | img | Stella Jacob | she/they | http://stellaykv.net | FR | Stella Jacob is a multimedia artist & game designer based in Paris,passionate about immersive media. Graduated from Gobelins school in Game Design, she previously worked for five years in the Virtual Reality field. From trash-made costumes to video games, her work is about communities, either online or offline. | Defense Mechanism | "A defense mechanism is a defensive strategy that we put in place without being aware of it, with the aim of escaping an anguish or an internal conflict." Defense Mechanism is a digital collage about love, composed of transformed images taken from Google Image (by searching for "perfect [object name]"). Run and re-run between different software programs, the image seems to happen once again, blinding us to the nature of the silhouette. Is it a future Lover or an Enemy? The FPS point of view, which has become the most represented genre in video games, underlines the automatism of this mechanism, but also its violence and dissonance with its environment: how do you armor yourself while still being able to love? | Google search, Photoshop, Preview built-in software, Dalle-2 (just a little bit for the silhouette and some flowers texture) | CC BY-NC-SA | 2023 | DIGITAL | Collaged | Editing | - | Narrative | Colourful | Noise | Portrait | Video game | - | - | ||
49 | 0022 | ART | img | BppChourmo | Him | https://bppchourmo.wordpress.com/ | IT | passionate about glitchart for about 10 years he started making images where the glitch represents human error | Sunday evening | I create images using Photoshop sometimes some apps for Android and sometimes software like madpixelsort then I mount everything with Photoshop | Photoshop Madpixelsort Glitch Lab | By | 2023 | DIGITAL | Collaged | Editing | - | Synesthetic | Colourful | - | Portrait | - | - | Contemporary | - | |
50 | 0035 | ART | img | Ranura Vacía | https://linktr.ee/ranuravacia | MX | Luis Ángel Orduña Gutiérrez leads the audiovisual project Ranura Vacía, where he merges his love for music and technology to create unique immersive experiences for the public. With a mix of complex sounds, enveloping textures, and hypnotic, syncopated rhythms, Ranura vacía music takes you on a journey through experimental soundscapes that explore the possibilities of IDM, glitch, and breakcore electronic music. In April 2023, Ranura Vacía had the opportunity to perform at the LPM Festival in Münster, Germany, where Luis Ángel was able to present an audiovisual set focused on the music from his second EP. He has had collaborations with the poet Rodrigo Perea creating a video poetry called "El bosque de Nemi" and several of his poems appear in his music. Ranura vacía has an EP on all platforms: "Raíces", released in 2022. | Databe | For this series, I applied databending processes by editing the text into 3D objects to end up with a glitched object. Then, I composed it in Blender using collage textures from images of my browser. Afterwards, I altered the image further using Audacity with more databending techniques. | audacity, blender, text editor | CC BY-NC | 2023 | DIGITAL | Collaged | Editing | Experimental | - | Colourful | Noise | Pseudofiguration | Photogrammetry | 3D | Contemporary | |||
51 | 0040 | ART | img | S Cearley | he/him | https://exampleURL.xyz | NO | S Cearley is has tricked a computer into making poetry when it thinks it is making art. A former AI researcher, he uses the computer to generate art, which he then modifies. The opposite of glitch, or at least a role-reversal of glitch. | when one is a puppet | I saw an old sepia photo of a man and his ventriloquism puppet from ca 1900, and used that to bend each RGB in a typical glitch method. With that idea set, I then used GLIMPSE to recreate the glitch on my laptop, then passed that through DrawingBotV3 to generate a 15 color plot using angled lines in a radius. I then moved this plot to Inkscape and removed some of those 15 colors, tweaked nodes, minimized crossovers, and some other simple cleanup. | Glitch lab (android app), GLIMPSE, DrawingBotV3, InkscapeV3 | CC BY-NC-SA | 2023 | DIGITAL | Found | - | Object | - | Colourful | - | Portrait | - | - | - | xyplotter | |
52 | 0044 | ART | img | Heather Timm | She/Her/Hers | http://heathertimm.art | US | Internationally Exhibited Interdisciplinary Artist. Explorer. Experimenter. | Conformity is Destructive | The original image is a generative AI piece from Midjourney taken into GIMP and transformed into an animation using G'MIC filters then loaded into Photomosh Pro to randomly rainbow and solarize the piece. The final piece submitted here is a still captured from the animation. Unlike it's AI origin, it is not artificially smooth or perfect; it's beauty is in it's imperfection. | Midjourney 5.2, GIMP and G'MIC Plug-in, Photomosh Pro | CC0 | 2023 | DIGITAL | Synthesized | Editing | Experimental | Synesthetic | Solarized | Noise | Pseudofiguration | - | - | - | ||
53 | 0064 | ART | obj | Micah Alhadeff | He/Him | http://micahalhadeff.com | US | Micah Alhadeff is a digital artist who uses 3D programming and glitch to explore issues surrounding the digital body, ideas of queerness, 3D fashion, and the limits of fantasy. He received a BA in Art History and a BFA in Graphic Design from Colorado State University, Colorado. He is currently an MFA candidate in the Electronic Integrated Arts program at Alfred University, New York. | Sandin Dreams | "Sandin Dreams" is an interactive 3D sculpture that combines vintage analog video hardware with 3D modeling. The sculpture references the Sandin Image Processor, created by Dan Sandin in the early 70s, which is a video synthesizer that creates ultra-saturated colors and patterns using various modules. The video textures on the TV screens were made using the Sandin at Alfred University. The 3D model of the Sandin Image Processor featured in the 3D sculpture was modeled off of the Sandin at Alfred University. "Sandin Dreams" also pays homage to Nam June Paik's "TV Garden" (1974), which explores the connection between nature and technology. In this piece, nature is simulated by the abstract environment sculpted using 3D drawing tools. | Tools: Sandin Image Processor, Oculus Quest 2, Mismatcher REVd, ORION 9" CRT TV, Canon EOS M200, Blackmagic Instensity Shuttle, Software: Blender, Adobe Premiere Pro, Gravity Sketch | All Rights Reserved | 2023 | Digital and Electronic | Synthesized | Modulation | Interactive | Synesthetic | Colourful | Material | - | Architecture | 3D | Contemporary | ||
54 | 0067 | ART | img | YankelVision | he/him | https://objkt.com/@yankelvision | US | YankelVision is an American artist exploring art history, the practice of art, and aesthetics via artificial intelligence, machine learning, and glitch art. | This Is Not A Work Of Glitch Art | This work explores glitch aesthetics through the use of a text-to-image artificial intelligence model - in this case, DALL-E 2. Asking, "what is glitch art?" I chose, in this work, to produce something that some may (and some may not) call glitch art, by using raw output of an AI model. The title, of course, nods to Magritte, and asks the viewer to think about, using Magritte's actual title, "The Treachery of Images." The DALL-E "signature" in the lower right was left in, to underscore the raw AI nature of the work. This work was minted in an edition of 18 on the Tezos blockchain in July 2022, along with the prompt used for the work and a quote from a friend who asked whether this could properly be glitch art if the "machine...is working just perfectly..." | DALL-E 2 (text-to-image AI model) | All Rights Reserved | 2022 | DIGITAL | Created | Generative | Object | - | Colourful | - | - | - | - | - | artificial intelligence, landscape, raw AI | |
55 | 0072 | ART | img | Mark A. Klink | he/him | https://www.markklinkart.com/ | US | Mark Klink has been and done many things: Swept floors, factory hand, an athlete, minor government official, a life guard, computer programmer, and a traditional print maker. For twenty years he taught children and other educators how to use computers. But the thing he likes best (beside family) is making curious pictures. | head-0179.03 , head-0783.01, head-0184.02 | "glitched" 3d: Using a variety of techniques the basic structure of 3d objects together with the mapping of their textures are disrupted and distorted. | Blender 3d | Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) | 2023 | DIGITAL | - | - | Experimental | - | - | Noise | Portrait | - | 3D | - | #experimentalCG #experimental3d #glitch3d #glitch #head #face | |
56 | 0088 | ART | img | Cera Sizzle | She/They | https://greaterstranger.tumblr.com/ | US | Amateur artist struggling though life one piece at a time | Trans Formation | The pandemic was a very isolating time for me. Removed from regular contact I was able to relate to myself in a different way that didn’t take into account the place I had made in the world. I was able to experiment with what really made me happy. Part of the process was reckoning with the gender dysphoria I’d been burying and asking where I find meaning in life. I began to experiment with gender presentation and make art that communicated who I was. Both were incredibly liberating for me. This piece is a self-portrait, fragmented and distorted to reflect the disjointed yet beautiful self I was discovering. | Camera + Audacity | Attribution-NonCommercial-NoDerivatives 4.0 International | 2021 | DIGITAL | Created | Editing | Object | - | Colourful | Smooth | Portrait | - | - | - | Databend | |
57 | 0104 | ART | img | tokyo_nomad_ | he/him | https://www.instagram.com/tokyo_nomad_/ | JP | tokyo_nomad_ is a glitch artist based in Tokyo. Originally from the UK, he traded the decaying factories and industry of Manchester for the neon lights and wonder of Tokyo. In an age where machines progressively become more human, and humankind deteriorates into an increasingly cold, programmed, solitary routine, tokyo_nomad_ explores the boundary where the biological and artificial meet. He mainly works using photo manipulation techniques; mixing databending, file corruption, processing scripts as well as good old fashioned photo editing. | Let's Hear It for the Vague Blur! | Base image generated with GAN (this person does not exist). Image ran through GLIC where many iterations were made using different settings. Composite by blending many of the iterations together in GIMP. Colour correction and blur added in GIMP. Motive: Inspired by the Scramble Suit from A Scanner Darkly. I've always been intrigued by the masks that we wear in different situations. The subtle or overt changes in our personalities we make to fit in with social etiquette necessary for any given situation. Are these masks different versions of ourselves, or are they a smaller part of a bigger whole? How do we keep track of our authentic selves? As Arctor says, "I can't any longer these days see into myself. I see only murk. Murk outside; murk inside." | GLIC (in Processing), GIMP | non exclusive, non derivative, non commercial use | 2023 | DIGITAL | Created | Editing | Object | Classical | Colourful | Smooth | Portrait | - | - | - | ||
58 | 0108 | ART | img | startats | he/him | https://youtube.com/@startats | DE | Hey, my artist name is startats, mainly known for making music. This is my first time submitting to any kind of art event like this one, i'm just looking to get a bit of attention perhaps, because i portray a lot of art through music. Thank you. | Spaceship Entry | I used a picture of several colors, worked out the light and shadow on them, used distortion, then turned them to a circle-like building, and the hole that was left, i used to put a space background behind it. The idea that came to me was inspired by a star wars scene from New Hope (Chapter IV), where Luke and the rest try to get into the death star. I felt that it looked beautifully realistic. | OneLab | Creative Commons | 2023 | DIGITAL | Created | Editing | Experimental | Synesthetic | Solarized | Material | - | Constructions | 3D | - | space, ship, scifi, science, sciencefiction, building, spaceship, universe, | |
59 | 0115 | ART | img | slipshapes | he / him | https://www.instagram.com/slipshapes/?hl=en | IN | slipshapes is a code art and ambient music project focusing on hypnotic movements, geometry and escapist visions. His current medium is digital images and short-form videos. His aesthetic is informed by consuming way too much epic fantasy and science fiction. | Scans Anonymous | A human subject is isolated from a photograph using either code or image processing software. Then the isolated subject is analysed by an DIY border finding algorithm to detect its outline. The outline is drawn and redrawn to render the human subject in generative colour patterns. In certain cases, this outline is reintegrated with the background. | All code is written in Processing. Procreate on the iPad is used minimally. | Creative Commons | 2022 | DIGITAL | Created | Generative | - | Narrative | Contrast | Interpolated | Portrait | - | - | - | ||
60 | 0128 | ART | img | Bob Georgeson | https://www.anonymouswaves.org/ | AU | Bob Georgeson is a digital artist, experimental film maker and sound artist, writer, curator and facilitator. He is host and curator of the anonymous waves Gallery, artist and curator at The Wrong Biennale, founding member of dadaland collective:, artist at SPAMM, Noemata, Homeostasis Lab, Fu:bar Glitch Art Festival, Peripheral Forms, One Minute Artist Films, DATASHOW and member of the Glitch Artists Collective, Free the Pixels and The Perfect Users. His work deals with the themes of alienation, isolation and loneliness and the impact of new technologies on communications and society. He exhibits and collaborates around the globe from his home in a remote location in south eastern Australia. | Self Portrait 2023 | In simple terms a glitched photomontage | Camera, Google Colab, Hugging Face, Processing, PhotoDemon | Creative Commons | 2023 | DIGITAL | Synthesized | Generative | Experimental | Speculative | Colourful | Smooth | Portrait | - | - | - | - | ||
61 | 0141 | ART | obj | Ranebo Riot, Andre Schu | They/Them for the both of us | https://campsite.bio/ranebo | https://linktr.ee/android_xanadu | US | Multimedia Creator specializing in bringing vivid visions to life. Ranebo has been displaying their art publicly since 2014. The nature of their art includes murals, body painting, acrylic, watercolor, modeling, digital collages, graphic design, sewing, and really adding vibrancy to any type of canvas that presents itself. They believe that everything and anything is art if you look for and lean into the magic of life itself and seek to assist others to view life through a similar lens. Andre Schu is a glitch artist who uses the mediums of 3d printers, videography, and circuits to express technology's chaotic perfections. Andre started out in punk public access supporting the Free Speech of Minneapolis residents and moderating with the Glitch Artists Collective. They believe in a hauntological reality, where the past, present and future are in a state of flux. Andre is currently exploring self hosted AI systems, for art, language and code. | Creature | To start, Ranebo posed while Andre captured their form in 3D using photogrammetry and NotePad++. Then they used ZBrush Core, Blender and PrusaSlicer to craft a unique 3D printable sculpture. Next, Ranebo hand-painted the sculpture with UV reactive paint, infusing it with vibrant rainbow colors. The base, a wooden board custom-cut, was painted with acrylics and then spray-painted with a Damascus steel design, drawn digitally by Ranebo using Procreate. The result is a striking piece that represents the distinct creative influences of both artists. Andre's black glitch shapes contrast sharply with the human form colored by Ranebo . This unique collaboration of digital precision and human creativity illustrates how color and darkness can come together to make beautiful art. | Lumix GH5, Agisoft, Z Brush Core, Notepad ++, Blender, Prusa Slicer, Prusa 3MKS, Procreate, Liquitex acylic paints, Montana spray paint | Creative Commons | 2022 | DIGITAL | Created | Collaborating | Object | Classical | Contrast | Material | Portrait | Photogrammetry | 3D | - | |
62 | 0143 | ART | img | Hecate | She/her | https://petrabrnardic.blogspot.com/ | HR | Rođena sam 1978. u Zagrebu, gdje sam 2004. diplomirala sam na ALU. Bavim se slikarstvom, crtežom, fotografijom, kolažem, glitch artom, instalacijom, animacijom, multimedijom i ostalim vidovima vizualnih umjetnosti. Izlagala sam na brojnim samostalnim i skupnim izložbama te filmskim festivalima u zemlji i inozemstvu (brojni gradovi u Hrvatskoj, Mostar - BiH, Novi Sad i Subotica - Srbija, Maribor, Tolmin, Ljubljana - Slovenija, Betlehem - Palestina, Rosario i Santa Fe - Argentina, Szczecin - Poljska, Napulj, Rim, Macerata i Padova - Italija, Edinburgh, Bradford, Buckinghamshire i London - UK, Porto - Portugal, Forcalquier – Francuska, Malmo – Švedska, Girona, Valencia i Alicante – Španjolska, Corvallis, Oregon, Hollywood LA, Roanoke Virginia, Bisbee Arizona, Florida i New York, USA, Bangalore, Indija, Tijuana, Meksiko, Moskva, Rusija, Valkenburg i Amsterdam, Nizozemska, Thessaloniki, Grčka, Berlin, Njemačka, Port of Spain, Trinidad i Tobago, Jakarta, Indonezija, Tokyo, Japan). | Playing With Fire | I used my own being, face and body to speak about my demons and obsessions and about fetishistic eroticism. In the process of creating glitch images I combine spontaneous and uncontrolled disintegration of the image with manipulations in the form of collaging different, raw, distorted elements. I use displacement maps, 3D efect, wave effect and pixel sorting as well as multiplication of elements in the form of Photoshop layers. Since the content and the message are equally important to me as medium and technique is, i often end up manipulating the final visual, because I create a storytelling in a way. I am in the phase where my glitches resemble digital paintings. I always carried a slight aversion towards that traditional medium, maybe because i am not the best in it, but creating it digitally, I get to achieve interesting effects. Motivation is to show the body as organically dirty and plastic and artificial at the same time. | I use AfterEffects, Photoshop, Audacity and some online glitch generating sites, mostly Photomosh, although I abandon the latter more and more because I try to rely less on online tools that do the work for me, and more on combining original and distorted images and dive in the process with my own hands, so to speak, with displacement maps being the principal method in this phase. | CC BY-ND | 2023 | DIGITAL | Collaged | Modulation | Experimental | Speculative | Contrast | Noise | Portrait | Photogrammetry | - | - | erotic, glitch, collage, manipulation, digital, trippy, surreal, neobaroque, dirty, bodyart, blackwhitered, red, witchy | |
63 | 0147 | ART | img | Bit Cloudy | He / Him | https://www.instagram.com/bitcloudymusic/ | UK | Bit Cloudy is a electronic music producer, multi instrumentalist, sound designer and visual artist from London, UK. He was a finalist in the Engine Room International Sound Art Competition 2023 and recently curated and presented an hour long Freak Zone Playlist on BBC6Music (UK). He is the guitarist in art pop combo Firestations (Lost Map Records). His music is made on a cheap PC laptop and his visual art is made in Photoshop 7 (2002). | Hellbent Heartfelt | This work was created as part of a series of images made by heavily manipulating photos I have taken in Photoshop 7, largely using the Displace filter among other tweaks. | Google Pixel phone camera, Photoshop 7 | Creative Commons | 2023 | DIGITAL | Collaged | Editing | Experimental | - | Colourful | Interpolated | - | - | - | - | ||
64 | 0173 | ART | obj | Livia Foldes | she/her | http://livia-foldes.com/ | https://www.linkedin.com/in/rachel-s-ng/ | US | Livia Foldes (she/her) is a Brooklyn-based cultural worker exploring the latent space between art, design, technology, and activism to interrogate and reimagine technologies of intimacy and control. Her work asks how and why machines are taught to understand and misunderstand our bodies and the identities they carry, and explore the radical potential simmering in the gaps. She writes, teaches, holds workshops and events, makes software and websites, and uses emerging tools to make images. As the co-founder and creative director of Decoding Stigma, a collective calling for the inclusion of sex worker voices in all spaces that purport to be designing our future, she brings grassroots research and radical theory to accessible platforms through playful, subversive imagery. | Traces | Traces is an interactive photo booth that reveals traces of its past users. How do networked technologies create shared histories? In this installation, participants move their hands to reveal and conceal the visitors who were there before them, as well as glitched versions of their past selves. At the end of the session, the booth prints an oversized memento: your portrait overlaid with traces of previous users. The grainy print on fragile receipt paper provides an uncanny physical record of an ephemeral experience, at once disposable and precious. The familiar form of a photo booth becomes a site for interaction, collaboration, and play. It’s a tool to be manipulated, complicated, and subverted by the people using it. | Installation, custom Processing software, thermal printer | CC BY-NC-ND | 2022 | The work incorporates digital, electronic, and analog elements | Created | Collaborating | Interactive | Speculative | Black&white | Material | Performance | Constructions | - | - | intimacy, history, community |
65 | 0187 | ART | img | arvin clay/deadchannels.tv | he/him/his | https://www.instagram.com/deadchannels.tv/ | US | Arvin Clay is a photographer, writer, and standup comic. Most days though he's just a guy standing in front of a CRT television asking it to glitch for him. | muse | Original photo was shot with a Fujilm X-T4. I utilized a CRT television as an external display for my laptop, and signal interruption were created with a Tachyons+ Vortex Decoder. | Mac computer/Tachyons+IVORTEX DECODER/CRT Television/iPhone/Photoshop | CC BY-NC-ND | 2023 | ELECTRONIC | Created | Modulation | Experimental | - | Colourful | Interpolated | - | - | - | - | ||
66 | 0194 | ART | img | elle thorkveld | she/her | https://vimeo.com/ellev | US | New media digital artist working in generative art, glitch art, virtual art, machinima and experimental film. | Diyanne | Generated a 2d work using a Text 2 Image AI. Took that image and a poem written by an AI Chatbot and converted it to video using another AI which modifies the image to give it movement and adds speech. I then glitched the video using software designed for experimental film creation and a MIDI controller. The images are stills from the video. | The following tools were used: Google Deep Dream, Bing Chat, TokkingHeads , Signal Culture Modular Apps and a MIDI controller. | CC BY-NC 4.0 | 2023 | DIGITAL | Synthesized | Generative | Experimental | - | Colourful | - | - | - | - | - | artificial intelligence | |
67 | 0197 | ART | img | James Usill | he/him | http://instagram.com/jamesusill/ | UK | James Usill is an artist, designer and curator based in London who has been making regular glitch work since 2014 and has maintained an eclectic and prolific output Usill's work has remained primarily abstract, developing a style of digital expressionist work featuring psychedelic bursts of vivid colour, but an increasingly figurative style of newer works revolve around remixing of neoclassical and pre-Raphaelite and other 19th Century art into intricate compositions. Since 2015 Usill has been running a journal where he posts the work of artists and has visually charted the glitch art movement from his own perspective. Collaboration is a large part of his practice, organising mass-collabs where over 30 artists at one time will work on multiple works in a back-and-forth process. Usill is exploring the place for print within contemporary visual arts and this year had a successful second London solo show, where he displayed and sold a series of limited edition prints. | .svg Bending I-III | Distorted .svg files, composited in photoshop | illustrator, photoshop | Non-Commercial | 2022 | DIGITAL | Created | Editing | - | - | Colourful | - | - | - | - | - | floral, vector | |
68 | 0261 | ART | img | LED | https://www.behance.net/deLEDs | CO | Magister en Comisariado de Artes Digitales, Especialista en Filosofía Contemporánea, Diseñador, Artista Visual, Vj. Con experiencia en gestión, curaduría y producción de proyectos culturales, festivales, encuentros, y otros espacios para las artes, la cultura y el artivismo en Colombia, España y Francia. Artista visual apasionado por los nuevos medios y tecnologías, así como por los discursos y conceptos de la estética, filosofía y política contemporáneas. Su obra visual digital ha circulado en diversas exposiciones colectivas en Colombia, España, Francia, Italia Noruega, Suecia, Argentina. Director del Estudio de Arte, Diseño, Tecnología y Comunicación 4NDESING Bogotá Colombia, Barcelona España (2009 – 2023). Codirector, coproductor, curador del Festival de Cine Experimental de Bogotá (2017 – 2023). Codirector y Artivista del Movimiento MA.S.A. (Manifestación Social Audiovisual) Bogotá Colombia, Barcelona Madrid España. (2020 – 2023). | elongation________ | Self portrait. Photograph intervened, synthesized and decomposed using Touchdesigner, Resolume, Photoshop. | Touchdesigner, Resolume, Photoshop. | Creative Commons | 2021 | DIGITAL | Created | Editing | Experimental | Synesthetic | Contrast | Noise | Portrait | - | - | - | |||
69 | 0010 | ART | img | Bay Fragile | n/a | http://bayfragile.com | Worldwide | Digital-native anonymous artist working with experimental abstract and generative art | Sorrow As Seen In Bengal Fire | Digital-native abstract artwork jammed through a hybrid image distortion/generative script | Procreate, JavaScript | CC-BY | 2023 | DIGITAL | Created | Generative | Experimental | Classical | Colourful | Noise | - | - | Abstract | - | ||
70 | 0017 | ART | img | Woman | She/her | http://womannft.net | US | Woman is a traditional turned digital painter from the US. Her art is inspired by the feminine. A community leader, part of her mission is uplifting underrepresented artists and promoting equity in the arts. She believes in the power of crypto to provide freedom from oppression. | Scattered Intensity | Traditional watercolor painting, glitched | Watercolor paint, glitchlab | CC0 | 2023 | DIGITAL | Created | - | - | - | Colourful | Smooth | - | - | Abstract | - | Watercolor, glitch, painting | |
71 | 0019 | ART | img | askMartyn | He/him | https://instagram.com/askmartyn/ | UK | Working with technology most of my career I've found that humans chaotic nature is reflected by the infrastructure we've built. My art intends to peel back the thin structured veneer we're too used to consuming and showing the chaotic patterns underneath. | twisted rainbow | Starting from a digital picture I carry out multiple transformations using mobile phone software until the image is no longer recognisable. The objective always to use the tools we've built for consumption to create something beautiful, haunting or/and engaging. | onelab, android, picsart | Creative Commons | 2022 | DIGITAL | Synthesized | Editing | Experimental | Narrative | Colourful | Material | - | - | Abstract | - | ||
72 | 0031 | ART | img | Michael Betancourt | he/him | http://michaelbetancourt.com | n/a | Michael Betancourt is a contemporary American critical theorist, moviemaker, and research artist known for his pioneering work in the fields of Digital Capitalism, Motion Graphics, and Glitch Art. He explores the intersection of technology, culture, and aesthetics in a diverse practice unified by consistent concerns for the poetic potential of images made by errors—both physical and virtual eruptions that are commonly ignored and rejected. | aimaglitch_1595787563_1 | This is an ai-generative glitch produced from incompatible LoRA models interacting to cancel each other's work. | made with the Draw Things application | copyright | 2023 | DIGITAL | Synthesized | Generative | Experimental | - | Colourful | Smooth | - | - | Abstract | - | ||
73 | 0039 | ART | img | Devis Bergantin | he/him | http://dbergantin.tumblr.com | IT | My name is Devis Bergantin, I was born on 14 February 1984, I live in Caronno Pertusella (VA), Italy, and I am an outsider visual artist and writer: I mainly practice drawing from the depths, glitch art (with a particular preference for databending and photo editing) and short or very short writing. To view my works, my CV and my artist statement I kindly refer you to my blog dbergantin.tumblr.com or to my Instagram account @devisbergantin. I am an associate member of the independent collective Raw Art Foundation (http://rawartfoundation.de/ and @raw_atelier320) in Frankfurt am Main, which supports the creativity of artists without canonical training. I mostly collaborate with fanzines, magazines and independent spaces. | Waterfall that is me | Starting from the collection of my semi-automated drawings contained within my diaries and after their digitisation (by scanner), I apply the techniques of glitch art, namely databending (the effects are obtained without the use of smartphone applications), in order to transfer the original work onto a further oniric and 'crazy' plane. The aesthetic of error allow for a colouristic deepening and an increasingly adventurous psychological exploration as my creation is composed, almost as if one were investigating a mind that is no longer one's own, moving away from its initial essentiality. With photo editing, it is possible to 'dig' into the images produced by this form of alteration which, superimposed, form the layers of my digital work: it is the archaeological moment and, in general, the final phase of the work's completion. | Audacity, Corel Draw 7 | copyrighted (of course, if selected, you can publish it, spread it, etc.) | 2023 | ANALOG | Created | Editing | Experimental | - | Colourful | - | - | - | Abstract | - | - | |
74 | 0046 | ART | img | Grafismo de rua. | https://grafismoderua.com.br/ | BR | Self-taught designer. Born in the interior of São Paulo, raised in the capital city of the state, in the north zone, he had his first contact with art in 1999 through Graffiti in the streets of his neighborhood. Since then, urban behavior created by artists has been the main scenario and adds to it its main reference as an aspect. Expanding your repertoire and visual knowledge. Contributed to graphic design at production companies as assistant art director for event scenography and advertising films. It gave rise to a productive search and is currently dedicated to publishing studies, collaborating with companies and artists, along with carrying out creative professional work. | DRUGA | The artwork represents a black and white collage-style image under the glitch effect. Random image background , sonification glitch effect wahwah audacity + photoshop composition. Stamped logo, grafismo de rua. | Audacity and Photoshop. | Creative Commons. | 2023 | DIGITAL | Created | Editing | Experimental | Narrative | Black&white | - | - | Constructions | Abstract | - | brutalism , industrial | ||
75 | 0065 | ART | img | Sierra MacTavish | she/her | https://unkeptstudios.com/ | CA | Sierra MacTavish currently resides in Winnipeg, Canada. She is a self taught artist who delved into data-bending her photography and scanned mixed media collages in 2020. Her work explores themes of nostalgia, memory and curiously considers the minute details of the world. | Memories of Versailles | "Memories of Versailles" is a glitched photo I took of a statue found in palace of Versailles. During my time at Versailles, I was enthralled by the opulence and the surreal quality of the palace. After returning from my trip I looked over the photos I took, and found that the memories I had of the palace were not captured by my photographs. I decided to manipulate my trip photos to reflect my memories which were patchy and full of soft glowy colour. To achieve this affect, I data bent one of my photos from Versailles in Audacity. During the data-bending process I manipulated the image using audio effects. For this image, Avril 14th by Aphex Twin influenced the audio effects that I choose. | Audacity, Photopea, Fuji XT3 camera | This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. | 2023 | DIGITAL | Created | Editing | Experimental | - | Colourful | Noise | - | - | Abstract | Contemporary | ||
76 | 0079 | ART | img | Igor Gržetić | He | http://www.igorgrzetic.com | HR | Igor Gržetić was born in Rijeka in 1981. He finished School of Applied Arts (Statuary Design) in 2000. In the same year he became an art student at Faculty of Philosophy in Rijeka. In 2008 he finished Academy of Applied Arts in Rijeka. As elective subject he attended classical graphic techniques in class of professor Jasna Šikanja. He graduated on themes – Genesis of Iconology and Introduction in Fetish(ism). His art practice includes computer graphic, graphic design and video experiments – in all tree discourses exploring principles of Creative Commons. He works as a professional associate of Center for Culture of Krk, and a free associate of City Administration as well as Tourist Association of Krk. He is a member of Croatian Association of Artists. | Porno(graphy), part of the cycle | The Porno(graphy) cycle reveals an action of making a free (undefined) inkblots in a piece of folded paper, but in this case ink was replaced with a naked male and female torso. Result of this artistic process is unusual pattern which – if we include a viewer’s fantasy – has a pornographic potential. | Adobe Photoshop | Creative Commons | 2010 | DIGITAL | Collaged | Modulation | Experimental | - | Colourful | Smooth | - | - | Abstract | - | ||
77 | 0085 | ART | img | cajabeats | he/him | http://cajabeatsart.com | VE | Farid Colmenarez (b. 1988) is a developer, musician and visual artist based in Venezuela. He’s been releasing art as NFTs since 2021. His works are made using image manipulation software, acrylic paintings, scanning techniques and AI combined to create abstract compositions with glitch aesthetics. Often times his works subtlety evoke sunsets, dusk, the ocean, and landscapes in general. | Zona Rental | Made with open source software GIMP and G'MIC. This work evokes glitch as an aesthetic more than a set of techniques, as it was created in a bug-free environment with expected results from all process. It was made iterating different effects and distortions of an image scan made from an acrylic on paper painting I did. Its inspiration come from the city of Caracas, the capital of my country. It evokes its landscapes, specially those that can be seen from 'Zona Rental', the most busy subway station in the city. | GIMP, G'MIC, a scanner, acrylic on paper painting. | CC0 | 2023 | DIGITAL | Created | Editing | - | - | Colourful | Material | - | Architecture | Abstract | - | glitch, abstract, cajabeats, caracas, venezuela, urban, landscape | |
78 | 0098 | ART | img | Ål Nik | she/her | https://alnik.me/ | BG/NL | Ål Nik is a mixed-media artist and designer who experiments with various mediums such as visual, digital and sound art. She recently finished her Master’s programme in Fine Art and Media Design: Experimental Publishing at the Piet Zwart Institute in Rotterdam. In the context of her master's research, she aimed at finding accessible entry points for other visual makers to use in their research and artistic work. Her practice explores the relationship between artistic research, making and facilitating experiences for makers to collaborate. During the last academic year, she was the coordinator of the Willem de Kooning in-house art residency “Room for Sound”. | Glitched Diaries | For this experiment, I became interested in how to process images with software that is made for sound. As I was looking for ways to disrupt software usage, I wanted to give myself prompts of editing a particular type of medium with a program that is used for a different medium. Thus, in order to distort and play with images, I chose a sound editing software - Audacity. These images are photos taken during my 10-day self-isolation while I had covid-19 back in the Spring of 2022. Together, with artist Emma Prato (IT), we sent each other voice recordings that we take at the same time and took a photo of that moment. Afterwards, in order to apply the element of disrupting, I processed the images - just as a disrupted radio signal might affect the quality of sound. | photos taken with mobile phone; edited with Audacity | Creative Commons 4.0 - share, use by giving credits | 2022 | DIGITAL | Created | Editing | Experimental | - | Colourful | Noise | - | - | Abstract | - | ||
79 | 0106 | ART | img | sixtoesss | she/her | https://grauremihaela.carrd.co/ | RO | A multi-artist and a DJ, a scorpio born in the 2000s, with a knack for jersey club and hardcore music and with a Bachelors Degree in Graphic Arts at Bucharest National University of Arts, Graure Mihaela is mainly known as sixtoesss in the digital world and works primarly in diverse softwares rather than traditionally. Her dream is to dissolve into the internet. | ELFTHING | Ive been enjoying Final Fantasy games as of lately which drove me to create this artwork. Done in photoshop, cutting and cropping images, adding vectors with 3D metallic effects and an overlay with a hue/saturation indigo edit. | Adobe Photoshop | sixtoesss | 2023 | DIGITAL | Created | Editing | Fiction | Classical | Monochrome | Noise | - | - | Abstract | - | ||
80 | 0111 | ART | img | LASERGUN FACTORY | https://www.lasergunfactory.com/ | JP | J. Scuderi is a multidisciplinary artist, designer, and director based in Tokyo with work found on SuperRare, Ato Platform, MakersPlace, Known Origin, Foundation, and, BAE . He has been a guest speaker at various art and technology events including; BOMA Artist Cafe, NFTxTOKYO, and The Great Reset / Small Reboots exhibition in Yokohama. He was formerly a Creative/Art Director that has collaborated with globally recognized brands such as; Reebok, Nike, Mikimoto, Chanel, Mitsubishi, Nissan, NBA, and more. In 2003 he debuted at CHARACTERISM, a group exhibit at the Williamsburg Art & Historical Center in Brooklyn, and in 2004, he had his first solo exhibit. In 2009 he helped curate and produce FUTR WRLD, a group exhibit at ZAKKA in Dumbo, Brooklyn, and in 2021 helped produce CrypTOKYO with the Blockchain Art Exchange, One of the first physical NFT exhibits held in Japan. | CONSOLE COWBOY | CONSOLE COWBOY is a collection of Post Photography imagery depicting cowboys created using artificial intelligence assistance and digital post-processing techniques, aiming to capture their enigmatic aura. CONSOLE COWBOY presents solitary cowboys, digitally rendered with fluid frequency distortion, mounted on horses, or gazing into the distance. These images provoke uncanniness, challenging viewers' understanding of consciousness and the soul as a purely digital manifestation. The artwork symbolizes humanity's conquest of nature and highlights the cowboy archetype as a symbol of rugged individualism, adventure, and unexplored frontiers of the human mind and cyberspace. The fusion of traditional cowboy imagery with cutting-edge AI techniques emphasizes the profound intersection of ideation and technology, offering a unique exploration of the enigmatic essence of western culture and the cowboy spirit. | MidJourney, Photoshop, Upscayl | All rights reserved | 2023 | DIGITAL | Created | - | Object | Mimetic | Colourful | - | - | - | Abstract | - | artificial intelligence, post processing, post photography, | ||
81 | 0150 | ART | img | Bruno Dantas | He/Him | https://dantasnascimento.46graus.com/ | Model: https://www.instagram.com/yayayajajaja/ Styling/art direction: https://www.instagram.com/dora_saturno/ | BR | Bruno Dantas is a portrait artist, fashion photographer, and designer. Art has always been present in his life, but during adolescence, photography, fashion, and design became the areas with which he identified the most. His main influences are surreal cinema, comic book illustration, architectural and fashion photography. Self-taught, he learned to work with image editing software like Adobe Photoshop and Adobe Lightroom. He developed his visual language through street photography, Databending, and digital illustration. | Sonho Febril Revisited | The process was based on an original fashion editorial. I photographed it and then, during post-production, I experimented with databending, sonification, and image code alteration using FLIF format. The specific image in question underwent the code alteration process. The concept aimed to explore the idea of a feverish dream, blending the beautiful and grotesque, darkness and light, the perceivable and the subconscious. To achieve this, I utilized various image editing tools. | Xnview for image format converter and Notepad++ | No | 2023 | DIGITAL | Created | Editing | Experimental | Synesthetic | Colourful | Noise | - | - | Abstract | Contemporary | |
82 | 0169 | ART | img | jphm4900 | He/Him | https://jphm4900.tumblr.com | CO | I was born in Bogotá, Colombia 22 years ago. I am currently studying architecture, in my last year of undergraduate studies. My main interests are post-digital art, graphic design, analog photography, collage and music. In my experience as an artist and student, I have had opportunities to interact and contribute ideas in different spaces related to artistic expressions and academic research. These elements motivate me to enhance my knowledge, initiative, enthusiasm, commitment and skills to continue my integral formation. | 𝙲𝙾𝚄𝙻𝙳 ̆ 𝘽𝙀 𝙄𝙉𝙏𝙀𝙍𝙎†Ì₮łÄL? | This artistic creation originates from a casual self-portrait captured on a Saturday afternoon of two friends. The image was progressively transformed, exercising an interoperability of apps for Android and iOS. Taking digital distortion as a starting point, it was necessary to use conventional and unconventional techniques such as pixel blurring, ASCII code emulation, displacement mapping, vivid color and torn paper textures, and halftones. Following a series of deliberate steps, the original photograph underwent a radical alteration, by disfiguring and stretching the image into an apparent perspective space. The variations obtained were manipulated and superimposed to build the agitation present in the final composition. This montage evokes a utopian collage, a disruptive mix of alternate veracities and divergent interpretations, portraying immersive and imaginative scenes through a mix of distortion and surreal elements, where the boundaries of reality are continually blurred. | Apps designed and programmed for Android and iOS such as Glitch Lab, One Lab, Procreate Pocket, Glitch Face, Decim8 and Glitch Wizard among others. Using a multi-test methodology for experimental editing, exploring and mixing the visual possibilities of each tool. | Creative Commons | 2023 | DIGITAL | Created | Editing | Experimental | - | Colourful | Interpolated | - | - | Abstract | - | Distortion, Immersive, Perspective, Postdigital, Saturated. | |
83 | 0196 | ART | img | José Irion Neto | he | http://www.instagram.com/irionnt | BR | Jose Irion Neto is native to Santa Maria, in southern Brazil, currently residing in the city of Florianópolis. His first contact with computers was in 1982. His first contact with Glitch Art was through an article published in the Brazilian daily newspaper Folha de São Paulo, in 2007, which led him directly to the Glitch Art Flickr groups. He has an academic background in Media - Advertising and worked for some years as a Graphic Designer. Since 2008, he has been actively working on Glitch Art. | Progressive Graphics File Glitch | Databending (hex editing) process using the PGF (Progressive Graphics File) image format. A dithered color image was compressed into the PGF image format. The hex editing was performed on bytes 17 and 50. | Processing 4', 'Notepad++' and 'PGF Image Converter and Viewer' | CC BY-NC-ND | 2023 | DIGITAL | Created | - | - | - | Colourful | Noise | - | - | Abstract | - | ||
84 | 0212 | ART | img | husaensadam | sadam | http://husaensadam.art | ID | husaensadam discovered a new passion for manipulating photos using glitch and databending techniques. Both methods involve creative digital manipulation of photos using software and various technological tools. Through this style, husaensadam managed to express his ideas and emotions in a unique and innovative way. | my love destroyed by the algorithm | In making this work I used several methods. The initial work is a photo that I took when there was a demonstration against the increase in fuel prices in Indonesia, to be precise, in Jember. I damaged the photo using Kim Asendorf's pixel shorter code in the p5js application. Then I manipulated the results of the p5js application again with the databending technique using the default Mac TextEdit application. Then I took some screenshots and some other photos for me to manipulate using the databending and datamoshing methods through the TextEdit and MoshUp pro applications. Then I finished all the databending and data moshing results by combining them in the Photoshop application using various features. | I use Kim Asendorf's pixel shorter code in the p5js, TextEdit on Mac, MoshUp Pro on Ipad and Photoshop. | CC BY 4.0 | 2023 | DIGITAL | Collaged | Collaborating | Object | Classical | Colourful | Noise | - | - | Abstract | - | databending, datamoshing, pixelshorter | |
85 | 0223 | ART | img | thealienarms | He / Him | http://instagram.com/thealienarms | US | 25 year old from Washington, United States of America. About 2 years of experience with glitch art. | ( ( abstract ) ) [mangled] {posterized} _self(ie)-portrait..heavy.jpg.artifact | Audacity databending (via GVST Gsnap), pixelsorting (madpixelsort), layering/blending, and color correction. Some extra colors were introduced by layering a heavily edited picture of a parrot on top. | Audacity, Madpixelsort, paint.NET | CC BY-NC-ND | 2023 | DIGITAL | Created | Editing | Experimental | - | Contrast | Noise | - | - | Abstract | - | audacity, databending, databend, pixelsort | |
86 | 0227 | ART | img | Circe Clingert | He/They/Him | https://cclingert.hotglue.me/ | BR | He is a writer and artist working in the fields of visual arts, graphic arts and audiovisual. In partnership with the artist Thyana Hacla they have been developing since 2014 the PHONTE88 project, dedicated to graphic experimentation, handmade publication, artist's book, poetry, word-image. Graduated from the Federal University of Minas Gerais / UFMG in the course of Spanish Letters with an emphasis on editing. During graduation, he actively moved between letters and the arts, exploring the possibilities of hybrid relationships between the visual, the textual and the materiality of the works. This characteristic allowed her to develop works that take into account the whole, such as the conceptual and structural projects of the PHONTE88 publications and artist's books. | Don't step on the grass | Don't step on the grass Just as the warning "Don't step on the grass" indicates that in that specific physical place one should not step, the same warning in this work refers to the prohibition of performing an action, that of starting the video. This provokes the viewer to subvert the warning motivated by an inherent curiosity to exceed a limit in order to experience the consequences of this action. The image that contains elements characteristic of a video player makes the warning allude between the realities of physical and virtual space. Thus maintaining the warning proposal that goes beyond the limits of spaces. | Techniques For the creation of the work, a printout of a page from a video player was used. The video originally has the effect of Glitch. This frame was cut and pasted on the page of the personal website in order to function as a platform for the circulation of the work. It is also a place where the proposed dynamic of generating an image that is confused whether it is a playable video or not occurs. | https://cclingert.hotglue.me/?grama / https://creativecommons.org/licenses/by-nc-nd/4.0/ | 2021 | DIGITAL | Found | Editing | Experimental | Mimetic | Monochrome | Smooth | - | - | Abstract | - | ||
87 | 0232 | ART | img | thealienarms + glitchypixels | http://instagram.com/thealienarms | instagram.com/glitchypixels | US|GE | international collaboration from halfway across the globe. Overcoming a huge time difference and language barrier, thealienarms and glitchypixels are a team that keeps pushing the boundary of their own art. | thealienarms / glitchypixels collection | Photos are taken by both of us, 1 from Evan(thealienarms), and 3 from Denis (glitchypixels). Edits are done in turns, started by one person, sent to the other, and repeated until we agree the piece is finished. | audacity, madpixelsort, snapseed, GIMP, paint.net, Affinity Photo, Glitche, Glitch Studio, Hyperspectiv | CC BY-NC-ND | 2023 | DIGITAL | Created | Collaborating | Experimental | Synesthetic | Colourful | Noise | - | Architecture | Abstract | - | ||
88 | 0233 | ART | img | Lewis Owen | he / him | http://lewisowen.xyz | UK | visual artist | decomposition no. 12 | Glitching the scanning process by pushing the dpi quality. Inspired in part by analogue darkroom techniques. | Scanner and scanning software | copyright reserved | 2023 | Digitally scanned but made in real time - inspired by analog techniques | Created | - | Experimental | - | Contrast | Interpolated | - | - | Abstract | - | scanner glitch | |
89 | 0238 | ART | img | terrafolddesign | https://instagram.com/terrafolddesign | HU | I'm a glitch / experimental / 3D artist since 2020. My art journey began at childhood and developed further by starting to learn Photoshop at age 15. There were quite a few years just learning without doing any projects or results, but 2020 has finally brought a new era so I slowly began to utilize everything I've learnt. In my works I usually display abstract spaces, distorted realms with the combination of vivid colors and psychedelic scenes. | DNA spirals in upper view | I generated multiple images using OneLab's pixel sorting function, then I blended them together in Photoshop, and also displayed different structural views of DNA molecules within the image. I wanted to go for something noisy and distorted, just the way DNA is distorted during particular illnesses, and how the spirals are split during the reproduction process. The process of this work was going to be just a blueprint for a different final work for which I experimented with some moves I've never tried before, but I actually noticed how this was all subconsciously building up on its own to become a complete final work I'm happy with. | OneLab App, Photoshop CC 2019 | CC0 | 2023 | DIGITAL | Created | Generative | Experimental | Synesthetic | Colourful | Noise | - | - | Abstract | - | - | ||
90 | 0240 | ART | img | Bleu281 | He/him | https://twitter.com/bleu281_ | DE | Karlsruhe, Germany based digital artist using GIMP to create abstract glitch/computer art | Kontinuum | Using GIMPs recursive transform, emboss and chroma-hue tools, I repeat patterns and shapes to convey a sense of monotony and | GIMP | Minted on ETH | 2023 | DIGITAL | Created | - | Object | - | Colourful | - | - | Architecture | Abstract | - | ||
91 | 0253 | ART | img | Iqra Iqbal | She, her | http://sivazona.hr/events/Iqra | PK | Iqra Iqbal is a digital artist with a computer science background. She has worked as a designer for many international startups, agencies and brands. She has been virtually participating in the Fubar Glitch Art Exhibition since 2021 (Croatia), also participated in the COVIMETRY exhibition as part of Discursive Geometry movement (Poland) and presented her artworks at the Art and Science Exhibition (Italy). Her most recent and noteworthy exhibition was held at Korčula town, Croatia. For more details you can visit: http://sivazona.hr/events/Iqra | Germinal Gremlin | Motivation: I wanted to use Generative AI to create glitch images. Method: Open Google Colab file mentioned in the video, mentioned in the additional links. Run the cells. Connect the Google Drive. It will load the model. There were some errors, so pip install pyngrok and/or ngrok. Create account on “ngrok” to get token and add it to colab along with the user name. I used the cloud flare tunnel and added the same credentials to the Gradio interface. After running all the cells, open the link in the last cell with .app to access the stable diffusion in the new tab. Click generate after writing the prompt to get the desired result. Play around with the options to get unique outputs. The size of the output image can be changed along with other parameters. | Stable Diffusion, Google Colab | © Iqra Iqbal | 2023 | DIGITAL | Created | Generative | Experimental | Mimetic | Colourful | Noise | - | - | Abstract | - | ||
92 | 0255 | ART | img | Sublier.exe | Sig. | http://sadlyitdoesntexistyet.com | IT | Multimedia artist, creator of abstract digital artworks, creates his works using Processing and glitches them using GIMP and Python. | Windy Day in Singapore | The image was created using processing, filtered through various GIMP filters and finally glitched in python | Processing, GIMP, Python | Creative Commons | 2023 | DIGITAL | Created | Editing | Experimental | Synesthetic | Colourful | Smooth | - | - | Abstract | - | ||
93 | 0262 | ART | img | 3vediii | he\him | https://www.instagram.com/3vediii/ | IN | India based visual artist | THE DRAMA | it's generative and manually art made in various software mostly in photoshop | Photoshop | g-28 | 2023 | DIGITAL | Created | Generative | Experimental | - | Colourful | Smooth | - | - | Abstract | - | ||
94 | 0020 | ART | img | Boredmuse | She/her | https://instagram.com/vasudha_the_boredmuse | IN | German translator by day. Graphic designer, glitch artist and newsletter blogger by night. | An infusion of garlic///onion | An infusion of garlic////onion | glitch lab app, mirror lab, vaporgram | creative commons | 2023 | DIGITAL | Created | Editing | Experimental | Synesthetic | Solarized | Indexed | Pseudofiguration | Photogrammetry | Abstract | - | ||
95 | 0023 | ART | img | Milica Denkovic (Mila Glitch) | she/her | https://milicadenkovic.com | RS | Finished New Media Arts at Academy of Arts in Novi Sad (Serbia). Member of Artist Assocaition of Vojvodina. Exhibtied in various group exhibtions in country and abroad. Collaborated with cutural organization Kultivera at various international art projects, exhibtions, workshops as independent artist. Has a status of indepenedent artist in Serbia. Also active as a slam poet. | Glitchtecture Virus | Glitchtecture - process of visual exploring of the architecture in ways of remixing it mannualy - throught the artist decision process in terms of collaging, after that making glitches to the same picture using Photoshop parameters. | Photoshop. I had documented the architectural photos mysleslf, then i made photocollage, cutting the pieces of this complex achtiecture into a planetoid structure, then I used photoshop to glitch the photograph. So from the original buliding it went to double process, one manual non glitching but making it collage construction complex, then glitching it random with photoshop to make it visually even more complex. | Attribution-NonCommercial-ShareAlike | 2023 | DIGITAL | Collaged | Editing | Experimental | - | Colourful | - | - | Architecture | Geometry | - | ||
96 | 0033 | ART | img | w3rmwood | She/They | https://www.instagram.com/w3rmwood/ | US | Jael Whitney is a member of the Choctaw Nation of Oklahoma who is actively engaged with the Glitch Artist community and exhibits in the Greater Boston area as @w3rmwood. | Sunrise | The initial photograph I glitched, taken by my friend John, captured an abstract image of light using long exposure. I put it through a few glitch iterations by toggling back and forth between GlitchLab and MirrorLab to create this digital landscape. | Mobile-based glitch art software GlitchLab and MirrorLab | Creative Commons | 2022 | DIGITAL | Created | Modulation | Experimental | Synesthetic | Colourful | Interpolated | Pseudofiguration | - | Abstract | - | ||
97 | 0042 | ART | img | Francesco Seren Rosso | He, him | https://www.instagram.com/francesco.serenrosso/ | IT | I was born in Torino, Italy, where I live and work as pc technician, in 1979. I am a self-taught hobbyist artist, starting with glitch art in 2018. Glitch art, for me, is a way to express myself. | Streets | A pic of street edited with multiple GlitchLab effects | GlitchLab | CC BY-ND | 2022 | DIGITAL | Created | Editing | Object | Classical | Colourful | Noise | Pseudofiguration | Architecture | Abstract | - | ||
98 | 0063 | ART | img | Zabar Műhely | https://www.instagram.com/szamarhegyura/ | HU | Kende Szabó – Zabar Műhely (1996, H) is creator of multimedial artworks. Working as a light designer, and light technicians in Vaskakas Puppet Theater at Győr. He writes experimental poetry and short stories for several years, but publish those only in live, in underground clubs, and pubs. He is one of the organizers of Glitch4ChaosMagick Exhibitions in Budapest in 2019, 2021 and 2023, and still working onto make this happening biennaly. Sometimes writes critics about contemporary art exhibitoins, and publish it on an online magazine. Started work with glitch-art around 2018. Now focusing on the relations of theater, lights, and glitch-art. And he works with peformances also, and member of the Opál Színház, which is an avantgarde performance group. His performances has been exhibited at IMAF (2021, 2022). Has a camera, but only use it for make raw material for his glitch works. | I met with myself at the corner | One day, as I was riding my bike to the store, I found a concave mirror on a street corner, part of which was starting to hump up. My first thought was that it was a natural glitch, so I immediately took a photo and when I got home I started experimenting with how it would look when it was glitched. The next day I had to go to a neighbouring town for some bureaucratic business, and on the way I found another concave mirror. Of course I took a photo immediately. Then I found another one in that city. And it was at this point that I realised what a series I could make of this. These photos could work as a self-portrait, but I found more interesting if I hide myself with glitching. But if you look close, you can see me. | Audacity, GIMP | CC BY | 2023 | DIGITAL | Created | Editing | Experimental | - | Colourful | Noise | Portrait | - | Abstract | - | |||
99 | 0105 | ART | img | Mila Gvardiol | she | https://gvardiolmila.weebly.com/ | RS | Mila Gvardiol is a visual artist and designer from Belgrade, Serbia. She was born in 1979. She graduated at Faculty of Applied Arts - Applied painting Department in Belgrade where she also took doctors degree in Digital art within interdisciplinary studies of University of Arts. Mila is a member of the Association of Fine Artists of Serbia and Association of Applied Arts and Designers of Serbia. She is employed as Associate Professor at the Academy for Digital Production in Sremska Kamenica, Serbia as well as at the Academy of Applied Arts in Belgrade. Mila took part at 38 solo and over 300 group exhibitions and she participates at international Digital Arts festivals and Fine Arts colonies. Mila was awarded several times for her art. | Kozara | I put the image into Notpad++ and deleted parts of the code until I was satisfied with the result. | Notpad++ | Creative Commons | 2023 | DIGITAL | Created | Editing | Object | Classical | Contrast | Material | - | Constructions | Abstract | Classical | ||
100 | 0125 | ART | img | APIACOAB | https://linktr.ee/Mathieu_Petot | FR | 23 years French designer, graduated in transportation design. He creates Glitch Art in his free time as a cathartic and poetic expression. Use various software and mixed media compositions. A.P.I.A.C.O.A.B stands for « _A Pig In A Cage On Anti-Biotics » | [𝐌𝐀𝐒𝐓𝐄𝐑 𝐎𝐅 𝐌𝐘 𝐎𝐖𝐍 𝐆𝐀𝐌𝐄] | Composition of several elements created around the theme of self-confidence and main character syndrome. Pixelisation, distortion, displacement, rasterization, outlining, collage and pixel texture blending. "ᴇᴠᴇʀʏᴅᴀʏ ɪ ᴘʟᴀʏ ᴍʏ ᴏᴡɴ ꜰᴜᴄᴋɪɴɢ ɢᴀᴍᴇ ᴀɴᴅ ɪ’ᴍ ɢᴏᴏᴅ ᴀᴛ ɪᴛ. ɪ ᴡᴀʟᴋ ɪɴ ᴛʜɪꜱ ꜱʜɪᴛ ʟɪᴋᴇ ꜰᴜᴄᴋ ʏᴇᴀʜ ɪ’ᴍ ɪɴ ᴄᴏɴᴛʀᴏʟ ᴏꜰ ᴇᴠᴇʀʏ ᴇʟᴇᴍᴇɴᴛ, ᴇᴠᴇʀʏ ᴛʜᴏᴜɢʜᴛ." | Adobe photoshop + hand drawing | CC BY | 2022 | DIGITAL | Collaged | Editing | Experimental | - | Contrast | Material | - | - | Textual | - | Collage, Main Character, Master of Game |