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1 | English III H Pacing Guide | |||||||||||||||||||||||||
2 | Two-week summary of major instructional content and skills • 36 instructional weeks | |||||||||||||||||||||||||
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4 | Week(s) | Unit / Text | Major Content | Major Skills and Assessments | ||||||||||||||||||||||
5 | Weeks 1–2 | First Peoples / Native American Lit. | Intro Activity / Story Swap Challenge (2d); WhatIsAmerican (2d); Native American Lit Notes / Poems (2d); Creation Myths: Reading/Analysis (3d) | Analyze narrative structure, character, genre, identity, Native American literary context, figurative language, purpose, and creation-myth morals/themes; discuss and reflect on American identity. | ||||||||||||||||||||||
6 | Weeks 3–4 | First Peoples / Native American Lit. | IXL Fall Diagnostic (1d); Rabbit / Trickster (1d); St. Lucy’s Home for Girls Raised by Wolves: Conflict/Theme (3d); IXL Quiz: Summer Skills (1d); Narrative Writing: Creation Myths (2d); NA Lit Unit Review and Test (2d) | Analyze trickster traditions, retellings, conflict, diction, and cultural themes; compare creation stories; write an original myth using traditional qualities; apply close reading, inference, and figurative-language skills. Assessments: IXL diagnostic/quiz and unit test. | ||||||||||||||||||||||
7 | Weeks 5–6 | The Crucible / Puritan Era | Puritan Notes / Verses Upon the Burning of Our House (3d); Huswifery + Bradstreet Thesis Workshop and Puritan Inference Test (3d); Crucible Context (3d) | Apply Puritan historical/cultural context and writing characteristics to theme and purpose; demonstrate comprehension and inference; construct a comparative thesis; understand allegory, metaphor, McCarthyism, and The Crucible’s literary context. Assessment: Puritan inference test. | ||||||||||||||||||||||
8 | Weeks 7–8 | The Crucible / Puritan Era | Overture Analysis (2d); Act 1 / Characterization (4d); PSAT Crash Course: Standard Conventions (2d); Act 2: Part 1 (2d) | Explain Miller’s paradox; analyze direct/indirect characterization, conflict, reputation, and developing ideas; gather relevant evidence and make inferences; review punctuation, clauses, and parallel structure with PSAT-style items. | ||||||||||||||||||||||
9 | Weeks 9–10 | The Crucible / Puritan Era | Jaxtaposition: Song Analysis—Text Comparison (1d); Act 2: Part 2 (2d); Crucible Test: Review/Test (2d); Subjects/Predicates—Models and Paragraphs (2d); Act 3 (3d) | Compare texts to analyze children, power, mob mentality, and manipulation; write evidence-based arguments about conviction and justice; analyze power, hysteria, and inference; identify subjects, predicates, and nonessential sentence parts. Assessment: Crucible test. | ||||||||||||||||||||||
10 | Weeks 11–12 | The Crucible / Puritan Era → Mini Unit: Age of Reason | Act 4 (3d); Revolutionary Era (5d) | Analyze Act IV conflict, motives, truth, honor, and obstacles facing characters; transition to Age of Reason nonfiction by identifying persuasive appeals and rhetorical purpose and applying them in structured speaking/listening activities. | ||||||||||||||||||||||
11 | Weeks 13–14 | Mini Unit: Age of Reason | Patrick Henry: “Give Me Liberty” (2d); Benjamin Franklin: Autobiography Excerpt (3d); Ethos/Pathos/Logos IXL Skills + Advertisement Review/Assessment (3d); Age of Reason Review and Unit Test (2d) | Analyze rhetorical appeals/devices, central arguments, structure, examples, and reflection; evaluate persuasion in speeches and advertisements; compare Age of Reason ideas with Puritan values and apply rhetoric/grammar skills. Assessments: IXL/group review and unit test. | ||||||||||||||||||||||
12 | Weeks 15–16 | Unit 4–5: Romanticism, Dark Rom. + Transcendentalism | Romanticism Intro/Context/Vocab (2d); Devil and Tom Walker (6d); Devil and Tom Walker: Comprehension/Notes + PSAT Selected Items (3d) | Describe Romantic values and compare them with prior eras; analyze satire, explicit/implicit meaning, imagery, character, mood, and the relationships among these elements; build unit vocabulary and practice PSAT-style items. | ||||||||||||||||||||||
13 | Weeks 17–18 | Unit 4–5: Romanticism, Dark Rom. + Transcendentalism | IXL Diagnostic Day (1d); Thanatopsis (4d); Nature by Longfellow—Independent Practice (2d); Masque of the Red Death (3d) | Interpret poetry and prose through figurative language, imagery, tone, symbolism, and allegory; explain how imagery and comparisons shape meaning; develop a claim about allegorical meaning. Assessment: IXL diagnostic. | ||||||||||||||||||||||
14 | Weeks 19–20 | Unit 4–5: Romanticism, Dark Rom. + Transcendentalism | Midterm Exams (4d); Intro to Transcendentalism (2d); Emerson: Self Reliance (2d); Thoreau: Walden (4d) | Demonstrate midterm learning; identify Transcendentalist characteristics and literature’s relationship to its historical context; explain/support Emerson’s main ideas; identify and evaluate Thoreau’s rhetorical devices. Assessments: midterm exams and evidence-based reflection. | ||||||||||||||||||||||
15 | Weeks 21–22 | Unit 4–5: Romanticism, Dark Rom. + Transcendentalism | INSERVICE 2/9/26 (1d); Aphorisms: Emerson (2d); Dead Poets Society: Screening and Writing (5d); Review / Unit Test (2d) | Paraphrase aphorisms, analyze diction, and write original aphorisms; connect Transcendentalist tenets to character development in Dead Poets Society; analyze cold/warm reads for era tenets, figurative language, and author’s purpose. Assessment: unit test. | ||||||||||||||||||||||
16 | Weeks 23–24 | Realism | Intro To Realizm (2d); NJGPA Prep / To Build A Fire (3d); To Build A Fire (4d) | Explain Realism’s historical context and distinguish Regionalism from Naturalism; analyze argument, reasoning, and textual evidence in NJGPA-style practice; analyze narrator perspective, determinism, adaptation, and Naturalism in To Build a Fire. | ||||||||||||||||||||||
17 | Weeks 25–26 | Realism | NJGPA Testing / Word Games for 8th (5d); The Yellow Wallpaper (3d) | Complete NJGPA testing; analyze the protagonist’s change and the author’s message in The Yellow Wallpaper through a critical-theory lens and synthesize ideas collaboratively. | ||||||||||||||||||||||
18 | Weeks 27–28 | Realism → Modernism | N’Em (Regionalism) (2d); An Occurrence at Owl Creek Bridge (4d); Intro to Modernism / Terms / Sherwood Anderson Poem Analysis (4d) | Apply Regionalist descriptive detail in short fiction; identify and analyze Realist elements in An Occurrence at Owl Creek Bridge; define Modernist tenets and analyze themes such as alienation, loss of faith, and brutality. Assessment: Owl Creek quiz. | ||||||||||||||||||||||
19 | Weeks 29–30 | Modernism | Gatsby Book Launch (3d); Gatsby Ch. 1 (4d); Gatsby Ch. 2 (3d); PSAT Prep—Cross-Text and Logical Completion (1d) | Interpret historical context, epigraph, wealth/status themes, vocabulary, and characterization; analyze setting, relationships, social class, symbolism, morality, and identity; practice cross-text relationships, rhetorical synthesis, logical transitions, and evidence-based PSAT reasoning. | ||||||||||||||||||||||
20 | Weeks 31–32 | Modernism | Gatsby Ch. 3 (4d); Review Study Guide + Gatsby Ch. 1–3 Test (2d); Gatsby Ch. 4–5 (5d) | Analyze figurative language, characterization, setting, symbolism, class, identity, and perception; connect textual details to larger themes; analyze past/future and Fitzgerald’s manipulation of time and narrative. Assessment: Gatsby Chapters 1–3 test. | ||||||||||||||||||||||
21 | Weeks 33–34 | Modernism | Memory and Perception (3d); Gatsby Film up to Ch. 7 (2d); Gatsby Ch. 7 (3d) | Build background knowledge about memory and perception; compare film treatment of symbols, images, setting, and theme; analyze Daisy, Tom, and Gatsby’s development, tensions, revelations, and relationship changes in Chapter 7. | ||||||||||||||||||||||
22 | Weeks 35–36 | Modernism | Gatsby Ch. 8–9 (3d); Close Read Prep and Test (3d); IXL Diagnostic (1d); Final Exam Review (3d) | Analyze Nick’s complex attitude toward Gatsby and Gatsby’s legacy through an obituary task; prepare and annotate passages for close reading; demonstrate analysis on an IXL test/diagnostic; review the study guide and draft the final-exam essay. | ||||||||||||||||||||||
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