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2 | EVA London 2019 Symposium and Conference Day 1: Monday 8th July 2019 (BCS London) | ||||||
3 | Symposium theme: Art, Music, Museums, and Digital Culture - New constructs and consciousness | ||||||
4 | Venue: BCS London office – Chairs: Tula Giannini (Pratt Institute), Jonathan Bowen (LSBU) | ||||||
5 | 09.30 | Registration | Wilkes 1&2: Symposium/Conference | Wilkes 3&4: Research Workshop | |||
6 | 10.00 | Introduction | Conference Co-chairs: Jonathan Bowen, Graham Diprose, Nick Lambert, Jon Weinel | ||||
7 | 10.10 | Plenary Symposum Session 1 | Symposium Chairs: Jonathan Bowen & Tula Giannini | ||||
8 | 10.10 | Tula Giannini: Introduction to the Symposium | |||||
9 | 10.15 | Rachel Ara, Independent Artist (recently Artist in Residence at the V&A), London, UK: What do Digital Artists do All Day? | |||||
10 | 11.00 | Morning break | |||||
11 | 11.30 | Symposium Session 2 | Wilkes 1&2: Symposium Chairs: Jonathan Bowen & Tula Giannini | ||||
12 | 11.30 | Andy Lomas, Goldsmiths, London, UK: Morphogenesis – Working with unruly systems | |||||
13 | 12.15 | Judith Siefring, Bodleian Libraries, University of Oxford.UK: Manuscripts and Archives, Maps and Music – Challenges of putting cultural heritage collections online | |||||
14 | 1.00 | Lunch break | |||||
15 | 2.00 | Conference Session 1 | Wilkes 1&2: Digital Culture Chair: Francesca Guerrera | Wilkes 3&4: Research Workshop Session 1 Chair: Graham Diprose | |||
16 | 2.00 | Renato Saleri: Digital generative tools for restitution and mediation | Emma Dutton: Algorithmic Intimacies | ||||
17 | 2.20 | Giuliana Gaia, Stefania Boiano and Ann Borda: Participatory innovation and prototyping in the cultural sector | Leticia Crespillo: 3D modeling and Virtual Reality as a cataloguing alternative of light enviroments and their application in museums | ||||
18 | 2.40 | Tula Giannini and Jonathan Bowen: Art and Activism at Museums in a Postdigital World | Kazmir Bielecki: DYSPLA – The Neurodivergant Aesthetic | ||||
19 | 3.00 | Maribel Hidalgo Urbaneia: Narrative Interfaces: Temporality and spatiality in art museums’ online resources | |||||
20 | 3.20 | Afternoon break | |||||
21 | 4.00 | Conference Session 2 | Wilkes 1&2: Visual Patterns Chair: Sarah McDaid | Wilkes 3&4: Research Workshop Session 2 Chair: Graham Diprose | |||
22 | 4.00 | Esther Rolinson and Sean Clark: Sensory Drawing Data | Chrissy Pretious-Cooney: Encoded Object – Digital Materiality | ||||
23 | 4.20 | Naomi Dines and Dom Biddulph: Creative Reverse Engineering | Lydia Smolin: Re-imagining the Familiar: Data Visualization in Environmental Art | ||||
24 | 4.40 | Ashley St.Aubin: Being a Bystander in a Global Windstorm | Han Bao: Review of Chinese social media platforms focusing on Wechat in digital curating and cultural promotions | ||||
25 | 5.00 | Bushra Burge: Creation of an integrated multisensory wearable story (+Demo) | Blair Zaye: Awe, Wonderment and the Ominous: The Crossroad of Art, Science, Technology and the Spiritual | ||||
26 | 5.20 | Graham Diprose: Summing up | |||||
27 | 5.30 | Reception (courtesy of the BCS) | |||||
28 | 6.00 | Museums and Digital Culture book launch | |||||
29 | 7.00 | Close | |||||
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33 | Conference Day 2: Tuesday 9th July 2019 (BCS London) | ||||||
34 | 8.45 | Registration | |||||
35 | 9.15 | Conference introduction | |||||
36 | 9.20 – 10.20 | Plenary session (Wilkes 1&2): Enhancing the Past Chair: Nick Lambert | |||||
37 | 9.20 | Graham Diprose and Amalia Toyas: A 21st Century Victorian Family Album | |||||
38 | 9.50 | Sean Clark: The CAS50 Exhibition and Collection | |||||
39 | 10.20 – 11.00 | 10.20 | Keynote speaker: Jasia Reichardt – Robots, or Human History Chair: Nick Lambert | ||||
40 | 11.00 – 11.30 | Morning break | |||||
41 | Wilkes 1&2: Robotic Drawing Chair: Aphra Shemza | Wilkes 3&4 Workshop | Stanley Gill | ||||
42 | 11.30 – 12.30 | 11.30 | Paris Xyntarianos Tsiropinas, Kostas Bailas and Thomas Spyrou: Photon Painter - a robotic device that transfers drawings | Jessica Fiorini: Attaining Content and Engagement Symbiosis | |||
43 | 11.50 | Paul O'Dowd: A robot that draws and shades with tactile force feedback | |||||
44 | 12.10 | Verity Winslow and Paul O'Dowd: Robotic Etching | |||||
45 | 12:30 | Jack Tait: Near chaos in graphic drawings from analogue machines | |||||
46 | 1.00 – 2.00 | Lunch break | |||||
47 | Wilkes 1&2: Art and New Technology Chair: Jonathan Bowen | Wilkes 3&4: Diverse Approaches Chair: Christina Hemsley | Stanley Gill | ||||
48 | 2.00 – 3.30 | 2.00 | Philip Galanter: Artificial Intelligence and Problems in Generative Art Theory | Chris Wright: Listening to Urban Space | |||
49 | 2.20 | Daniel Buzzo: Signs of Surveillanc - a multi-modal creative project | Brad Miller: Being Watched - Playing the Surveillance Game | ||||
50 | 2.40 | Laura Dekker: Emergence in the Expressive Machine | Zachary Buckley: Tackling the issue of Student Debt through Data Sonification | ||||
51 | 3.00 | Terence Quinn: Making the absent object present: Towards a holographic Museum of Modern Art | Karen Bosy and Cristina Portugal: Multiple means of expression made available by digital media | ||||
52 | 3.30 – 4.00 | Afternoon break | |||||
53 | Wilkes 1&2: New Art Interfaces Chair: Jon Weinel | Wilkes 3&4: Museums and Collections Chair: Sarah McDaid | Stanley Gill | ||||
54 | 4.00 – 5.40 | 4.00 | Clare Harding and Sue Liggett: What do audiences want from a public art gallery in a digital age? | Sarah Janes: INANNA - The Technology of Myth | |||
55 | 4.20 | Ian Truelove: This is Not a Pixel: building trust in digital art through the blockchain | Rameshnath Krishnasamy: Game-guided Exhibitions on Personal Mobile Devices | ||||
56 | 4.40 | Lila Moore: Tombs and Reels of Consciousness - Ritualistic artefacts and Virtual Reality | Bokani Tshizu: Cultural Archiving through Computational Generative African Print Tapestry | ||||
57 | 5.20 | Announcements | |||||
58 | 5.40 | Reception (courtesy of CAS) | |||||
59 | 6.00 | Event Two preview | |||||
60 | 8.30 | Close | |||||
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64 | Conference Day 3: Wednesday 10th July 2019 (BCS London) | ||||||
65 | 8.45 | Registration | |||||
66 | 9.15 | Conference introduction | |||||
67 | 9.20 – 10.20 | Plenary session (Wilkes 1&2) Chair: Graham Diprose | |||||
68 | 9.20 | Lindsay MacDonald, Taylor Bennett, Christopher Ramsey and Charles Crowther: New RTI Technology for Paleaography (+Demo) | |||||
69 | 9.50 | Oliver Gingrich, Urszula Tymoszuk, Evgenia Emets, Alain Renaud and David Negrao: KIMA The Voice - Participatory Art as Means for Social Connectedness (+Demo) | |||||
70 | 10.20 – 11.00 | 10.20 | Keynote speaker: Daniela de Paulis – Media Artist and Trained Radio Telescope Operator – Project Cogito Chair: Graham Diprose | ||||
71 | 11.00 – 11.30 | Morning break | |||||
72 | 11.30 – 1.00 | Wilkes 1&2: Augmented Artworks Chair: Nick Lambert | Wilkes 3&4: Workshop | Stanley Gill | |||
73 | 11.30 | Chris Strasbaugh: How We Harnessed the Potential of UAV Imagery in the Classroom Through VR | Carl Smith: Context Craft | ||||
74 | 11.50 | Christian Tilt, Stephanie Moran and Alexander Hogan: Visual Democratisation: AR and the Underpass Festival | |||||
75 | 12.10 | Joseph Robson and Felix Dodd: Augmenting the Power of Artwork through a Virtual Reality Partnered Piece | |||||
76 | 12:30 | Ralf Schäfer, Martin Papirowski, Johanna Leissner, Oliver Shreer and Christian Weißig: Virtual Heritage Expo (+Demo) | |||||
77 | 1.00 – 2.00 | Lunch break | |||||
78 | 2.00 – 3.30 | Wilkes 1&2: Extended Reality Chair: Carl Smith | Wilkes 3&4: Wearables and Interactive Chair: Catherine Maffioletti | Stanley Gill | |||
79 | 2.00 | Carl H Smith and Jay Cousins: XR for XR - Context Craft | Anna Nazo: Purple, Phasing | ||||
80 | 2.20 | Kenneth Feinstein: Being-with Media - Encountering image in physical space | Roz McNulty: Future Applications of Digital Clothing for Historical Costume | ||||
81 | 2.40 | Verda Munir, David Lyons and Euan Dempster: Innovative strategies for 3D Visualisation using Photogrammetry and 3D scanning for mobile phones | Kyungho Lee: Misplaced Euphoria: Developing Kinesthetic Empathy through Interactive Performance (Demo) | ||||
82 | 3.00 | Robert Pepperell, Alistair Burleigh, Nicole Ruta and Tony Langford: FOVO: a flexible real-time computer graphics rendering process (+Demo) | Jack Nissan, Yann Seznec and Luci Holland: Room to Play (Demo) | ||||
83 | 3.30 – 4.00 | Afternoon break | |||||
84 | 4.00-5.20 | Wilkes 1&2: Chinese Connections Chair: Sean Clark | Wilkes 3&4: Remote Access Chair: Nick Lambert | Stanley Gill | |||
85 | 4.00 | Eugenia Kim: Ghost in the Virtual Reality - Translating the human essence with motion captured dance | Maureen Kendal, Mehmet Mulla, and Elaine Thomazi-Freitas: How artists can develop their artwork, its market; and deliver their creative content for Virtual Reality environments? | ||||
86 | 4.20 | Eugenia Kim and Feixuan Xu: Bringing the Tangible into the Virtual - preserving the human-silkworm collaboration | Luca M. Damiani: Hyperacusis Hacks: Media Design Ethnographic Processing | ||||
87 | 4.40 | Yisi Xue, Yarong Deng and Junming Liang: An interactive display form for Chines ink and wash painting | Jeremy Pilcher: Art, the Law and Unstable Corporate Identities | ||||
88 | 5.00 | Ting Liang and Xiaoying Tang: YUE Virtual Park - Multi-sensory cultural products | James Simpson: Physical to Digital to Physical - Capturing human performances for multi-disciplinary theatre visualisation | ||||
89 | 5.20 | Huan Fan: The New “Theatricality” in Performance and Media Arts (Demo) | |||||
90 | 5.40 | Reception (courtesy of EVA London) | |||||
91 | 6.30 | China Cultural Evening Chair: Sean Clark | |||||
92 | 6.30 | Sean Clark, Yi Ji, Xiaoying Tang, and Hai Fang: East Meets West: UK/China Creative Collaborations | |||||
93 | 6.50 | Panel discussion (Panel chair: Sean Clark) | |||||
94 | 8.00 | Close | |||||
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98 | Conference DAY 4: Thursday 11th July 2019 (BCS London) | ||||||
99 | 8.45 | Registration | |||||
100 | 9.15 | Conference introduction |