A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Title | First Name | Last Name | Dept | HEI | Summary of Research Interests | Webpage | ||||||||||||||||||||
2 | Jane | Alvey | East Anglia Film Archive | UEA | Curator | https://people.uea.ac.uk/j_alvey | j.alvey@uea.ac.uk | ||||||||||||||||||||
3 | Dr | Donna | Arnold | School of Physical Sciences | Kent | Co-Director of Centre for Heritage. The synthesis and characterisation of functional oxide materials (both bulk and nanomaterials) with particular interest in the combination of magnetic and ferroelectric properties to form novel multiferroic materials. Has worked on the Mary Rose. | https://www.kent.ac.uk/physical-sciences/people/366/www.kent.ac.uk/physical-sciences/people/366/arnold-donna | d.c.arnold@kent.ac.uk | |||||||||||||||||||
4 | Prof | Matthias | Assunção | Dept of History | Essex | Part of the Capoeira History Project (https://capoeirahistory.com/). The project is systematically collecting material from local sound, image and newspaper archives to complement and corroborate personal testimonies from people involved in Afro-Brazilian martial art. The collected material is organised and stored in digital format, in close collaboration with project partner, the Laboratory of Oral History and Image (LABHOI) at the Federal Fluminense University. | https://www.essex.ac.uk/people/rohri15507/matthias-rohrig-assuncao | assuncao@essex.ac.uk | |||||||||||||||||||
5 | Natalie | Baerselman le Gros | Sainsbury Centre for Visual Arts | UEA | Exhibitions Curator | n.le-gros@uea.ac.uk | |||||||||||||||||||||
6 | Dr | Aristoteles | Barcelos Neto | Sainsbury Research Unit | UEA | Museologist and anthropologist specialized in the arts, rituals and cosmologies of South American Indians. He has created ethnographic collections for museums in Brazil, Portugal, France and Germany. | http://www.sru.uea.ac.uk/people/academic-faculty/aristoteles-barcelos-neto | A.Barcelos-Neto@uea.ac.uk | |||||||||||||||||||
7 | Dr | David | Bescoby | School of Environmental Sciences | UEA | Archaeologist specialising in geoarchaeology, which focuses on an earth-science approach to archaeological investigation. Has worked on a number of archaeological sites, including Gordion in Central Turkey and Butrint in southern Albania. | https://people.uea.ac.uk/d_bescoby | d.bescoby@uea.ac.uk | |||||||||||||||||||
8 | Dr | Lisa | Blackmore | School of Philosophy and Art History | Essex | The aesthetics and politics of modernity in Latin American and Caribbean art, architecture, and visual culture, exploring historical contexts and epistemic pacts that entangle vision with power and knowledge. | https://www.essex.ac.uk/people/black41103/lisa-blackmore | lisa.blackmore@essex.ac.uk | |||||||||||||||||||
9 | Prof | Barbara | Bombi | School of History | Kent | Ecclesiastical and religious history in the High Middle Ages (1200-1450) and specialises in the medieval papacy and canon law. In the past few years, Barbara has edited the register of the representative at the papal curia of Edward II and Edward III and has started to compile a catalogue of the manuscripts of the Liber Extra (Decretals of Gregory IX), which are preserved in the British Libraries. | https://www.kent.ac.uk/medieval-early-modern-studies/people/384/bombi-barbara | b.bombi@kent.ac.uk | |||||||||||||||||||
10 | Lloyd | Bosworth | School of European Culture and Languages | Kent | 3D modelling and visualisation, landscape survey, with a particular expertise in geophysical surveying, archaeological photography and illustration. | https://www.kent.ac.uk/european-culture-languages/people/1640/bosworth-lloyd | l.bosworth@kent.ac.uk | ||||||||||||||||||||
11 | Dr | Efrosyni | Boutsikas | School of European Culture and Languages | Kent | The expression of ancient Greek perceptions of the cosmos in myths, religious performance and architecture, and the temporal and spatial organisation of festivals, and has worked on a survey of Greek religious spaces in Sicily, Asia Minor and Cyprus. It investigated the choice of landscapes and temple placement in the context of multicultural religious interactions. | https://www.kent.ac.uk/classics-archaeology/people/1750/boutsikas-efrosyni | e.boutsikas@kent.ac.uk | |||||||||||||||||||
12 | Dr | Nick | Brooks | UEA | Human adaptation to climate change, and on how past changes in climate may have influenced the development of human societies. I have a particular interest in the period from about 6000 to 5000 years ago, a period that saw the widespread reorganisation of the global climate, and profound changes in human societies. Much of my research work examines the links between climate change and the emergence of large, complex societies (the first “civilisations”) during this period. This work is complemented by fieldwork-based research into past environmental and cultural change in the Sahara | https://nickbrooks.wordpress.com/ | |||||||||||||||||||||
13 | Dr | Diana | Bullen Presciutti | School of Philosophy and Art History | Essex | The visual culture of social problems in Renaissance Italy, focusing on popular piety, civic ideology, urban ritual, and intersections of class, gender, and cultural production. Includes work on charitable institutions (hospitals, confraternities) and medical humanities. | https://www.essex.ac.uk/people/presc37605/diana-bullen-presciutti | dbpres@essex.ac.uk | |||||||||||||||||||
14 | Dr | Rowena | Burgess | Interdisciplinary Institute for the Humanities | UEA | The intersection between landscape, people and society, both in current portrayal and through heritage and the media, through lived experience and the historical record. Has worked on consultancy, research and evaluation projects with a number of heritage organisations, including Churches Conservation Trust, Norfolk Museum Service and with funders including National Lottery Heritage Fund, EPSRC and CEC. Previously worked on Virtual Past's computer generated historical media which worked to engage new audiences and increase heritage engagement. | https://people.uea.ac.uk/rowena_burgess | rowena.burgess@uea.ac.uk | |||||||||||||||||||
15 | Dr | Helena | Carr | Interdisciplinary Institute for the Humanities | UEA | The study of the early European Middle Ages. Background in archaeology and continued interest in interdisciplinary approaches, informs this research, which utilises a wide range of surviving material culture. | https://people.uea.ac.uk/helena_carr | helena.carr@uea.ac.uk | |||||||||||||||||||
16 | Dr | Adrian | Clark | School of Computer Science and Electronic Engineering (CSEE) | Essex | Computer vision, virtual and augmented reality, genetic programming, remote sensing, unmanned autonomous vehicles | https://www.essex.ac.uk/people/clark65804/adrian-clark | alien@essex.ac.uk | |||||||||||||||||||
17 | Dr | Joanne | Clark | School of Art, Media and American Studies | UEA | Societal responses to climatic changes during the early and mid-Holocene in the Near East and North Africa and the impacts of future climate change on heritage in Africa. | https://people.uea.ac.uk/joanne_clarke | joanne.clarke@uea.ac.uk | |||||||||||||||||||
18 | Prof | Andy | Day | School of Computing Sciences | UEA | The application of computational geometry to computer graphics, haptics, crowd and urban visualisation and virtual environments. Was a co-investigator on the EC CHARISMATIC project (Cultural Heritage Attractions featuring Interactive Scenes and Multi-function Avatars as Theatrical Intelligent Characters) | https://people.uea.ac.uk/andy_day | andy.day@uea.ac.uk | |||||||||||||||||||
19 | Dr | Ferdinand | De Jong | School of Art, Media and American Studies | UEA | Heritage, art and postcolonial memory; Masquerading, performance and intangible heritage; Museums, materiality, time and temporality; Art, aesthetics and performance; Archive and Utopia | https://people.uea.ac.uk/f_jong | f.jong@uea.ac.uk | |||||||||||||||||||
20 | Dr | Simon | Dell | School of Art, Media and American Studies | UEA | Photography, with special reference to France and the United States; The relation of the visual and political in interwar Europe; Art practice and new media after 1960 | https://people.uea.ac.uk/s_dell | s.dell@uea.ac.uk | |||||||||||||||||||
21 | Dr | Sarah | Demelo | ESCALA & University Art Collections | Essex | Curator | https://www.essex.ac.uk/people/demel22809/sarah-demelo | sjdeme@essex.ac.uk | |||||||||||||||||||
22 | Dr | Paola | Di Giuseppantonio Di Franco | School of Philosophy and Art History | Essex | Material culture, heritage, and cognitive science to explore how new technologies impact heritage making processes and the interpretation processes of the past. This includes how 3D virtual and material replicas can re-define museum practices, and how new technologies impact heritage making and interpretation processes of the past | https://www.essex.ac.uk/people/digiu55703/paola-di-giuseppantonio-di-franco | pd17425@essex.ac.uk | |||||||||||||||||||
23 | Dr | Sarah | Garland | School of Art, Media and American Studies | UEA | The intersections of literary and visual style, and at the functions of the author, artist, reader and audience in acts of interpretation. | https://people.uea.ac.uk/sarah_garland | sarah.garland@uea.ac.uk | |||||||||||||||||||
24 | Prof | David | Gill | Sainsbury Institute for the Study of Japanese Arts and Cultures | UEA | Also honorary professor at Kent. David is interested in the history of collecting and archaeological ethics. David has prepared a study of the economic benefits of heritage, in particular looking at the impact of UNESCO World Heritage sites in Greece, as well as a regional study for East Anglia. | https://people.uea.ac.uk/david_w_gill | david.w.gill@uea.ac.uk | |||||||||||||||||||
25 | Angela | Graham | Interdisciplinary Institute for the Humanities | UEA | Has worked in museums and archives for over 20 years.This has included director roles in independent museums in both Nofolk and Cheshire. She spent 16 years working at Stoke - on - Trent Museum Serivce (1995 - 2011) where she was part of the senior management team overseeing 4 museum sites. She has been Archive Manager at the East Anglian Film Archive since 2014. | https://people.uea.ac.uk/angela_graham | angela.graham@uea.ac.uk | ||||||||||||||||||||
26 | Dr | Alix | Green | Department of History | Essex | 20th/21st-century British history and public history. These interests are reflected in a long-standing collaboration with the John Lewis Partnership Heritage Centre. Our latest co-designed project has focused on the Partnership's historical approach to pay and performance to inform how the business approaches these strategies in the future. From this ongoing collaboration, the Centre's manager and I have been working with a new network of business archivists to develop models of collaboration between historians and archivists | https://www.essex.ac.uk/people/green12727/alix-green | alix.green@essex.ac.uk | |||||||||||||||||||
27 | Dr | Gavin | Grindon | School of Philosophy and Art History | Essex | Social engagement in curatorial practice and in art from 1900-present, including critical curatorial practice, cultural policy and organisational change; and on twentieth century art, specifically activist-art, institutional critique and its futures. | https://www.essex.ac.uk/people/grind91800/gavin-grindon | ggrindon@essex.ac.uk | |||||||||||||||||||
28 | Dr | Manolo | Guerci | Kent School of Architecture | Kent | Domestic architecture in Early-Modern Europe to Modernism, Japan, and Post War; from conservation principles and theories, to construction processes and building techniques. | https://www.kent.ac.uk/architecture-planning/people/1078/guerci-manolo | m.guerci@kent.ac.uk | |||||||||||||||||||
29 | Dr | Emily | Guerry | School of History | Kent | The relationship between religious devotion and artistic representation in the Middle Ages, so her research takes an interdisciplinary and inclusive approach to visual, material, and ceremonial culture as well as historical, political, and liturgical source material. She is particularly interested in how the veneration of relics influenced Christian iconography. | https://www.kent.ac.uk/medieval-early-modern-studies/people/394/guerry-emily | e.guerry@kent.ac.uk | |||||||||||||||||||
30 | Dr | Anna | Haour | Sainsbury Research Unit | UEA | The archaeology of Africa. Has conducted excavations in Niger and in Bénin exploring the creation and maintenance of boundaries, the interrelation of archaeological and historical data in descriptions of 'empires', and the materialisation of contacts through artefacts. | http://www.sru.uea.ac.uk/people/academic-faculty/anne-haour | a.haour@uea.ac.uk | |||||||||||||||||||
31 | Dr | Jack | Hartnell | School of Art, Media and American Studies | UEA | Visual culture of late medieval and early renaissance medicine, cartography, and mathematics. Previously the inaugural Posdoctoral Fellow between the Victoria and Albert Museum and the Max-Planck-Institut für Wissenschaftsgeschichte in Berlin. | https://people.uea.ac.uk/j_hartnell | j.hartnell@uea.ac.uk | |||||||||||||||||||
32 | Prof | Sandy | Heslop | School of Art, Media and American Studies | UEA | The relationship between art and history; The impact of environment and resources on manufacture; Art as information and rhetoric; Architecture as image. Most of Heslop’s research and teaching has focused on analyzing the relationship between people and things, and the role of imagination in the creation and reception of artefacts. | https://people.uea.ac.uk/t_heslop | t.heslop@uea.ac.uk | |||||||||||||||||||
33 | Dr | Matthew | Hodges | School of Anthropology and Conservation | Kent | Interests include the commoditisation of their ‘intangible cultural heritage’ by the tourist industry. | https://www.kent.ac.uk/anthropology-conservation/people/484/hodges-matthew | m.hodges@kent.ac.uk | |||||||||||||||||||
34 | Dr | Steven | Hopper | Sainsbury Research Unit | UEA | The relationship between Polynesian material culture, chiefship, valuables and exchange, ethnohistory, cultural property, ethnographical museums, the art market, publishing, book production and design. | http://www.sru.uea.ac.uk/people/academic-faculty/steven-hooper | s.hooper@uea.ac.uk | |||||||||||||||||||
35 | Dr | Andrew | Hutcheson | Sainsbury Institute for the Study of Japanese Arts and Cultures | UEA | Archaeologist specialising in state formation in European societies and in cultural heritage. He received his Ph.D. from the University of East Anglia in 2011 and has worked as a professional archaeologist since 1984, first as a field archaeologist and latterly as a cultural heritage advisor. Throughout much of his career he has managed archaeological projects, including the Millennium Library in Norwich. | https://people.uea.ac.uk/a_hutcheson | a.hutcheson@uea.ac.uk | |||||||||||||||||||
36 | Dr | Suzanna | Ivanic | School of History | Kent | Religion, material and visual culture, and travel. Recent and forthcoming publications include chapters on amulets, religious objects, and religion in the domestic sphere, and articles on a pilgrimage travelogue. | https://www.kent.ac.uk/medieval-early-modern-studies/people/397/ivanic-suzanna | s.ivanic@kent.ac.uk | |||||||||||||||||||
37 | Dr | Karen | Jacobs | Sainsbury Research Unit | UEA | Collecting and history of collections, representation and museum ethnography, auctions and the art market, cultural festivals, politics of clothing, contemporary Pacific art | http://www.sru.uea.ac.uk/people/academic-faculty/karen-jacobs | K.Jacobs@uea.ac.uk | |||||||||||||||||||
38 | Prof | Simon | Kaner | Interdisciplinary Institute for the Humanities | UEA | Head of the Centre for Archaeology and Heritage at the Sainsbury Institute. He is an archaeologist specialising in the prehistory of Japan. A Fellow of the Society of Antiquaries of London since 2005, he has taught and published on many aspects of East Asian and European archaeology. He has undertaken archaeological research in Japan, the UK and elsewhere and worked for several years in archaeological heritage management in the UK. | https://people.uea.ac.uk/s_kaner | s.kaner@uea.ac.uk | |||||||||||||||||||
39 | Dr | Nikolaos | Karydis | Kent School of Architecture | Kent | The development of construction technology and the design aspect of city making, with specific focus on the European traditions. | https://www.kent.ac.uk/architecture-planning/people/1084/karydis-nikolaos | n.karydis@kent.ac.uk | |||||||||||||||||||
40 | Dr | Ed | Krcma | School of Art, Media and American Studies | UEA | Art made after 1945 in Europe and North America, and in particular upon problems of artistic autonomy, the history and theory of drawing, and the relationship between image and text. | https://people.uea.ac.uk/e_krcma | e.krcma@uea.ac.uk | |||||||||||||||||||
41 | Prof | Elizabeth | Kuti | Department of Literature Film and Theatre Studies (LiFTS) | Essex | Playwriting; contemporary drama; tragedy; gender and literature; folklore and place in drama; theatre in museums and heritage sites; theatre history and literature of the long eighteenth century. | https://www.essex.ac.uk/people/kutie15905/elizabeth-kuti | ejkuti@essex.ac.uk | |||||||||||||||||||
42 | Prof | Sophia | Labadi | School of European Culture and Languages | Kent | How heritage sites and museums can address some of the most pressing global challenges, including social justice, gender equality or sustainable development. Her research is nourished by her previous experiences as consultant for international organisations. | https://www.kent.ac.uk/classics-archaeology/people/1746/labadi-sophia | s.labadi@kent.ac.uk | |||||||||||||||||||
43 | Dr | George | Lau | Sainsbury Research Unit | UEA | The archaeology and arts of the Americas, especially of South America and the Central Andes. His research has included excavations at the village of Chinchawas, near Huaraz and the large fortified town of Yayno (Pomabamba), as well as collections and field studies in different regions of Peru, the United States and Europe. | http://www.sru.uea.ac.uk/people/academic-faculty/george-lau | george.lau@uea.ac.uk | |||||||||||||||||||
44 | Dr | Stephen | Laycock | School of Computing Sciences | UEA | Haptic Rendering, Collision Detection, Deformable objects and Real-time rendering. He is also interested in the application of new graphics techniques to Cultural Heritage, scientific visualisation and virtual training simulations. | https://people.uea.ac.uk/s_laycock | s.laycock@uea.ac.uk | |||||||||||||||||||
45 | Maria | Ledinskaya | Sainsbury Centre for Visual Arts | UEA | Conservator | m.ledinskaya@uea.ac.uk | |||||||||||||||||||||
46 | Dr | Wei | Liu | Essex Business School | Essex | Dark tourism, and tourism management. | https://www.essex.ac.uk/people/liuwe35202/wei-liu | w.liu@essex.ac.uk | |||||||||||||||||||
47 | Dr | Matt | Lodder | School of Philosophy and Art History | Essex | The application of art-historical methods to history of Western tattooing from the 17th century to the present day, with a principal focus on the professional era from the 1880s onwards. He has given invited lectures at venues including the V&A, the National Museum of Scotland, and the Museum of London. | https://www.essex.ac.uk/people/lodde23007/matt-lodder | mlodder@essex.ac.uk | |||||||||||||||||||
48 | Prof | John | Mack | Sainsbury Research Unit | UEA | African arts and cultures (especially East Africa and the western Indian Ocean islands, the Congo area, West African coastal cultures), thematic approaches to art (eg to memory, miniaturisation, funerary arts, maritime cultures, the contemporary), museum and heritage collections and practice. | http://www.sru.uea.ac.uk/people/academic-faculty/john-mack | john.mack@uea.ac.uk | |||||||||||||||||||
49 | Katharine | Malcolm | Sainsbury Centre for Visual Arts | UEA | Project Curator | katharine.malcolm@uea.ac.uk | |||||||||||||||||||||
50 | Dr | Holly | Maples | East15 Acting School | Essex | Has collaborated with Dr Karen Smyth (UEA) on the Paston Footprints project in Norfolk, creating seven heritage audio walks celebrating stories from the Paston Letters for Norfolk that are going to be launched over July 2021-October 2021. | https://www.essex.ac.uk/people/maple57409/holly-maples | hm19531@essex.ac.uk | |||||||||||||||||||
51 | Prof | John | Mitchell | School of Art, Media and American Studies | UEA | Art historian with focuses of research have been in a series of major archaeological projects in Italy and Albania. His particular interests are in the architecture, art and visual culture of the late Roman and early medieval periods. | https://people.uea.ac.uk/john_mitchell | john.mitchell@uea.ac.uk | |||||||||||||||||||
52 | Tania | Moore | Sainsbury Centre for Visual Arts | UEA | Joyce and Michael Morris Chief Curator of Art | tania.moore@uea.ac.uk | |||||||||||||||||||||
53 | Lisa | Newby | Sainsbury Centre for Visual Arts | UEA | Project Curator | l.newby@uea.ac.uk | |||||||||||||||||||||
54 | Dr | Aki | Pasoulas | School of Arts | Kent | Acousmatic music, time perception in relation to listening, psychoacoustics and sound perception, spatial sound, acoustic communication, and soundscape ecology especially in relation to listening psychology. He has written for instruments, found objects, voice, recorded and electronic sound, composed music for the theatre and for short animation films, and organised and performed with many ensembles. | https://www.kent.ac.uk/arts/people/22/pasoulas-aki | a.pasoulas@kent.ac.uk | |||||||||||||||||||
55 | Dr | Ryan | Perry | School of English | Kent | The situation of texts within their material contexts; that is, within the hand-made books produced, patronised and read by medieval (and Early Modern) consumers. | https://www.kent.ac.uk/english/people/105/perry-ryan | r.perry@kent.ac.uk | |||||||||||||||||||
56 | Prof | Catherine | Richardson | School of English | Kent | Early modern material culture – households, clothing, possessions and spaces. | https://www.kent.ac.uk/medieval-early-modern-studies/people/107/richardson-catherine | c.t.richardson@kent.ac.uk | |||||||||||||||||||
57 | Dr | Lorna | Richardson | Interdisciplinary Institute for the Humanities | UEA | Digital archaeology and heritage, digital ethics, and social media research methods. Her current archaeological research explores the ways in which digital technologies support wider access to, and create, discuss and repurpose expert archaeological knowledge in non-expert online platforms and communities. Lorna is currently working on a project centred on Stonehenge. This examines public perceptions of the site and it's importance to non-experts, using data drawn from online communities. | https://people.uea.ac.uk/lorna_richardson | lorna.richardson@uea.ac.uk | |||||||||||||||||||
58 | Prof | Alison | Rowlands | Department of History | Essex | How early modern witch-trials are remembered, commemorated and re-worked in modern culture, in a variety of formats (in literature, art, museums etc). I am interested in who undertakes commemoration; when, why and where they do this; and the role that historians play in commemorative practices. I have a particular interest in these themes in relation to the East Anglian witch-trials of 1645-7 and the St Osyth 'witch' skeletons that were dug up in Essex in 1921. | https://www.essex.ac.uk/people/rowla29503/alison-rowlands | alisonc@essex.ac.uk | |||||||||||||||||||
59 | Dr | Natasha | Ruiz-Gomez | School of Philosophy and Art History | Essex | Art and science/medicine, Rodin's oeuvre, Nineteenth-century French sculpture, Architecture and urban planning in nineteenth-century Paris, Rodin and science, Jean-Martin Charcot and art, Objectivity and medical imagery, Medical portraiture, Nineteenth-century medical photography, Theories of degeneration and genius | https://www.essex.ac.uk/people/ruizg89008/natasha-ruiz-gomez | natashar@essex.ac.uk | |||||||||||||||||||
60 | Dr | David | Rundle | School of History | Kent | The role of books within the late medieval and early modern culture of western Europe, and the movement of ideas within the shared civilisation of Western Christendom, a topic he studies by using the physical evidence of surviving manuscripts to track the availability of and responses to works. | https://www.kent.ac.uk/medieval-early-modern-studies/people/1477/rundle-david | d.g.rundle@kent.ac.uk | |||||||||||||||||||
61 | Dr | Daniel | Rycroft | School of Art, Media and American Studies | UEA | Colonialism in South Asia; De-colonisation and postcolonialism; Visual ethnography; Indigenous studies; Intangible heritage | https://people.uea.ac.uk/d_rycroft | d.rycroft@uea.ac.uk | |||||||||||||||||||
62 | Prof | Eleanor | Schofield | School of Physical Sciences | Kent | The Head of Conservation and Collections Care at the Mary Rose Trust. She is responsible for the conservation of the Mary Rose hull and associated artefacts, the care and management of the collection and research into novel conservation treatments and characterisation methods. | https://www.kent.ac.uk/physical-sciences/people/2046/schofield-eleanor | e.schofield@kent.ac.uk | |||||||||||||||||||
63 | Dr | Lisa | Smith | Dept of History | Essex | Long-standing interests are on gender, health, the household, and the body--particularly, pain, illness experience, reproduction/infertility and domestic medicine. Is currently developing an online database of Sir Hans Sloane's correspondence (c. 1685-1750) and am a co-investigator on a crowd-sourcing recipes transcription project (Early Modern Recipes Online Collective). | https://www.essex.ac.uk/people/smith62403/lisa-smith | lisa.smith@essex.ac.uk | |||||||||||||||||||
64 | Prof | Murray | Smith | School of Arts | Kent | film theory, philosophy of art, of mind and ethical theory, music and philosophy of music. He is Divisional lead on interdisciplinary research. | https://www.kent.ac.uk/arts/people/2146/smith-murray | m.s.smith@kent.ac.uk | |||||||||||||||||||
65 | Dr | Karen | Smyth | School of Literature, Drama and Creative Writing | UEA | Researches medievalism and early modernism in dialogue with digital humanities and heritage studies, in relation to early East Anglian literary cultures. She is currently exploring the 15th to 17th century collection of the Paston letters. This work builds on her experiences in mapping wellbeing narratives of community co-production and in exploring connections across disciplines. | https://people.uea.ac.uk/k_smyth | k.smyth@uea.ac.uk | |||||||||||||||||||
66 | Dr | Sheila | Sweetinburgh | School of History | Kent | Material and visual culture, including working on the ‘painted pillar’ at Faversham and the ‘Guy of Warwick’ mazer at Canterbury. | https://www.kent.ac.uk/medieval-early-modern-studies/people/3278/sweetinburgh-dr-sheila | s.m.sweetinburgh@kent.ac.uk | |||||||||||||||||||
67 | Prof | Ellen | Swift | School of European Culture and Languages | Kent | Artefact studies, the late to post-Roman transition in the West, and Roman and late antique art. She has worked on artefacts from both the north-western provinces of the Roman empire, and from Roman and Late Antique Egypt. | https://www.kent.ac.uk/classics-archaeology/people/1739/swift-fsa-ellen | e.v.swift@kent.ac.uk | |||||||||||||||||||
68 | Dr | Ben | Thomas | School of Arts | Kent | Art historian and curator. The art of sixteenth-century Italy is one of his principal areas of research, along with the history of prints and drawings. | https://www.kent.ac.uk/arts/people/545/thomas-ben | b.d.h.thomas@kent.ac.uk | |||||||||||||||||||
69 | Vanessa | Tothill | Sainsbury Centre for Visual Arts | UEA | Assistant Curator | v.tothill@uea.ac.uk | |||||||||||||||||||||
70 | Jess | Twyman | Art Exchange | Essex | Arts and Gallery Director | https://www.essex.ac.uk/people/kenny32404/jessica-twyman | jess@essex.ac.uk | ||||||||||||||||||||
71 | Dr | Michael | Tymkiw | School of Philosophy and Art History | Essex | Modern and contemporary visual culture, with a particular interest in issues of spectatorship. | https://www.essex.ac.uk/people/tymki06202/michael-tymkiw | mtymkiw@essex.ac.uk | |||||||||||||||||||
72 | Dr | Sophie | Vigneron | Kent Law School | Kent | Regulation of the art trade (civil and criminal, circulation, return/restitution, dealers, museums, auctioneers), protection of cultural heritage (tangible/intangible, movable/immovable) in times of war and peace, definition of cultural heritage, critical approaches to cultural heritage. | https://www.kent.ac.uk/law/people/1192/vigneron-sophie | s.vigneron@kent.ac.uk | |||||||||||||||||||
73 | Dr | Sarah | Wade | School of Art, Media and American Studies | UEA | Human-animal relations and representations of wildlife in contemporary art, exhibitions and museum display, particularly with regards to ecological concerns. | https://people.uea.ac.uk/sarah_wade | sarah.wade@uea.ac.uk | |||||||||||||||||||
74 | Dr | Nick | Warr | School of Art, Media and American Studies | UEA | Curator and experimental film & video maker | https://people.uea.ac.uk/n_warr | n.warr@uea.ac.uk | |||||||||||||||||||
75 | Theo | Weiss | Sainsbury Centre for Visual Arts | UEA | Assistant Curator | t.weiss@uea.ac.uk | |||||||||||||||||||||
76 | Dr | Steve | Wilis | School of European Culture and Languages | Kent | Expertise in the Iron Age and Roman periods in Britain and Europe. His research interests cover settlement and society, material culture, landscape and environments, and phenomenology, as well as the archaeology of coasts and cultural expression in the Early Modern era. | https://www.kent.ac.uk/classics-archaeology/people/1735/willis-steve | s.willis@kent.ac.uk | |||||||||||||||||||
77 | Dr | Chris | Wingfield | Sainsbury Research Unit | UEA | Museum collections, Art and material culture, Southern Africa, Missionary Heritage. Previously worked at at the Museum of Archaeology & Anthropology, Cambridge, and before that at the Open University, the Pitt Rivers Museum, Oxford, and Birmingham Museum & Art Gallery. | http://www.sru.uea.ac.uk/people/academic-faculty/chris-wingfield | Chris.Wingfield@uea.ac.uk | |||||||||||||||||||
78 | Calvin | Winner | Sainsbury Centre for Visual Arts | UEA | Head of Collections | c.winner@uea.ac.uk | |||||||||||||||||||||
79 | Dr | Marta | Zboralska | School of Philosophy and Art History | Essex | Modern and contemporary art. Her area of expertise is the Warsaw studio of Henryk Stażewski and Edward Krasiński. was an Arts and Humanities Research Council Fellow at the Archives of American Art, Smithsonian Institution, between October and December 2017, and Project Assistant on the Getty Foundation-funded initiative Confrontations: Sessions in East European Art History in 2019-20 | https://www.essex.ac.uk/people/zbora71006/marta-zboralska | marta.zboralska@essex.ac.uk | |||||||||||||||||||
80 | Dr | Nadine | Zubair | Interdisciplinary Institute for the Humanities | UEA | Digital Humanities Manager at the Faculty of Arts and Humanities at UEA. Her dissertation title is Material Histories and Wood-Carving: Fragments from Modern Punjab, and it was fully funded by the South Asian Decorative Arts and Crafts Collection (SADACC) in Norwich | https://people.uea.ac.uk/n_zubair | n.zubair@uea.ac.uk | |||||||||||||||||||
81 | |||||||||||||||||||||||||||
82 | |||||||||||||||||||||||||||
83 | |||||||||||||||||||||||||||
84 | |||||||||||||||||||||||||||
85 | |||||||||||||||||||||||||||
86 | |||||||||||||||||||||||||||
87 | |||||||||||||||||||||||||||
88 | |||||||||||||||||||||||||||
89 | |||||||||||||||||||||||||||
90 | |||||||||||||||||||||||||||
91 | |||||||||||||||||||||||||||
92 | |||||||||||||||||||||||||||
93 | |||||||||||||||||||||||||||
94 | |||||||||||||||||||||||||||
95 | |||||||||||||||||||||||||||
96 | |||||||||||||||||||||||||||
97 | |||||||||||||||||||||||||||
98 | |||||||||||||||||||||||||||
99 | |||||||||||||||||||||||||||
100 |