A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | |
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1 | Tutors may change without notice and no refund given | ||||||||||||||||||||||||||||
2 | ADULTS | FOUNDATIONAL | PROFESSIONAL | FOUNDATIONAL | PROFESSIONAL | ||||||||||||||||||||||||
3 | TERM | 1 | 1 | 1 | 1 | ||||||||||||||||||||||||
4 | SESSION/ Date | SUNDAY | SUNDAY | Date | MONDAY | MONDAY | |||||||||||||||||||||||
5 | 1 - 9 Feb - Class Title | COMBINED (with Professional) | COMBINED (with Foundational) | 10 Feb | COMBINED (with Professional) | COMBINED (with Foundational) | |||||||||||||||||||||||
6 | Possible Tutor/s | Peter Feeney | Peter Feeney | Peter Feeney | Peter Feeney | ||||||||||||||||||||||||
7 | 2 - 16 Feb | MASK 1/ VOICE 1 | IMPROVISATION 1 | 17 Feb | ACTING TECHNIQUE 1 | IMPROVISATION 1 | |||||||||||||||||||||||
8 | Peter Feeney - Monologue | Edith Fumarola | Peter Feeney - Scene | Edith Fumarola | |||||||||||||||||||||||||
9 | 3 - 23 Feb | MASK 2/ VOICE 2 | IMPROVISATION 2 | 24 Feb | ACTING TECHNIQUE 1 | IMPROVISATION 2 | |||||||||||||||||||||||
10 | Peter Feeney - Monologue | Edith Fumarola | Peter Feeney - Scene | Edith Fumarola | |||||||||||||||||||||||||
11 | 4 - 2 Mar | VOICE 3 | ADVANCED TECHNIQUE 1 | 3 Mar | VOICE 1 | ADVANCED TECHNIQUE 1 | |||||||||||||||||||||||
12 | Cherie Moore | Peter Feeney - Scene - The Art of the Best 1st take | Cherie Moore | Peter Feeney - Scene - The Art of the Best 1st take | |||||||||||||||||||||||||
13 | 5 - 9 Mar | VOICE 4 | ADVANCED TECHNIQUE 1 | 10 Mar | VOICE 2 | ADVANCED TECHNIQUE 1 | |||||||||||||||||||||||
14 | Cherie Moore | Peter Feeney - Scene - The Art of the Best 1st take | Cherie Moore | Peter Feeney - Scene - The Art of the Best 1st take | |||||||||||||||||||||||||
15 | 6 - 16 Mar | ACTING TECHNIQUE 1 | ADVANCED TECHNIQUE (Screen) | 17 Mar | VOICE 3 | DIRECTOR MASTERCLASS | |||||||||||||||||||||||
16 | Peter Feeney - Scene | Mark Mitchinson (The Art of the Close Up) | Peter Feeney - Monologue - Physical/ Some Mask work | Eleanor Bishop | |||||||||||||||||||||||||
17 | 7 - 23 Mar | ACTING TECHNIQUE 1 | ADVANCED TECHNIQUE (Screen) | 24 Mar | VOICE 4 | DIRECTOR MASTERCLASS | |||||||||||||||||||||||
18 | Peter Feeney - Scene - filmed | Mark Mitchinson (The Art of the Close Up) | Peter Feeney - Monologue - Physical/ Some Mask work | Eleanor Bishop | |||||||||||||||||||||||||
19 | 8 - 30 Mar | ACTING TECHNIQUE 2 | DIRECTOR MASTERCLASS | 31 Mar | ACTING TECHNIQUE 2 | ADVANCED TECHNIQUE (Screen) | |||||||||||||||||||||||
20 | P Feeney - Screen/ what the camera likes | Eleanor Bishop | Mark Mitchinson - Screen/ what the camera likes | P Feeney | |||||||||||||||||||||||||
21 | 9 - 6 Apr | ACTING TECHNIQUE 2 | DIRECTOR MASTERCLASS | 7 Apr | ACTING TECHNIQUE 2 | ADVANCED TECHNIQUE (Screen) | |||||||||||||||||||||||
22 | P Feeney - Screen/ what the camera likes | Eleanor Bishop | Mark Mitchinson - Screen/ what the camera likes | P Feeney | |||||||||||||||||||||||||
23 | FOUNDATIONAL | PROFESSIONAL | FOUNDATIONAL | PROFESSIONAL | |||||||||||||||||||||||||
24 | TERM | 2 | 2 | 2 | 2 | ||||||||||||||||||||||||
25 | SESSION | SUNDAY | SUNDAY | MONDAY | MONDAY | . | |||||||||||||||||||||||
26 | 1 | ACTING TECHNIQUE 3 | SCENE STUDY | ACTING TECHNIQUE 3 | SCENE STUDY | . | |||||||||||||||||||||||
27 | Lisa Chappell; Mark Mitchinson | Joel Tobeck; Sheena Irving | TBC | Joel Tobeck; Sheena Irving | . | ||||||||||||||||||||||||
28 | 2 | ACTING TECHNIQUE 3 | SCENE STUDY | ACTING TECHNIQUE 3 | SCENE STUDY | . | |||||||||||||||||||||||
29 | Lisa Chappell; Mark Mitchinson | Joel Tobeck; Sheena Irving | TBC | Joel Tobeck; Sheena Irving | |||||||||||||||||||||||||
30 | 3 | VOICE 5 - US ACCENT | VOICE 1 | VOICE 5 - US ACCENT | VOICE 1 | ||||||||||||||||||||||||
31 | Alex Whitham (remote) | Cherie Moore | Alex Whitham (remote) | Cherie Moore | |||||||||||||||||||||||||
32 | 4 | VOICE 6 - US ACCENT | VOICE 2 | VOICE 6 - US ACCENT | VOICE 2 | ||||||||||||||||||||||||
33 | Alex Whitham (remote) | Cherie Moore | Alex Whitham (remote) | Cherie Moore | |||||||||||||||||||||||||
34 | 5 | IMPROVISATION 1 | OPEN CLASS - SHAKESPEARE | STAGE AND SCREEN COMBAT 1 | ADVANCED TECHNIQUE 2 | ||||||||||||||||||||||||
35 | Edith Fumarola | Lisa Harrow - Sonnets or monologue (can be non-Shakespeare) | Jack Powers | Holly Shervey; Emmett Skelton | |||||||||||||||||||||||||
36 | 6 | IMPROVISATION 2 | OPEN CLASS - SHAKESPEARE | STAGE AND SCREEN COMBAT 2 | ADVANCED TECHNIQUE 2 | ||||||||||||||||||||||||
37 | Edith Fumarola | Lisa Harrow - Scene work | Jack Powers | Holly Shervey; Emmett Skelton | |||||||||||||||||||||||||
38 | 7 | SCENE STUDY | OPEN CLASS - SHAKESPEARE | SCENE STUDY | ADVANCED TECHNIQUE (Screen) | ||||||||||||||||||||||||
39 | Joel Tobeck; Sheena Irving | Lisa Harrow - scene work | Joel Tobeck; Sheena Irving | Mark Mitchinson (The Art of the Close Up) | |||||||||||||||||||||||||
40 | 8 | SCENE STUDY | OPEN CLASS - SHAKESPEARE | SCENE STUDY | ADVANCED TECHNIQUE (Screen) | ||||||||||||||||||||||||
41 | Joel Tobeck; Sheena Irving | Lisa Harrow - scene presentation | Joel Tobeck; Sheena Irving | Mark Mitchinson (The Art of the Close Up) | |||||||||||||||||||||||||
42 | FOUNDATIONAL | PROFESSIONAL | FOUNDATIONAL | PROFESSIONAL | |||||||||||||||||||||||||
43 | TERM | 3 | 3 | 3 | 3 | ||||||||||||||||||||||||
44 | SESSION | SUNDAY | SUNDAY | MONDAY | MONDAY | ||||||||||||||||||||||||
45 | 1 | ACTING TECHNIQUE 4 - CHARACTER | DANCE/ MOVEMENT | IMPROVISATION 1 | OPEN CLASS | ||||||||||||||||||||||||
46 | Peter Feeney - Scene | Geoff Gilson | Edith Fumarola | Peter Feeney (or MM, TBC) 1 long scene | |||||||||||||||||||||||||
47 | 2 | ACTING TECHNIQUE 4 - CHARACTER | DANCE/ MOVEMENT | IMPROVISATION 2 | OPEN CLASS | ||||||||||||||||||||||||
48 | Peter Feeney - Scene | Geoff Gilson | Edith Fumarola | Peter Feeney (or MM, TBC) 1 long scene | |||||||||||||||||||||||||
49 | 3 | ACTING TECHNIQUE 4 - CHARACTER | ADVANCED TECHNIQUE 2 | VOICE 7 - Aust Accent | OPEN CLASS | ||||||||||||||||||||||||
50 | Peter Feeney - Scene | Holly Shervey; Emmett Skelton | Alex Whitham (remote) | Peter Feeney (or MM, TBC) 1 long scene | |||||||||||||||||||||||||
51 | 4 | DANCE/ MOVEMENT | ADVANCED TECHNIQUE 2 | VOICE 8 - Accent/ Dialect TBC | OPEN CLASS | ||||||||||||||||||||||||
52 | Geoff Gilson | Holly Shervey; Emmett Skelton | Alex Whitham (remote) | Peter Feeney (or MM, TBC) 1 long scene | |||||||||||||||||||||||||
53 | 5 | SCENE STUDY | VOICE - US ACCENT 1 | DANCE/ MOVEMENT | VOICE - US ACCENT 1 | ||||||||||||||||||||||||
54 | JT; Mark Mitchinson; LC; Sheena Irving | Alex Whitham (remote) | Geoff Gilson | Alex Whitham (remote) | |||||||||||||||||||||||||
55 | 6 | SCENE STUDY | VOICE - US ACCENT 2 | DANCE/ MOVEMENT | VOICE - US ACCENT 2 | ||||||||||||||||||||||||
56 | JT; Mark Mitchinson; LC; Sheena Irving | Alex Whitham (remote) | Geoff Gilson | Alex Whitham (remote) | |||||||||||||||||||||||||
57 | 7 | DANCE/ MOVEMENT | ADVANCED TECHNIQUE (Screen) | SCENE STUDY | DANCE/ MOVEMENT | ||||||||||||||||||||||||
58 | Geoff Gilson | Mark Mitchinson (The Art of the Close Up); J T; Lisa Chappell | Mark Mitchinson; JT; LC; Sheena Irving | Geoff Gilson | |||||||||||||||||||||||||
59 | 8 | AUDITION | ADVANCED TECHNIQUE (Screen) | SCENE STUDY | DANCE/ MOVEMENT | ||||||||||||||||||||||||
60 | Harriett Maire; Greta Gregory; other | Mark Mitchinson (The Art of the Close Up); J T; Lisa Chappell | Mark Mitchinson; JT; LC; Sheena Irving | Geoff Gilson | |||||||||||||||||||||||||
61 | FOUNDATIONAL | PROFESSIONAL | FOUNDATIONAL | PROFESSIONAL | |||||||||||||||||||||||||
62 | TERM | 4 | 4 | 4 | 4 | ||||||||||||||||||||||||
63 | SESSION | SUNDAY | SUNDAY | MONDAY | MONDAY | ||||||||||||||||||||||||
64 | 1 | VOICE 7 - Aust Accent | CAMERA SHOWCASE 1 | ACTING TECHNIQUE 4: CHARACTER | DIRECTOR MASTERCLASS | ||||||||||||||||||||||||
65 | Alex Whitham (remote) | Peter Feeney | Peter Feeney | E S; H S; Eleanor Bishop; R Stone; V Ward | |||||||||||||||||||||||||
66 | 2 | VOICE 8 - Accent/ Dialect TBC | CAMERA SHOWCASE 2 | ACTING TECHNIQUE 4: CHARACTER | DIRECTOR MASTERCLASS | ||||||||||||||||||||||||
67 | Alex Whitham (remote) | Peter Feeney | Peter Feeney | E S; H S; Eleanor Bishop; R Stone; V Ward | |||||||||||||||||||||||||
68 | 3 | ACTING TECHNIQUE (Screen) | CAMERA SHOWCASE 3 | ACTING TECHNIQUE 4: CHARACTER | AUDITION 1 | ||||||||||||||||||||||||
69 | Mark Mitchinson (The Art of the Close Up); Joel Tobeck; Lisa Chappell | Peter Feeney | Peter Feeney | Harriett Maire; Greta Gregory; other | |||||||||||||||||||||||||
70 | 4 | ACTING TECHNIQUE (Screen) | SPARE | ACTING TECHNIQUE (Screen) | CAMERA SHOWCASE 1 | ||||||||||||||||||||||||
71 | Mark Mitchinson (The Art of the Close Up); Joel Tobeck; Lisa Chappell | Content/ Tutor TBC | Mark Mitchinson (The Art of the Close Up); J T; Lisa Chappell | Peter Feeney | |||||||||||||||||||||||||
72 | 5 | STAGE AND SCREEN COMBAT 1 | DIRECTOR MASTERCLASS | ACTING TECHNIQUE (Screen) | CAMERA SHOWCASE 2 | ||||||||||||||||||||||||
73 | Jack Powers | E S; H S; Eleanor Bishop; R Stone; V Ward | Mark Mitchinson (The Art of the Close Up); J T; Lisa Chappell | Peter Feeney | |||||||||||||||||||||||||
74 | 6 | STAGE AND SCREEN COMBAT 2 | DIRECTOR MASTERCLASS | AUDITION | CAMERA SHOWCASE 3 | ||||||||||||||||||||||||
75 | Jack Powers | E S; H S; Eleanor Bishop; R Stone; V Ward | Harriett Maire; Greta Gregory; other | Peter Feeney | |||||||||||||||||||||||||
76 | 7 | SELF-TAPE 1 | AUDITION 1 | SELF-TAPE 1 | AUDITION 2 | ||||||||||||||||||||||||
77 | Peter Feeney | Harriett Maire; Greta Gregory; other | Peter Feeney | Harriett Maire; Greta Gregory; other | |||||||||||||||||||||||||
78 | 8 | SELF-TAPE 2 | AUDITION 2 | SELF-TAPE 2 | SPARE | ||||||||||||||||||||||||
79 | Peter Feeney | Harriett Maire; Greta Gregory; other | Peter Feeney | Content/ Tutor TBC | |||||||||||||||||||||||||
80 | TUTORS LISTED ARE POSSIBILITIES ONLY | ||||||||||||||||||||||||||||
81 | TUTORS, COURSES AND CONTENT MAY DIFFER WITH NO NOTICE OR REFUNDS GIVEN | ||||||||||||||||||||||||||||
82 | TEENS | ||||||||||||||||||||||||||||
83 | TERM | 1 | 2 | 3 | 4 | ||||||||||||||||||||||||
84 | SESSION | SUNDAY | SUNDAY | SUNDAY | SUNDAY | ||||||||||||||||||||||||
85 | 1 - 9 Feb | IMPROVISATION 1 | IMPROVISATION 2 | ACTING TECHNIQUE 2 | VOICE 3 - US ACCENT | ||||||||||||||||||||||||
86 | Edith Fumarola | Edith Fumarola | Peter Feeney | Alex Whitham (remote) | |||||||||||||||||||||||||
87 | 2 - 16 Feb | VOICE 1 | VOICE 2 | ACTING TECHNIQUE 2 | SCENE STUDY | ||||||||||||||||||||||||
88 | Tessa Livingston | Tessa Livingston | Peter Feeney | Peter Feeney | |||||||||||||||||||||||||
89 | 3 - 23 Feb | ACTING TECHNIQUE 1 - the basic tools | SCENE STUDY | SELF TAPE | SCENE STUDY | ||||||||||||||||||||||||
90 | Peter Feeney | Joel Tobeck | Peter Feeney | Peter Feeney | |||||||||||||||||||||||||
91 | 4 - 2 Mar | ACTING TECHNIQUE 2 - basic tools and imrpov | SCENE STUDY | AUDITION 1 | AUDITION 2 | ||||||||||||||||||||||||
92 | Peter Feeney and Edith Fumarola | Joel Tobeck | Harriett Maire; Greta Gregory; other | Harriett Maire; Greta Gregory; other | |||||||||||||||||||||||||
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