Raggedy Man (written scores at Herrick Library: http://collections.new.oscars.org/Details/Archive/71303004)

1-1 "Main Title," 3 pages; [1-2?]

[no title], 5 pages [lacks first page]

NOTE: could this maybe be the End Title, which otherwise appears to be the only score cue missing from the written sketches?

3-1/4-1 "Phone Calls (Section A)," 2 pages; 3-1/4-1 "Phone Calls (Section B)," 9 pages

7-1 "Henry and Harry," 5 pages

7-2/8-1 "Runaways," 9 pages

9-1 "We're Moving," 7 pages

Length discrepancy: I suspect the album track of the same title is more cues than the 1 page written "The Kite"

9-3 "Number Please," 9 pages

not on the written sketches because not a Goldsmith composition!

10-1 "The End of Calvin," 12 pages

(plays as is, short few extra bars possibly tracked)

(unused? likely inteded for Harry playing in a tree)

(opening 1:22 of "Henry and Harry"

(sounds like the 1st, but not on album.maybe not a Goldsmith piece?)

(unused, Likely for Teddy's first scene)

(opening :47 dialed out? The whole album cue fits along with the film, minus a brief dialed out few seconds.

(:47-1:17 also tracked into the film after the source pieces)

(also, the "raggedy" stinger as I call it, would play around the 40 second mark, but doesn't fit what's on screen. odd!)

(second half of the album Main Title)

(opening :48 of Number Please on album)

(1:22-4:50 of Runaways album cue, likely for the bar fight scene but unused)

(1:22-end of album track, 1st minute dialed out. Possible alternate mix/take, without solo violin)

(opening 1:21 of album track, first 20 seconds unused)

Not sure what this cue title should be, doesn't seem to correspond to the film)

(4:50-end of Runaways album cue)

(:48- end of album track)

(opening bars unused-album version starts with the "raggedy" stinger, which I'm not sure matches the film