A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | PURPOSE: Tests provide an introduction to the discipline of Western Dressage; the horse performs only at the walk and jog. The rider should demonstrate correct basic position, use of basic aids, and understanding of the figures. The horse should show relaxation; harmony between horse and rider is important. The horse accepts the aids and influence of the rider. The jog should be a natural gait within the horse's scope and should demonstrate a swinging back. | JUDGE | Ida Norris | Link: | https://www.youtube.com/watch?v=cCu_AM1U_00 | |||||||||||||||||||||
2 | RIDER # | 9920 | Notes: | |||||||||||||||||||||||
3 | NAME: | Aerin Cuff | ||||||||||||||||||||||||
4 | Max Pts: | 220 | ||||||||||||||||||||||||
5 | Final Score: | 61.136% | ||||||||||||||||||||||||
6 | ida Norris 4/18/24 | |||||||||||||||||||||||||
7 | ||||||||||||||||||||||||||
8 | 2022 WDAA INTRO LEVEL TEST 1 | Horse | Wilma | |||||||||||||||||||||||
9 | April 2024 | WDAA Show ID | TBD | |||||||||||||||||||||||
10 | ||||||||||||||||||||||||||
11 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
12 | 1 | A C | Enter working jog, proceed down center line without halting Track left, working jog | Straightness; regularity and quality of the jog; balance and bend in the turn. | 6.5 | 6.5 | steady, rider tilts left ( collapse over left rib cage) horse to slightly round to connection , ;lacked preparation to turn left | |||||||||||||||||||
13 | 2 | E - B B | Half circle left 20m, working jog Proceed straight ahead, working jog | Balance and inside bend on the half circle; straightness; regularity and quality of the jog. | 5.5 | 5.5 | short tracking, needs longer steps: more impulsion, and lower neck to connection , geometry accurate | |||||||||||||||||||
14 | 3 | Between M & C | Develop working walk | Willing, smooth transition; balance and bend in the corners; regularity and quality of the walk. | 6 | 6 | rider forearms braced topline hollow needs flow into walk | |||||||||||||||||||
15 | 4 | H - B B | Change rein, free walk Working walk | Horse willing to freely stretch the neck forward and down; relaxation; swing through the back; ground cover; willing, smooth transition; regularity and quality of the walks. | 6.5 | 2 | 13 | show slight overtrack needs more stretch i.e. tip of ears below withers | ||||||||||||||||||
16 | 5 | F | Halt 4 seconds. Proceed working walk | Balance in transition to square, straight halt; immobility; willing, smooth transition; regularity and quality of the walk; balance and bend in the corner. | 7 | 2 | 14 | quiet halt , square and connection was more correct here | ||||||||||||||||||
17 | 6 | Between A & K | Develop working jog | Willing, smooth transition; straightness; regularity and quality of the jog | 5.5 | 5.5 | inverted , rider bracing arms , short tight steps | |||||||||||||||||||
18 | 7 | E - B B | Half circle right 20m, working jog Proceed straight ahead, working jog | Balance and inside bend on the half circle; straightness; regularity and quality of the jog. | 6 | 6 | liked the geometry< rider leaning to turn and her head not level, horse slightly hollow topline | |||||||||||||||||||
19 | 8 | Between F & A | Develop working walk | Willing, smooth transition; balance and bend in the corner; regularity and quality of the walk. | 5.5 | 5.5 | abrupt, still aids / above the hand on short side | |||||||||||||||||||
20 | 9 | K - B B | Change rein, free walk Working walk | Horse willing to freely stretch the neck forward and down; relaxation; swing through the back; ground cover; willing, smooth transition; regularity and quality of the walks. | 6 | 2 | 12 | shows some longer steps needs stretch over and DOWN | ||||||||||||||||||
21 | 10 | M | Halt 4 seconds Proceed working walk | Balance in transition to square, straight halt; immobility; willing, smooth transition; regularity and quality of the walk; balance and bend in the corner. | 5 | 2 | 10 | above bracing hand into unbalanced halt, hands wide fingers not closed on reins , above bit in walk after | ||||||||||||||||||
22 | 11 | Between C - H H - X - F | Develop working jog Change rein, working jog | Willing, smooth transition; balance and bend in the corners; straightness; regularity and quality of the jog | 6 | 6 | nicely straight, needs impulsion and lower neck for softer connection | |||||||||||||||||||
23 | 12 | A X G | Down centerline Working walk Halt, salute | Balance and bend in the turn; straightness; regularity and quality of the jog; willing, smooth transition; regularity and quality of the walk; balance in downward transition to square, straight halt; immobility. | 6 | 6 | not quite on the line to start, wandering slightly in the walk | |||||||||||||||||||
24 | Leave arena in free walk. Exit at A. | |||||||||||||||||||||||||
25 | ||||||||||||||||||||||||||
26 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
27 | 1 | Gaits | Freedom and regularity | 7 | 7 | |||||||||||||||||||||
28 | 2 | Impulsion | Desire to move forward with suppleness of the back and steady tempo. | 6 | 6 | need energy throughout for back suppleness | ||||||||||||||||||||
29 | 3 | Rider’s Position, Seat, and Hands | Well-balanced elastic seat demonstrating vertical, centered alignment, with light independent contact from hand(s) | 6.5 | 6.5 | alignment ok, hand slightly out of position at times and rigid, weight not even through core / collapse over ribcage | ||||||||||||||||||||
30 | 4 | Rider’s Correct and Effective Use of the Aids | Evidenced by the horse's responsiveness; steady elastic connection cultivating athletic expression. Accuracy - precise placement of the figures and transitions, the effectiveness of the rider's aids determines the accurate fulfillment of the required movements of the tests | 6 | 6 | leans to turn, arms to be more elastic, needs earlier and more active preparation for transition ss, geometry was pretty good today | ||||||||||||||||||||
31 | IG | Harmony | The horse accepts the aids and influence of the rider with attention, relaxation and confidence; and demonstrates a willing partnership between horse and rider resulting in a free flowing performance | 6.5 | 2 | 13 | willing horse, needs correct 1/2 halts and preparation for connection | |||||||||||||||||||
32 | What a gorgeous horse and i like this riders outfit with this horse! Most of the geometry was well organized. Soft and elastic preparation for transitions down needed. Rider work on coree being level left to right and more elastic arms. lots of potential! | |||||||||||||||||||||||||
33 | ||||||||||||||||||||||||||
34 | ||||||||||||||||||||||||||
35 | ||||||||||||||||||||||||||
36 | ||||||||||||||||||||||||||
37 | POINTS: | 134.5 | ||||||||||||||||||||||||
38 | ERRORS: | 0.000% | ||||||||||||||||||||||||
39 | SUBTOTAL: | 134.5 | ||||||||||||||||||||||||
40 | SCORE: | 61.136% | ||||||||||||||||||||||||
41 | ||||||||||||||||||||||||||
42 | ||||||||||||||||||||||||||
43 | ||||||||||||||||||||||||||
44 | ||||||||||||||||||||||||||
45 | ||||||||||||||||||||||||||
46 | ||||||||||||||||||||||||||
47 | ||||||||||||||||||||||||||
48 | ||||||||||||||||||||||||||
49 | ||||||||||||||||||||||||||
50 | ||||||||||||||||||||||||||
51 | ||||||||||||||||||||||||||
52 | ||||||||||||||||||||||||||
53 | ||||||||||||||||||||||||||
54 | ||||||||||||||||||||||||||
55 | ||||||||||||||||||||||||||
56 | ||||||||||||||||||||||||||
57 | ||||||||||||||||||||||||||
58 | ||||||||||||||||||||||||||
59 | ||||||||||||||||||||||||||
60 | ||||||||||||||||||||||||||
61 | ||||||||||||||||||||||||||
62 | ||||||||||||||||||||||||||
63 | ||||||||||||||||||||||||||
64 | ||||||||||||||||||||||||||
65 | ||||||||||||||||||||||||||
66 | ||||||||||||||||||||||||||
67 | ||||||||||||||||||||||||||
68 | ||||||||||||||||||||||||||
69 | ||||||||||||||||||||||||||
70 | ||||||||||||||||||||||||||
71 | ||||||||||||||||||||||||||
72 | ||||||||||||||||||||||||||
73 | ||||||||||||||||||||||||||
74 | ||||||||||||||||||||||||||
75 | ||||||||||||||||||||||||||
76 | ||||||||||||||||||||||||||
77 | ||||||||||||||||||||||||||
78 | ||||||||||||||||||||||||||
79 | ||||||||||||||||||||||||||
80 | ||||||||||||||||||||||||||
81 | ||||||||||||||||||||||||||
82 | ||||||||||||||||||||||||||
83 | ||||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||
85 | ||||||||||||||||||||||||||
86 | ||||||||||||||||||||||||||
87 | ||||||||||||||||||||||||||
88 | ||||||||||||||||||||||||||
89 | ||||||||||||||||||||||||||
90 | ||||||||||||||||||||||||||
91 | ||||||||||||||||||||||||||
92 | ||||||||||||||||||||||||||
93 | ||||||||||||||||||||||||||
94 | ||||||||||||||||||||||||||
95 | ||||||||||||||||||||||||||
96 | ||||||||||||||||||||||||||
97 | ||||||||||||||||||||||||||
98 | ||||||||||||||||||||||||||
99 | ||||||||||||||||||||||||||
100 |