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1 | HEEB-SOOC SHORT FILM | Date: 2/05/2024 | ||||||||
2 | Shot listing | |||||||||
3 | Sl. no | Scene | Shot | Shot size | Camera Angle | Camera level | Camera movement | Audio | Dailogue | Note |
4 | SCENE 1 | |||||||||
5 | 1 | |||||||||
6 | 2 | |||||||||
7 | 3 | |||||||||
8 | 4 | |||||||||
9 | 5 | |||||||||
10 | 6 | |||||||||
11 | 7 | |||||||||
12 | SCENE 2 | |||||||||
13 | ||||||||||
14 | ||||||||||
15 | ||||||||||
16 | ||||||||||
17 | ||||||||||
18 | SCENE 4 | |||||||||
19 | 12 | The couple walk to and enter an expensive luxury car. | Santa Monica Pier Parking Lot | Wide Shot | Head on | Eye level | Static/Pan | MOS | Non-verbal expressions | 125mm Lens |
20 | 13 | Archie follows not too far behind, stops to watch them leave together and sighs while putting his camera in his bag. | Santa Monica Pier Parking Lot | Mid-Shot | below eye level | Dolly out | Slate | Sighs | Gimbal 20mm | |
21 | SCENE 5 | |||||||||
22 | 14 | Archie is sitting in his car on his laptop sending his client the photos. | Beach bluffs | Mid Long-Shot | 45 Degree | below eye level | Truck, Jib up, Truck, Pan, dolly | Slate | Dialog runs through entire shot. | Gimbla; move up from grill to windshield then move over to passanger window, pan to Archie who is on his laptop; at sunset. Push in as dialog starts. |
23 | 15 | POV of laptop screen | Beach bluffs/Camaro | Mid Long-Shot | 90 Degrees | Eye level | Static | MOS | Coverage | |
24 | 16 | Archie puts on his sunglasses and starts the car and drives off. | Beach bluffs/Camaro | Mid to Wide | 45 Degrees | Eye level | Dolly out, Truck right, Dolly out. | Slate | Archie says goodbye, put on his sunglasses, camera PULLS OUT, SWINGS OVER to the front of the car and PULLS OUT as Camaro drives away. | |
25 | SCENE 6 | |||||||||
26 | 17 | Camaro drives alongside the coast. | High Way | Wide Shot | Bird Eye View | Overhead | Drone | MOS | Fly parallel to the Camaro. | |
27 | 18 | Archie nods his head to the rhythim of the music, tapping his fingers on the steering wheel. | High Way | Mid shot | 45 degrees | below eye level | Static | MOS | Camera is mounted to hood of the car. | |
28 | 19 | POV shots of the ocean and beach goers on the beach. | Beach | Wide shot | Side angle | Eye level | Tracking | 60 FPS of beach as car passes by. | ||
29 | 20 | Shot of the road ahead | High Way | Pov | Front | Eye level | Camera mounted on dashboard. | |||
30 | SCENE 7 | |||||||||
31 | 21 | Archie walks into his apartment, goes over and plays his answering machine. | Archie's Apartment; living room | Wide shot to Long shot to Mid shot | 45d | Eye level | Pull back and pan, dolly-in | Slate | Archie, Amsterdam and Mrs. Marlow | Opening wide shot on Archie entering the apartment, pan over with him to the desk ending in a long shot, dolly-in to a mid shot. (Run through entire scene) |
32 | 22 | Archie talks to Amsterdam then Mrs Marlow. | Archie's Apartment; living room | Wide Shot | Head on | Eye level | Static | Slate | Archie, Amsterdam and Mrs. Marlow | Run through entire scene from this set up. |
33 | 23 | Archie talks to Amsterdam then Mrs Marlow. | Archie's Apartment; living room | Mid Shot | 45d | Below eye level | Static | Slate | Archie, Amsterdam and Mrs. Marlow | Run through entire scene from this set up. |
34 | 24 | Archie talks to Amsterdam then Mrs Marlow. | Archie's Apartment; living room | Insert | High | Static | MOS | Hand reaches for bag of chips in desk drawer. | ||
35 | 25 | Stacks of bills litter the desk. | Archie's Apartment; living room | Insert | 45d | High | Static | MOS | Archie looks at the stack of bills piled on his desk | |
36 | 26 | Archie pulls out his phone and dials Madolyn. | Archie's Apartment; living room | Insert | 45d | High | Static | MOS | Insert on phone. | |
37 | SCENE 8 | |||||||||
38 | 27 | Archie gets up and walks to his bed to lie down. | Archie's bed room | Closeup | 45d | Below eye level | Static | |||
39 | 28 | Madolyn chops vegetables on the kitchen counter while she takes a call from Archie. | Madolyn's Kitchen | LS | 45 degrees | eye level | Push in | Slate | ||
40 | 29 | Archie lies on his bed speaking to Madolyn as he snacks on chips. | Archie's bedroom | Wide | 0 degrees | overhead | Push in | Slate | Camera on a rig overhead slightly pushes in through duration of shot. | |
41 | 30 | Madolyn is in her kitchen talking to Archie. | Kitchen | Mid Shot | 45 degrees | EYE level | Push in | Slate | Camera pushes in throughout the duration of the shot. | |
42 | SCENE 9 | |||||||||
43 | 31 | Archie walks to his car while on the phone in a parking garage. | Parking Garage | Long Shot to insert to mid shot | Head on; insert; low angle | eye level | Gimbal | Slate | Gimbal follows Archie throughout the duration of the scene. From the elevator to the car. We star on Archie walking to his car; camera swings around revealing the note; hand picks up the note; camera swings around low angle on Archie's reaction. | |
44 | SCENE 10 | |||||||||
45 | 32 | Archie pulls up to Mrs. Marlow's mansion. | Victorian Mansion | Long Shot to mid shot | 0 Degrees to 45 degrees | High to low angle | Gimbal/Crane jib | MOS | Crane jib down; camera swings over in a 180 degree turn to Archie exiting his vehicle eyeing the structure. | |
46 | SCENE 11 | |||||||||
47 | 33 | Amsterdam leads Archie down a long hall into a study where Archie extends his arm to Mrs. Marlow who appears in the next shot. | Hall/Study | Long shot to wide shot | Head on | below eye level | Dolly | Slate | Gimbal follows the two from the hall to the study, endingh on dirty shot of Mrs. Marlow. *Run through entire scene | |
48 | 34 | Over the shoulder on Mrs. Marlow flipping the previous shot of Archie and Amsterdam entering the study. | Study | Long shot | Head on | Eye level | Dolly | Slate | Gimbal approaches Mrs. Marlow from a POV shot from Archie. Mrs. Marlow takes Archie's hand and shakes it. *Run through entire scene. | |
49 | SCENE 12 | |||||||||
50 | 35 | Amsterdam takes out the wine in the kitchen, but is told to forget it and angerily puts everything back. | Kitchen | Wide shot | 45 degree angle | below eye level | Static | Slate | Entire scene takes place in single wide shot. | |
51 | SCENE 13 | |||||||||
52 | 36 | Archie takes a seat across from Mrs. Marlow. | Study | Wide shot | 45d | below eye level | Dolly | Slate | Camera moves slightly from left to right on a gimbal. Run through entire scene; reset move-ment back and forth. | |
53 | 37 | Archie's coverage | Study | Mid shot | 45d | Eye level | Static | Slate | Archie's dialog of this scene. | |
54 | 38 | Mrs. Marlow's coverage | Study | Mid shot | 45d | Eye level | Static | Slate | Mrs. Marlow's dialog of this scene. | |
55 | 39 | Archie's close up | Study | Close up | Head on | Eye level | Static | Slate | Archie's dialog of this scene. | |
56 | 40 | Mrs. Marlow's close up | Study | Close up | Head on | Eye level | Static | Slate | Mrs. Marlow's dialog of this scene. | |
57 | 41 | Archie stands to his feet, then after an exchange, sits backdown. He stands back up, looks at her before leaving. | Study | Mid shot | 0 degrees | Below eye level | Static | Slate | Archie stands to his feet and after his dailog sits back down. Mrs. Marlow's POV. He stands back up, looks at her before leaving. *Run through entire scene from this set up. | |
58 | 42 | Mrs. Marlow looks up at Archie during this exchange as hes standing. | Study | Mid shot | 0 degrees | above eye level | Static | Slate | Mrs. Marlow talks with Archie as he's standing above her. Archie's POV * Run through entire scene from this set up. | |
59 | 43 | Mrs. Marlow reaches into her purse and pulls out cash. | Study | Insert | 0 degrees | above eye level | Static | MOS | ||
60 | SCENE 14 | |||||||||
61 | 44 | Camaro parked at a convenience store. | Convenience store parking lot. | Wide Shot | 0 degrees | above eye level | Static | MOS | ||
62 | 45 | Inside Camaro, Archie searches the number Marlow gave him on his laptop. | Camaro | Long Shot | 45 degrees | below eye level | Static | Slate | ||
63 | 46 | Alternative shot of Archie investigating the phone number. | Camaro | MCU | 0 degrees | below eye level | Static | Slate | ||
64 | 47 | Camera on laptop | Camaro | Insert | Head on | above eye level | Static | MOS | ||
65 | SCENE 15 | |||||||||
66 | 48 | Archie walks into the superintendant | Apartment Building Office | Wide Shot | 45 degrees | below eye level | Static | Slate | Two shot of Archie walking into lobby with superintendent behind the front desk. *Run through entire scene at this set up. | |
67 | 49 | Archie's close up. | Apartment Building Office | Close Up | Head on | Below eye level | Static | Slate | Archie's coverage. | |
68 | 50 | Superintendent's close up. | Apartment Building Office | Close Up | Head on | Above eye level | Static | Slate | Superintendent's coverage. | |
69 | SCENE 16 | |||||||||
70 | 51 | Archie paces back and forth in front of the complex. | Apartment Building stoop | Long Shot | Head on | Eye level | Pan left to right & right to left | MOS | Mirror Taxi Driver's shot of Travis waiting outside Palentine's headquarters. | |
71 | 52 | Superintendent's walks out fo the lobby with the package. Archie follows him. | Apartment Building lobby | Wide Shot | POV, head on | below eye level | Static | MOS | Superintendent's exits to drop off package. Archie comes into frame following the man. | |
72 | 53 | Archie sees this and quickly follows. | Apartment Building stoop | Close up | 45 degree | below eye level | Static | MOS | The superintendent's leaving catches Archie's eyes, he then follows out of frame. | |
73 | SCENE 17 | |||||||||
74 | 54 | Superintendent's walks the stairwell. Archie is far enough away to keep the man's feet in view. | Apartment Building stairwell | Insert | POV, head on | Eye level | Pan | MOS | ||
75 | 55 | Archie tries to keep up while looking up in the direction the man is going. | Apartment Building stairwell | Mid Shot | Head on | Above eye level | Handheld/Pan | MOS | Camera tilted downward, panning to follow Archie. | |
76 | SCENE 18 | |||||||||
77 | 56 | At the third floor, Archie pokes his head into the hall. | Apartment Building hallway | MCU Shot | Head on | Eye level | Static | MOS | ||
78 | 57 | The superintendent walks up to the apartment door and sets the package down. | Apartment Building hallway | Wide Shot | 45 degree | Below eye level | Static | Slate | *Run through entire scene | |
79 | 58 | Archie whips out his notepad and begins writing. | Apartment Building hallway | Mid Shot | Head on | Eye level | Static | MOS | *Run through entire scene | |
80 | 59 | Archie whips out his notepad. | Apartment Building hallway | Insert | Head on | Eye level | Static | MOS | From Fannypack. | |
81 | SCENE 19 | |||||||||
82 | 60 | Archie's laid out in the driver's seat of his Camaro. | Street | MLS | Head on | Above eye level | Gimbal | Slate | Start on headlight, move upward then truck right to window and tilt down to Archie laid out. *Run through entire scene. | |
83 | 61 | A hand reaches into a filing cabinat and fingers flip through files. | Office | Insert | 45 degree | Above eye level | Static | Slate | Insert | |
84 | 62 | Madolyn sits at her desk organizing her filing cabinet while on the phone. | Office | LS | 45 degree | Above eye level | Static | Slate | Madolyn's coverage | |
85 | 63 | Madolyn sits at her desk organizing her filing cabinet while on the phone. | Office | MCU | 45 degree | Eye level | Static | Slate | Madolyn's coverage | |
86 | SCENE 20 | |||||||||
87 | 64 | Archie paces back and forth waiting for Molly to get home. He sees the lights are still off in the apartment. | Hall | LS | 0 degree | Below eye level | Truck left to right | MOS | Truck with Archie. | |
88 | 65 | Archie's POV looking into apartment. | Hall | LS | 45 degree | Below eye level | Truck left to right | MOS | Dirty shot with Archie in the last right thirds, center/focus on apartment sliding door. *Truck with Archie. | |
89 | 66 | A woman approaches the apartment door. | Hall | WS | 45 degree | Below eye level | Static | MOS | Molly approaches the door from the opposite direction in a wide static shot. She spots Archie and walks to him. | |
90 | 67 | Archie holds up his camera and takes a picture. | Hall | MS | Head on | Above eye level | Static | MOS | Archie holds up camera and takes a picture. Camera flashes. Archie then fumbles his camera trying to cover the flash. | |
91 | 68 | Molly winds up her arm and slugs Archie in the face. | Hall | CU | Head on | Eye level | Static | Slate | Molly punches toward camera. | |
92 | 69 | Archie's head snaps back and he tumbles into the starwell. | Hall | CU | Head on | Eye level | Static | Slate | Archie's head snaps back and flies off camera. | |
93 | SCENE 21 | |||||||||
94 | 70 | Archie backs into the stairwell as Molly runs in hitting him with her purse and kicking him. He backs into a corner and curls into a ball. | Stairwell | WS | 45 degrees | Bird's Eye View | Truck left to right | Slate | Camera moves over railing with Archie as he rushes into stairwell. | |
95 | 71 | Archie let's go of the camera and Molly takes it and breaks it against the wall. | Stairwell | MS | 45 degrees | Above eye level | Handheld | Slate | Archie's coverage. *Run through dialog. | |
96 | 72 | Molly takes Archie's camera and breaks it against the wall. | Stairwell | MS | 45 degrees | Above eye level | Handheld | Slate | Molly's coverage. *Run through dialog. | |
97 | 73 | Molly flashes a gun in her coatl. | Stairwell | Coverage | 45 degrees | Above eye level | Handheld | MOS | Molly's gun coverage. | |
98 | 74 | Molly holds Archie up. | Stairwell | LS | 90 degrees | Eye level | Handheld | Slate | Run through scene in this two shot. | |
99 | SCENE 22 | |||||||||
100 | 75 | Archie cautiously enters the parking garage after hearing gunfire. | Elevator room | LS | 0 degrees | Below eye level | Gimbal | Slate | Archie pulls out his gun and cautiously walks into the elevator room then into the parking garage while. |