A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | |
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1 | XG SETTING | Value set on Flute XG 74 | Value set on Flute Copy Int PFM Int 88 | How to find PFM Setting | ||||||||||||||
2 | Basic | |||||||||||||||||
3 | volume | 127 | 127 | Parts (both buttons at same time, then choose active part) | ||||||||||||||
4 | expression | 127 | ??? | Page 60 of manual says Expression is not available in performance mode because it's always set to maximum. | ||||||||||||||
5 | pan | C | C | Parts (both buttons at same time, then choose active part) | ||||||||||||||
6 | reverb send | 40 | 40 | Parts (both buttons at same time, then choose active part) | Page 62 of manual says these "send" values are for individual parts. MU-80 manual says "This determines the level of the selected Part’s Voice that is sent to the Reverb effect. A value of 0 results in a completely “dry” Voice sound." | |||||||||||||
7 | chorus send | 0 | 0 | Parts (both buttons at same time, then choose active part) | MU-80 manual: This determines the level of the selected Part’s Voice that is sent to the Chorus effect. A value of 0 results in a completely “dry” Voice sound (no Chorus effect). | |||||||||||||
8 | variation send | off | off | Parts (both buttons at same time, then choose active part) | Manual says to turn this on if you want to apply a variation to an individual part. | |||||||||||||
9 | note shift | 0 | 0 | Parts (both buttons at same time, then choose active part) | ||||||||||||||
10 | EQ | |||||||||||||||||
11 | EQ type | jazz | jazz (was flat) | EQ | ||||||||||||||
12 | 50 Hz | -6dB | -6dB | EQ | ||||||||||||||
13 | 125 Hz | 2dB | 2dB | EQ | ||||||||||||||
14 | 900 Hz | 4dB | 4dB | EQ | ||||||||||||||
15 | 3.2k Hz | -4dB | -4dB | EQ | ||||||||||||||
16 | 6.3k Hz | -6dB | -6dB | EQ | ||||||||||||||
17 | Effect, Reverb | The manual says you won't hear reverb and chorus effects unless you "send" them on a lower number than you "return" them on. It also says that you pick a reverb or chorus "type" for all parts, but you can adjust the amounts individually for each part. | ||||||||||||||||
18 | type | hall 1 | hall 1 | Effect, Reverb | ||||||||||||||
19 | reverb time | 2.1 | 2.1 | Effect, Reverb | ||||||||||||||
20 | diffusion | 10 | 10 | Effect, Reverb | ||||||||||||||
21 | initial delay | 12.7 | 12.7 | Effect, Reverb | ||||||||||||||
22 | HPF cutoff | 90 | 90 | Effect, Reverb | ||||||||||||||
23 | LPF cutoff | 5.6k | 5.6k | Effect, Reverb | ||||||||||||||
24 | reverb pan | C | C | Effect, Reverb | ||||||||||||||
25 | Effect, Chorus | |||||||||||||||||
26 | chorus edit type | chorus 1 | chorus 1 | Effect, Chorus | ||||||||||||||
27 | LFO frequency | 0.25 Hz | 0.25 Hz, was 0.17 Hz | Effect, Chorus | ||||||||||||||
28 | LFO depth | 54 | 54, was 30 | Effect, Chorus | ||||||||||||||
29 | FB level | 13 | 13, was 5 | Effect, Chorus | ||||||||||||||
30 | delay offset | 17.1 | 17.1, was 2.5 | Effect, Chorus | ||||||||||||||
31 | chorus pan | C | C | Effect, Chorus | ||||||||||||||
32 | send chorus reverb | 0 | 0 | Effect, Chorus | ||||||||||||||
33 | Effect, Variation | The Variation effect can be applied either to all Parts (as with Reverb and Chorus), or to a single selected Part (as described below). | ||||||||||||||||
34 | variation edit type | delay LCR | delay LCR (was something else) | Effect, Variation | ||||||||||||||
35 | LCH delay | 333.3 | 333.3 | Effect, Variation | ||||||||||||||
36 | RCH delay | 166.7 | 166.7 | Effect, Variation | ||||||||||||||
37 | CCH delay | 500 | 500 | Effect, Variation | ||||||||||||||
38 | FB delay | 500 | 500 | Effect, Variation | ||||||||||||||
39 | FB level | 10 | 10 | Effect, Variation | ||||||||||||||
40 | dry wet | D32>w | D32>w | Effect, Variation | ||||||||||||||
41 | AC1 (Assignable Controller) var control | 0 | 0 | Effect, Variation | ||||||||||||||
42 | Variation connection | INSertion | INSertion | Effect, Variation | Insertion applies the variation on a per part basis. | |||||||||||||
43 | Effect, Insertion1 | |||||||||||||||||
44 | insertion 1 edit type | distortion | distortion, was something else | Effect, Insertion1 | ||||||||||||||
45 | drive | 40 | 40 | Effect, Insertion1 | ||||||||||||||
46 | EQ low frequency | 200 | 200 | Effect, Insertion1 | ||||||||||||||
47 | EQ low gain | 8 | 8 | Effect, Insertion1 | ||||||||||||||
48 | LPF cutoff | 9k | 9k | Effect, Insertion1 | ||||||||||||||
49 | output level | 64 | 64, was 48 | Effect, Insertion1 | ||||||||||||||
50 | dry wet | D<w63 | D<W63 | Effect, Insertion1 | ||||||||||||||
51 | AC1 (Assignable Controller) INS 1 control | 0 | ??? | |||||||||||||||
52 | INS 1 part | off | off, was 1 | Effect, Insertion1 | ||||||||||||||
53 | Effect, Ins2 | |||||||||||||||||
54 | insertion 2 edit type | distortion | distortion | Effect, Insertion2 | ||||||||||||||
55 | drive | 40 | 40 | Effect, Insertion2 | ||||||||||||||
56 | EQ low frequency | 200 | 200 | Effect, Insertion2 | ||||||||||||||
57 | EQ low gain | 8 | 8 | Effect, Insertion2 | ||||||||||||||
58 | LPF cutoff | 9k | 9k | Effect, Insertion2 | ||||||||||||||
59 | output level | 64 | 64, was 48 | Effect, Insertion2 | ||||||||||||||
60 | dry wet | D<w63 | D<w63 | Effect, Insertion2 | ||||||||||||||
61 | AC1 (Assignable Controller) INS 2 control | 0 | ??? | |||||||||||||||
62 | INS 2 part | off | off | Effect, Insertion2 | ||||||||||||||
63 | Edit, Filter | |||||||||||||||||
64 | LPF cutoff | 0 | 0 | Edit, Part, Filter | ||||||||||||||
65 | LPF RESO | 0 | 0 | Edit, Part, Filter | ||||||||||||||
66 | HPF cutoff | 0 | 0 | Edit, Part, Filter | ||||||||||||||
67 | Edit, EG | |||||||||||||||||
68 | attack time | 0 | 0 | Edit, Part, EG | ||||||||||||||
69 | decay time | 0 | 0 | Edit, Part, EG | ||||||||||||||
70 | release time | 0 | 0 | Edit, Part, EG | ||||||||||||||
71 | PEG init level | 0 | 0 | Edit, Part, EG | ||||||||||||||
72 | PEG attack time | 0 | 0 | Edit, Part, EG | ||||||||||||||
73 | PEG release level | 0 | 0 | Edit, Part, EG | ||||||||||||||
74 | PEG release time | 0 | 0 | Edit, Part, EG | ||||||||||||||
75 | Edit, EQ | |||||||||||||||||
76 | low frequency | 80 | 80 | Edit, Part, EQ | ||||||||||||||
77 | low gain | 0 | 0 | Edit, Part, EQ | ||||||||||||||
78 | high frequency | 10k | 10k | Edit, Part, EQ | ||||||||||||||
79 | high gain | 0 | 0 | Edit, Part, EQ | ||||||||||||||
80 | Edit, Vibrato | |||||||||||||||||
81 | rate | 0 | 0 | Edit, Part, Vibrato | ||||||||||||||
82 | depth | 0 | 0 | Edit, Part, Vibrato | ||||||||||||||
83 | delay | 0 | 0 | Edit, Part, Vibrato | ||||||||||||||
84 | Edit, Others | |||||||||||||||||
85 | Detune | 0 | 0 | Edit, Part, Others | ||||||||||||||
86 | part mode | normal | ??? | |||||||||||||||
87 | mono/poly | poly | poly | Edit, Part, Others | ||||||||||||||
88 | Portamento switch | off | off | Edit, Common | ||||||||||||||
89 | Portamento time | 0 | 0 | Edit, Common | ||||||||||||||
90 | elem reserve | 2 | ??? | |||||||||||||||
91 | note limit L | C-2 | C-2 | Edit, Part, Others | ||||||||||||||
92 | note limit H | G8 | G8 | Edit, Part, Others | ||||||||||||||
93 | VEL sensitivity DPT | 64 | 64 | Edit, Part, Others | ||||||||||||||
94 | VEL sensitivity OFS | 64 | 64 | Edit, Part, Others | ||||||||||||||
95 | VEL limit low | 1 | 1 | Edit, Part, Others | ||||||||||||||
96 | VEL limit high | 127 | 127 | Edit, Part, Others | ||||||||||||||
97 | pitch bend control | 2 | 2 | Edit, Common | ||||||||||||||
98 | MW LFOPitch moduration | 10 | 10 | Edit, Common | ||||||||||||||
99 | AC1 (Assignable Controller) CC NO. | 16 | 16, was 1 | Edit, Common | ||||||||||||||
100 | AC1 (Assignable Controller) filter control | 0 | 0 | Edit, Common |