A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | |
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1 | Reason? Because almost any subwoofer can play loudly at 63hz. And some play SO loudly, that the 63hz figure can distort the overall output(avg) | |||||||||||||||
2 | The 25-50Hz figure towards the right of some of the models indicate a data manipulation where the 63Hz data has been eliminated eliminated. | |||||||||||||||
3 | The figure in the parenthesis will reflect a 25-50hz(25,31,40,50hz) average. This was performed with all of the models that I had accurate 63hz output for. | |||||||||||||||
4 | ||||||||||||||||
5 | across the lower frequencies. For example...if subwoofer *X* hit... | |||||||||||||||
6 | ||||||||||||||||
7 | 25hz - 95dB | |||||||||||||||
8 | 31hz - 100dB | |||||||||||||||
9 | 40hz - 105dB | |||||||||||||||
10 | 50hz - 110dB | |||||||||||||||
11 | 63hz - 115dB | |||||||||||||||
12 | 63hz - 115dB | |||||||||||||||
13 | the *AVG* = 105dB. This seems pretty good...until we look a little closer and see the 63hz output is 20dBs higher than the 25hz output! | |||||||||||||||
14 | ||||||||||||||||
15 | ||||||||||||||||
16 | All figures are for a corner loaded subwoofer, measured at a 2 meters using 10% thd limits in a large 7500 cu-ft room. | |||||||||||||||
17 | The SPL numbers have been averaged from the maximum output(with a 10% thd limit) using 25,32,40,50,62hz steps | |||||||||||||||
18 | in testing(the 25-62hz range is considered the bass intensive film range). | |||||||||||||||
19 | ||||||||||||||||
20 | Subwoofer | 25-62Hz average | 16Hz | 20Hz | 25Hz | 32Hz | Frequency Response | 25-50Hz average | ||||||||
21 | Genelec HTS6 | 118dB | 90.5dB | 105.5dB | 109.5dB | 117dB | 25-100Hz +/-2.7dB | 116.3dB | ||||||||
22 | Stryke Power 15 prototype | 115.4dB | 99dB | 102dB | 106dB | 119dB | 28-112Hz +/-8.9dB | 115.3dB | ||||||||
23 | Velodyne 1812 Signature | 113dB | 101.1dB | 103.9dB | 107.6dB | 114.8dB | 25-68Hz +/-2.4dB | 111.6dB | ||||||||
24 | Niles PRO15SW | 113dB | 89dB | 32-100Hz +/-2.8dB | ||||||||||||
25 | Epik Conquest | 112.9dB | 104.7dB | 109.3dB | 112.3dB | 115.5dB | 26-133Hz +/-4.5dB | 112.8dB | ||||||||
26 | Klipsch RSW-15 | 112dB | 97dB | 112dB | 48-115Hz +/-2.1dB | |||||||||||
27 | Velodyne F1800 MkII | 111.9dB | 90.5dB | |||||||||||||
28 | Exodus Audio’s WMD 15 | 111.3dB | 70dB | 93dB | 104.8dB | 115.2dB | 111.3dB | |||||||||
29 | Energy S12.3 | 110db | 86.9dB | 105.7dB | 113dB | 29-113Hz +/-2.2dB | 109.5dB | |||||||||
30 | SVS 20-39CS(300W Fidek amp) | 109.5dB | 91db | 105.8dB | 114.9dB | 25-75Hz +/-2.5dB | ||||||||||
31 | Velodyne FSR-15 | 109.1dB | 90.1dB | 95.5dB | 103.1dB | 109.8dB | 108.8dB | |||||||||
32 | Paradigm Signature Servo | 109dB | 88dB | 98dB | 24-75Hz +/-2.2dB | |||||||||||
33 | Triad Gold PowerSub w/RackAmp 500 | 109dB | 84dB | 97dB | 110dB | 24-117Hz +/-2.3dB | ||||||||||
34 | PSB SubSeries 6i | 109dB | 95dB | 108dB | 27-119Hz +/-2.4dB | |||||||||||
35 | Klipsch KSW300 | 109dB | 92dB | 107.3dB | ||||||||||||
36 | Mission 700AS | 108.1dB | 102dB | 111.5dB | 27-114Hz +/-5.7dB | 106.8dB | ||||||||||
37 | JL Audio Fathom F112 | 108dB | 80dB | 24-101dB +/-2.5dB | ||||||||||||
38 | PSB Subsonic 6i | 108dB | 93.8dB | 103.1dB | 110.1dB | 30-118Hz +/-2.5dB | 107.4dB | |||||||||
39 | Paradigm Seismic 12 | 108dB | 87dB | 25-117Hz +/-3.5dB | ||||||||||||
40 | Klipsch RW-12d | 108dB | 86dB | 98dB | 107dB | 35-105Hz +/-2.1dB | 106.8dB | |||||||||
41 | Paradigm PW-2200 | 108dB | 84dB | 28-117Hz +/-2.4dB | ||||||||||||
42 | Outlaw LFM-1 | 108dB | 83dB | 97dB | 113.4dB | 30-73Hz +/-2.0dB | 107.7dB | |||||||||
43 | Velodyne DLS-5000R | 108dB | 91dB | 110dB | 35-100Hz +/-2.8dB | 106.5dB | ||||||||||
44 | B&W asw1000 | 107.9dB | 96dB | |||||||||||||
45 | Adire Audio Dharman | 107.9dB | 96dB | 102dB | 114.6dB | 106.5 dB | ||||||||||
46 | Velodyne HGS-15 | 107.7dB | 89.1dB | 102.1dB | ||||||||||||
47 | NHT U1(w/A1 amp) | 107.6dB | 99dB | 50-185Hz +/-2.2dB | ||||||||||||
48 | Paradigm Servo 15 | 107.3dB | ||||||||||||||
49 | Velodyne CHT-15 | 107.3dB | 92dB | 108.4dB | 30-101Hz +/-2.3dB | 105.1dB | ||||||||||
50 | Hsu Research VTF-2(in max extension) | 107.1dB | 93dB | 25-82Hz +/-3.2dB | 106 dB | |||||||||||
51 | Velodyne SPL-1200 | 107.1dB | 73dB | 98dB | 27-90Hz +/-1.7dB | |||||||||||
52 | Hsu Research TN25(w/250w) | 107.1dB | 96dB | 30-82Hz +/-2.6dB | 106 dB | |||||||||||
53 | BW asw2000 | 107dB | 105.3dB | |||||||||||||
54 | Cerwin Vega cvt300s | 107dB | 80db | 92dB | 106 dB | |||||||||||
55 | Outlaw LFM-1EX (max output mode) | 107dB | 93dB | 110dB | 26-94Hz +/-2.3dB | |||||||||||
56 | Klipsch RT-12d | 107dB | 91dB | 105dB | 110dB | 46-108dB +/-1.9dB | ||||||||||
57 | Infinity SW-12 | 107dB | 84.5dB | 96.4dB | 109.3dB | 35-78Hz +/-2.3dB | 106dB | |||||||||
58 | Cerwin Vega CVHD-12S | 107dB | 106dB | 40-89Hz +/-2.4dB | ||||||||||||
59 | Velodyen SCS-10/SC1250 (dual subs) | 106.5dB | 88.8dB | 28-185Hz +/-2.0dB | ||||||||||||
60 | Cerwin Vega LW12 | 106dB | 89dB | 60-115Hz +/-1.5dB | 103.4dB | |||||||||||
61 | Polk PSW-650 | 105.6dB | 84.3dB | 90dB | 40-123Hz +/-2.1dB | 103.6dB | ||||||||||
62 | Infinity Intermezzo 1.2s | 105.5dB | 80.1dB | 90dB | 95dB | 30-118Hz +/-2.1dB | ||||||||||
63 | M&K MX125 MkII | 105.3dB | 88.9dB | 91.5dB | 25-120Hz +/-2.2dB | |||||||||||
64 | Velodyne CT-150 | 105.3dB | 82dB | 103.9dB | ||||||||||||
65 | JBL PSW-D112 | 105.2dB | 95dB | 32-82Hz +/-2.9dB | ||||||||||||
66 | HSU VTF-3 MkIII Turbo | 105dB | 83dB | 93dB | 95dB | 107dB | 24-92Hz +/-2.3dB | 104dB | ||||||||
67 | SVS PB12-NSD | 105dB | 96dB | 102dB | 109.4dB | 34-78Hz +/-2.0dB | ||||||||||
68 | Canton AS 850 SC | 105dB | 86dB | 104dB | 36-79Hz +/-2.3dB | |||||||||||
69 | Aperion Intimus S10 | 105dB | 77dB | 37-110Hz +/-2.2dB | ||||||||||||
70 | Boston Acoustics HPS 12HO | 105dB | 97dB | 23-86Hz +/-1.9dB | ||||||||||||
71 | JBL S120PII | 105dB | 76.4dB | 86.9dB | 107.8dB | 37-80Hz +/-2.2dB | 103.5dB | |||||||||
72 | KEF PSW2150 | 105dB | 94dB | 35-90Hz +/-1.8dB | ||||||||||||
73 | Infinity Alpha 1200s | 105dB | 85dB | 39-112Hz +/-2.1dB | ||||||||||||
74 | Boston Acoustics PV800 | 104.4dB | 85dB | 103dB | ||||||||||||
75 | Acoustic Energy AE 308 | 104.1dB | 95dB | 38-155Hz +/-2.8dB | ||||||||||||
76 | Jamo C80 Sub | 104dB | 89dB | 27-195Hz +/-2.2dB | ||||||||||||
77 | Definitive Tech. PF15TL+ | 104dB | 88dB | 31-120Hz +/-1.7dB | ||||||||||||
78 | JBL L8400P | 104dB | 85dB | 37-110Hz +/-2.1dB | ||||||||||||
79 | Mission AS700i | 104dB | 82dB | 36-105Hz +/-3.5dB | ||||||||||||
80 | Axiom EP500 | 104dB | 80dB | 110dB | 28-98Hz +/-2.1dB | |||||||||||
81 | Energy S10.3 | 104dB | 84dB | |||||||||||||
82 | Infinity MSW-1 | 104dB | 79dB | 31-131Hz +/-2.9dB | ||||||||||||
83 | Velodyne DD-12 | 104dB | 78dB | 22-71Hz +/-2.1dB | ||||||||||||
84 | Russound SUB105 | 104dB | 92dB | 104dB | 39-117Hz +/-2.3dB | |||||||||||
85 | Crystal Acoustics THX-12SUB | 104dB | 91dB | 39-116Hz +/-1.8dB | ||||||||||||
86 | Polk PSW-505 | 104dB | 90dB | 30-98Hz +/-3.2dB | ||||||||||||
87 | JBL Cinemavision CVSUB50 | 104dB | 88dB | 39-122Hz +/-1.8dB | ||||||||||||
88 | JBL ES250P | 104dB | 86dB | 105dB | 34-103Hz +/-1.9dB | |||||||||||
89 | Aperion Intimus S12 | 104dB | 84dB | 37-82Hz +/-2.2dB | ||||||||||||
90 | PSB Subsonic 3i | 104dB | 28-132Hz +/-3.0dB | 101.3dB | ||||||||||||
91 | Phase Technology PC500(towers) | 103.6dB | ||||||||||||||
92 | Infinity IL100s | 103.5dB | 79.2dB | 94dB | 47-131Hz +/-2.0dB | |||||||||||
93 | B&W ASW-750 | 103dB | 92dB | 31-79Hz +/-1.9dB | ||||||||||||
94 | Thiel SS2 | 103dB | 74dB | 17-76Hz +/-1.9dB | ||||||||||||
95 | NHT XdW | 103dB | 85dB | 32-104Hz +/-1.9dB | ||||||||||||
96 | Mirage Omni S10 | 103dB | 83db | 29-106Hz +/-2.5dB | ||||||||||||
97 | Velodyne DPS-12 | 103dB | 80.4dB | 90.4dB | 106.5dB | 36-108Hz +/-2.2dB | 101.7dB | |||||||||
98 | Atlantic Technolog 642SB | 103dB | 79dB | 29-196Hz +/-4.7dB | ||||||||||||
99 | Klipsch RW-10 | 103dB | 77dB | 39-97Hz +/-1.9dB | ||||||||||||
100 | RBH MS-10.1 | 103dB | 76.8dB | 94.9dB | 102.7dB | 46-172Hz +/-2.4dB | 100.9dB |