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New Art Teacher Orientation

Saturday 10/22

We will record this session

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Introductions

  • Presenters
    • Erica Mandell
    • Marita Fitzpatrick
  • Norms
    • mute mics
    • use the chat
    • be present
    • be respectful
  • Padlet Parking Lot
  • Agenda

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Housekeeping

  • Grants must be able to match the name on the attendance form to the name that appears on the Zoom report.
  • Therefore, it is essential that the name you use in the session is the same as that on their employment documents - first and last. For example, none should say teacher or Ms. W. or Memaw.
  • However, if you use a name that is not the one on your records, please enter your EIN after the name you enter. You can find that number on your registration email.

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Saturday's Agenda

  • Ordering Supplies
  • Trips
  • Young Artists
  • Visual Arts Resource Page
  • ELLs in the art room
  • Classroom Management
  • PSD Lesson Planning
  • Contemporary Art
  • SIS/Infinite Campus
  • Interdisciplinary connections
  • Check Parking Lot throughout

Parking Lot

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Ordering Supplies

Padlet Parking Lot

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Trips

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Young Artists

May 2023

Annual Citywide Art Exhibition

Mandatory Participation

Great Art Advocacy Tool

Awards:

  • Students
  • Teacher of the Year

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Visual Arts Resources

  • SDP Visual Arts Resource Page

Padlet Parking Lot

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Supporting English Language Learners

  • ELL presentation

Padlet Parking Lot

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Classroom Management

  • elementary - room set up
  • Secondary - choice in art ed

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Assessment Tools

  • Elementary
  • Secondary

Padlet Parking Lot

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PSD Lesson Planning

Padlet Parking Lot

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Contemporary Art

  • contemporary art slides

Padlet Parking Lot

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District Policies

Equity & Curriculum

Padlet Parking Lot

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Lockdown and Fire drill procedures

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SIS / Infinite Campus

Padlet Parking Lot

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Art education can build and strengthen student relationships, encourage social encounters, while simultaneously students are investigating their position within multicultural society (develop empathy/compassion). Educators fit into this by developing curriculum that de-centers the Euro-centric view of history while also valuing the importance of self-identification through student self-discovery; students tap into curiosity and openness in order to incorporate personal histories into learning.

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Art teachers have a huge opportunity to elevate the educational experience of our students by using art as a lens to explore their identities and the many different aspects of those identities. Art teachers across the US should more deeply explore the interconnections of self-identification, art, culture, and ethnicity.“

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Executive Director, Dr. Frank Machos

Director of Music, Nathan Wesner

Director of Visual Art, Dance, & Theater, Lynette Brown- Edwards

Maddie Muth, Program Coordinator

Jackie Nevitt, Secretary

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Our Mission: The Mission of The Office of The Arts & Creative Learning is to ensure that all students are provided access to high quality, culturally relevant and responsive arts instruction that promotes artistic expression, creativity, design thinking, and cultural awareness. Universal access to arts education begins in the elementary grades with a foundation of sequential instruction taught by certified arts educators, enriched through a “shared delivery” framework for collaboration with arts partners and integration in general subject classes, leading to experiential learning and ensembles in the middle grades, and college and career readiness through majors, electives, and arts & humanities in high school.

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GOAL 1

All K-12 students experience quality, sequential arts education with a focus on college and career readiness.

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GOAL 2

All K-8 students experience arts-integrated instruction across subjects and in support of students reading at grade level, through a “Shared Delivery” collaboration between certified arts educators, certified non-arts educators, and community partner teaching artists.

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GOAL 3

All principals and teachers (aspiring and current) receive relevant, job-embedded professional development to ensure successful arts and arts integration outcomes.

GOAL 4

All teachers and principals have adequate human and physical resources for arts learning.

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Our agenda must drive systemic change and dismantle racist practices in a system that far too often has gone unfunded and unchanged. This also means focusing our priorities on student learning and ensuring every child has the resources they need to thrive in our classrooms…. Authentic engagement and community building.

Culturally Inclusive teaching, environments, resources, and experiences.

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GRADE 4-12

Novels & Art Connections

A Selection of Curated Works of Art to Accompany the ELA Curriculum

2022-2023 Academic Year: Cycle 2

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Save Me a Seat by Gita Varadarajan and Sarah Weeks -Grade 4

Why might artist Sarasvathy TK create large paintings of traditional Indian food? What message do you think she is making about her culture? How does Ravi show pride in his culture?

About The Work: From early times, artists have always used food as a source of inspiration in their paintings. Sarasvathy TK paints hyper-realistic still life from her native India and beyond. She became passionate about depicting traditional foods from different regions of India. Sarasvathy TK believe traditional cuisine carries fragments of memories, culture and identity.

Artist, Indian American artist Sarasvathy TK

Source: http://www.foleygallery.com/shows/sarasvathy-tk

Sample Slide

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Refugee by Alan Gratz- Grade 7

Let’s look closely. What message do you think each artist conveying is with their work?

Installation, Konzerthaus Berlin Opera House by Ai Weiwei

About The Work: The installation is a tribute to the refugees that died at sea in an attempt to escape war and poverty in the Middle East and North Africa. The bright orange life jackets, are wrapped around the columns of the Konzerthaus music venue.

Source: Getty Images

Holocaust #10 by Murray Zimiles

About The Work: Murray Zimiles presents a grim but realistic picture of the treatment of the dead during the Holocaust or Shoah, the systematic genocidal murder of six million European Jews—two-thirds of Europe’s Jewish population—by Nazi Germany and its collaborators between 1941 and 1945. In this image, soldiers confiscate the belongings of Jews and herd them away, most likely to a ghetto or concentration camp. From Brandywine Workshop and Archives records

Sample Slide

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Curation of Diverse Art Resources

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Additional Resources

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