riters
onnection
FlagstaffWritersConnection.com
Flagstaff
FlagstaffWritersConnection.com
FlagstaffWritersConnection.com
On Our Website
Flagstaff Writers Connection
presents
Creating Effective Critique Groups
with
Cherrie Smith
C@CAlexSmith.com
Barbara Shovers
Barbara@WisdomSeekersAZ.org
Flagstaff Writers Connection
Introductions
Name
Genre
Why a Critique Group?
What it Takes to Work in a Group
Joining a Critique Group
-FlagstaffWritersConnection.com
-Speculative Fiction: critters.org
-All Genres: scribophile.com
Types of Groups
Types of Groups
Creating a Critique Group
Read & Critique
C@CAlexSmith.com
Barbara@WisdomSeekersAZ.org
Find Members
Places to find Members
Guidelines
Structure
Guidelines
Participation
Guidelines
Leadership
Providing Helpful Critique
“Any fool can criticize, condemn, and complain and most fools do.”—Benjamin Franklin
Providing Helpful Critique
“The difference between critique and criticism is like the difference between a crystal ball and a wrecking ball.”
—Judy Reeves in Writing Alone, Writing Together
Providing Helpful Critique
1. Be wary of the thin line between constructive critique and just plain criticism.
The Difference between Critique and Criticism
Taken from Writing Alone, Writing Together; A Guide for Writers and Writing Groups by Judy Reeves
Providing Helpful Critique
2. Critique the writing, not the writer, and not the content. Talk about the Story Narrator or the Narrative instead of “you” or “Nancy.”
Providing Helpful Critique
3. Offer something positive about the narrative, even if the piece needs a lot of work.
Providing Helpful Critique
4. Different readers have different reactions to submissions. Provide your own perspective. “I found this …” and “My reaction to this was…”
Providing Helpful Critique
4. Be specific. Offer suggestions for improvement not generalizations.
Providing Helpful Critique
5. Did you want more or less about the plot (action/situation) or the characters?
Providing Helpful Critique
7. Note any places where you have questions about what happened, noted plot holes, or where you could use more clarification.
Providing Helpful Critique
6. Note where you felt lots of anticipation, and areas where your anticipation slacked off, where you weren’t as interested what was going to happen.
Providing Helpful Critique
9. Once you’ve read the whole piece, reassess the beginning for its effectiveness. If you feel a change is needed, make a suggestion.
Providing Helpful Critique
Receiving a Critique
1. Both provider and receiver of a critique are being challenged by a new skill.
2. Writing is a craft. Not a talent.
Receiving a Critique
3. Try to remain quiet while receiving critique. Don’t defend your work.
Receiving a Critique
4. Try to remember that both praise and constructive criticism are useful.
Receiving a Critique
5. Take good notes.
Receiving a Critique
6. Remember that every reader is different. What is clear to one reader may confuse another. What one finds emotional and tense, another may find blasé.
Receiving a Critique
7. Don’t feel compelled to take every suggestion. All feedback is just advice. You are the author.
Receiving a Critique
Questions?
Who Wants to be in a Critique Group?