1 of 37

 

 

riters

onnection

FlagstaffWritersConnection.com

Flagstaff

FlagstaffWritersConnection.com

  • Workshops & Presentations
  • Classes
  • Resources
  • Networking
  • Writing Group Creation and Referral

2 of 37

FlagstaffWritersConnection.com

3 of 37

On Our Website

4 of 37

Flagstaff Writers Connection

 

 

presents

Creating Effective Critique Groups

with

Cherrie Smith

C@CAlexSmith.com

Barbara Shovers

Barbara@WisdomSeekersAZ.org

5 of 37

Flagstaff Writers Connection

 

 

  • Introductions
  • How to Join a Group
  • How to Form your own Group
  • Critique Guidelines
  • Providing Helpful Critiques
  • Getting the Most out of a Critique
  • Q & A
  • Live Critique Group Creation

6 of 37

Introductions

Name

Genre

7 of 37

Why a Critique Group?

  • Distance
  • Focus Group
  • Writing Community
  • Continuity
  • Accountability

8 of 37

What it Takes to Work in a Group

  • A Healthy Sense of Self
  • Interest in Other People’s Work
  • Open and Flexible
  • Willing to Work w/i the Groups Guidelines
  • Willing to Work through Conflicts
  • Able to Take Risks
  • Practice Skills that Enhance the Group
  • Able to Honor Your Commitments

9 of 37

Joining a Critique Group

  • Contact your local Writing Organization

-FlagstaffWritersConnection.com

-ArizonaAuthors.org

  • Facebook/Meetup
  • Nearby College
  • Internet

-Speculative Fiction: critters.org

-All Genres: scribophile.com

10 of 37

Types of Groups

  1. Writing Together
    • Shut Up and Write
    • Prompts—Montoya Center, Exploring your Voice

11 of 37

Types of Groups

  1. Writing Together
    • Shut Up and Write
    • Prompts—Montoya Center, Exploring your Voice

  1. Workshop Group
    • Elements of Craft (Dialogue, Characterization, Voice, Writing Book, etc.)
    • Project Group (Writer’s Room, Play, Anthology,)
    • Common Grounds (Gender, Abuse Survivor, HIV, Body Image)

12 of 37

Creating a Critique Group

Read & Critique

        • Open
          • FWC Critique Circle
        • Genre Specific
          • Memoir Groups
        • Author Specific
          • Women’s Group
          • Native American Group

C@CAlexSmith.com

Barbara@WisdomSeekersAZ.org

13 of 37

Find Members

Places to find Members

  • Writing Friends
  • Local Writing Organizations
  • Writing Workshops
  • Writers Convention
  • NaNoWriMo
  • Social Media (Meetup, Facebook)
  • College with Creative Writing or MFA program

14 of 37

Guidelines

Structure

  • In-person or Internet
  • Limit Membership or Open
      • Recommendation by a current member?
      • Submission of Writing?
      • Meeting with current members?
      • Compatibility Period?
  • Meeting place/time
  • Meeting length/agenda

15 of 37

Guidelines

Participation

  • Attendance & Punctuality
  • Submission
  • How do members get Submissions for Critique?
  • Feedback

16 of 37

Guidelines

Leadership

  • Is there a Facilitator? Or do the members share that responsibility equally?
  • Role of Facilitator
  • Process for changing the guidelines

17 of 37

Providing Helpful Critique

“Any fool can criticize, condemn, and complain and most fools do.”—Benjamin Franklin

18 of 37

Providing Helpful Critique

“The difference between critique and criticism is like the difference between a crystal ball and a wrecking ball.”

—Judy Reeves in Writing Alone, Writing Together

19 of 37

Providing Helpful Critique

1. Be wary of the thin line between constructive critique and just plain criticism.

20 of 37

The Difference between Critique and Criticism

  • Criticism finds fault/Critique looks at structure
  • Criticism looks for what's lacking/Critique finds what's working
  • Criticism condemns what it doesn't understand/Critique asks for clarification
  • Criticism is spoken with a cruel wit and sarcastic tongue/Critique's voice is kind, honest, and objective
  • Criticism is negative/Critique is positive (even about what isn't working)
  • Criticism is vague and general/Critique is concrete and specific
  • Criticism has no sense of humor/Critique insists on laughter, too
  • Criticism looks for flaws in the writer as well as the writing/Critique addresses only what is on the page

Taken from Writing Alone, Writing Together; A Guide for Writers and Writing Groups by Judy Reeves

Providing Helpful Critique

21 of 37

2. Critique the writing, not the writer, and not the content. Talk about the Story Narrator or the Narrative instead of “you” or “Nancy.”

Providing Helpful Critique

22 of 37

3. Offer something positive about the narrative, even if the piece needs a lot of work.

Providing Helpful Critique

23 of 37

4. Different readers have different reactions to submissions. Provide your own perspective. “I found this …” and “My reaction to this was…”

Providing Helpful Critique

24 of 37

4. Be specific. Offer suggestions for improvement not generalizations.

Providing Helpful Critique

25 of 37

5. Did you want more or less about the plot (action/situation) or the characters?

Providing Helpful Critique

26 of 37

7. Note any places where you have questions about what happened, noted plot holes, or where you could use more clarification.

Providing Helpful Critique

27 of 37

6. Note where you felt lots of anticipation, and areas where your anticipation slacked off, where you weren’t as interested what was going to happen.

Providing Helpful Critique

28 of 37

9. Once you’ve read the whole piece, reassess the beginning for its effectiveness. If you feel a change is needed, make a suggestion.

Providing Helpful Critique

29 of 37

Receiving a Critique

1. Both provider and receiver of a critique are being challenged by a new skill.

30 of 37

2. Writing is a craft. Not a talent.

Receiving a Critique

31 of 37

3. Try to remain quiet while receiving critique. Don’t defend your work.

Receiving a Critique

32 of 37

4. Try to remember that both praise and constructive criticism are useful.

Receiving a Critique

33 of 37

5. Take good notes.

Receiving a Critique

34 of 37

6. Remember that every reader is different. What is clear to one reader may confuse another. What one finds emotional and tense, another may find blasé.

Receiving a Critique

35 of 37

7. Don’t feel compelled to take every suggestion. All feedback is just advice. You are the author.

Receiving a Critique

36 of 37

Questions?

37 of 37

Who Wants to be in a Critique Group?