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Hypertext to Linked Open Data

Michelle Kennedy and Gretchen Alexander

INFO 653-02

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Hypertext to Linked Open Data Timeline

from the theoretical to the practical, how have hypertext and linked open data innovated over time?

BIBFRAME project initiated by the Library of Congress to free library data from siloed MARC21 online catalogs and individual records for works.

References

The American Art Collaborative, a consortium of 14 US Museums, is founded to convert a “critical mass” of US collections data to LOD. They develop a subset ontology from CIDOC CRM, the Linked Art Data Model, that will grow into its own community into 2021.

Tim Berners-Lee, the director of the World Wide Web Consortium (W3C), describes Linked Data as the basis for the Semantic Web. He lays out the four rules of Linked Data:

  1. Use URIs as names for things
  2. Use HTTP URIs to refer to those names
  3. When someone looks up a URI, provide useful information, using the standards (RDF, SPARQL)
  4. Include links to other URIs. so that they can discover more things

Ted Nelson Xanadu 1970

2006

2012

2014

In connection with International Council of Museums (ICOM), the CIDOC Conceptual Reference Model (CRM) is released as a formal ontology for cultural heritage LOD in late 2006.

Vannevar Bush publishes “As We May Think”, a polemic on the possibilities of a memory indexing computer called the “memex”, and the first iteration of hypertext theory

1945

1965

Ted Nelson officially coins the term ‘hypertext’ at a conference where he proposes his project Xanadu, a democratized information library for the globe

1996

Judy Malloy and Cathy Marshall publish ‘Forward Anywhere’, a hypertext narrative and collaborative memory project developed through the Xerox PARC artist residency program

Gretchen Alexander & Michelle Kennedy

INFO 653 Knowledge Organization

Spring 2021, Prof. Bree Midavaine

Pratt Institute School of Information

Angela Haas proposes a counter history to hypertext, basing her research in indigenous studies

2007

Hypertext theory has changed overtime, since it was first coined in the 1960’s by Ted Nelson. In the 2000’s discourse surrounding the decolonization of hypertext is bringing new ideas to the forefront about authority and knowledge organization. Linked Open Data (LOD) is based on the hyperlink (specifically, HTTP URIs) and the goals of Open Access; many of the initiatives for LOD in the cultural heritage sector include the development of living, open source ontologies. As LOD is relatively new, there is no one ontology that is standard across, or even within, disciplines. The lack of standardization has made it difficult to link data between sets, especially across libraries, archives, and museums with art, archaeological, or scientific collections. This (non-comprehensive) timeline is a snapshot of the theorists and the practical initiatives that will continue to change the Open Access landscape in cultural heritage and beyond.

  • CIDOC CRM Special Interest Group. (n.d.). Home | CIDOC CRM. CIDOC Conceptual Reference Model. Retrieved May 1, 2021, from http://www.cidoc-crm.org/
  • Fink, E. E. (2018). American Art Collaborative (AAC) Linked Open Data (LOD) Initiative Overview and Recommendations for Good Practices. American Art Collaborative (AAC).
  • Neely, L., Luther, A., and Weinard, C. (2019). "Cultural Collections as Data: Aiming for Digital Data Literacy and Tool Development." MW19: MW 2019. Consulted May 4, 2021. https://mw19.mwconf.org/paper/cultural-collections-as-data-aiming-for-digital-data-literacy-and-tool-development/
  • Bush, V. (1945, July 1). As We May Think. The Atlantic. https://www.theatlantic.com/magazine/archive/1945/07/as-we-may-think/303881/
  • Haas, A. (2008). Wampum as Hypertext: An American Indian Intellectual Tradition of Multimedia Theory and Practice. Studies in American Indian Literatures, 19, 77–100. https://doi.org/10.1353/ail.2008.0005
  • Bevilacqua, A. F. (1989). Hypertext: Behind the Hype. American Libraries, 20(2), 158–162.

Metadata on 20 million texts, images, videos and sounds was transformed into linked data and made available from the Europeana, an EU initiative, dataset.

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What is hypertext?

“An organizing principle”

“The dynamic linking of concepts”

“Texts which contain links to other texts”

“Text which is not constrained to be linear”

(https://rreisman.medium.com/the-pandemic-reminds-us-everything-is-deeply-intertwingled-we-need-better-logics-for-that-eb40a1776d13)

(https://www.goodreads.com/book/show/10438328-the-garden-of-forking-paths)

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Dr. Vannevar Bush

  • 1945 essay “As We May Think”
  • Memex device that could store memories permanently
  • Strong influencer of later hypertext theorists and idealists

(https://en.wikipedia.org/wiki/Vannevar_Bush)

(https://www.theatlantic.com/magazine/archive/1945/07/as-we-may-think/303881/)

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Ted Nelson and Xanadu

  • Defined hypertext and hypermedia at a 1965 conference
  • Project Xanadu is a ‘dream machine’ that would allow open access to all written material and properly sourced links that would disavow the need for copyright and infringement law

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Forward Anywhere- Judy Malloy and Cathy Marshall

  • 1993 publication that was one of the first artistic and creative pursuits using hypertext as a medium and a concept

(https://www.are.na/blog/women-in-hypertext)

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Wampum As Hypertext- Angela M. Haas

  • A counter story to frontier narratives about hypertext and knowledge organization

(https://www.theboxplymouth.com/whats-on/wampum)

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LOD and cultural heritage

Why do we care about Linked Open Data?

What have people done with museum collection LOD?

What are the possibilities?

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Museum Collections Metadata

  • As of 2018 about 60% of American art museums don’t have a public online collections database.

  • Museum catalog data is heterogeneous and rich = not easily standardized or made machine-readable

GRAIN SILOS

DATA SILOS

Courtesy Kirk Olson (CC BY 2.0)

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The American Art Collaborative (AAC)

The American Art Collaborative (AAC) was founded in 2014 as a consortium of 14 U.S. institutions

Project

  1. Map data to a common ontology
  2. Link data
  3. Create a usable demo application

Funded by Mellon Foundation (2014-2017) and IMLS grants

Federated Approach v. Aggregated Approach

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AAC Results

  • American Art Collaborative (AAC) Linked Open Data (LOD) Initiative, Overview and Recommendations for Good Practices

  • 200,000 LOD object records (and 25,702 creators

  • AAC Demonstration Prototype

  • Linked Art Data Model

Result for search term “cat” in Demo, linking data from two institutions

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The Linked Art Data Model

CIDOC Conceptual Reference Model (CRM) is too complicated, too nuanced, and has classes that don’t apply to the AAC datasets.

Courtesy Wellcome Library, London CC BY 4.0 (cropped)

A new ontology: Linked Art Data Model

This leads to a new LOD initiative/community

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So about Linked Art...

Scope Limitations

“Data Provenance

Recording the individual events in which the data itself is created, modified and managed is out of scope of this work. The global Linked Open Data community has various approaches to this problem, with varying degrees of complexity and accuracy. Given the relative infancy of the work in the Art domain, we feel that adding this is an unnecessary burden at this stage at any level below the entire dataset.

Quantification of Uncertainty

Similarly, the degree of certainty about the data being expressed is valuable and of interest to researchers, but requires a significantly more complex environment. This would also prove an unsustainable burden, and is impractical to use even if it were provided.”