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Christopher Shih

Piano

Brahms, Variations and Fugue on a Theme by Händel, Op. 24

https://www.youtube.com/watch?v=-sMkYEhiEBE

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Christopher Shih

Winner of the

International Piano Competition for Outstanding AMATEURS

Hosted by the Van Cliburn Foundation

May 23 - 29, 2011

Texas Christian University

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Chris

Christopher Shih

Gastroenterologist

https://www.lancastergeneralhealth.org/providers/profile/christopher-shih

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Professional vs. Amateur

Music Making

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jjjj

What distinguishes the professional from the amateur musician?

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An amateur musician doesn’t get paid to play, whereas a professional does.

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“Knowing what to do when a finger goes momentarily astray or concentration springs a leak divides the pros from the amateurs.”

Douglas McLennan, New York Times

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“Professionals stick to the schedule, amateurs let life get in the way. Professionals know what is important to them and work towards it with purpose, amateurs get pulled off course by the urgencies of life.”

James Clear

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Having kids and touring,

especially females

Solveig Whittle

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What’s not on this list?

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Having a college music degree

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Let’s define the other side of this

Professional/Amateur

dichotomy

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Amateur

From Wikipedia:

An amateur (French amateur "lover of", from Old French and ultimately from Latin amatorem nom. amator, "lover") is generally considered a person attached to a particular pursuit, study, or science in a non-professional or unpaid manner. Amateurs often have little or no formal training in their pursuits, and many are autodidacts (self-taught).

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Amateur

Amateurism can be seen in both a negative and positive light. Since amateurs often do not have formal training, some amateur work may be considered sub-par. For example, amateur athletes in sports such as basketball, baseball or football are regarded as having a lower level of ability than professional athletes. On the other hand, an amateur may be in a position to approach a subject with an open mind (as a result of the lack of formal training) and in a financially disinterested manner.

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Dilettante

An amateur who dabbles in a field out of casual interest rather than as a profession or serious interest, or who possesses a general but superficial interest in any art or a branch of knowledge, is often referred to as a dilettante.

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Dilettante Amateur Professional

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Amanda Palmer

Lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls.

Also a solo artist

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Amanda Palmer

Crowdsourcing Musicians Controversy

  • Asked for $100,000 on a Kickstarter campaign to fund her next album. The campaign raised $1.2 million.
  • Requested “professional-ish” musicians that lived in the cities her tour went to to perform with her onstage to supplement her band
  • “[Y]ou need to know how to ACTUALLY, REALLY PLAY YOUR INSTRUMENT! lessons in fifth grade do not count, so please include in your email some proof of that. (A link to you playing on a real stage would be great.)”
  • Musicians would be compensated with beer, merchandise and hugs. No money.
  • After much criticism, she ultimately decided to compensate these local musicians

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What’s a musician worth?

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Whatever the client is willing to pay and

the musician is willing to accept

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“Horror Stories”

  • “I have been underbid for gigs by high school jazz bands, the boss’ next-door neighbor’s kid’s band, etc…”

  • “My quartet was recently approached to play for free at — wait for it — the Apple Store. I know they’re really hurting for money, but … ;) ”

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Why are things like this?

What contributed to this present day situation?

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Explanation

  • Less of a musical performance culture woven into the fabric of our lifestyles today compared to the 19th century
  • Fewer amateurs percentage-wise
  • Fewer lovers of the arts
  • Less appreciation of high quality musical performance
  • Less compensation for musicians

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Mark Katz, author of Capturing Sound

The first decades of the 1900s witnessed a revolution in American music education. In the nineteenth century the primary goal was to teach students how to make music, particularly through singing. In the twentieth century, however, the focus began shifting from the practical to the aesthetic. The ideal became known as appreciation - generally understood as the intelligent enjoyment of music, typically classical music, as a listener.

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With the emphasis on appreciation came a change in the conception of musicality. To be musical, it had generally been assumed, one had to perform or compose. But many began to argue that careful and intelligent listening could also be a sign of a musical person.

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Shift from

Active Musician Passive Musician

  • Proportionately fewer amateur musicians today
  • More of the audience is “less informed”
  • Music doesn’t seem to occupy that “special place” any longer
  • More diversions today than ever before

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Thoughts?