Research in TYA: �Moving the Field Forward
with
Elizabeth Coen, PhD + Samora Covington, PsyD;�Gillian McNally + Amanda Rutter, Ed.D;�Jenny Millinger + Dr. Katie Bernstein;�and Joe Gfaller + Brian Kisida�
How can the TYA Community Support Youth Mental Health?
Exploring the Intersections between Theatrical Practices &
Mental Health Interventions
Interdisciplinary Development & Research Team
Phase 1: Theatre-Based Mental Health Intervention
Phase 2: Formalized Research Project
Elizabeth Coen, PhD
Applied Theatre Researcher
University of Houston
Samora Covington, PsyD
Clinical Psychologist
Highline College
Jonathan Rizzardi
Curriculum Specialist - Theatre & Education
Pacific Lutheran University
Olivia Atherton, PhD
Research Psychologist
University of Houston
Project Goals:
Working with University of Houston students during finals week as part of Mental Health Awareness Month, May 2023
A social justice-oriented approach to psychology that aims to promote healing and social change. It recognizes that individuals are affected by the social, political, and economic conditions in which they live, and seeks to address the root causes of psychological distress by empowering people to take action against oppressive
systems.
“Liberation is a social act, a process of becoming free from ideologies that limit our freedom” -Paulo Freire
Liberation Psychology
Participatory Action Research
Seeking Partnerships
Philanthropists & Foundations committed to innovative arts-based programs to support youth mental health
TYA Theatres & Arts Education Organizations to participate in a formal research study
Teaching Artists with expertise and/or an interest in youth mental health interventions
University Professors in Education & Theatre Pedagogy seeking connection and collaboration
Email Elizabeth Coen at emcoen@uh.edu
Introductions
Land Acknowledgment
Blue Project description
Blue
Mixed-methods Study
Mixed-methods Study
Results: Pre-survey
Results: Pre-survey
Results: Pre-survey
Results: Pre-survey
Results: Pre-survey
Results: Post-survey
Results: Post-survey
Results: Pre vs. Post-survey
Questions | Pre-survey Response | Post-survey Response |
How well do the children in your class regulate their social-emotional skills? / Following the performance... | Occasionally/Decently (3.20) | Occasionally/Decently (3.50) |
How well do the children in your classroom work/play and share with their classmates? / Following the performance... | Occasionally/Decently (3.70) | Occasionally/Decently (3.50) |
How often do conflicts arise between children in your classroom? / Following the performance... | Occasionally/Decently (3.20) | Occasionally/Decently (3.00) |
How well do the children in your classroom resolve conflicts with their classmates? / Following the performance... | Occasionally/Decently (3.00) | Occasionally/Decently (3.25) |
How often do conflicts within the classroom require teacher intervention? / Following the performance... | Occasionally/Decently (3.30) | Occasionally/Decently (3.00) |
Results: Pre vs. Post-survey
Questions | Pre-survey Response | Post-survey Response |
How often do the children in your classroom resolve problems with their peers without becoming aggressive? / Following the performance... | Occasionally/Decently (3.60) | Occasionally/Decently (3.75) |
How often do children in your class touch classmates in a manner that is inappropriate? / Following the performance… | Rarely/Poorly (2.00) | Rarely/Poorly (2.50) |
How often do children in your classroom say mean or negative comments towards each other? / Following the performance... | Rarely/Poorly (2.70) | Rarely/Poorly (2.50) |
How well do the children in your classroom understand the concepts of prejudice and inclusion? / Following the performance... | Rarely/Poorly (2.70) | Occasionally/Decently (3.25) |
Concluding Thoughts
Published Study
Dr. Katie Bernstein
Dr. Scott Marley
Dr. Maria Restrepo
Dr. Michael Kelley
Dr. Lauren van Huisstede
Dr. Erin Rotheram-Fuller
Dr. Yuchan (Blanche) Gao
Dr. Melissa Pierce
Jenny Millinger
Kathryn Brantley
Jen Gantwerker
Theatre Company
Childsplay Professional Development
Randomized Controlled Trial
Intervention
56 classrooms over 4 years
767 total children
Participated in full year- long EYEPlay professional development program
Control
36 classrooms over 4 years
541 total children
Got all the same books, puppets, and props, but no professional development
OR
Bilingual English-Spanish Assessment (BESA): How does EYEPlay shape children’s language development?
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Emotion IQ Measure: How does EYEPlay shape children’s emotion knowledge?�
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Narrative Language Measure (NLM): How does EYEPlay shape children’s ability to understand and retell stories?��
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Story Retell Measure (SRM): How does EYEPlay shape children’s ability to understand and retell stories?
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Quick focus on this last question
How does EYEPlay shape children’s ability to understand and retell stories?
Methods
Compared Intervention vs. Control
Measure 1: Story Recall Measure (SRM)
Measure 2: Embodiment Coding System
Behavior Dimension | Definition |
Gesture | use of hands and arms to represent concept or action. |
Facial Expression | use of face to show emotions, or (re)action |
Full Body Movement | use of part or whole body (beyond hands and arms) to act out (embody) the story or character actions. |
Vocal Change | change of voice for rhetorical effect (e.g., mimic a character; add emphasis; show emotion) |
Measures: Vosaic Coding Software
Results: RQ 1
Do preschool students who experienced a story through drama use more embodiment in their recalls than students who heard the same story through a typical reading?
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| Control | Intervention | Independent samples t-test |
Cohen's d | ||||
M | SD | M | SD | t | df | p-value | ||
Total Embodiment Frequency | 3.41 | 5.23 | 6.38 | 7.61 | -2.46 | 111 | .01 | .40 |
Total Embodiment Duration | 4.86 | 7.69 | 9.64 | 11.39 | -2.66 | 111 | .00 | .23 |
Gesture | 1.67 | 2.75 | 3.19 | 3.77 | -2.49 | 111 | .01 | .48 |
Facial Expression | .53 | 1.17 | .77 | 1.37 | -0.98 | 111 | .16 | .21 |
Full Body Movement | .52 | 1.37 | .77 | 1.55 | -0.91 | 111 | .18 | .01 |
Vocal Change | .64 | 1.57 | 1.11 | 1.71 | -1.51 | 111 | .07 | .12 |
Results: RQ 1
Do preschool students who experienced a story through drama use more embodiment in their recalls than students who heard the same story through a typical reading?
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|
|
|
| ||||
| Control | Intervention | Independent samples t-test |
Cohen's d | ||||
M | SD | M | SD | t | df | p-value | ||
Total Embodiment Frequency | 3.41 | 5.23 | 6.38 | 7.61 | -2.46 | 111 | .01 | .40 |
Total Embodiment Duration | 4.86 | 7.69 | 9.64 | 11.39 | -2.66 | 111 | .00 | .23 |
Gesture | 1.67 | 2.75 | 3.19 | 3.77 | -2.49 | 111 | .01 | .48 |
Facial Expression | .53 | 1.17 | .77 | 1.37 | -0.98 | 111 | .16 | .21 |
Full Body Movement | .52 | 1.37 | .77 | 1.55 | -0.91 | 111 | .18 | .01 |
Vocal Change | .64 | 1.57 | 1.11 | 1.71 | -1.51 | 111 | .07 | .12 |
Results: RQ 1
Do preschool students who experienced a story through drama use more embodiment in their recalls than students who heard the same story through a typical reading?
|
|
|
|
| ||||
| Control | Intervention | Independent samples t-test |
Cohen's d | ||||
M | SD | M | SD | t | df | p-value | ||
Total Embodiment Frequency | 3.41 | 5.23 | 6.38 | 7.61 | -2.46 | 111 | .01 | .40 |
Total Embodiment Duration | 4.86 | 7.69 | 9.64 | 11.39 | -2.66 | 111 | .00 | .23 |
Gesture | 1.67 | 2.75 | 3.19 | 3.77 | -2.49 | 111 | .01 | .48 |
Facial Expression | .53 | 1.17 | .77 | 1.37 | -0.98 | 111 | .16 | .21 |
Full Body Movement | .52 | 1.37 | .77 | 1.55 | -0.91 | 111 | .18 | .01 |
Vocal Change | .64 | 1.57 | 1.11 | 1.71 | -1.51 | 111 | .07 | .12 |
Results: RQ 2
Do students who use more embodiment while retelling the story have better story comprehension and recall?
Model Fit: χ2(N = 196; df = 7) = 9.26, p = .23; CFI = .99; RMSEA = .04, 90% CI[.00, .10]; SRMR = .04.
www.literacyatplay.org
Say Something, Do Something:��The Impact of Participatory Theater on Preventing and Reducing Violence and Bullying�
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What is �Say Something Do Something
Three parts:� 1) Exploration of body language and non-verbal communication� 2) Short play with “hot seating actors” after� 3) “Rehearsal for life” through improvisation
�Goals:� 1) Increase upstander efficacy� 2) Change attitudes and behaviors around conflict resolution� 3) Transform school culture over time
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Early Research
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‘By participating in SSDS, students enhanced their ability to recognize potential conflict situations and to resolve or avoid them without the use of violence. They learned a common vocabulary and strategies to help to support a culture of nonviolence.’ - SLU Research Report
NEA Research in the Arts Study
NEA Research in the Arts Study
1) Notice the event
2) Interpret the event as an emergency that requires help
3) Accept responsibility for intervening,
4) Know how to intervene/provide help, and
5) Implement intervention decisions.
6) An additional component measured upstander efficacy.
Outcomes Overview
Outcomes – Female Subgroup
Outcomes – Male Subgroup
Reflective Feedback
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Takeaways / Results
NEXT SESSION:
�
TYA Advocacy �in the Time of Book Banning
Thursday, June 15 @ 1-2:00pm ET