Data Sculptures
opening new doors to data literacy through creative arts
Rahul Bhargava
Journalism, Art + Design, Northeastern University
Camillia Matuk
Educational Communication & Technology, New York University
The Plan
Why build data sculptures?
How do we make them?
Motivations & evidence base
How could we use them?
Q&A & discussion
Why Data Sculptures?
reimagining data storytelling as designing physical objects
Examples
From history, the world around us, and youth
nathaliemiebach.com/weatherscores.html
This data drawing shows where the word “coronavirus” is heard the most. I used different colors to represent the different places where the word would be heard. (Middle schools student)
“This was a fun project. I learned a lot while doing it. As the days went on the more I thought about touching my face the less I did. Thinking about something can really affect someone behavior.” (Middle school student)
Representation synergies: Embodiment
DesPortes, K., Vacca, R., Tes, M., Woods, P., Matuk, C., Amato, A. & Silander, M. (2022). Dancing with data: Embodying the numerical and humanistic sides of data. In, Proceedings of the International Conference for the Learning Sciences, The International Society for the Learning Sciences.
Claim/Support: One of the first things we noticed on this graph was that exploitation is one of the biggest causes of all of this. Exploitation is in this case when humans take advantage of animals and almost use them, giving nothing in return...
Movements: In our dance we do a trust fall [deliberately falling and trusting someone to catch them] with a very narrow and low drop. This is showing how humans are taking animals for granted.
Students used movement to:
Physical encodings
Changing physical attributes of the object based on data
Bertin’s work still drives most visualization today
How do we make data sculptures?
Types of Representations
Symbolic
Represent the data via some kind of abstraction
e.g. If you used a line chart or bar chart
Iconic
Use something related to the dataset to represent it
e.g. If you used a cone or spoon
Indexical
Directly represent the data with what it is about
e.g. If you used real ice cream here
Share out
Motivations & evidence
Challenge: “I don’t math”
Matuk, C., Vacca, R., Amato, A., Silander, M., DesPortes, K., Woods, P. J., & Tes, M. (2023). Promoting students’ informal inferential reasoning through arts-integrated data literacy education. Information and Learning Sciences, https://doi.org/10.1108/ILS-07-2023-0088
Leonard, A. E., Bannister, N. A., & D’Souza, N. F. (2020). '(Non)dance and (non)math people’: Challenging binary disciplinary identities in education. Research in Dance Education, 0(0), 1–19. https://doi.org/10.1080/14647893.2020.1853692
meet learners where they are, in a form they feel confident with.
Opportunity: Constructionism
Leonard, A. E., Bannister, N. A., & D’Souza, N. F. (2020). '(Non)dance and (non)math people’: Challenging binary disciplinary identities in education. Research in Dance Education, 0(0), 1–19. https://doi.org/10.1080/14647893.2020.1853692
shared creation of the object unlocks new dialogue and reflection
Opportunity: Epistemological Pluralism
D’Ignazio, C., & Klein, L. F. (2020). Data Feminism. The MIT Press.
Turkle, S., & Papert, S. (1990). Epistemological Pluralism: Styles and Voices within the Computer Culture. Signs, 16(1), 128–157.
addresses urgent to serve many types of learners
Alignments in inquiry practices (Matuk et al., 2024; adapted from Bevan et al., 2019)
| Data Inquiry | Art Inquiry | Data-Art Inquiry |
Goal | To inform through conveying objective information on an issue. | To evoke an emotional response from an audience. | To communicate data in a way that evokes action from an audience. |
Explore | Identify a question. Determine what data, and how to collect it to answer that question. | Identify an issue of artistic worth by reflecting on one’s personal experiences in relation to global ones. | Identify a problem or question using data to reflect on one’s personal experiences in relation to global ones. |
Make Meaning | Use statistical and other analytic processes to answer the question. | Expand one’s perspective on the issue through immersion, observation, and experiences. | Use formal and informal inferential reasoning, combined with subjective experiences, to answer the question or describe a perspective in relation to a broader pattern or trend. |
Critique & communicate | Interpret data and infer implications for people impacted. Use conventions for building objective arguments from evidence. | Use aesthetic strategies to create an artifact that expresses a message. Step away to determine how it resonates with personal feelings and understandings of the issue. | Convey a perspective or argument on an issue based on data. Use aesthetic strategies to evoke an emotional response from audiences to a data-based claim |
Matuk, C., Vacca, R., Amato, A., Silander, M., DesPortes, K., Woods, P. J., & Tes, M. (2024). Promoting students’ informal inferential reasoning through arts-integrated data literacy education. Information and Learning Sciences, 125(3/4), 163-189.
Synergies + tensions at the intersection of DS and arts
Matuk, C., Vacca, R., Amato, A., Silander, M., DesPortes, K., Woods, P. J., & Tes, M. (2024). Promoting students’ informal inferential reasoning through arts-integrated data literacy education. Information and Learning Sciences, 125(3/4), 163-189.
Informal inferential reasoning (Ben-Zvi et al., 2015, Makar & Rubin, 2018)
Recommendations for classroom settings
The data artist’s statement
Matuk, C., Vacca, R., Amato, A., Silander, M., DesPortes, K., Woods, P. J., & Tes, M. (2024). Promoting students’ informal inferential reasoning through arts-integrated data literacy education. Information and Learning Sciences, 125(3/4), 163-189.
How could we use data sculptures?
Reflect in Small Groups
Say hello 👋🏽👋🏻👋🏿👋🏼👋
Discuss:
Identify 1 or 2 points to share back, and someone to do that.
Wrap Up
Resources & Inspirations