Participatory Action Research in�Puerto Rico:�Creative Resistance in the Face of �Disaster Colonialism
Dr. Isar Godreau
(University of Puerto Rico at Cayey)
Genesaret Flores Roque and Adriana Rodriguez-Vazquez (undergraduates)
Dr. Julio Cammarota and Dr. Regina Deil-Amen (University of Arizona)
Dr. Gina Perez (Oberlin College)
����Between Resistance and Resilence: The University of Puerto Rico in the Face of Disaster Capitalism�
Isar P. Godreau1 and Rima Brusi2
Photo by Amanda Godreau
1. Institute of Interdisciplinary Research, University of Puerto Rico at Cayey
2. Northern Arizona University
University of Puerto Rico at Cayey
1 of 8 undergraduate campuses
2, 550 students
75% Pell Grant recipients
Units of the University of Puerto Rico System
La Junta
Financial Oversight and Management Board
7 unelected members appointed by US Congress
PRIVATIZATION OF ELECTRIC POWER COMPANY LUMA ENERGY: 15 YR. Multi-Million Contract
“CAYEY IS
UAGM
TERRITORY”
Ana G. Méndez University
Universidad de Puerto Rico en Cayey: Informe de Presupuesto Año Fiscal 2022
PROYECTS ON HOLD OR DISCONTINUED
CERTIFICATIONS ON HOLD
Áreas de Investigación:
Misión : Generar investigaciones de enfoque regional, interdisciplinario y aplicado relevantes para el país y -sobre todo- para la región de servicio de la UPR en Cayey, apoyando la gestión investigativa de docentes y estudiantes en la UPR-Cayey.
Institute of Interdisciplinary Research at UPR – Cayey 2000 – Present
2000 – Present
From Undergraduate Research to Graduation: Measuring the Robustness of the Pathway at a HIS
J. Caraballo Cueto, I. Godreau and R. Tremblay Submitted to Journal of Hispanic Higher Education (October 2021)
Students in Waiting Lists: #86 (2016-17) #85 (2015-16) #105 (2014-15)
INTD 4116
Gracias
isar.godreau@upr.edu
Review of Antonia Pantoja Research Mentoring Program
Youth Participatory Action Research (YPAR)�What is it??
Our Process: June 2019
Teaching college-level research methods
Utilizing YPAR
More cultural artifacts
More cultural artifacts
Our Process (continued):
Utilizing YPAR
Feminist Ethnographic Practice
“Indeed, feminist researchers have a long history of challenging inequalities—both in their application of research methods, and through their research objectives. A principal priority in feminist ethnographic work, since its inception, is to honor what is important to the people you are working with. This is true both in terms of topic, as well as how they participate in your work” (Dana-Ain Davis and Christa Craven 2016, 78)
Ethnographer of home (Lloréns, 2021)
Home work/tarea (Villarreal, 2022)
Using ART and CREATIVITY to examine resilience led to the generation of expressions of resistance
From “Puerto Rico se levanta”�to�“Puerto Rico se vende” �to�“el corazon” de Puerto Rico���
From the rallying cry ”Puerto Rico rises” in the immediate aftermath, anticipating that efforts to rebuild would prove Puerto Ricans to be resilient, strong and tough, and able to rise above adversity…
To feelings of hopelessness and impotence about the government neglect and lack of adequate response…
To a renewed hope for collective resistance and grass-roots self-sufficiency.
$$
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“The crisis wasn’t the hurricane itself, but the aftermath,” the struggle to come to terms with having to “live the same day over an over again” for months upon months that stretched into years, with no apparent systematic help from their government and no end in sight.
IMPOTENCE
FEAR
FRUSTRATION
TORN APART
NEGLECT
SHAMEFUL
DEHUMANIZING
DEPRIORITIZED
ABANDONED
DISPOSABLE
ENDURE
revelation, shift in mindset, turning point
revelation, shift in mindset, turning point
With our visit we learned
A little more of Puerto Rico.
A place that encourages us
To fight for our island.
Con nuestra visita aprendimos
Un poco más de Puerto Rico.
Un lugar que nos anima
A luchar por nuestra isla.
Transformed engagement with resilience into engagement with the idea of resistance after their exposure to Casa Pueblo��- a community-based organization in Adjuntas devoted to a self-sufficient and self-sustaining existence ��- Astounded, students went from a mindset about survival and resilience in the face of this natural catastrophe, toward a more critical realization about the ongoing catastrophe engendered by Puerto Rico’s colonized economy and government. ��- Decades earlier, this community had developed an infrastructure to consistently serve their own needs, and even more so when faced with the devastation of Hurricane Maria.
HOPE
UNITY
COLLECTIVE
JOINING HANDS
PRIDE
STRUGGLE
RESISTANCE
LOVE
TRANSFORMATION
CREATE
FIGHTING
WORKING TOGETHER
KNOWLEDGE
OBSERVATION POEM AS “DECIMA”��Invoking a Puerto Rican�lyrical tradition�(Yareliz)
DECIMA
De Puerto Rico el corazon
En casa pueblo y Adjuntas
Combaten con manos juntas
Ruinas y demolicion
Con cultura y educacion
Gracias a un noble ingeniero
Derrotan el agujero
Cultivaron la esperanza
Con musica y con danzas
Cuidan la tierra que quiero
Of Puerto Rico the heart
At Casa Pueblo and Adjuntas
They fight with folded hands
Ruins and demolition
With culture and education
Thanks to a noble engineer
They defeat the hole
They cultivated hope
With music and dance
They take care of the land I love
DECIMA
Autogestion comunitaria
Desde ninos hasta adultos
Destruyen a los incultos
Aunque al principio fue solitaria
Sin ayuda monetaria
De un gobierno embustero
Con un mensaje sincero
Café, libros y artesanos
Todo hecho con sus manos
Cuidan la tierra que quiero
Community self-management
From children to adults
They destroy the uneducated
Although at first it was lonely
Without monetary aid
From a cheating government
With a sincere message
Coffee, books and artisans
All done with your hands
They take care of the land I love
Four group projects were developed of students’ original research on their own experiences and those of fellow community members contending with Hurricane María and its aftermath.
YPAR process as a culturally-sustaining approach and a “high impact practice.”
Undergraduates from UPR, Cayey share their YPAR process…
Genesaret
Adriana
Video Presentation
Genesaret Flores Roque
Video Presentation
Genesaret Flores Roque
Art Presentation
Adriana M. Rodriguez
Audience Activity
Define some specific cultural artifact that, for you, represents your own experiences of resilience in your college-going pathway, a natural disaster, and/or your pandemic survival. Situate your cultural artifact within the wider socio-political, socio-economic, sociocultural, raced, classed, gendered etc. contexts of oppression.
OR
Engage in creative resistance -- generate your own observation poem or artwork about transformative action in the face of these contexts.
What creative production might you encourage among your student researchers?
REFERENCES
THANKS TO…
Thank YOU��Questions & Comments???