Chicago
By John Kander and Fred Ebb
Stage Management
Elizabeth Ray, Troupe 1621
Pre-Production and Auditions
Role of the Stage Manager
3
The Director’s Vision
4
Roxie and Velma in “Hot Honey Rag”
Silk Artist/Saxophonist in “Razzle Dazzle”
Facilitation of Auditions
5
An In-Progress Copy of Paperwork Tracking Spreadsheet
Technical Process
Weekly Production Meetings
7
Excerpts of a Production Meeting Report from January 8th
Cell Block Tango
8
The Six Merry Murderesses and their Shadow Dancers in “Cell Block Tango”
Rehearsal Process
Communication
10
Blocking
11
Blocking Pages from the Ensemble Scene Before “We Both Reached for the Gun”
Realized Scene from Blocking Diagram for “We Both Reached for the Gun”
Tech Week and Production
Cue Book: 234 GO Cues
13
Cue Pages for “Tap Dance” Mainly Consisted of Spot Cues
Realized Spotlighting in “Tap Dance”
The Backstage
14
Run Sheets for Deck Crew, Including Pre and Post-Show Duties (Posted in Both Wings)
Sign in Sheet for Cast and Crew During Tech and Performance Weeks and Spike Key for Deck Crew (Stage Right)
Challenges to the Process:
The DPS Teacher Strike
Post-Production and Reflection
Thank you!
Photos Courtesy of
Scott Hasbrouck
Yasiris Torres Photography
Dave Wood Photography