1 of 98

2 of 98

WHAT IS

BIOFABRICATING

MATERIALS?

3 of 98

WHAT ARE BIOMATERIALS?

4 of 98

MATERIAL

TECHNIQUES

CRAFTED

BIO-plastic, -silicone, -resin, -foam

FISH -leathers, -plastics

FRUIT-leather

ALGAE-leather, -yarn

BOMBIX

COCONUT-mat

5 of 98

MATERIAL

APPLICATIONS

PLASTICS, BRICKS

& YARNS

BIO-plastic, -silicone, -resin, -foam

FISH scale-plastic

ALGAE-yarn

FUNGII-brick

BOMBIX-brick

COCONUT-mat

SPIDER-yarn

6 of 98

MATERIAL

CATEGORIES

RAW INGREDIENTS

GELATINE

GLYCERINE

ALGAE

ALGINATE

CELLULOSE

BACTERIA

SILK

SKIN

FISH

WATER

ETHANOL

PIGMENTS

PLANTS

FRUITS

7 of 98

ALTERNATIVE

LEATHERS

Photo credits Muskin - gradozero

8 of 98

ALTERNATIVE LEATHERS

MICROBIAL -leather

FISH -leather

FRUIT -leather

ALGAE -leather

TEMPEH -leather

MYCELIUM -leather

LAB GROWN -leather

COCONUT -leather

Photo credits Muskin - gradozero

9 of 98

MICROBIAL

LEATHER

MICROBIAL

LEATHER

10 of 98

KOMBUCHA

Kombucha is a fermented tea with a symbiotic colony of bacterial yeast (SCBOBY).

Bacteria feeding on a liquid medium of sugars and tea, start creating an acidic environment which allows them to thrive and spin cellulose layers.

It grows best between 25-30 degrees Celsius, at lower temperatures the kombucha pellicle will grow, but slowly.

There are hundreds of different strains of kombucha.

KOMBUCHA FILM, FOIL, LEATHER

Kombucha can be grown at different thicknesses

Kombucha material is a layered cellulose, where the grown material is washed and then dried, either flat or in shape. To preserve the material, it must undergo a post-growth treatment to soften, make elastic or dry the kombucha pellicle. Different growing mediums and recipes create different colours or textures, while the different treatments change the properties of the material.

11 of 98

KOMBUCHA – CELLS STRUCTURE

400X PHOTO BENJAMIN WOLFE

12 of 98

MICROBIAL LEATHER

HOW TO

  • Brew 1 liter of black or green tea

  • Add at least 120 grams sugar, stir until the sugar is dissolved, then place in a sterile container and let cool down.

  • Measure the temperature, you are looking for ±30degrees. Then add the kombucha scoby and its liquid

  • Place everything in the growing tray, jar or box, cover with a lid but don’t seal it, air

  • Let it grow for ±30days at 30degrees, or until you have at least 1cm thickness

  • Take your wet grown matt out and place it to dry on a 3d shape or on a flat tray

13 of 98

MICROBIAL

LEATHER

RECIPES

14 of 98

MICROBIAL

LEATHER

RECIPES

15 of 98

RECIPE &

AFTER

TREATMENT

THR345D

https://thr34d5.org/2019/08/20/karp/

16 of 98

KOMBUCHA

projects

KOMBUCHA

projects

17 of 98

KOMBUCHA – SURZHANA RADNAEVA (kimono design) & THR345D (material design)

KOMBUCHA FILM

SURZHANA RADNAEVA & THR345D

18 of 98

KOMBUCHA – SURZHANA RADNAEVA (kimono design) & THR345D (material design)

KOMBUCHA FILM

SURZHANA RADNAEVA & THR345D

19 of 98

SUZANNE LEE

KOMBUCHA – SUZANNE LEE

MICROBIAL LEATHER 3D MOULDED TOP

20 of 98

KOMBUCHA – SUZANNE LEE

MICROBIAL LEATHER BOMBER JACKET & JEANS JACKET DYED WITH INDIGO

21 of 98

KOMBUCHA – SUZANNE LEE

MICROBIAL LEATHER LASER CUT SKIRT

22 of 98

KOMBUCHA – SUZANNE LEE

MICROBIAL LEATHER LASER CUT AND MOULDED SHOES

23 of 98

KOMBUCHA – LORENA TREBBI X TEXTILELAB AMSTERDAM

KOMBUCHA FILMS

LORENA TREBBI

24 of 98

Kawasaki Kazuya

KOMBUCHA – KAWASAKI KAZUYA

MICROBIAL LEATHER - https://www.youtube.com/watch?v=owGGRtxG4qE

25 of 98

KOMBUCHA – SAMMY JOBBINS

LASERCUT STRUCTURE AND KOMBUCHA FILM

SAMMY JOBBINS

26 of 98

BIOPLASTICS

KOMBUCHA – ZIONIUM

GREEN TEA AND BLACK TEA WALLET

ZIONIUM

27 of 98

BIOPLASTICS

KOMBUCHA – EMMA VAN DER LEEST @ BIOCOUTURE LONDON

KOMBUCHA AND PIGMENTS BAG

EMMA VAN DER LEEST

28 of 98

KOMBUCHA – MOYA HOKE

GREEN TEA KOMBUCHA SUIT

MOYA HOKE

29 of 98

KOMBUCHER – BARBARA ARTEAGA

KOMBUCHA ELCTROSPINNING MACHINE

BARBARA ARTEAGA

30 of 98

FISH SKIN

LEATHER

FISH SKIN

LEATHER

31 of 98

FISHSKIN LEATHER

HOW TO

  • Clean the salmon skins from left over flesh and pull off the scales with a blunt knife.

  • Choose a bottle with a wide neck

  • Add to it in equal parts glyceryne and ethanol at 96%, mix well.

  • Add the salmon skin in the bottle

  • Close the bottle with its lid and mix it 5-20 of times a day for three days

  • After 3 days: strain off the liquid in a clean container and put the skin to dry. Then break (massage) till soft.

32 of 98

FISH SKIN LEATHER SUIT AND BOOTS – INUITS - MOMA

FISH SKIN

INUITS

33 of 98

FISH LEATHER – MARIA HEES

CARP LEATHER DYED AND NATURALLY TANNED

MARIA HEES

34 of 98

FISH LEATHER – NIENKE HOOGVLIET

SALMON SKIN, NATURALLY TANNED ON METAL

NIENKE HOOGVLIET

35 of 98

FISH LEATHER – NIENKE HOOGVLIET

SALMON SKIN, NATURALLY TANNED ON METAL

36 of 98

FISH LEATHER – NIENKE HOOGVLIET

SALMON SKIN, NATURALLY TANNED ON METAL

37 of 98

JELLY FISH LEATHER – JURII KASAO

JELLY FISH SKIN, NATURALLY TANNED DRIED ON 3D MOULD

JURII KASAO

38 of 98

MYCELIUM

LEATHER

MYCELIUM

LEATHER

39 of 98

MYCELIUM

Mycelium is the vegetative part of a fungus.

Mycelium looks like strings often white or cream coloured that grow in long fibres called hyphae. This structure, as a whole, is the vegetative structure of fungi.

This is why mycelium is able to colonise other materials, like a substratum, think of straw or coffee for example, but also liquid nutrients. This colonisation fosters the creation of a new material.

MYCELIUM BRICK, LEATHER

Mycelium can be grown in many different ways, on a large variety of substratum.

Mycelium grown materials are often fireproof, waterproof or sound isolating. They are also completely compostable and organic.

40 of 98

MYCELIUM LEATHER

HOW TO

  • Make your liquid nutrient-rich medium: mix malt extract, yeast extract, petptone, glucose and distilled water together in a jar, and sterilise it by autoclaving, with the pressure cooker. Let it cool to room temperature.
  • In a sterilised area (made with a gas burner and ethanol), slice your mycelium out of the petri dish and remove the jelly agar. Then place the the liquid nutrient medium into the container (sterilized) and inoculate with mycelium.
  • Let it grow in a static position for 5-10 days at 23-28°C.
  • Harvest the mycelium sheet
  • Plasticise the mycelium sheet and let it soak in glycerine in a plastic film for several hours (24-48h). The mycelium sheet can also be (heat) pressed.
  • Rinse the mycelium sheet to remove the plasticiser
  • Dry the mycelium sheet in the oven at 90-150°C for several hours.

41 of 98

MYCELIUM

RECIPES

42 of 98

MYCELIUM

RECIPES

43 of 98

MYCELIUM

projects

MYCELIUM

projects

44 of 98

Officina Corpuscoli - MAURIZIO MONTALTI

MYCELIUM LEATHER – MAURIZIO MONTALTI

GROWING LAB

45 of 98

MYCELIUM LEATHER – MAURIZIO MONTALTI

GROWING LAB

46 of 98

Mogu - Maurizio Montalti

MYCELIUM LEATHER – mogu / MAURIZIO MONTALTI

GROWING LAB

47 of 98

MYCELIUM LEATHER – ANIELA HOITINK

DRESS 3D MOULDED

48 of 98

ANIELA HOITINK

MYCELIUM LEATHER – ANIELA HOITINK

DRESS 3D MOULDED

49 of 98

Fungal futures

MYCELIUM LEATHER – fungal futures expo

http://www.fungal-futures.com

50 of 98

gradozero

MYCELIUM LEATHER – Muskin

gradozero

51 of 98

Mycoworks

MYCELIUM LEATHER – mycoworks

Industrial mycelium leather

52 of 98

MYCELIUM resources – mycoworks

53 of 98

FRUIT

LEATHER

FRUIT

LEATHER

54 of 98

FRUIT LEATHER – FRUITLEATHER ROTTERDAM

FRUIT LEATHER

55 of 98

FRUIT LEATHER – FRUITLEATHER ROTTERDAM

56 of 98

FRUIT LEATHER – FRUITLEATHER ROTTERDAM

57 of 98

FRUIT LEATHER – FRUITLEATHER ROTTERDAM

58 of 98

BARBARA SANCHEZ – FABTEXTILES

59 of 98

AURORE BOURGIGNON X FABTEXTILES

BIOCOMPOSITES – AURORE BOURGIGNON X FABTEXTILES

NATURAL RESINS COMPOSITES

60 of 98

AURORE BOURGIGNON X FABTEXTILES

BIOCOMPOSITES – AURORE BOURGIGNON X FABTEXTILES

NATURAL RESINS COMPOSITES

61 of 98

ALGAE

FABRICS

ALGAE

FABRICS

62 of 98

VIOLAINE BUET

ALGAE FABRICS – VIOLAINE BUET

ALGAE LEATHER AND STRIP YARN

63 of 98

ALGAE FABRICS – VIOLAINE BUET

LAYERED ASSEMBLED ALGAE LEATHER

64 of 98

ALGAE FABRICS – VIOLAINE BUET

WOVEN ALGAE STRIP YARN & COTTON THREAD

65 of 98

TJEERD VEENHOVEN

ALGAE YARN – TJEERD VEENHOVEN

ALGAE FIBERS AND YARN

ALGAE YARN – TJEERD VEENHOVEN

ALGAE FIBERS AND YARN

66 of 98

ALGAE YARN – TJEERD VEENHOVEN

ALGAE FIBERS AND YARN

67 of 98

JULIA LOHMANN

ALGAE LEATHER – JULIA LOHMANN

https://www.julialohmann.co.uk

68 of 98

ALGAE LEATHER – JULIA LOHMANN

https://www.julialohmann.co.uk

69 of 98

TEMPEH

LEATHER

TEMPEH

LEATHER

70 of 98

XXLAB

TEMPEH LEATHER – SOYA C(O)U(L)TURE - XXLAB

71 of 98

TEMPEH LEATHER – SOYA C(O)I(L)TURE - XXLAB

LASER CUT

72 of 98

HI TECH

LAB GROWN

LEATHER

HI-TECH

LAB GROWN

LEATHER

73 of 98

Tina Gorjanc

Lab grown skin – “Pure Human” Tina Gorjanc

LEATHER GROWN FROM ALEXANDER McQUEEN SKIN

74 of 98

Modern meadow

Lab grown leather - Zoa

75 of 98

SILKS

SILKS

76 of 98

Simon peers & Nicholas Godley

Spider silk – Simon Peers & Nicholas Godley

Spider silk from Madagascar dyed and woven into a cape

77 of 98

ADIDAS

Spider silk – adidas

Industrial engineers spider silk

78 of 98

Bolt threads

Spider silk – bolt threads

Industrial engineers spider silk

79 of 98

COOPERATION

WITH

NATURE

COOPERATION WITH

NATURE

80 of 98

Carole collet

Domesticated roots – Carole collet

81 of 98

Genetically-engineered plants - edible textiles – Carole Collet

https://vimeo.com/80612467

82 of 98

Diana scherer

Rootsystsem domestication – Diana scherer

83 of 98

Rootsystsem domestication – Diana scherer

84 of 98

Rootsystsem domestication – Diana scherer

85 of 98

MIX

MIX

86 of 98

Tamara orJola

FOREST WOOL – tamara orjola

PINE TREE FIBERS

87 of 98

SARMITE POLAKOVA

Bark fabrics – SARMITE POLAKOVA

https://studiosarmite.com

88 of 98

BILLIE VAN KATWIJK

COW STOMACH LEATHER - VENTRI – BILLIE VAN KATWIJK

https://www.billievankatwijk.com/ventri

89 of 98

AUSTEJA PLATUKYTE

PINE TREE RESIN COMPOSITES – AUSTEJA PLATUKYTE

NATURAL RESIN COMPOSITES

90 of 98

LARA CAMPOS

BIOCOMPOSITES – LARA CAMPOS

NATURAL RESINS COMPOSITES

91 of 98

LARA CAMPOS

BIOCOMPOSITES – LARA CAMPOS

NATURAL RESINS COMPOSITES

92 of 98

LARA CAMPOS x FABTEXTILES

BIOCOMPOSITES – LARA CAMPOS

NATURAL RESINS COMPOSITES

93 of 98

BEATRIZ SANDINI

BIOPLASTICS – BEATRIZ SANDINI

MANGO-TAPIOCA -BIOLEATHER, CARRAGEANS&IRISH MOSS ALGAE, TAPIOCA; -BIOPLASTICS

94 of 98

MATERIAL

ARCHIVE

MATERIAL ARCHIVES

95 of 98

MATERIAL ARCHIVES

MATERIABILITY

http://materiability.com

FABMATERIALS

FABLAB KAMP-LINTFORT

FABTEXTILES

FABTEXTILE BARCELONA

MATERIAL ARCHIVE

TEXTILELAB AMSTERDAM

MATERIAL EXPERIENCE

POLITECNICO MILANO

OPEN MATERIALS

http://openmaterials.org

96 of 98

MATERIAL ARCHIVES

SITTERWERK

http://SITTERWERK.CH

SURFACEMATTER

http://SURFACEMATTER.CO.UK

ZHDK MATERIAL

https://www.zhdk.ch/en/miz/1387/material-archive-1774

MATERIO

httpS://MATERIO.COM

MATERFAD

http://es.materfad.com

MATERIAL CONNEXION

httpS://MATERIALCONNEXION.COM

97 of 98

98 of 98