Abstract
The 1960’s and 1970’s birthed many great movements in American history, one of such being the Black Culture movement that helped elevate societal acceptance of African Americans nationwide. The aim of this research is to assess the strength of the minority influence that African Americans had in the realm of comic books during the Black Culture Movement. Minority influence is the occurrence wherein a minority group changes attitudes, beliefs, and behaviors of the majority. In the context of comic book representation, changed attitudes would manifest as lowered stereotyping of Black characters measured by a positive shift in character depictions. Through comparing character traits including socio-economic status, job complexity, and social inclusion, it was found that post-BCM characters showed higher levels of positive depiction.
Conclusions
Introduction
Acknowledgements
Methods
Results
The Influence of the Black Culture Movement on Minority Representation in Comic Characters.
Joshua I. Diaz & Christopher R. Warren
College of Liberal Arts
Department of Psychology
31 Black comic characters grouped by pre-BCM and post-BCM category were compared on three variables.
Figure 1. Mandrake the Magician and his servant Lothar (Circa, 1935)
Figure 5. Luke Cage Debut’s in Luke Cage Hero for Hire (1972)
Research Question.
Using online comic archives such as Public Domain Superheroes and the Library of Congress as well as performing background searches about the demographic information of each character, African/African American comic characters from mainstream publishers based on popularity from their era were identified.
Analysis of the efforts made by proponents of the Black Culture Movement using Moscovici’s Genetic Model of Influence was employed to develop upon the research findings.
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Figure 2: A between subjects one-way ANOVA showed significance in differences of O*Net Job Complexity scores between pre-BCM and post-BCM African/African American comic characters F (1,28) = 5.68, p =.024. Such that pre-BCM characters had significantly lower O*Net Job Complexity scores (M = 2.14, SD = 1.61) than post-BCM characters (M = 3.44, SD = 1.37).
Figure 3: A between subjects one-way ANOVA showed significance in differences of social inclusion scores between pre-BCM and post-BCM African/African American comic characters F (1,28) = 25.09, p < .001. Such that pre-BCM characters had significantly lower social inclusion scores (M = 1.64, SD = .75) than post-BCM characters (M = 2.75, SD = .45).
Figure 4: A between subjects one-way ANOVA showed significance in differences of depicted socio-economic status (low, average, or high) between pre-BCM and post-BCM African/African American comic characters, F(1,28)=19.76, p < .001. Such that characters coded pre-BCM movement were depicted as having significantly lower socio-economic status (M =1.36, SD =.63) than those coded post-BCM (M =2.38, SD =.62)
Discussion.
Limitations
Advancements.
I’d like to thank Dr. Warren and the members of his research lab for their contributions to this study.
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