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Supporting

clients with

Low Vision

through

Art Accessibility

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We’d love to know...

  • Your name
  • Who you work with
  • Where you practice
  • Why you’re interested in this topic��

Jeff Hanson has been visually impaired since childhood due to an optic tumor. Born in 1993, he began undergoing chemotherapy at age 12. Proceeds from his artwork benefit the Children's Tumor Foundation to fund optic tumor research.�Image obtained online from www.jeffhansonart.com

Tuscan Stroll, Jeff Hanson

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APRIL SAWYER

  • Recent grad from UNC-CH, working at Triumph Therapy in Early Intervention and currently working towards a specialization in Cortical Visual Impairment�
  • Background and personal interests: Special Education, Intercultural Studies, Early Intervention�
  • Personal Interests: Family coaching, natural environments, cross-cultural partnerships�
  • Why am I interested in this topic? Art Accessibility empowers our communities to widen their doors to clients and families that have experienced great loss in their occupations. It invites husbands, wives, mothers, fathers, sons, and daughters to share meaningful memories when so much of the world feels closed off and or uninviting.

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AILSE O’NEILL

  • UNC graduate, UAB - Graduate Certificate in Low vision, Worked with people with low vision and visual impairments for over six years. Started Therapy Insight, PLLC�
  • Background and personal interests: low vision, environmental modifications in home/community, aging-in-place, advocacy�
  • Personal Interests: gardening, crafts, soccer, being outdoors, reading�
  • Why am I interested in this topic? Vision affects all ADL/IADL. The meaning of art does not change even when a person’s vision decreases. Finding ways to help support co-occupations is important as well.

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OUTLINE

  • Welcome!
  • Introduction to Low Vision and Advocacy
  • Lessons Learned Along the Way
  • Group Activity
  • Closing

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LOW VISION AND BLIND

Low Vision

  • Vision that cannot be corrected with glasses, medication or surgery;
  • Participation in valued life activities are affected - reading, cooking, mobility, etc (NEI, 2016), (Warren, 2011)
  • Age is the best predictor (NEI, 2016)
  • Have some usable vision

Blind - legally Blind vs. Blind

  • Legal Blindness is defined as visual acuity less than 20/200 in the better seeing eye with correction or a visual field limitation of 20 degrees or less (American Foundation for the Blind, 2017)

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STATISTICS

  • ⅔ of adults with LV are over 65 years of age (NEI, 2016)
  • ⅔ of older adults with LV also have at least one other chronic condition (Crews, Jones, & Kim, 2006)
  • Adults aged 75 and over ~ appr. 26%
    • Self-reported vision impairment (Leonard, 2002)
  • Persons with low vision and/or blindness is expected to double by 2030 to 7.7 million in the US (Leonard, 2002)
  • Approximately 11% of Americans aged 20 year and older with diabetes have some sort of visual impairment (Centers for Disease Control and Prevention, 2015)

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Macula/Fovea

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COMMON VISUAL IMPAIRMENTS

  • Age-Related Macular Degeneration
  • Glaucoma
  • Diabetic Retinopathy
  • Retinal disorders
  • CVA or stroke
  • Cortical Visual Impairment

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Lighting

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Contrast

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Glare

https://commons.wikimedia.org/wiki/File:Shelves_in_a_Ralphs_grocery_store.jpg

https://www.shutterstock.com/search/looking+at+computer+screen

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Social and Cultural Environment

http://time.com/4741005/arts-programs-children-nea/

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Advocacy and Occupational Therapy

“Efforts directed toward promoting occupational justice and empowering clients to seek and obtain resources to fully participate in daily life occupations. The outcomes of advocacy and self-advocacy support health, well-being, and occupational participation at the individual or systems level (OTPF, p. S30, 2017).

Goal for outcomes - OTPF (2017):

  • Occupational Performance
  • Prevention
  • Health and wellness
  • Quality of life
  • Participation
  • Role competence
  • Well-being
  • Occupational Justice

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WHAT YOU OFTEN SEE...

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WHAT WE PROPOSE...

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“Nothing About Us Without Us”

  • Need direct representation from persons with disabilities regarding any changes
  • Better if they lead the process
    • OT as supporting role

Image obtained online from: https://archpaper.com/2018/02/house-vote-roll-back-ada-protections/

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LESSONS LEARNED ALONG THE WAY

Keith Salmon's eyesight diminished quickly after being diagnosed with diabetic retinopathy. This change in vision led him to develop new ways of painting. He states, "I have tried to explore my new and changing view, recording, (using oil paint and pastel) not what I see, but rather how I now see my surroundings."

Cloud breaking from Cir Mhor, Glen Rosa, Isle of Arran; Keith Salmon�Image obtained online from http://www.keithsalmon.org/

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“You can’t lead someone to a place

you aren’t willing to

go yourself.”

�-April’s wonderfully wise friend

that she unfortunately cannot

remember the name of

Lesson #1

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Embrace any lack of knowledge or experience. Acknowledge anything that causes you to feel ill-equipped.

These voids provide a road map of what to do next.

Lesson #2

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Takeaways from Lesson #2

  • You don’t have to be an artist to support Art Accessibility, being an OT practitioner is more than enough. �
  • do·cent(noun): a person who acts as a guide, typically on a voluntary basis, in a museum, art gallery, or zoo (thanks Google)

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There are TONS of pre-existing local and national programs that can provide you with innovative resources and direction (aka you don’t have to reinvent the wheel).

Lesson #3

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Initial meeting @ the Ackland

(Chapel Hill)

Meeting w/ Beth McGuire @ NCMA (Raleigh)

Meeting w/ Betsy Ludwig @ Arts Access (Raleigh/Wake Forest)

Meeting @ SAAM (Washington DC)

Back to the Ackland!

Back to the Ackland again :)

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CONTACTS

  • Beth McGuire, Coordinator of Tours & Docent Education, NCMA
    • beth.mcguire@ncdcr.gov
  • Betsy Ludwig, Executive Director, Arts Access
    • betsy@artsaccessinc.org
  • Geoffrey Cohrs, Docent Coordinator | Education Office, SAAM
    • cohrsG@si.edu
  • Edmond Bronder, Docent, SAAM
    • ebronder@verizon.net
  • Pat Greenfield, Docent, SAAM
    • phgreenfield1@gmail.com

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BETH MCGUIRE @ NCMA: RESOURCES

  • Tactile Tours - scheduled upon request
    • 1 to 1.5 hours, tactile explorations, audio descriptions, “service animals welcome”
    • http://ncartmuseum.org/visit/tours
  • Tip: Neon colored paper or tactile bump in front of pieces that can be touched
  • Training material for docents (see below) - click here for entire file

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BETH MCGUIRE @ NCMA: INSPIRATION

  • Philadelphia Museum of Art
  • MOMA
  • Denver Art Museum
    • http://denverartmuseum.org/accessibility
    • “VERY audience centered” | PDFs online
    • GREAT storage benches
  • Minneapolis Institute of Art
  • Metropolitan Museum of Art
    • Programs for people w/ Alzheimer's and med school students
  • NC Natural Science Museum
    • Low sound, ADA coordinator - specializes in programs for specific audiences

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BETSY LUDWIG @ ARTS ACCESS: RESOURCES / TRAINING

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BETSY LUDWIG @ ARTS ACCESS: INSPIRATION

  • Guidelines for large print documents
  • VAE Creative incubator
    • vaeraleigh.org/accessibility/
  • Lighthouse - non-profit dedicated to promoting accessibility through effective print and media design, use of AT, or well-thought-out floor plan
    • http://www.lighthouseguild.org/
  • The Kennedy Center - webinars (free)
    • education.kennedy-center.org/education/vsa/resources/webinars.cfm
  • MET - “one of the best programs for museum access”

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    • InSight Verbal Description �Tours - 4x/month
    • Tactile Tours
    • Newsletters
    • Theme lists

Smithsonian for American Art Museum

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DOCENT TRAINING: ENVIRONMENT

Navigation / Wayfinding

  • “In front of the art is a one inch lip” �
  • “We are approaching a bench on the right”�
  • “We are transitioning from a marble surface to carpet”�
  • “We are entering the elevator, there are no people inside”

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Baseball at Night by Morris Kantor

  • Tactile resources: cut out of boomerang- shaped foam paper
  • Music / sounds

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The Janitor Who Paints by Palmer Hayden

  • What would you describe first?
  • Describe size? Rectangle shape?
  • 3 figures, apartment, pipes in ceiling
  • Color of dress, flowers, brush tips (red, white, blue)
  • “His profession vs. his work”

Question for visitors: Have you experienced a pallette? Eisel?

Possible tactile resources: pallette

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Southern Gate by Eldzier Cortor

  • Where would you start?
  • Possible connection: Are visitors aware of this specific location in Richmond?
  • How would you describe the fabric?
  • “Clothed in honor”
  • “Clothed in virtue”
  • What do the colors communicate?
  • How would you describe her face?

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SAAM: Intro to Verbal Descriptions

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Art Accessibility begins long before you get to the museum.

Lesson #4

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MESO

MICRO

MACRO

MICRO LEVEL BARRIERS

  • Intrapersonal
    • Depression, anxiety, isolation, fear
    • Motivation

  • Interpersonal
    • Community mobility
    • Finances
    • Social support
    • Time constraints

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MESO

MICRO

MACRO

MESO LEVEL BARRIERS

  • Local programming
    • What exists?
    • How is it advertised?
    • Accessible websites?
    • Volunteer training?
    • Are community members involved in planning? Evaluating?

  • Building structure
    • Stairs, flooring
    • Windows / glare
    • Wayfinding

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ENVIRONMENTAL ANALYSIS: STAIRS

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ENVIRONMENTAL ANALYSIS: BARRIERS

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ENVIRONMENTAL ANALYSIS: BARRIERS

“They go around the most precious / rare pieces … it’s low tone, doesn’t distract from the art.”

-SAAM security guard

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ENVIRONMENTAL ANALYSIS: WAYFINDING

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ENVIRONMENTAL ANALYSIS: LIGHTING

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MESO

MICRO

MACRO

MACRO LEVEL BARRIERS

  • Policies or programs that can help with funding and transport
    • What exists
    • How is it advertised?
    • Accessible websites?

What are facilitators that can address some of these barriers?

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Art Accessibility promotes occupational maintenance, recovery, and discovery. �

Clients are empowered to

  1. maintain meaningful leisure occupations
  2. recover occupations that have been prematurely surrendered
  3. experience new modalities of occupational participation, at times during seasons of great loss.

Lesson #5

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Initial meeting @ the Ackland

(Chapel Hill)

Meeting w/ Beth McGuire @ NCMA (Raleigh)

Meeting w/ Betsy Ludwig @ Arts Access (Raleigh/Wake Forest)

Meeting @ SAAM (Washington DC)

Back to the Ackland!

Back to the Ackland again :)

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Remember that the institution you’re working with (museum, gallery, school, etc.) and the people supporting it, come with client factors, backgrounds, and contexts that impact the advocacy process.

ALSO, remember you’re an OT practitioner, this is what you trained for.

Lesson #6

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TIPS FROM THE ACKLAND

  1. Not everyone knows what Occupational Therapy is. You can tell them about ...
    • Your training and experience
    • How you can help them communicate with various audiences
    • How they can gather info nonverbally
      • Body language
      • Field of vision clues
    • How to anticipate safety needs or barriers
    • How to construct feedback measures that incorporate the strengths and skills of various audiences.

  • When emailing, avoid “I need you to…” Instead, use phrases like:
      • “I’m looking for connections or ideas.”
      • “I’d like to organize a visit for a client with __________.”
      • “I’d like to host a group and I’d like to talk to you about how to plan for that.”

  • Mid-size to large museums often have a “Visitor Services” person that may be helpful when coordinating visits�
  • We appreciate hands-on experiences and broad applications for personnel (i.e. program developers, docents, student volunteers, security, etc.).

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QUESTIONS?

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GROUP ACTIVITY

  • 4 case studies, 4 groups�
  • Take turns wearing the goggles and guiding each other.�
  • As a group, read the case study.�
  • Practice sighted guide techniques. Safety is paramount!

  • Collaborate with each other to conduct an environmental analysis of your assigned area.�
  • Choose a reporter to describe your experience.

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Case study 1: Macular Degeneration�Leading cause of vision impairment among adults in the US �(Prevent Blindness America, 2015)

RISK FACTORS: Age (60+), genetics, caucasian, lighter eyes, smoking, cardiovascular disease, excessive light exposure, decreased nutrition (Mogk, 2011)

RESULTS: Cells of the macula deteriorate within the central 20 degrees of visual field; wet or dry (Mogk, 2011) :�-decreased central vision�-difficulty with detailed tasks (recognizing faces, reading)�-difficulty with glare and seeing in low contrast situations�-impacted driving and mobility, fall risk�-Abnormal color vision (Tripp, 2017)

-Rate of depression - around 30% (Rovner et al., 2007)

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Macular Degeneration

What anxiety do you think Maggie has about visiting an art museum?

What would be helpful for Maggie? What would make her feel welcome?

Thinking about mobility, what might be difficult for Maggie?

How could art be therapeutic for Maggie?

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Case study 2: Glaucoma�A leading cause of blindness in the US

Many people that have glaucoma don’t realize they have it; painless and few noticeable symptoms until it is very advanced (NEI, 2017)��RISK FACTORS: 60+, African American or Hispanic, genetic component, (NEI, 2017), other conditions - diabetes, hypertension (Mayo clinic, 2017)

RESULTS: Too much pressure inside the eye causes damage to the optic nerve; begins with peripheral vision loss (“tunnel vision”) but can progress into central vision loss (Mogk, 2011).�-Difficulty with mobility, glare, scanning, avoiding obstacles, detecting motion (Holsten & Fischer, 2017)�-May experience collisions, falls, disorientation, decreased participation in community, difficulty seeing detailed objects (Holsten & Fischer, 2017)

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Glaucoma

What anxiety do you think Burt has about visiting an art museum?

What would be helpful for Burt? What would make him feel welcome?

Thinking about mobility, what might be difficult for Burt?

How could art be therapeutic for Burt?

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Case study 3: Diabetic Retinopathy

According to the CDC (N.D.), “diabetes is the leading cause of new cases of blindness in adults. . . as the number of individuals with diabetes increase, so does the number of those with impaired vision”

  • Dark spots, scotomas, floaters
  • blurry vision that fluctuates
  • light sensitivity, halos or flashing lights
  • diminished peripheral vision
  • decreased acuity; Difficulty with fine details (reading/watching TV) and outdoor travel
  • poor night vision, double vision

Results:

  • Pancreas creates insulin
  • PWD have insufficient amounts of insulin or inefficient use of insulin
  • Glucose levels remain high in bloodstream
  • Damage to small blood vessels in eye/body (Mogk, 2011).

Rate of Depression:

  • Twice as high as for persons without DR (Anderson et al. 2001)

(Mogk, 2011)

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Diabetic Retinopathy

What anxiety do you think Will has about visiting an art museum?

What would be helpful for Will? What would make him feel welcome?

Thinking about mobility, what might be difficult for Will?

How could art be therapeutic for Will?

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Case study 4 - diagnosed with Congenital Cataracts�

What anxiety do you think Melanie has about visiting an art museum?�

What would be helpful for Melanie? What would make her feel welcome?�

Thinking about mobility, what might be difficult for Melanie?�

How could art be therapeutic for Melanie?

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GROUP REPORTS

ALSO: How to make LV goggles using materials from your scrap and the dollar store.

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Would you like a copy of some of the resources we talked about today?

  • Smithsonian for American Art video
  • Sighted Guide Techniques
  • NCMA training material for docents
  • Contact list

We are HAPPY to share resources and corresponding links. Please make sure your name is on our sign up sheet if you would like to receive access to these files.

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References

American Foundation for the Blind. (2017). State-Specific Statistical Information: North Carolina. Retrieved from http://www.afb.org/info/blindness-statistics/state-specific-statistical-information/�north-carolina/235

American Foundation for the Blind. (2017). Key definitions of statistical terms. Retreived October 23, 2018 from http://www.afb.org/info/blindness-statistics/key-definitions-of-statistical-terms/25

American Occupational Therapy Association. (2014). Occupational therapy practice framework: Domain and process (3rd ed.). American Journal of Occupational Therapy, 68(Suppl. 1), S1– S48. http://dx.doi.org/10.5014/ajot.2014.682006

Anderson, R., Freedland, K., Clouse, R., & Lustman, P. (2001). The prevalence of comorbid depression in adults with diabetes. Diabetes Care: Jun; 24(6): 1069-1078

Centers for Disease Control and Prevention. (2015). Vision Health Initiative (VHI): Data & Statistics. Retrieved December 02, 2017, from https://www.cdc.gov/visionhealth/data/national.htm

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References (cont.)

Centers for Disease Control and Prevention (N.D.). Diabetic retinopahty. Retrieved December 03, 2017 from: https://www.cdc.gov/visionhealth/pdf/factsheet.pdf

Crews, J. E., Jones, G. C., & Kim, J. H. (2006). Double jeopardy: the effects of comorbid conditions among older people with vision loss. Journal of Visual Impairment & Blindness, 100, 824.

Holsten, C. and Holland Fischer, L. (2017). Making One's Future Bright Again. NCOTA conference, Raleigh, NC.

Leonard, R. (2002). Statistics on vision impairment: A resource manual (5th ed.). New York: Lighthouse International.

Mayo clinic (N.D.). Glaucoma: Symptoms and causes. Retrieved December 3, 2017 from, https://www.mayoclinic.org/diseases-conditions/glaucoma/symptoms-causes/syc-20372839

Mogk, L. (2011). Eye conditions that cause low vision in adults. In M. Warren and E. Barstow (Eds.). Occupational therapy interventions for adults with low vision. American Occupational Therapy Association: Bethesda, MD.

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References (cont.)

National Eye Institute (2016). Living with low vision. Retrieved November 11, 2017, from https://nei.nih.gov/sites/default/files/health-pdfs/LivingWithLowVisionBooklet.pdf

National Eye Institute. Glaucoma, did you know? Retrieved December 3, 2017, from https://nei.nih.gov/glaucoma/content/english/doyouknow

Rovner B., Casten R. (2007). Neuroticism predicts depression and disability in age-related macular degeneration. J Am Geriatr Soc 2001;49 (8) 1097- 1100

Tripp, Fay. (2017) Technological Advances in Low Vision Rehabilitation for the Geriatric Client. NCOTA conference, Raleigh, NC.

Warren, M. (2011). An overview of low vision rehabilitation and the role of occupational therapy. In M. Warren and E. Barstow (Eds.). Occupational therapy interventions for adults with low vision. American Occupational Therapy Association: Bethesda, MD.

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Thanks

for coming!

Have questions

or comments?

We’d love to hear from you!�ailse@therapy-insight.com

april@triumphtherapy.com

Evening in Portofino by Jeff Hanson